Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
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Sown in the Stars is a valuable cultural document, full of experience and wisdom from farmers who consult celestial cycles and the zodiac signs to time their planting.
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“You must do the thing you think you cannot do,” Eleanor Roosevelt once wrote. In journalist Shannon McKenna Schmidt’s detail-rich and revealing account, The First Lady of World War II: Eleanor Roosevelt’s Daring Journey to the Frontlines and Back, it is abundantly clear that the four-term first lady lived her words. Beginning as a Red Cross volunteer during World War I, and later as President Franklin D. Roosevelt’s wife and widow, she was a powerful voice for pacifism and economic and racial equality. She was derided during her lifetime for her forays into men’s worlds of work and war, but that didn’t stop her from embarking on a perilous journey to visit American troops in the South Pacific during World War II.

The first lady’s 1943 tour started in secret, as an attempt to evade misogynistic criticisms from press and politicians. When the news broke that she was amid the fierce, ongoing war with Japan, she was pilloried. Disdain and skepticism awaited her when she met the military men in command. Admiral “Bull” Halsey said he didn’t have time to entertain a “do-gooder.” General Douglas MacArthur refused to allow her to visit his post in Papua New Guinea. Yet, flying in freezing military planes, often under cover of darkness to avoid detection, Roosevelt visited Hawaii, Australia, New Zealand and 17 islands, including Bora Bora, Christmas Island and Guadalcanal, over the course of five weeks. She went from bed to bed in hospitals, offering to bring messages home to the families of wounded soldiers and letting the troops know she was there because their president wanted to know how they were doing.

What was first viewed as a political stunt soon earned Roosevelt the admiration of Halsey and others, many of whom couldn’t keep up with her. She ate with the enlisted men, slept in huts, took cold showers and wrote it all down in her syndicated news column, “My Day.” In New Zealand and Australia, she visited factories and farms where women did the work that men were no longer available for. She wore a Red Cross uniform she paid for herself, just as she funded her entire trip. While some people back in America groused that Roosevelt should “stay at home, where a wife belongs,” the troops she met with gushed, “She’s just like your mother, isn’t she?”

After witnessing firsthand the horrific combat conditions for servicemen in the South Pacific theater, Roosevelt became a force for improving their lives as veterans. The GI Bill of Rights would help prevent the shameful treatment and broken promises that World War I veterans had endured. Roosevelt’s role as a delegate in the nascent United Nations also had its roots in this journey, which continued to haunt her throughout her life. As Schmidt powerfully conveys, it was a trip that changed many lives, especially Roosevelt’s.

Shannon McKenna Schmidt’s detail-rich and revealing The First Lady of World War II follows Eleanor Roosevelt on her perilous journey to visit American troops in the South Pacific.

In her first memoir, Welcome to Shirley: A Memoir From an Atomic Town, Kelly McMasters chronicled her happy childhood in a small blue-collar seaside community—and her horrified realization that nearby nuclear reactor leaks were causing cancer in numerous residents.

McMasters again explores the notion of something dark and poisonous lurking beneath a bright, beautiful surface in The Leaving Season: A Memoir in Essays. This time, she’s writing as a woman emerging from a long relationship, feeling both sorrowful and sanguine. “Marriage, after all,” she writes, “is just one long exercise in controlled burning.”

With poetry and profundity, the author reflects on her path from 20-something optimistic wife and mother-to-be to 30-something reluctant yet relieved divorcee and single mom. Her ex-husband is referred to as R., a painter she began dating just prior to 9/11. On that day, they stared out his studio window in New York City, and McMasters “had the strange sense that, like Lot’s wife, I might disintegrate into salt if I turned away from this body left standing next to me as the others collapsed impossibly in front of my eyes.”

The experience “grafted us to one another,” McMasters writes, and afterward the couple embarked on a tale as old as time: Artsy city-dwellers purchase land in a rural area, anticipating a slower pace, stronger connection and lots of room to grow. McMasters and R. did experience many of those things; her descriptions of their new surroundings are compelling and beautiful, her efforts to befriend taciturn farmers humorous, her determination impressive. (Whiskey helped.) But while sunlight dappled the grass and their young children created joyful chaos, R. grew distant and McMasters “felt like a broken compass needle, spinning and searching for purchase.”

The author’s candor and hard-won perspective will offer solidarity and support to those who are longing to feel seen, and perhaps contemplating shaking up their own lives. In reading The Leaving Season, an old saying came to mind: Wherever you go, there you are. But what if you aren’t sure who you are? McMasters’ masterful, moving memoir of her journey from the city to the country to the suburbs makes an excellent case for taking the time to figure that out, no matter how frightening it seems.

With poetry and profundity, Kelly McMasters reflects on her path from optimistic wife and mother-to-be to reluctant yet relieved divorcee and single mom.

In September of 1740, a British man-of-war called the Wager sailed from Portsmouth, England, as one of six warships in a squadron bound for South America. Their mission: to harass Spanish naval forces while seeking out a treasure-laden galleon on its way from Mexico to the Philippines during the colorfully named War of Jenkins’ Ear. The Wager: A Tale of Shipwreck, Mutiny and Murder is bestselling author David Grann’s vivid account of that ill-fated expedition, revealing humanity at its best and worst, from heroism to cannibalism.

Grann focuses his attention on three of the vessel’s crew members: Captain David Cheap, who sailed as the first lieutenant of another ship and inherited his first command of a man-of-war after the death of the Wager’s previous captain; John Bulkeley, the ship’s gunner and a deeply religious man who kept a meticulous journal of the disastrous voyage; and John Byron, an ambitious 16-year-old midshipman whose grandson, Lord Byron, would one day incorporate elements of the Wager’s tragic story into his epic poem “Don Juan.”

David Grann reveals why a disastrous shipwreck from the 1740s struck him as a parable for our own turbulent times.

Informed by the extensive documentary record and enriched by the experience of his own three-week visit to the site where the Wager, a former merchant vessel and therefore the “bastard of the fleet,” ran aground in one of the violent storms endemic to the area near Patagonia, Grann tells this story with a keen eye for arresting (and at times terrifying) details. Thanks to his sure-handed ability to create scenes with novelistic immediacy, it’s easy to feel the mounting desperation of the seamen as their numbers shrank in the face of relentless winter weather, disease and starvation. And yet, despite the seemingly insurmountable challenges, which pummeled the sailors as regularly as the towering waves that pounded their ill-equipped ship, a small remnant of the original crew was able to endure.

After 33 survivors improbably arrived in South America in two makeshift vessels, and then later sailed home to England, the British Admiralty felt bound to convene a court martial to address allegations of mutiny and the claim that Captain Cheap had murdered a member of the crew in cold blood. Grann writes that he has “tried to present all sides, leaving it to you to render the ultimate verdict—history’s judgment.” However, the trial’s outcome is less important than the way it demonstrates how “empires preserve their power with the stories that they tell,” as Grann writes. “But just as critical are the stories they don’t—the dark silences they impose, the pages they tear out.” His thrilling book is an admirable example of how that veil of ignorance can be pierced

David Grann’s narrative nonfiction masterpiece about an 18th-century man-of-war that ran aground in South America reveals humanity at its best and worst, from heroism to cannibalism.
Have you ever wanted to visit space? Reading public astronomer Philip Plait’s Under Alien Skies is the next best thing.
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Exercise—the simple act of moving our bodies and giving our cardiovascular systems a bit of a challenge—is fraught territory in American life. This is largely because we have a fitness industry, as we have industries for everything, and industry tends to cause as many problems as it solves.

“The fitness industry is filled with life-hacks for depression, but most of it seems to be coming from a place of ignorance about the cold war going on in the average depressed person’s head,” writes author Sarah Kurchak in Work It Out: A Mood-Boosting Exercise Guide for People Who Just Want to Lie Down. She tailors her workout guidance to people who are depressed, anxious or have generally had it with “perky fitness types,” offering approaches that are both grounded in science and refreshingly dismissive of well-trodden myths, rules and routines. Pillow fight! Goblet squat your pet! (If they’re cool with it, of course.) I knew I liked Kurchak’s style as soon as I read, “I don’t know anyone who has come out of the North American physical education system unscathed,” and the rest of this funny, helpful book does not disappoint.

Sarah Kurchak’s funny, helpful book offers approaches to exercise that are both grounded in science and refreshingly dismissive of well-trodden myths, rules and routines.
STARRED REVIEW

Our top 10 books of May 2023

Must-reads for May include the latest from bestselling historian David Grann and romance superstar Emily Henry, plus the long-awaited second novel from Abraham Verghese.

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Book jacket image for Our Migrant Souls by Hector Tobar
Nonfiction

Our Migrant Souls is one of the most important pieces of Latino nonfiction in several decades. Turning the last page, you will feel the weight of history on your shoulders.

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Emily Henry’s effervescent and tender Happy Place is as expertly crafted as a perfect summer playlist.

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Gareth Hanrahan’s gritty and rousing fantasy novel The Sword Defiant explores what happens after the good guys win.

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Abraham Verghese, probably the best doctor-writer since Anton Chekhov, upends all of our expectations again and again in his long awaited follow-up to Cutting for Stone.

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Firekeeper’s Daughter author Angeline Boulley returns to Sugar Island with a thriller that urges readers to consider: Who owns the past?

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Book jacket image for The Wager by David Grann
History

David Grann’s narrative nonfiction masterpiece about an 18th-century man-of-war that ran aground in South America reveals humanity at its best and worst, from heroism to cannibalism.

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Memoir

Julia Lee’s piercing discussions of Asian American identity are likely to challenge readers across the ideological spectrum. In fact, she even challenges her own views.

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The Weeds requests the reader to observe and look for connections, to question structures and patterns, and to discover new ways of seeing.

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Must-reads for May include the latest from bestselling historian David Grann and romance superstar Emily Henry, plus the long-awaited second novel from Abraham Verghese.
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Héctor Tobar has been busy. On a Zoom call to his home in California, he tells me that his new book, Our Migrant Souls: A Meditation on Race and the Meanings and Myths of “Latino,” is an “attempt to summarize 30 years of learning, reading about race in the United States and the Latino experience, and trying to understand Latino as a category in the lens of U.S. race history.” This is a pretty serious undertaking—but no one is better suited to lead the charge than Tobar, whose book surveys the Latinx community’s diverse relationships to migration, empire, identity and kinship.

Tobar is a veteran Latino author, writing on par with other modern masters such as Ada Limon and Valeria Luiselli. One of his most significant contributions to not just Latino literature but literature as a whole is Deep Down Dark (2014), which tells the true story of 33 Chilean miners who were trapped underground for 69 days. Writing that book taught Tobar a vital lesson: “If I really wanted to create a work that would capture the fullness of their experience, I had to think about their full experience,” he says, “about working people and the ambitions in their lives, their hopes and dreams for their children, their affairs, the complications in their lives, the dysfunction, the glories. It makes for a much more satisfying read.” This lesson has influenced his writing philosophy ever since, especially in Our Migrant Souls, which makes significant strides toward documenting the fullness of Latinx experiences.

Read our starred review of ‘Our Migrant Souls’ by Héctor Tobar.

When I ask Tobar about the necessary steps to redefine Latino, he lays out his mission. To start, he says, we can “open up critical spaces to Latino writers [who are] trying to create work that will push Latino letters.” But in order to do that, we have to get past the stereotypes. Nowadays, readers and literary professionals see Latino as a marketing concept more than anything, Tobar says—largely because “our literary and cultural production is mediated through New York and American publishing.” But he thinks Latinx people can reclaim the meaning of Latino by unwrapping its history and asserting a new definition: “Latino is an alliance among peoples.”

When he says this, it’s a revelation: a whole continent-and-a-half of people, united under one word. How has such a large collection of people’s existences gone this long without serious examination? Tobar reminds me that there has been a long history of struggle leading up to this moment. “We fought for the idea that the experience of our people was worthy of intellectual inquiry,” he says. “The system that has produced these [prejudiced] ideas is ill. It is sick and inflicting harm upon us, and we need to change it; we need new ideas.”

“We fought for the idea that the experience of our people was worthy of intellectual inquiry.”

Book jacket image for Our Migrant Souls by Hector Tobar

This is why Tobar’s novels always feature working-class intellectuals, such as the housekeeper in The Barbarian Nurseries. Rather than rooting his narratives in harmful ideas and stereotypes, he roots them in the experiences of real people, the kind he says you can find anywhere and everywhere in this country. He knows this is true from his years working as a reporter for the Los Angeles Times, when he would walk the streets and talk to people, learning about them and hearing their stories. The latter part of Our Migrant Souls is based on a similar approach: using a road trip across the United States to highlight the mestizo (mixed) nature of this nation, showing through testimonies and anecdotes how ingrained Latinx people are in the culture. 

We can trace this mixture back to the beginning of humanity’s story, to migration. “Migration is a constant in human history,” Tobar says. In the book, he reflects on his own family’s migrations, not just to the United States but throughout Guatemala. There have been “unending permutations of migrants in my life,” he says. This is true of all Americans, no matter our ethnic backgrounds. But Latinx people are disproportionately vilified for migrating, which is why Tobar maintains that “U.S. immigration policy is a collective humiliation of the Latino people.” Whether through detention centers, fear mongering or simply forcing people to walk through the dangerous, vast desert, a whole population of people is being erased. “[U.S. Customs and Border Protection] will use any tool at its disposal,” Tobar says. “It’s a really cowardly situation.”

“Almost any facet of human experience is going to frustrate an attempt to put a label on it.”

This is why Tobar’s mission is so important: If Latinx people cannot redefine Latino in order to use it to our advantage, it will continue to be used to categorize and hurt us. When I ask him how we can defy labels, he tells me, “Think about Guatemalan. What does that mean? Every ethnicity is a pan ethnicity! If you look at any label, you will find a whole sort of quantum mechanics of people crashing into each other. . . . All of us are the constant mixing of entanglements.”

Tobar believes “this fad, this mania of applying labels on ourselves, is really counterproductive, cruel, anti-human and unintelligent. Almost any facet of human experience is going to frustrate an attempt to put a label on it.” It might seem paradoxical, then, to write about Latinx people and Latinidad (i.e., the diaspora of Latinx peoples), but Tobar doesn’t think so. “There’s many different ways of approaching the truth, and there’s many different truths,” he tells me.

“That’s true,” I say, and we laugh.

Author headshot of Héctor Tobar by Patrice Normand/Agence Opale

With Our Migrant Souls, the Pulitzer Prize-winning journalist and author documents the fullness of Latinx experiences.
Hybrid memoirs mix the author's personal story with broader explorations of history, science, social science, criticism or spirituality. These 12 books are excellent examples, each one a unique blend of research and first-person narration that is more than the sum of its parts.

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