Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
With its seamless integration of gardening principles with advanced design ideas, Garden Wonderland is the perfect gift for new gardeners—or anyone in need of a little inspiration.
With its seamless integration of gardening principles with advanced design ideas, Garden Wonderland is the perfect gift for new gardeners—or anyone in need of a little inspiration.
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Neither Tolkien nor C.S. Lewis could have devised a panorama of personages and events more fantastic than the one which befell the human race at the dawn of its recorded history. Starting around 900 B.C.

E., four separate civilizations experienced a spiritual transformation spanning some seven centuries. The peoples in the regions now called Greece, India, China and Israel developed ethical ideas so consistent with each other that their independent evolution is a matter of pure astonishment.

This cross-cultural axis of religious awakening was first discerned and described 60 years ago by the German philosopher Karl Jaspers, who believed that history possessed both a clear origin and an achievable goal. Our generation’s premiere historian of religious thought, Karen Armstrong, is naturally less optimistic about humanity’s course, but she feels all the more impelled to provide a direction through her own writings. At the very outset of her monumental new book, The Great Transformation: The Beginning of Our Religious Traditions, Armstrong articulates the dire necessity to recognize and recreate the Axial Age of the first millennium B.C.

E. Her enterprise is so urgent the global stakes could not be higher that it demands a structure both simple and tremendous: she composes a historical symphony in four movements, one Greek, one Indian, one Chinese and one Hebrew. But just as, from our perspective, the different trees of thought in these four civilizations intertwine their branches, so too do the distinct movements of Armstrong’s prose symphony insinuate themselves into each other, chapter by chapter, under the headings of certain spiritual principles.

What are these radical principles of the Axial Age? First, the ability to recognize the divine in both the other and oneself, along with a likening of the other to oneself an empathy later to be called The Golden Rule. Second, the rise of introspection and self-discovery over external ritual and magic. Third, the recognition of the inevitability of suffering and the development of spiritual technologies for transcending it. Fourth, the capacity to see things as they really are a realism terribly undervalued in our own time. Fifth, the spread of knowledge, beyond the confines of an elite, to ordinary folk. Sixth, an awareness of the limitations of human knowledge. In all four geographical regions of the Axial Age, these gospels were long in coming and short in staying. What’s far worse, they are so familiar to us these days particularly through the sayings of that latter-day child of the Axial Age, Jesus of Nazareth that we can recognize neither the awesome strangeness of their universality nor their potential to change the world. The Buddha and Socrates, Confucius and Jeremiah were foremost among the many sages of those centuries. Could Armstrong be the first sage of a second Axial Age? It is literally up to the reader to decide. Michael Alec Rose is a music professor at Vanderbilt University.

Neither Tolkien nor C.S. Lewis could have devised a panorama of personages and events more fantastic than the one which befell the human race at the dawn of its recorded history. Starting around 900 B.C.

E., four separate civilizations experienced a spiritual transformation spanning…
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In the days before D-Day, everyone knew that a seaborne invasion of Europe by the Allies was coming. The big questions were when and where. We now know that the landings on the beaches of Normandy were crucial to eventual victory in World War II. But what was life like in the days just before D-Day? Drawing on a wide range of sources, including letters, diaries, contemporary documents and interviews, historian and former diplomat David Stafford takes us into the lives of ordinary people and military personnel in his Ten Days to D-Day: Citizens and Soldiers on the Eve of the Invasion. The result is a narrative that flows easily, much like an engrossing documentary film, from one person and country to another.

The many profiles include men like Andre Heintz, a French schoolteacher in Caen, who was part of the Resistance. He forged identity cards for those in trouble, but also had the potentially more dangerous role of collecting intelligence about changes in the city’s German military installations. In an Oslo prison, there is Peter Moen, who had been one of the main editors of the most important of the clandestine newspapers in Norway before becoming a prisoner of the Gestapo. Women contributed as well. In the days before D-Day, there were more than 70,000 women working as spies, codebreakers, radio mechanics and in other nontraditional roles. Twenty-year-old Sonia d’Artois, from England and an expert on explosives, parachuted into France before D-Day. The remarkable Vera Atkins was in charge of the French intelligence section; female agents had been sent to France as early as 1942. Along with the personal stories of everyday citizens like those mentioned above, Stafford explores the concerns and frustrations of the leaders, in particular General Eisenhower, Prime Minister Churchill and General de Gaulle. The author also illuminates the central role of the Spaniard Juan Pujol, the double agent who supplied false information to the Germans under the alias of “Arabel,” while secretly submitting reports to the Allies. Pujol’s misinformation was necessary to keep the actual date and time of the invasion secret from the Germans.

Written with admirable clarity, Ten Days to D-Day helps us to appreciate the difficulties, ingenuity, personal courage and sacrifice of the many individual citizens in addition to the Allied leaders in the period just before the D-Day landing. Roger Bishop is a bookseller in Nashville and a frequent contributor to BookPage.

In the days before D-Day, everyone knew that a seaborne invasion of Europe by the Allies was coming. The big questions were when and where. We now know that the landings on the beaches of Normandy were crucial to eventual victory in World War II.…
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<B>Wild things: a naturalist’s love story</B> In her new memoir <B>Shadow Mountain: A Memoir of Wolves, a Woman, and the Wild</B>, Renee Askins, who founded The Wolf Fund in 1986, demonstrates the kind of deep natural wisdom and sense of awe at the wild that has distinguished writers like Edwin Muir, Annie Dillard and Aldo Leopold. Founded with the primary goal of reintroducing wolves into Yellowstone National Park, The Wolf Fund has largely succeeded, but Askins doesn’t minimize the animal lives lost or the resounding ironies that emerged in the process. Working to obliterate the us against them model she recognizes human concerns rather than enemy positions. Askins’ clear-eyed understanding of the pressures the organization experienced marks a welcome common-sense approach to conservation issues. She is not afraid to introduce difficult questions about wildlife management that The Wolf Fund experienced (for instance, to what degree should unendangered species be sacrificed to the endangered, and when does management morph into control ?). Askins relates wonderfully poignant wolf and dog stories. Human relationships take a back seat in the book until the end, as if, perhaps, her intense experiences with animals have opened her up to human beings as well. In the end, she writes, we are left to honor and allow the mystery, love the questions and the otherness and look to the wild unknown for the resolution to our environmental crisis.

<B>Wild things: a naturalist's love story</B> In her new memoir <B>Shadow Mountain: A Memoir of Wolves, a Woman, and the Wild</B>, Renee Askins, who founded The Wolf Fund in 1986, demonstrates the kind of deep natural wisdom and sense of awe at the wild that…

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There won't be many more honest and revealing works this year than Clapton: The Autobiography. The man often termed a guitar god and considered an icon by many music fans isn't interested in affirming that notion. Instead he repeatedly cites his flaws and failures, doing so in graphic detail and without offering excuses for his lapses in judgment and behavior. Clapton writes about his drug and alcohol problems, his adultery and depression in spare, unflinching prose. He's determined to let readers know that not only is he human, but that he's paid a heavy price to reach the top. There's also a full discussion of his interaction, romance and ultimate failed relationship with Pattie Boyd, who was married to Clapton's good friend George Harrison when he began pursuing her. Particularly painful is Clapton's account of the death of his four-year-old son Conor, who fell to his death in 1991 from a New York high-rise.

Yet the book also has plenty of rich musical detail, from his description of being awed by first hearing Jimi Hendrix to accounts of playing with the Rolling Stones and Beatles, teaming with longtime idol B.B. King, and reshaping the classic blues and soul he adored into a more personalized and individual sound.

DREAM WEAVERS

As a staff photographer for Rolling Stone, Robert Altman visually documented the changes that rocked the '60s with a scope and clarity no one has surpassed. His remarkable photographs comprise the bulk of the compelling new collection, The Sixties. Whether you were there or not doesn't really matter, Altman writes in an author's note, maintaining that these pictures do the talking in recapturing the excitement of Woodstock, be-ins and the Summer of Love. Whether in funny (and sometimes frightening) crowd shots of anonymous war protesters or intense individual portraits of such famous '60s figures as Jim Morrison, Janis Joplin, Jane Fonda, Grace Slick and Joni Mitchell, Altman brings it all back in unforgettable style. Journalist Ben Fong-Torres adds perspective with a brief introduction and Q&A with Altman.

Runnin' Down a Dream: Tom Petty and the Heartbreakers is a companion work to the documentary film by Peter Bogdanovich, and it contains comprehensive and candid interviews with Petty and company on such subjects as life on the road, the music business, the failures of contemporary radio and Petty's devotion to the classic rock and soul that shaped his heartland sound. His determination not to let trends affect or influence his work is noteworthy, and there's also enough levity and humor to balance out some spots where his disillusionment at changes in the landscape becomes evident.

THE CHAIRMAN AND THE KING

Both Charles Pignone's Frank Sinatra: The Family Album and George Klein's Elvis Presley: The Family Album are loving insiders' collections rather than probing investigative surveys or detached evaluations. Pignone was a close Sinatra friend and is now the family archivist, while Klein was a high school classmate of Presley, and even had the King serve as his best man. Both books are full of warm remembrances, rare photographs and views of the family side of these performers. You won't get any outlandish tales of excessive behavior here, but there are interviews with family members and associates who've never talked about their relationships before, plus detailed accounts from Pignone and Klein that emphasize the character and generosity of both these superstars.

For those interested in why we enjoy listening to music, there's Musicophilia: Tales of Music and the Brain by neurologist Oliver Sacks, best known for books that recount some of his highly unusual cases (The Man Who Mistook His Wife for a Hat, etc.). In Musicophilia, Sacks investigates the medical effects positive and negative of listening to music. He does so in a manner somewhere between scholarly and weird, using amazing stories to validate his theories and illustrate how important music appreciation can be. Whether talking about a disabled man who has memorized 2,000 operas or children whose ability to learn Mandarin Chinese has given them perfect pitch, Sacks offers tales that will fascinate any music lover.

There won't be many more honest and revealing works this year than Clapton: The Autobiography. The man often termed a guitar god and considered an icon by many music fans isn't interested in affirming that notion. Instead he repeatedly cites his flaws and failures, doing…

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Wine books make corking good presents, and this year's offerings run the gamut from info-packed to irreverent. George Taber's smart and highly readable To Cork or Not to Cork: Tradition, Romance, Science, and the Battle for the Wine Bottle is firmly in the former camp. Taber, whose 2005 bestseller Judgment of Paris detailed the crucial 1976 victory of California's Stag's Leap and Chateau Montelena wines over their French rivals, takes a widely researched (as per the subtitle) but highly entertaining tale about how the issue of cork spoilage has roiled the winemaking industry and lifted the once lowly screwtop and other non-cork options to at least relative respectability. Not surprisingly, Bonny Doon's Randall Grahm and Australian Riesling star Jeffrey Grosset come in for applause. Taber's chapter lead-ins are great anecdotes of how bad corks have spoiled great moments for winemakers, collectors and critics.

Just as screwtops regularly get the (Thunder)bird from wine snobs, Beaujolais Nouveau are routinely ridiculed as the $10 version of, well, screwtop wines definitely dernier cru. (Wine Bible author Karen MacNeil, who wrote the foreword for To Cork or Not to Cork, famously compared it to cookie dough.) Beaujolais wines are immensely food-friendly, fruity and light, which is why these wines were traditionally tasted as soon as bottled. The man who made this tasting into a worldwide event every year on the third Thursday of November is village winemaker turned importer George Duboeuf, hero of I'll Drink to That: Beaujolais and the French Peasant Who Made It the World's Most Popular Wine by Rudolph Chelminski. He may have started out, in some eyes, as a simple peasant though his palate has repeatedly been validated but the Beaujolais Nouveau with his imprint now sells some 2.5 million bottles a year in this country alone.

VIN NOUVEAU
Hip Tastes: The Fresh Guide to Wine, an oh-so-chatty primer by 28-year-old San Francisco sommelier-cum-social events organizer Courtney Cochran, is like one of those infomercials where you hear more about what you're going to learn than anything else but there's a much better, albeit very small book buried under all the cuteness. Cochran, who organizes monthly tasting parties for wine newbies, as she would say, seems to have taken a microphone to one of her events and simply transcribed her spiel, with bums me out, kick-ass and juvenile sexual innuendoes intact. Luckily, the useful explanations of terroir, flavors and aromas to look for and so on are in a much more straightforward tone.

For those who prefer the Year in Provence-style memoir (albeit with an R rating), Eric Arnold's First Big Crush: The Down and Dirty on Making Great Wine . . . Down Under is the choice book on this list. Would-be standup comedian Arnold takes a year's apprenticeship at Allen Scott's Marlborough winery, during which he nearly kills several people, drinks and eats extensively and occasionally imparts good information about the process amid the profanity and locker-room jokes. The two strains of the memoir becoming one of the wine boys, and the actual Wine 101 stuff don't always flow smoothly, but his workplace is a first-rate down-and-dirty winery, anyway. (Incidentally, there is a short and quite subjective but memorable explanation of the screwtop vs. cork debate included here.)

MADE IN THE USA
Wine Across America: A Photographic Road Trip, by husband-and-wife team Charles O'Rear and Daphne Larkin, took two years and 80,000 miles to create; but as a coffee-table book, it makes a pretty travel brochure. O'Rear, a longtime photographer for National Geographic, has already produced seven wine books; Lardin reports on the wine industry for various magazines. But here her reporting is limited mostly to captions, some useful and some simply descriptive. Ultimately, it seems the best way to use this book is if a friend has visited a particular winery included here, and wrap it with a bottle. There is a spread of American wine labels glossily reproduced that would make a great wall poster, ˆ la the pub signs of London or bottles of hot sauce; I'd order several myself.

Wine books make corking good presents, and this year's offerings run the gamut from info-packed to irreverent. George Taber's smart and highly readable To Cork or Not to Cork: Tradition, Romance, Science, and the Battle for the Wine Bottle is firmly in the former camp.…

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One morning more than five years ago, Diane Ackerman arrived in the high-tech cove of the local hospital to find her husband, the novelist Paul West, trailing so many tubes that he looked like a jellyfish. Fighting a systemic kidney infection, West had languished in the hospital bed for more than three weeks, but he brightened at Ackerman’s entrance. The couple playfully plotted his escape from the world of the sick and infirm and his return to their cozy world full of words and wonder at the marvels of nature in their rural New York home. Those bright hopes shattered when, after a long and arduous surgery, he suffered a stroke, losing all command of language, memory and muscular coordination—and needing her to nurse him back to wholeness.

Through her poignant memoir, One Hundred Names for Love, Ackerman guides us through the territory of anxiety and despair as she navigates the cartography of loss. As a poet and writer deeply in love with language, she feels viscerally the loss that her beloved must feel in the moments, days, months and even years after his stroke. After a couple of years, Ackerman feels as if she is becoming West’s coach, cheerleader, teammate, teacher, translator, best friend and wife all rolled into one. No one can play so many roles without burning out.

Yet in spite of her physical and mental fatigue, she lovingly continues to talk to, cajole and banter with West in the slow, demanding work of helping him to regain his use of language. A triumphant moment occurs when she asks him to make up some new pet names for her to replace the ones he has forgotten; almost immediately West calls her his “celandine hunter” and “swallow haven.” From those hours he begins to focus on his writing once again, recovering more steadily as he regains the ability to use language creatively rather than simply to name objects. Since his stroke, West has written his own memoir of the event (The Shadow Factory) along with essays and book reviews for publications like Harper’s.

Although Ackerman’s faith in West’s ability to regain language changed from moment to moment, her moving memoir captures her loving faith in the unerring power of words to heal her loved one’s broken soul and body.

 

One morning more than five years ago, Diane Ackerman arrived in the high-tech cove of the local hospital to find her husband, the novelist Paul West, trailing so many tubes that he looked like a jellyfish. Fighting a systemic kidney infection, West had languished in…

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