James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
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Funniest nonfiction books of 2023
STARRED REVIEW

June 13, 2023

The funniest nonfiction books of 2023 (so far)

These nine rollicking histories, memoirs and travelogues range from chuckle-inducing to wet-your-pants hilarious. Read in public at your own risk.

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In his third memoir, the hilarious and heartbreaking How to Stay Married: The Most Insane Love Story Ever Told, author Harrison Scott Key quips, “Men never talk about being betrayed. I want to. I feel I must. I have many deep convictions, and one of them is that suffering can and should be monetized.”

Key has done an excellent job thus far, with his debut The World’s Largest Man, winner of the 2016 Thurber Prize for American Humor, and 2018’s Congratulations, Who Are You Again? Fans know that his books are a potent mix of sharp, poignant and funny, thanks to the author’s penchant for openly talking about his baser instincts and his ability to take small, meaningful moments and extrapolate them out to large, cleverly expressed truths.

“Even if nobody bought it, even if my agent hated it, I had to get this mf-ing book out of my brain and my heart.” Read our interview with Harrison Scott Key.

In How to Stay Married, an onslaught of truths began with a devastating 2017 revelation: Lauren, Key’s wife since 2002, had been having an affair for five years. Her affair partner, called “Chad” in the book, was a married neighbor with a family that often spent time with Key’s own. The shock was deep and destabilizing, sending the author on an urgent journey of discovery (When did it go wrong? How did he miss the signs? How will their three daughters react? Should he buy a truck?) and a deep exploration of his Christian faith.

With wit and anger, humility and warmth, Key chronicles the myriad ways he has strived to understand how a couple with a lovely origin story could have grown so far apart. A chapter called “The Little Lawn Boy Learns His ABCs” is a tour de force of alphabetized self-examination (and, sometimes, self-flagellation), and a chapter by Lauren called “A Whore in Church” offers plain-spoken insight into the pain of her past and her choices in the present.

As the couple worked to figure out, together and separately, what the future might hold, Key found himself wondering, “What if, in some cosmically weird way, escaping a hard marriage is not how you change? What if staying married is?” How to Stay Married makes a strong case for that approach to romantic partnership, while offering plentiful food for thought about faith, humor, courage and love.

Humorist Harrison Scott Key’s memoir of the fallout following his wife’s affair offers plentiful food for thought about faith, humor, courage and love.

Leg

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When Greg Marshall and his childhood friend, Gretchen, ran for president and vice president of their high school class, they were something of an unconventional pair. Both were non-Mormons, making them a minority in Salt Lake City, Utah. Marshall had a pronounced limp and had yet to tell anyone he was gay, while Gretchen had a pacemaker “and a bone spur hanging off one foot like a sixth toe.” Marshall writes that their winning campaign strategy “was simple, and that was to make fun of ourselves.” Marshall takes that same winning approach in his stunning debut, Leg: The Story of a Limb and the Boy Who Grew From It

Marshall’s limp in his right leg caused weakness and spasms throughout his life and required surgeries from time to time. He had actually been diagnosed with cerebral palsy at 18 months—but his parents never disclosed this fact, telling him instead that he had “tight tendons” and encouraging their son and other four children to simply rely on the mantra, “NEVER, NEVER, NEVER GIVE UP.” Marshall didn’t discover the true origin of his mobility limitations until 2014, by accident, when applying for health insurance. “Every day growing up was like an ABC Afterschool Special in which no lessons were learned, no wisdom gleaned,” he writes.

In different hands, this memoir might have become a tragic family story, overshadowed by a mother who was diagnosed with cancer and required decades of treatment for that and other conditions, and a kindhearted, dad-joking father who died from Lou Gehrig’s disease when Marshall was 22. Instead, Marshall has written a riotously funny book that will grab your attention and steal your heart from the very first page. His writing brings to mind early David Sedaris, with its bitingly funny caricatures and descriptions, bathed in blistering commentary, deep-seated opinions, wit, intellect and, above all else, fierce family love. Additionally, Marshall details several of his sexual experiences—not to be salacious but to illuminate his ongoing quest for identity and relationships, despite his long-standing fear of contracting HIV. “As a gay man and a person with a disability, I come out every day,” he writes.

The Marshalls’ lives are full of twists, turns and surprises that will leave readers yearning for more, and this memoir serves as a love letter to all of them, especially Marshall’s late father. Rare is the book that makes me both laugh out loud and shed actual tears, but Leg made me do both.

Bitingly funny and full of blistering commentary and fierce familial love, Greg Marshall's memoir is a winning debut.

Are lesbian bars endangered places? Down from a high of 206 bars recorded in 1987, there are currently only 20+ of these beloved, sticky, red-painted bars left in the U.S. Moby Dyke, the chronicle of Krista Burton’s obsessive quest to visit each of these remaining bars, offers readers a hilarious and affectionate investigation into the past and future of queer gathering spots.

Traveling from San Francisco to New York City, from Oklahoma City, Oklahoma, to Mobile, Alabama, Burton visits both historic neighborhood bars and newer nightclubs, talking to owners and patrons about why they love these bars and who is welcome there. Virtually every bar Burton visited is lesbian-owned but welcomes everyone, including the full range of queer identities: trans men and women, nonbinary folks and the emerging generation of gender-diverse young queers. Burton also asks why so many gay bars for cisgender men continue to thrive as exclusive spaces, while lesbian bars thrive on inclusion.

An accomplished and very funny journalist, Burton is able to track serious issues around queer belonging in a fresh and lively voice. The personal narrative underlying her pursuit of lesbian bars—including her marriage to Davin, a trans man, and coming out to her conservative Mormon family—is as topical and good-humored as the interviews and reportage contained here. 

Burton’s road trip was also shaped by COVID-19, and her experiences reveal how the isolation of the pandemic stoked a real hunger for the joy of being with others in crowded, sweaty rooms, singing karaoke, partaking in dildo races and people-watching (after showing a vaccination card, of course). Even the details about the economics of Burton’s quest (such as how to fund a road trip on a book advance while still working a day job) offer a fascinating glimpse into the reality of a writer’s life. 

Burton’s portrait of the evolution of lesbian bars into communal spaces offers a timely and engaging snapshot of queer life in America.

Krista Burton’s obsessive quest to visit each lesbian bar in the U.S. offers a hilarious and affectionate investigation into the past and future of queer gathering spots.

Jamie Loftus is a comedian, podcaster, animator, Emmy-nominated TV writer and performance artist. She’s joined MENSA as a joke, has seen Shrek the Musical 10-plus times and, in 2017, ate a copy of Infinite Jest by David Foster Wallace.

Now, with the release of Raw Dog: The Naked Truth About Hot Dogs, the prolific creator and debut author takes readers on a cross-country road trip that is by turns eye-opening and gut-clenching, hilarious and poignant, scatological and existential.

In the summer of 2021—aka “Hot Dog Summer”—Loftus, her boyfriend and their dog and cat left their home in Los Angeles and set off to eat and critique a ton of hot dogs. Along the way, she interrogates our national affection for the iconic tubed meat, noting that hot dogs are “high culture, they’re low culture, they’re sports food and they’re hangover food and they’re deeply American for reasons that few people can explain.”   

Loftus digs into those mixed messages with sharp wit and righteous anger. After all, hot dogs are served at festive events but have long been made in places rife with animal abuse and worker exploitation. And while they’re the gleaming centerpiece of the annual Nathan’s Hot Dog Eating Contest, she explains that the celebrated competition is actually tainted by “jingoistic marketing” and entrenched sexism.

As for the hot dogs themselves, dozens of vendors are duly visited, sampled and reported on—from Costco and Home Depot to independent hot dog joints and even a few ballparks. She traveled to Albuquerque, New Mexico, “to get diarrhea at ten in the morning at all costs” and therefore ordered a hot dog topped with onion rings and Spaghetti-Os. In Baltimore, she “deep-throat[ed] a Maryland hot dog swaddled in deep-fried bologna,” and in Chicago, she reveled in a filet mignon steak dog. All this while pursuing with alacrity the answer to an urgent question: “Are the people on the Wienermobile fucking?”

Raw Dog is a wonderfully weird and wild mashup of history, social commentary, personal revelation and food journalism. The author’s passion for her work shines through as she makes a compelling case for more informed hot dog consumption while maintaining her love for the quintessential cookout food.

Comedian Jamie Loftus takes readers on a hot dog-sampling road trip that is by turns eye-opening and gut-clenching, hilarious and poignant, scatological and existential.
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Every collection of Samantha Irby essays—this is her fourth, following 2020’s Wow, No Thank You.—is a masterclass in situating pitch-perfect comedy and deep sincerity side by side. Irby’s appeal, at least to this reader, has always been how she’s found humor in some of life’s most difficult experiences, including losing both parents when she was a teenager and living with chronic illness.

In Irby’s new book, Quietly Hostile, she’s still sharing her delightfully bizarre opinions—like in the essay “Dave Matthews’ Greatest Romantic Hits,” which ranks 14 of the musician’s tenderest songs in an attempt to convince people that her love for him is not a bit. Irby also hits readers right in the feels with essays about complicated families, like “O Brother, Where Art Thou?” about reconnecting with her older brother after 25 years. And as always, there are numerous gross-but-mostly-funny pieces about bodily fluids, including but not limited to diarrhea, peeing her pants and peeing on a sexual partner.

Yet Irby’s rising profile as a bestselling author and cult favorite television producer has had an impact on her Everywoman relatability. Quietly Hostile contains classic Irby humor, but her well-deserved success means the subjects she applies that humor to have irrevocably changed. For example, a handful of the essays are about writing for TV, including for Aidy Bryant’s Hulu comedy “Shrill” and HBO’s “Sex and the City” reboot. In this context, the otherwise on-brand diarrhea jokes (“During my interview I said ‘Can I give Carrie diarrhea?’ and I was hired immediately”) feel somewhat awkward. There is a dissonance between her self-deprecation and the reality that “Sex and the City” creator Michael Patrick King specifically reached out to Irby’s agent to ask if she’d be interested in writing for the new show.

This dissonance aside, Quietly Hostile is still very much worth a read. Irby is a truly hilarious writer and mines laughs from the wildest situations (even a trip to the emergency room for anaphylactic shock). And as a 40-something Black woman, a Midwesterner and a stepmother, she brings a unique and underrepresented perspective to the humor shelf of your local bookstore. This newest version of Irby’s unhinged yet subtly complex humor may not quite capture the magic of previous iterations, but she’s still someone who can (and did) write hundreds of words about what to do if you clog a public toilet—and you’ve got to admit, that’s pretty special.

Samantha Irby’s fourth essay collection plays the hits, offering readers a masterclass in situating pitch-perfect comedy and deep sincerity side by side.

Geniuses seem to inhabit a world apart from mere mortals like us. But they don’t, as the irreverent and entertaining Edison’s Ghosts makes clear. Debut author and science writer Katie Spalding has mined history, biography and psychology to turn the cult of genius on its head, shining a sassy light on the idiosyncrasies of some of history’s greatest minds. People traditionally held up as geniuses, she demonstrates, still fit under the heading of “everyone is an idiot.” Although, “Maybe it’s just the apparent contrast between what we expect from these figures and what we get.”

Take Wolfgang Amadeus Mozart, for example, whom Spalding compares to a modern child star with an extremely pushy stage dad. After a childhood under his father’s thumb, Mozart turned out to be “kind of a handful.” Spalding unearths unusual bits of trivia about the musical prodigy, including the fact that Mozart apparently never outgrew a juvenile sense of bathroom humor, and that he believed babies should be fed on water. (Only two of his six children survived to adulthood.)

As for the title essay, “Thomas Edison’s Lesser-Known Invention: Dial-a-Ghost,” it turns out the prolific inventor had a formidable PR presence. “Basically, you can think of Edison as a sort of proto-Elon Musk,” Spalding writes. But unlike the Tesla, the rubber never met the road on Edison’s “Spirit Phone” for communicating with the dead. That didn’t keep Edison from claiming that the device would operate solely by scientific methods, however. And while he was ridiculed during his life for this idea, and biographers later claimed he couldn’t have been serious, Spalding unearthed a French version of a book of Edison’s writings that includes actual sketches for his design. 

Edison’s Ghosts can certainly be read from front to back, but you may find yourself so intrigued by some of the chapter titles that you decide to skip around. For what burgeoning philosopher can resist plunging right into “Confucius Was an Ugly Nerd With Low Self-Esteem”? Likewise, biology enthusiasts will hardly be able to resist turning first to “Charles Darwin: Glutton; Worm Dad; Murderer?”

Spalding includes chapters (and hilarious footnotes) about many other historical figures, including Leonardo da Vinci, Ada Lovelace, Marie Curie, Benjamin Franklin, Arthur Conan Doyle and Sigmund Freud. While the essays are tongue-in-cheek, they’re also well researched, informative and absolutely fun. Edison’s Ghosts will delight any science or history lover with a sense of humor.

Edison’s Ghosts will delight any science or history lover as it illuminates all the stupid things that famously smart people have done throughout history.

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These nine rollicking histories, memoirs and travelogues range from chuckle-inducing to wet-your-pants hilarious. Read in public at your own risk.
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“The woman who emerges from these pages is as riveting as her books” (The Wall Street Journal) in this Edgar Award–nominated celebration of the famously private V.C. Andrews—featuring family photos, personal letters, a partial manuscript for an unpublished novel, and more.

Best known for her internationally, multi-million-copy bestselling novel Flowers in the Attic, Cleo Virginia Andrews lived a fascinating life. Born to modest means, she came of age in the American South during the Great Depression and faced a series of increasingly challenging health issues. Yet, once she rose to international literary fame, she prided herself on her intense privacy.

Now, The Woman Beyond the Attic aims to connect her personal life with the public novels for which she was famous. Based on Virginia’s own letters, and interviews with her dearest family members, her long-term ghostwriter Andrew Neiderman tells Virginia’s full story for the first time.

Perfect for anyone hoping to learn more about the enigmatic woman behind one of the most important novels of the 20th century, The Woman Beyond the Attic will have you transfixed from the first page.

This Edgar Award–nominated celebration of the famously private V.C. Andrews features family photos, personal letters, a partial manuscript for an unpublished novel, and more.
Samantha Irby’s narration, with matter-of-fact delivery and flawless comic timing, makes listeners of her fourth essay collection feel like they’re having a nice long hang with their funniest friend.

There’s a conversational charm to Jamie Loftus’ narration of her book, Raw Dog (9.5 hours), in which she shares the results of her travels around the United States, one hot dog at a time.

The history of the hot dog is rich and filled with surprises, from its European roots as wienerschnitzel to its iconic status at Coney Island and baseball games. Loftus gives advance warning about the book’s discussion of slaughterhouses and how hot dogs are made, but even with such unsavory topics, there’s something terribly irresistible about her narration, which is often incredibly funny. In addition to offering a unique glimpse at the hot dog’s impact on Americana, Loftus provides much food for thought about the people and places that have contributed to its ability to transcend socioeconomic levels, as its appeal ranges from affordable meal to gourmet delicacy. 

This is an ideal listen for those who enjoy the frank food truths of Mark Bittman’s Animal, Vegetable, Junk and Eric Schlosser’s Fast Food Nation.


Read our review of the print edition of Raw Dog.

Even when discussing unsavory hot dog-related topics, there’s something irresistible about Jamie Loftus’ narration, which is often incredibly funny.
Daniel Wallace’s tale of loss, anger and absolution is painful yet redemptive, and Audie Award winner Michael Crouch’s sensitive and convincing narration gently leads the reader toward Wallace’s reconciliation with a beloved friend.

Patti Hartigan’s August Wilson: A Life is the first comprehensive biography of the great American playwright, who died 18 years ago at the age of 60. Hartigan, a theater critic and arts reporter who knew Wilson professionally, has done her homework in parsing Wilson’s complicated story from many layers of half-truths and myths, some of which were propagated by the legendary raconteur himself during his lifetime. The result is an even-handed and absorbing exploration of a sui generis artist who followed his own rules both in the theater and in his personal life.

An autodidact who learned to read by age 4, Wilson was born Freddy Kittel and grew up in Pittsburgh’s Hill District, the largely Black neighborhood that he would immortalize in his plays. Wilson’s father was white—and for complex psychological reasons still left largely unexplored in this book, Wilson spent his life convinced he had a different white father than his siblings. However, Wilson identified exclusively as Black. His mother arranged the best education she could for her brilliant son, but he repeatedly faced skepticism and racism, and he never finished high school. Aspiring to be a poet, Wilson dove into the nascent Black arts scene in Pittsburgh, where his writing talents were put to use in local theater productions. Confident in his abilities and focused on his ambitions, he began sending unwieldy scripts to the O’Neill National Playwrights Conference.

When he was finally accepted with what was at the time a four-and-a-half-hour version of Ma Rainey’s Black Bottom, Wilson quickly took the theater world by storm. Just a few years later, he was on Broadway and had won the first of two Pulitzer Prizes. The playwright, known for his powerful and poetic monologues, soon embarked on a daunting project: a 10-play cycle that would hold a mirror up to the experiences of Black people in 20th century America, decade by decade. He finished the last play just months before his premature death.

In her five-year-long excavation of August Wilson’s family history, Patti Hartigan found spine-tingling similarities between the stories the celebrated playwright created and the actual past he never fully knew. 

The man Hartigan profiles is a fascinating bundle of contradictions: a generous, congenial companion who could at times seethe with rage; a lover of women who often gave them short shrift in his plays; a storytelling seer who made well-drawn specifics of the Black experience speak to audiences across racial barriers. August Wilson: A Life is a worthy and overdue first biography that will trigger new conversations about a magnificent playwright and the origins of his talent.

August Wilson: A Life is an even-handed and absorbing exploration of a sui generis artist who followed his own rules both in the theater and in his personal life.
R. Eric Thomas will keep you laughing, but underneath the mirth of this excellent essay collection lies a wealth of thoughtful observations about his life, family, politics, pop culture and especially his marriage.
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In Goodbye Eastern Europe: An Intimate History of a Divided Land, journalist and historian Jacob Mikanowski manages to pull off the nearly impossible: An accessible and detailed history of Eastern Europe that spans 2,000 years in under 400 pages. 

The book’s subtitle reveals both the greatest challenge he faces and the advantage he brings to the task. Eastern Europe is indeed a divided land. Numerous migrations, invasions and empires have led to hundreds, if not thousands, of ethnic groups living cheek by jowl across the lands between Western Europe and Russia. Their languages, religions and customs have co-existed, sometimes peacefully, sometimes not. Over the centuries, their countries have merged—as loose confederations, united republics, and vassal countries or regions in larger empires—and broken apart. 

The resulting complex and haunting history is also tragic. During the early 20th century, wars smashed through Eastern Europe, leaving millions dead or displaced while setting the stage for Soviet domination over the region. 

Telling this story, which could fill many volumes, within the confines of just one is daunting. It would be tempting to glide over details in the interest of brevity or to rely too heavily on statistics, allowing numbers to tell the story. Instead, Mikanowski deliberately frames his book as an intimate history—intimate, because the story of all these different people is also the story of his family. Like each of us, Mikanowski is a product of history. Polish princes, Lithuanian merchants and Jewish scholars all played a part in his family background, and their lives were shaped, and often shortened, by history. 

This very personal perspective gives depth and humanity to Goodbye Eastern Europe, along with urgency. In this increasingly divided world, Mikanowski reminds us that differences can lead to resentment and violence. But he also points out that countries can embrace these divisions, making themselves and their people stronger as a result. Goodbye Eastern Europe is both cautionary tale and signpost.

Journalist and historian Jacob Mikanowski manages to pull off the nearly impossible—an accessible and detailed history of Eastern Europe that spans 2,000 years in under 400 pages.

Part memoir, part scientific exploration, part biography, Karen Pinchin’s cautionary and riveting Kings of Their Own Ocean: Tuna, Obsession, and the Future of Our Seas illuminates the plight of the Atlantic bluefin tuna and the fishermen and scientists who’ve spent their lives studying, tagging and working to save the species.

Although we often marvel over tales of great white sharks and other predators of the sea, most people only think of bluefin tuna when they order sushi, seldom considering its beauty and power beyond the dinner plate. Pinchin opens with a paean to this apex predator of the oceans: “To stand beside a just-landed giant bluefin, still slick from salt water, feels akin to standing beside a natural marvel like Niagara Falls or an erupting volcano. There’s beauty, but also danger.” The book follows one bluefin, dubbed Amelia (after Amelia Earhart) from the cold waters of the Atlantic, where she was first tagged in 2004, to the warmer waters of the Mediterranean, where she was killed in 2018. In between this coverage, Pinchin takes us through the history of commercial fishing for bluefin, as well as the politics and science that have frequently collided in attempts to preserve the tuna from extinction. 

Early in his career as a boat captain, fisherman Al Anderson recognized the precipitous decline of the bluefin population and soon began chartering trips off Rhode Island where his customers catch, tag and release tuna—including Amelia. In 1990, Anderson wrote The Atlantic Bluefin Tuna: Yesterday, Today, and Tomorrow, an oral history peppered with his own memories of fishing, and To Catch a Tuna, a “how-to guide for aspiring tuna fishermen.” We also meet Molly Lutcavage, whose research was the first of its kind to gather and analyze data on bluefin, and Carl Safina, the author of Song for the Blue Ocean, who proposed that the bluefin be listed as endangered. 

While Pinchin avers that “we are collectively only ever a few terrible choices from wiping out any ocean species,” her conclusion is optimistic: “The future of Atlantic bluefin tuna has hinged on a series of butterfly-wing events. . . . Those moments all mattered, and those moments are still being made.” Kings of Their Own Ocean enthralls, instructs and is a must-read for readers concerned about the future of our oceans and the creatures within them.

The enthralling Kings of Their Own Ocean tells the story of an overlooked predator, the Atlantic bluefin tuna, urging readers to consider its power and beauty beyond the dinner plate.
Made from found natural objects like rocks, twigs and seeds, James Brunt’s gorgeous and mesmerizing art is presented with infectious enthusiasm through full-color photographs.
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Saghar Setareh was 22 when she moved from Iran to Italy. After almost a decade in her new home, she writes, “I found my lantern, my mirror, and my passion in food, lighting up not only my path to understanding Italy but also illuminating the reflection of my own Iranian culinary heritage. Like many immigrants before me, I came to know—and cherish—my homeland, by comparison with the new country.” In a stunning new cookbook, Pomegranates and Artichokes, she invites us on a “culinary road trip” from the Middle East to the Mediterranean, from porridge with rosewater and a saffron omelet, to Turkish eggplant in tomato sauce and creamy eggplant and tahini dip, to aperitivo cocktails and pork roast with pears and chestnuts, and so much in between. This winding road is a food lover’s fantasy.

Saghar Setareh invites us on a “culinary road trip” from the Middle East to the Mediterranean in a food lover’s fantasy.

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