Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
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Ain’t got nothin’ but love babe: the Beatles invade America<p> Whether you’re old enough to have lived through Beatlemania or young enough to know only that one of these guys went on to play in Wings, Martin Goldsmith offers new twists on a fascinating subject in <b>The Beatles Come to America</b>. In this reflective account of the Beatles’ explosive arrival on the U.S. music scene in 1964, Goldsmith digs into the tale with such attention to detail that its freshness seems never to have faded. Discovering what went into designing the stage set for the Beatles’ first appearance on <i>The Ed Sullivan Show</i>, for instance, makes clear how portentous that broadcast turned out to be.<br />
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The story is put into a personal context as the author inserts himself into the narrative, both as a teenager bearing witness and an adult now looking back with some perspective. The opening pages, for example, take us along on his pilgrimage to Liverpool on a recent summer day. Where the Britney generation might see an unremarkable urban panorama, Goldsmith finds evidence of miracles a street called Penny Lane, a dank reliquary in the shadows of the Cavern Club and, briefly but gloriously, bonds with a couple of Russians drawn on their own <i>hadj</i> to the center of Strawberry Fields.<br />
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This magic blows through the book, past delightfully obscure anecdotes and insightful reflections that present the Beatles as both a tonic for the malaise that followed the Kennedy assassination and a harbinger of the feminist revolution. When the Fab Four, a little bewildered at what they had just unleashed, wave goodbye to America and fly back home, Ringo wonders, &quot;How in the world are we ever going to top this?&quot; Even the four &quot;mop-topped lads&quot; themselves had no idea how lasting their appeal would be. In the last chapter, Goldsmith takes us back to where it all began, to an epiphany so unexpected and yet so appropriate that we are left wondering how it could have been any other way than it was a world changed, forever and for better, by song. <i>Robert L. Doerschuk of Nashville is the former editor of Musician magazine.</i> </p>
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Ain't got nothin' but love babe: the Beatles invade America<p> Whether you're old enough to have lived through Beatlemania or young enough to know only that one of these guys went on to play in Wings, Martin Goldsmith offers new twists on a fascinating subject…
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The Renaissance city of Firenze (Florence to English speakers) figures strongly in this issue of BookPage; in my Whodunit column, I reviewed Magdalen Nabb's Vita Nuova, a contemporary mystery set in the Tuscan capital. This book, Douglas Preston and Mario Spezi's The Monster of Florence, is perhaps even more chilling, since it is a nonfiction account of a series of murders that happened over the course of 20 years, by a killer who, to date, has never been caught.

In 2000, American novelist Douglas Preston moved to Florence, with the notion of writing a thriller set in 1960s Tuscany in the wake of an epic flood; it was to be a short-lived notion. Shortly after his arrival, he met Italian author and journalist Spezi, who regaled him with the tale of the Monster of Florence, who killed only courting couples, only on Saturday nights of a new moon. Preston was hooked: the scene of one grisly double homicide was literally just outside his door, a peaceful olive grove with a sweeping view of the Florentine hills. In short order, Preston and Spezi collaborated on an article about the Monster for an American magazine. Their ongoing research led them on a strange journey through the palace halls and lowlife dives of Florence, in search of an elusive, almost mythical villain. It would be a perilous journey, to say the least: before they were finished, Preston would be forcibly expelled from Italy, and Spezi would be incarcerated as a potential accessory to the Monster murders. Clearly, they were stepping on some important toes! The Monster of Florence reads like fast-paced fiction, no surprise really, since Preston is a first-rate novelist (The Codex, Blasphemy), and Spezi is a well-respected journalist. That the story is true lends an edge to it that is rarely achieved in fiction.

Note: The Monster of Florence is not the first book devoted to this subject – one of the prosecutors wrote a lengthy tome on the subject and Thomas Harris reputedly used the story as inspiration for his best-selling Hannibal, in which everyone's favorite carnivorous villain relocated to Florence to continue his malevolent career. Even the aforementioned Magdalen Nabb penned a novel also titled The Monster of Florence, in which Marshal Guarnaccia of the Florence Carabinieri attempts to show that the man accused of the crimes could not be the real perpetrator. Next comes Academy-Award winning screenwriter Christopher McQuarrie's (The Usual Suspects) take on the Monster; he purchased the film rights to Preston and Spezi's novel this spring.

The Renaissance city of Firenze (Florence to English speakers) figures strongly in this issue of BookPage; in my Whodunit column, I reviewed Magdalen Nabb's Vita Nuova, a contemporary mystery set in the Tuscan capital. This book, Douglas Preston and Mario Spezi's The Monster of Florence,…

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Even today, there are conflicting estimates of how many deaths the great influenza pandemic of 1918 caused worldwide. In 1927, an American Medical Association study set the total at a conservative 21 million. Some say it was closer to 100 million. In the U.S. alone, where the disease is generally believed to have originated, approximately 675,000 citizens died.

This natural horror coincided with the last months of carnage of World War I, but as John M. Barry points out in The Great Influenza: The Epic Story of the Deadliest Plague in History, the disease was even more devastating than the battles. “In the American military alone,” the author reports, “influenza-related deaths totaled just over the number of Americans killed in combat in Vietnam [47,420]. One in every sixty-seven soldiers in the army died of influenza and its complications, nearly all of them in a ten-week period beginning in mid-September [1918].” Unlike pneumonia, which tended to kill infants, the old and the weak, this virulent strain seemed to target those who were young, strong and in the prime of their lives.

Barry, whose other books include Rising Tide: The Great Mississippi Flood of 1927, tells three separate but intertwined stories here. The first traces the history of American medicine from its primitive beginning to the start of the war; the second chronicles the spreading tentacles of the pandemic; and the third follows the medical community’s efforts to analyze and treat the disease and search for a cure.

Throughout his account, Barry criticizes President Woodrow Wilson and his administration for creating an unquestioning, suppressive pro-war climate that kept the public from recognizing and reacting sensibly to the disease. Time and again, medical precautions were ignored and vital news withheld for fear of damaging the war effort. Barry’s heroes are such valiant and foresighted doctors as William Welch, Simon Flexner and William Gorgas, who were rigorous in their attempts to cap the outbreak.

Believed to have originated in Haskell County, Kansas, in early 1918, the influenza spread across the country in two waves. The first one, in spring, was relatively mild. The second one was a rolling slaughterhouse. That fall, in the Camp Devens army encampment near Boston, deaths from the flu rose to an average of nearly 100 a day. Doctors and nurses began dying too. In Philadelphia, one of the cities hardest hit, the daily death toll soared briefly to around 800. There were neither enough coffins nor enough gravediggers to handle the onslaught. Entire families became sick and often had to wait for days for their dead to be taken away. Still, a cowed and “patriotic” press ignored or played down the city’s plight.

While medical and public health advances were made as it raged on, the plague essentially burned itself out, subsiding in America almost as quickly as it arose. Barry’s book is afflicted with a textbookish excess of detail at least for the general reader but it serves as a clear warning that governments must be open with their people and generous in their application of resources if they are to contain such present menaces as AIDS and SARS and slow the progress of epidemics yet to come.

Even today, there are conflicting estimates of how many deaths the great influenza pandemic of 1918 caused worldwide. In 1927, an American Medical Association study set the total at a conservative 21 million. Some say it was closer to 100 million. In the U.S. alone,…
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<B>A son reclaims his father’s dream</B> Before he died, Dennis Covington’s father, who never earned more than $14,000 in a year, told him: "To my knowledge, no Covington has ever left anything to anybody. I don’t intend to be the first." Angered because he had been swindled in the purchase of a sight-unseen plot of worthless Florida land, he then willed the deed to Dennis. Dennis interpreted this departure from family custom as a challenge from the grave: to redeem his inheritance.

Some years later, Covington drove from his Alabama home to take a look at the two and one-half acre parcel. That trip led to a series of harrowing experiences he relates in <B>Redneck Riviera: Armadillos, Outlaws, and the Demise of an American Dream</B>. Unlike other cheated landowners, Covington refused to yield his claim when he found himself encircled by an ornery subculture that endorses the mere notion of "he deserved it" as a justifiable reason for maiming or even slaying another person.

Covington defies gun-toting yahoos and squatters who, with the assent of compliant sheriff’s deputies, have denied access to the legal owners and taken over the land as their own. He is greeted by clear messages that he is unwelcome on his own property: his Jeep has been trashed, his crude cabin has been strafed with bullets and its canvas walls slashed, and, as the ultimate warning, a dead armadillo lies on its back in the middle of the floor. Covington, whose <I>Salvation on Sand Mountain</I> was a 1995 National Book Award finalist, excels as a storyteller. Although the pursuit of his father’s folly drives his new book, Covington is able to mix the retelling of his mission with happy thoughts about growing up with his family. He reminisces in such an appealing way that some readers probably will be prompted to put the book down for a few minutes and recall tender moments when their own parents counseled them. When a writer inspires a response like that, a reader can’t ask for much more. <I>Alan Prince lectures at the University of Miami School of Communication.</I>

<B>A son reclaims his father's dream</B> Before he died, Dennis Covington's father, who never earned more than $14,000 in a year, told him: "To my knowledge, no Covington has ever left anything to anybody. I don't intend to be the first." Angered because he had…

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Party guest lists become even more delicate around the holidays, when you don’t want to exclude anyone. But what if you simplified the guest list issue, and just invited every person on Earth? <i>New Yorker</i> cartoonist and all-around funnyman Bruce Eric Kaplan answers this question in his entertaining, original and witty <b>Every Person on the Planet: An Only Somewhat Anxiety-filled Tale for the Holidays</b>. Rosemary and Edmund are an average couple who decide to have a holiday party for friends and family. But their guest lists just keeps growing as they think of friends-of-friends and distant relatives in need of invites. Frustrated by trying to include everyone, Rosemary and Edmund decide to just invite every person on the planet. What results is a party unlike any you’ve ever been to, yet the universal truths remain the same: only eight of the billions of guests who attended RSVPed, no one knew if they should eat before coming or if dinner would be served, and as always, everyone ended up in the kitchen, despite a living room full of space. No matter the size of your holiday party, Kaplan’s wise little book will have you laughing and more than anything patting yourself on the back for not inviting every person on the planet.

<i>Abby Plesser lives and works in New York City. She can’t wait to go home for the holidays.</i>

Party guest lists become even more delicate around the holidays, when you don't want to exclude anyone. But what if you simplified the guest list issue, and just invited every person on Earth? <i>New Yorker</i> cartoonist and all-around funnyman Bruce Eric Kaplan answers this question…

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The holidays are finally upon us! But is that always a good thing? As perfect as they are in theory, the holidays can be a recipe for disaster. Hectic travel schedules, forced quality time with the family and long, drawn-out meals can bring more pain than joy before the New Year. But no one really talks about these less-than-perfect holiday experiences or do they? In The Worst Noel: Hellish Holiday Tales, writers from Neal Pollack to Marian Keyes to Ann Patchett tell their tales of holiday woe. Comical, spot-on, and above all, reassuring, these stories are sure to make you thankful to have your own wacky family and strange holiday traditions. Cynthia Kaplan describes the holiday horror of hitting a deer (or a reindeer, as her young son presumes) in Donner is Dead, while Mike Albo shares his tale of a romantic Parisian holiday with his boyfriend . . . and his boyfriend’s boyfriend in Christmas and Paris. Neal Pollack delights in baking his first Smithfield ham (despite being Jewish) with his very Southern (and very Christian) in-laws in The Jew Who Cooked Ham for Christmas and Stanley Bing chronicles the unexpected joy in spending the holidays alone in ‘Twas the Bite Before Christmas. The stories are as different and funny as their authors, and the collection is a real holiday treat.

Abby Plesser lives and works in New York City. She can’t wait to go home for the holidays.

The holidays are finally upon us! But is that always a good thing? As perfect as they are in theory, the holidays can be a recipe for disaster. Hectic travel schedules, forced quality time with the family and long, drawn-out meals can bring more pain…

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