Preventable and curable, tuberculosis is still the world’s deadliest disease. John Green illuminates why in Everything Is Tuberculosis.
Preventable and curable, tuberculosis is still the world’s deadliest disease. John Green illuminates why in Everything Is Tuberculosis.
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From 1939 through the last months of the war, the Nazi army seized priceless paintings, sculptures, tapestries and more, from museums, palaces, cathedrals, private homes, even tiny chapels—the Nazis plundered everything, carting off the cultural history of every nation they entered.

But just as the Allied Forces fought to save the Western world, others fought to save Western Civilization. They were “the Monuments Men,” a handful of soldiers given a unique assignment: to preserve the cultural soul of Europe by protecting Europe’s art. Robert M. Edsel’s masterful book The Monuments Men shares their story, in a tale that is part history, part war story and part treasure hunt. Undermanned, undersupplied and with virtually no authority, the Monuments Men (and women) faced bullets, bombs and Nazi booby traps to rescue works by Rembrandt, Da Vinci, Vermeer, Michelangelo and more.

Edsel and his co-author, Bret Witter, have crafted an account that moves like a Hollywood action adventure, with scenes ranging from a peasant’s cottage in the middle of an artillery battle, to the depths of an ancient salt mine. There are heroes to root for, villains to hiss at and an increasingly pressing race against time as the Nazis, in a last vicious act of defiance, set about to destroy the art rather than give it up.

Edsel and Witter interviewed the few surviving Monuments Men, examined family letters and even Nazi archives in their research. Whether you’re a fan of art, military history or stories of real-life heroes, The Monuments Men is a treasure worth the hunt.

Howard Shirley is a writer in Franklin, Tennessee.

From 1939 through the last months of the war, the Nazi army seized priceless paintings, sculptures, tapestries and more, from museums, palaces, cathedrals, private homes, even tiny chapels—the Nazis plundered everything, carting off the cultural history of every nation they entered.

But just as the Allied…

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Cuba In Mind, edited by Maria Finn Dominguez, is a collection of essays, short fiction, reports and poems by such luminaries as Anthony Trollope, Steven Crane, Graham Greene, Langston Hughes, Elmore Leonard, Oscar Hijuelos and Andrei Codrescu. It is essentially a catchall of impressions by those who have found something to admire in the island and its people. Ernest Hemingway liked the fact that one could raise and fight cocks legally there and shoot live pigeons as a club sport. Allen Ginsberg, who was booted out of the country in 1965, was sympathetic to the Revolution’s basic goals but enraged by its abuse of homosexuals. Reflecting years later on his ill-fated visit, he told a reporter, “Well, the worst thing I said was that I’d heard, by rumor, that Raul Castro [Fidel’s younger brother] was gay. And the second worst thing I said was that Che Guevara was cute.”

Cuba In Mind, edited by Maria Finn Dominguez, is a collection of essays, short fiction, reports and poems by such luminaries as Anthony Trollope, Steven Crane, Graham Greene, Langston Hughes, Elmore Leonard, Oscar Hijuelos and Andrei Codrescu. It is essentially a catchall of impressions…
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Eugene Robinson, an editor and former reporter for the Washington Post, views Cuba’s history and post-Revolutionary politics through its many kinds of music in Last Dance In Havana. While this approach may not satisfy scholars, it does have a lot to recommend it. After all, the arts are a barometer of what a society values, subsidizes, permits and turns to in times of crisis. Thanks to the international success of 1997’s The Buena Vista Social Club CD, a project that resurrected a group of old and once-neglected native performers, Cuban music was suddenly all the rage. This fascination brought yet another tentacle of capitalism to the country and widened the general interest in other varieties of popular music. Robinson is at pains to trace them all: he visits nightclubs and musician’s homes, inspects Cuba’s world-class music academies and demonstrates how Castro’s seemingly capricious rules affect the ebb and flow of music. Robinson, who is black, also describes the racism that still afflicts this supposedly egalitarian society.

Still, he is not cynical about Castro’s motives. “He saw a Cuba of heroic sacrifice and complete selflessness, a state that came as close as possible to attaining the communist ideal, a land where bourgeois comforts’ were rightly scorned and private ownership’ was a concept consigned to history’s dustbin and constant struggle’ was the happiest condition of all. . . . I think that when Fidel looks at the glorious shambles that is Cuba, he sees success, not failure.”

Eugene Robinson, an editor and former reporter for the Washington Post, views Cuba's history and post-Revolutionary politics through its many kinds of music in Last Dance In Havana. While this approach may not satisfy scholars, it does have a lot to recommend it. After all,…
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<B>The Philosoher’s Dog</B> If your brow is high enough and your quest for a deeper understanding of the intricate bond between animal and human life is strong enough, <B>The Philosopher’s Dog: Friendships with Animals</B>by Raimond Gaita offers provocative insight. “The person who has rid himself of the need of others, who longs and grieves for no one, is not someone who is positioned to see things most clearly,” Gaita suggests, and he extends this need to include the love of animals. A professor of philosophy, Gaita uses what he calls a mix of “storytelling and philosophical reflections on the stories” to analyze mankind’s connection to animals. If you are as comfortable with quotes from Socrates and Kierkegaard as you are with tales of Jack the cockatoo and Gypsy the German Shepard, Gaita’s book offers both intellectual challenges and anecdotal treasures.

<B>The Philosoher's Dog</B> If your brow is high enough and your quest for a deeper understanding of the intricate bond between animal and human life is strong enough, <B>The Philosopher's Dog: Friendships with Animals</B>by Raimond Gaita offers provocative insight. "The person who has rid himself…
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Geneen Roth’s The Craggy Hole in My Heart and the Cat Who Fixed It is a story of self-discovery and a struggle to fully and freely embrace the joys of living even while suffering its pains and sorrows. This time it’s a cat, Mister Blanche, a 20-pound male with a feminine name who looks like a “furry pyramid or a goat with curly stomach hair” who selflessly and wondrously fulfills the need. “Why love someone who is just going to turn around and either leave or die?” Roth agonizes in the early pages of the book, but it is through the actual loss of first her father and then Mister Blanche that she learns how losing a person or a pet you love can ultimately help you learn to love without fear, without reservation. Roth writes with candor and humor and does not spare herself the barb of her own self-awareness. Paralyzed by her fear of her cat’s death, she commissions an artist to immortalize Blanche by painting three portraits of him, and simultaneously makes a commitment to discover her true nature. “I figure it is good to cover all the bases: if I discover that my true nature is nothing to write home about, at least I will have a lot of nice paintings.” Still reigning: cats and dogs If your brow is high enough and your quest for a deeper understanding of the intricate bond between animal and human life is strong enough, The Philosopher’s Dog: Friendships with Animals (Random House, $23.95, 240 pages, ISBN 1400061105) by Raimond Gaita offers provocative insight. “The person who has rid himself of the need of others, who longs and grieves for no one, is not someone who is positioned to see things most clearly,” Gaita suggests, and he extends this need to include the love of animals. A professor of philosophy, Gaita uses what he calls a mix of “storytelling and philosophical reflections on the stories” to analyze mankind’s connection to animals. If you are as comfortable with quotes from Socrates and Kierkegaard as you are with tales of Jack the cockatoo and Gypsy the German Shepard, Gaita’s book offers both intellectual challenges and anecdotal treasures.

Geneen Roth's The Craggy Hole in My Heart and the Cat Who Fixed It is a story of self-discovery and a struggle to fully and freely embrace the joys of living even while suffering its pains and sorrows. This time it's a cat,…
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<B>My Therapist’s Dog</B> <B>My Therapist’s Dog: Lessons in Unconditional Love</B> by Diana Wells is the story of how Wells, devastated by the loss of her son and sister, reluctantly reaches out to a therapist with a black Lab named Luggs. Wells has no insurance at this difficult time in her life, but the therapist accepts her as a client free of charge. To give something in return, Wells begins taking part-time care of Luggs, and gradually the dog becomes a bridge, connecting and comforting the two women as they each come up against more of life’s catastrophes. Wells is a historian, and she infuses her inspiring story with literary references and canine facts, exploring the bond that humans and dogs have shared for centuries. She quotes Emily Dickinson, for example, who wittily noted in 1862 that dogs are “better than human beings because they know, but do not tell.” Through her relationship with the therapist and her dog, Wells eventually overcomes her skepticism toward counseling and discovers the power of human (and animal) connections.

<B>My Therapist's Dog</B> <B>My Therapist's Dog: Lessons in Unconditional Love</B> by Diana Wells is the story of how Wells, devastated by the loss of her son and sister, reluctantly reaches out to a therapist with a black Lab named Luggs. Wells has no insurance at…

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