With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
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Duck, a cattle herder in a poor, isolated region of Chilean Patagonia, is in the midst of one his frequent drunken episodes. And he has a knife to the throat of his American friend, author Nick Reding."Why you here?" Duck asks."The road," answers Reding, who has been chronicling the life of Duck and his family for his book The Last Cowboys at the End of the World: The Story of the Gauchos of Patagonia. The incident lies at the heart of this beautifully novelized nonfiction work about the culture of Chilean cowboys, or gauchos, and their kin – a cattle – herding, hard – living bunch that includes the alcoholic Duck and his angry wife Edith, who believes her violent husband is possessed by the devil. The road to which Reding refers is the Careterra Austral, or the Southern Highway, a leg of the Pan American Highway, which runs through the United States, Central America and South America. The road for the first time forces interaction between the gauchos, whose lives have changed little since the 18th century, and the modern world that begins with the city of Coyaique, where the 21st century has definitely arrived.Serving as reporter, novelist and anthropologist, Reding presents the gauchos through keen observation and linguistic investigation. We learn, for example, the origins of the word "gaucho," most likely derived from huacho or guache, which means "orphan" in several Indian languages.The reader accompanies Duck and Reding on cattle drives and visits to distant neighbors. Meanwhile, the author weaves into his narrative the figurative language of fiction, relaying several of the gauchos’ mysterious, magical myths – stories that somehow arise from the austere reality of their daily lives.During the year he spends with Duck, Reding learns of the cowboy’s hopes for a better life in Coyaique – a desire that leads the family to the slums of that city, where the book comes to its sad conclusion.Reding renders the Patagonian landscape in wonderful detail. The end of the world may seem like a long way to go for a story, but the trip was more than worth Reding’s – and the reader’s – while.

Dave Bryan is a writer in Montgomery, Alabama.

Duck, a cattle herder in a poor, isolated region of Chilean Patagonia, is in the midst of one his frequent drunken episodes. And he has a knife to the throat of his American friend, author Nick Reding."Why you here?" Duck asks."The road," answers Reding, who has been chronicling the life of Duck and his family […]
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<B>The dark side of Guthrie’s glory</B> Populist righteousness and homespun eloquence marked the songs of Woodrow Wilson Guthrie, the Oklahoma balladeer whose career was as remarkable for its brevity as for its impact. But like a tornado churning across the prairie, Guthrie’s life was marked by turbulence, a struggle in which demons and angels battled and danced.

Author Ed Cray documents the singer’s life thoroughly and engagingly in the new biography <B>Ramblin’ Man: The Life and Times of Woody Guthrie</B>. Each page comes packed with details about Guthrie’s peculiarities his habit of not wearing underwear, or his aversion to the texture of peach fuzz, for example. Gradually these dots connect into a bizarre narrative, through which Guthrie traipses. His path seems aimless: months after being signed to host his own network radio show, he loses interest and drifts off to spend his days hitchhiking, his nights singing for pennies in saloons, and his mornings waking up drunk under bridges.

For 10 years he wandered through towns and hobo jungles, fell in and fled from love, and wrote about pretty much everything he saw. His songs came as fast as he could type them songs that recounted the trivial and the epochal with equal artistry. The best of them could summon Whitman’s spirit, dress it in sweat-stained denim, and send it into battle against capitalists, union busters and anyone else who blocked the sun from shining on the sainted working class.

Despite Cray’s painstaking effort to portray Guthrie, his subject’s character remains elusive. Guthrie could be brusque and crude to his closest friends. He could show up unannounced at someone’s house, spend the night crashed out on the couch and steal the silverware before slipping out the next day. He could guzzle free booze and insult the guests at parties thrown in his honor. He sometimes hit the women he worshipped. In other words, he could be a jerk.

Why? His illness the Huntington’s disease that wore him down for 13 years before killing him at 55 surely had something to do with it. But real insight into this process somehow hovers just beyond our apprehension, leaving Guthrie a figure in the distance: a minstrel onstage, a voice on the radio, a boxcar jockey, or a broken man, old before his time, always thumbing toward some new horizon.

<B>The dark side of Guthrie’s glory</B> Populist righteousness and homespun eloquence marked the songs of Woodrow Wilson Guthrie, the Oklahoma balladeer whose career was as remarkable for its brevity as for its impact. But like a tornado churning across the prairie, Guthrie’s life was marked by turbulence, a struggle in which demons and angels battled […]
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Where God Was Born: A Journey by Land to the Roots of Religion is Bruce Feiler’s sequel to his best-selling Walking the Bible. Feiler explores both the historical and geographical realities behind the latter books of the Hebrew Bible (known to Christians as the Old Testament), from the times of Joshua, the Judges and the Kings into the ages of the Prophets, the Exile and the Diaspora. Journeying to the Middle East, from Jerusalem through war-torn Iraq and even into the totalitarian theocracy of Iran, Feiler follows the transition of the Jewish faith from one based on a single location Jerusalem and the Holy Land to a faith which understood that God is bound to no location, but is everywhere. Tying ancient history, myth and legend with modern conflicts and experiences, Feiler searches not only for God’s personal call, but for his message to all people today how do we find in our common roots a mutual understanding of God, our world and each other? Where God Was Born is thought-provoking and challenging to individuals of every faith or none at all.

Where God Was Born: A Journey by Land to the Roots of Religion is Bruce Feiler’s sequel to his best-selling Walking the Bible. Feiler explores both the historical and geographical realities behind the latter books of the Hebrew Bible (known to Christians as the Old Testament), from the times of Joshua, the Judges and the […]
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Imagine a childhood with almost no boundaries. Kids haphazardly look after each other. They get drunk with their mother and smoke with their dad. There’s no such thing as too many dogs. It’s a tomboy’s dream. That’s the kind of unfettered upbringing Alexandra Fuller had, coming of age in Africa, where her family migrated from one country to another in response to the swiftly changing political climates of the 1970s and ’80s.

In her memoir Don’t Let’s Go to the Dogs Tonight Fuller is at her finest when drawing vignettes that capture her unorthodox, no-rules raising. One of the book’s many delightfully ironic moments takes place when Alexandra turns down her mother’s invitation to split a bottle of whiskey. But Fuller’s spotty parenting also has its dark side. At a very young age, she is assigned to keep an eye on her baby sister, Olivia. When, as children do, she becomes distracted, her little sister drowns. It’s clear that Fuller carries the sorrow of this loss into adulthood. Fuller’s portrait of her colorful and eccentric mother may be the memoir’s greatest strength. Fuller doesn’t downplay her mother’s drinking or other excesses. In one vividly depicted scene, her mother shoots up the kitchen pantry, utterly demolishing its contents, to kill a cobra. Though Mum has many likable and heroic qualities, Fuller does not whitewash her racist politics. As late as 1999, Mum gets drunk and brags to a visitor that she and her husband fought to keep part of Africa under white rule. A less adroit writer might bore the reader with long expository passages about the book’s revolutionary backdrop, the work done on her family’s succession of farms or the local economy. But Fuller chooses to string together the episodes from her childhood that best encapsule its original flavor. Unlike other authors who have chosen Africa as a backdrop, she doesn’t fill her pages with sunsets, wildlife and vast plains. Instead, Fuller concentrates on the psychological landscape of her family on which the dark continent’s wide-open spaces have left an irrevocable stamp.

Lynn Hamilton writes from Tybee Island, Georgia.

Imagine a childhood with almost no boundaries. Kids haphazardly look after each other. They get drunk with their mother and smoke with their dad. There’s no such thing as too many dogs. It’s a tomboy’s dream. That’s the kind of unfettered upbringing Alexandra Fuller had, coming of age in Africa, where her family migrated from […]
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Even today, there are conflicting estimates of how many deaths the great influenza pandemic of 1918 caused worldwide. In 1927, an American Medical Association study set the total at a conservative 21 million. Some say it was closer to 100 million. In the U.S. alone, where the disease is generally believed to have originated, approximately 675,000 citizens died.

This natural horror coincided with the last months of carnage of World War I, but as John M. Barry points out in The Great Influenza: The Epic Story of the Deadliest Plague in History, the disease was even more devastating than the battles. “In the American military alone,” the author reports, “influenza-related deaths totaled just over the number of Americans killed in combat in Vietnam [47,420]. One in every sixty-seven soldiers in the army died of influenza and its complications, nearly all of them in a ten-week period beginning in mid-September [1918].” Unlike pneumonia, which tended to kill infants, the old and the weak, this virulent strain seemed to target those who were young, strong and in the prime of their lives.

Barry, whose other books include Rising Tide: The Great Mississippi Flood of 1927, tells three separate but intertwined stories here. The first traces the history of American medicine from its primitive beginning to the start of the war; the second chronicles the spreading tentacles of the pandemic; and the third follows the medical community’s efforts to analyze and treat the disease and search for a cure.

Throughout his account, Barry criticizes President Woodrow Wilson and his administration for creating an unquestioning, suppressive pro-war climate that kept the public from recognizing and reacting sensibly to the disease. Time and again, medical precautions were ignored and vital news withheld for fear of damaging the war effort. Barry’s heroes are such valiant and foresighted doctors as William Welch, Simon Flexner and William Gorgas, who were rigorous in their attempts to cap the outbreak.

Believed to have originated in Haskell County, Kansas, in early 1918, the influenza spread across the country in two waves. The first one, in spring, was relatively mild. The second one was a rolling slaughterhouse. That fall, in the Camp Devens army encampment near Boston, deaths from the flu rose to an average of nearly 100 a day. Doctors and nurses began dying too. In Philadelphia, one of the cities hardest hit, the daily death toll soared briefly to around 800. There were neither enough coffins nor enough gravediggers to handle the onslaught. Entire families became sick and often had to wait for days for their dead to be taken away. Still, a cowed and “patriotic” press ignored or played down the city’s plight.

While medical and public health advances were made as it raged on, the plague essentially burned itself out, subsiding in America almost as quickly as it arose. Barry’s book is afflicted with a textbookish excess of detail at least for the general reader but it serves as a clear warning that governments must be open with their people and generous in their application of resources if they are to contain such present menaces as AIDS and SARS and slow the progress of epidemics yet to come.

Even today, there are conflicting estimates of how many deaths the great influenza pandemic of 1918 caused worldwide. In 1927, an American Medical Association study set the total at a conservative 21 million. Some say it was closer to 100 million. In the U.S. alone, where the disease is generally believed to have originated, approximately […]
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<B>A son reclaims his father’s dream</B> Before he died, Dennis Covington’s father, who never earned more than $14,000 in a year, told him: "To my knowledge, no Covington has ever left anything to anybody. I don’t intend to be the first." Angered because he had been swindled in the purchase of a sight-unseen plot of worthless Florida land, he then willed the deed to Dennis. Dennis interpreted this departure from family custom as a challenge from the grave: to redeem his inheritance.

Some years later, Covington drove from his Alabama home to take a look at the two and one-half acre parcel. That trip led to a series of harrowing experiences he relates in <B>Redneck Riviera: Armadillos, Outlaws, and the Demise of an American Dream</B>. Unlike other cheated landowners, Covington refused to yield his claim when he found himself encircled by an ornery subculture that endorses the mere notion of "he deserved it" as a justifiable reason for maiming or even slaying another person.

Covington defies gun-toting yahoos and squatters who, with the assent of compliant sheriff’s deputies, have denied access to the legal owners and taken over the land as their own. He is greeted by clear messages that he is unwelcome on his own property: his Jeep has been trashed, his crude cabin has been strafed with bullets and its canvas walls slashed, and, as the ultimate warning, a dead armadillo lies on its back in the middle of the floor. Covington, whose <I>Salvation on Sand Mountain</I> was a 1995 National Book Award finalist, excels as a storyteller. Although the pursuit of his father’s folly drives his new book, Covington is able to mix the retelling of his mission with happy thoughts about growing up with his family. He reminisces in such an appealing way that some readers probably will be prompted to put the book down for a few minutes and recall tender moments when their own parents counseled them. When a writer inspires a response like that, a reader can’t ask for much more. <I>Alan Prince lectures at the University of Miami School of Communication.</I>

<B>A son reclaims his father’s dream</B> Before he died, Dennis Covington’s father, who never earned more than $14,000 in a year, told him: "To my knowledge, no Covington has ever left anything to anybody. I don’t intend to be the first." Angered because he had been swindled in the purchase of a sight-unseen plot of […]

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