With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
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Henry Adams, whose grandfather and great-grandfather were both U.S. presidents, is best remembered today for writing The Education of Henry Adams, a fascinating, unusual and very selective account of his life. Pulitzer Prize-winning historian Garry Wills believes, however, that Adams’ multi-volume History of the United States During the Administrations of Thomas Jefferson and History of the United States During the Administrations of James Madison, published between 1889 and 1891, “is the non-fiction prose masterpiece of the nineteenth century in America.” Adams devoted more years of his life to these volumes than to any other project.

In Henry Adams and the Making of America, Wills pays tribute to Adams and his work, enlightening readers with abundant detail and quoting generously from the histories. The books were revolutionary in their time for their use of extensive archival research here and abroad, and for their portrayal of diplomatic, military, political and economic history in a worldwide context. Although written in a consistently insightful, lively and engaging style, these volumes have been overlooked or misinterpreted by some of our most distinguished historians. Contrary to previous interpretations, Wills demonstrates that Adams did not use the volumes to praise the Federalists or his prominent forebears, John Adams and John Quincy Adams. Henry Adams criticized all politicians, including those he especially admired, such as Jefferson and Albert Gallatin, when he thought they were wrong. With a remarkable cast of historical figures, including Touissant l’Ouverture and Tecumseh, Adams brilliantly brought the crucial early years of the country to life. With this latest book, Garry Wills now helps us rediscover a little-read American treasure. Roger Bishop is a Nashville bookseller and a frequent contributor to BookPage.

Henry Adams, whose grandfather and great-grandfather were both U.S. presidents, is best remembered today for writing The Education of Henry Adams, a fascinating, unusual and very selective account of his life. Pulitzer Prize-winning historian Garry Wills believes, however, that Adams’ multi-volume History of the United States During the Administrations of Thomas Jefferson and History of […]
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Fifty-two years after his death at the age of 29, Hank Williams remains the colossus of country music, as well as a pivotal figure in pop and rock ‘n’ roll. He was inducted into the Country Music Hall of Fame in 1961 and into the Rock ∧ Roll Hall of Fame in 1987. His recording and songwriting career flourished for a mere seven years from 1946 until 1953. Yet during that period he created such classics as "Cold Cold Heart," "Mansion on the Hill," "I Can’t Help It (If I’m Still in Love with You)," "I’m So Lonesome I Could Cry," "Your Cheatin’ Heart" and "I Saw the Light." (In contrast, Irving Berlin, the grand old man of 20th-century pop music and clearly Williams’ equal in America’s respect and affection, lived to be 100.) Born into poverty in southern Alabama, Hiram Williams was inspired to music by the area’s churches, the Grand Ole Opry radio show and, particularly, by a black singer and guitar player named Rufus "Tee-Tot" Payne, who taught him the rudiments of his trade.

Although he was headstrong, Williams’ life was shaped for both ill and good by three personalities as strong as his own: his domineering mother, Lillie; his fierce and ambitious first wife, Audrey; and his music publisher and lyrical collaborator, Fred Rose, the one man who knew what to do with all that raw talent. Never more than marginally healthy, Williams began drinking alcohol when he was still a kid, thereby establishing an addiction that would gnaw at his scrawny body and overactive mind until they both failed him one cold New Year’s night as he lay in the back of his chauffeured, powder-blue Cadillac convertible speeding along a narrow, winding road somewhere in West Virginia. He was mythic to the end.

Paul Hemphill, who established his country music credentials with The Nashville Sound (1970), offers little that is new about Williams, either in incident or character revelation, in Lovesick Blues: The Life of Hank Williams. But having grown up in Alabama at the time Williams was beginning to make a name for himself, Hemphill comes closer than most previous biographers to explaining the convoluted Southern culture that incubated Williams’ genius and provided him his most appreciative audiences. Winnowing through a wealth of biographical material, Hemphill provides eyewitness-like accounts of Williams’ daily struggles and triumphs, such as this note Rose sent in late 1947, reprimanding him for his profligate ways: "[My son] tells me you called this morning for more money, after me wiring you four hundred dollars just the day before yesterday. We have gone as far as we can go at this time and cannot send you any more. Hank, I have tried to be a friend of yours but you refuse to let me be one, and I feel that you are just using me for a good thing and this is where I quit." Fortunately for American music, Rose didn’t quit, and the wily, tormented young man lived to write and sing another day.

Formerly country music editor of Billboard magazine, Nashville-based Edward Morris is a reporter for CMT.com.

 

Fifty-two years after his death at the age of 29, Hank Williams remains the colossus of country music, as well as a pivotal figure in pop and rock ‘n’ roll. He was inducted into the Country Music Hall of Fame in 1961 and into the Rock ∧ Roll Hall of Fame in 1987. His recording […]
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Nothing inspires fear in the hearts of readers quite the way poetry can. The hoary literary category is something most of us attend to only in school. But this holiday season, poetry gets a lift from the literature lovers at Sourcebooks, who have designed a beguiling gift around the most overlooked genre in the publishing industry. Poetry Speaks, a trio of audio CDs accompanied by an impressive anthology, offers a star-studded lineup of authors reading their own classic poems aloud. Hear the prize winners and the poet laureates, the writers who nursed their verse to near-perfection modernists like T. S. Eliot and Ezra Pound; confessionalists Sylvia Plath, Anne Sexton and Robert Lowell. Beginning with Alfred, Lord Tennyson, whose 1888 reading from "The Charge of the Light Brigade" is offered here on audio for the first time, Poetry Speaks spans more than a century and presents the recordings of 42 writers, including Edna St. Vincent Millay’s crisp, prim delivery of "I Shall Forget You" and a sonorous reading of "The Lake Isle of Innisfree" from William Butler Yeats. Crackling with age, Walt Whitman’s recitation from "America" is ghostly, and T. S. Eliot’s alert to his audience as he prepares to read "Prufrock" is priceless: "I must warn you, it takes a little time always to warm up the engine." The Poetry Speaks companion volume includes photos of the writers and selections of their work. Billy Collins, Seamus Heaney, Mark Strand and other luminaries contributed biographies and essays on each author. From symbolism to imagism, free verse to blank verse, Poetry Speaks offers a quick literary fix to those who’d rather listen than read.

Gorey details One of the most singular figures in American letters is celebrated in Ascending Peculiarity: Edward Gorey on Edward Gorey, which collects a quarter-century’s worth of interviews with the inimitable artist and author, who died last year. Organized chronologically and drawn from sources like The New York Times and The New Yorker, these pieces reveal their subject’s wide-ranging tastes and unmatchable intellect. Gorey, who had no formal art training, attended Harvard in the 1940s. He eventually wound up in New York, where launching a 40-year literary career he devised the demise of many an innocent in wonderfully whimsical, slightly disturbing books like The Gashlycrumb Tinies ("K is for Kate who was struck with an ax, L is for Leo who swallowed some tacks," so the story goes) and The Chinese Obelisks. Gorey’s trademarks the furtive figures, the violence set to verse initially gave him a cult following until he gained the wider audience he deserved. Over the course of countless books, he did for cats what James Thurber did for canines. His lanky dancers jetŽd their way across the pages of a ballet book called The Lavender Leotard. In Ascending Pecularity, he discusses his influences the choreography of Balanchine, the paintings of Balthus, the stories of Borges an artistic assimilation that fed his singular style. With abundant photos of the artist as well as samples of his work, Ascending Pecularity reveals what made Gorey, the ultimate eccentric, tick.

A medieval classic It’s no surprise that one of Gorey’s favorite reads was the 11th century Japanese classic The Tale of Genji. (He frequently named his cats after the story’s characters.) Considered by many to be the world’s first novel, Genji, a narrative of intrigue, romance and manners set in medieval Japan, remains a hallmark of world literature more than 1,000 years after its debut. Written by Lady Murasaki Shikibu, a Japanese courtier, the novel follows the beautiful prince Genji through a series of stormy love affairs and risky political ventures, introducing along the way a large cast of characters, both good and evil. The story spans 75 years and given the fiery nature of its protagonist contains plot twists aplenty. Royall Tyler’s fresh, lyrical translation of the novel, heralded as a literary event comparable to Seamus Heaney’s Beowulf, sets a new standard for approaching the narrative. Tyler, a renowned Japanese scholar, compiled glossaries, notes and a list of characters for this distinctive, two-volume boxed edition. Delicately illustrated with black-and-white reproductions from medieval scrolls and texts, this new, world-class version of Genji brings ancient Asian culture to life the way few literary works can. Truly a timeless tale.

Nothing inspires fear in the hearts of readers quite the way poetry can. The hoary literary category is something most of us attend to only in school. But this holiday season, poetry gets a lift from the literature lovers at Sourcebooks, who have designed a beguiling gift around the most overlooked genre in the publishing […]
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Cows grieve and weep, chickens cuddle lovingly with horses, and pigs croon happily to the moon in the magical world explored by best-selling writer Jeffrey Masson in his newest animal oeuvre, The Pig Who Sang to the Moon: The Emotional World of Farm Animals. Masson, an ardent animal advocate who has already investigated the emotional lives and mysterious ways of cats, dogs and elephants (The Nine Emotional Lives of Cats; Dogs Never Lie About Love; When Elephants Weep), now focuses compassionate attention on the animal citizens of barnyard and pasture: pigs and chickens, goats, sheep, cows and ducks.

His book provides an endearing, sometimes painful, peek into the emotional landscapes of “farmed” animals (animals raised solely for human consumption and use), and explores their capacity for happiness and suffering in a confined breeding environment. Masson asserts that farm animals have individual personalities and take pleasure in the same things humans do: Chickens love to sunbathe, lambs and goats are happiest at play, and pigs are fond of moonlight, music and song! (There is photographic evidence of porcine warbling in the book’s preface.) Is it right, then, the author asks, to raise animals for food especially using often inhumane farming methods? Masson’s answer is an emphatic “no,” and after reading his impassioned arguments, even the staunchest meat-eater might agree. Though this book is an enlightening weave of animal anecdote and scientific reference, it is also a radical plea for vegetarianism. The author regrettably offers no balancing discussion of the science of nutrition, or of the mechanics of the natural food chain, for example. But he does raise important questions concerning the sanctity of all sentient life on our planet. Masson’s dream is of an egalitarian world where animal life is equal in value to human life, and in The Pig Who Sang to the Moon he presents poignant evidence to support his cause.

Cows grieve and weep, chickens cuddle lovingly with horses, and pigs croon happily to the moon in the magical world explored by best-selling writer Jeffrey Masson in his newest animal oeuvre, The Pig Who Sang to the Moon: The Emotional World of Farm Animals. Masson, an ardent animal advocate who has already investigated the emotional […]
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Experienced travelers know that the true value of a pilgrimage lies not so much in reaching a destination, but in the journey itself. One young man learns this valuable lesson when he embarks on an unplanned excursion in Climbing Chamundi Hill: 1001 Steps of a Storyteller and a Reluctant Pilgrim, a unique new book by Hindu scholar Ariel Glucklich that combines a fictional adventure with 30 ancient Indian stories.

Chamundi Hill, a sacred site in southern India near the city of Mysore, is a 4,000-foot hill topped by a towering 12th century temple honoring the goddess Chamundeswari. This monument is a much-visited pilgrimage site, reached by ascending 1,000 steps an arduous climb pilgrims traditionally make barefoot, their pain eased by companionship and storytelling. Glucklich’s protagonist, a young American biologist, is mysteriously drawn to the hill. At its base, he meets an elderly Indian man who offers to guide him up the mountain, tempting him with this paradox: “If you pay attention . . . the stories might turn you into a true pilgrim and give you pleasure at the same time!” Their odyssey begins, a slow ascent punctuated by the 30 allegorical stories. These deceptively simple parables, as colorful and vivid as ancient temple paintings, are alive with the exploits of mere mortals and kings, animals, demons and gods. From the first story that of a healthy but misguided man who becomes a suffering leper to the last tale of a truth-seeking fellow confused by the paradoxes of life, they form a thematic endless circle, the classic metaphor for the cycle of human life.

Glucklich has used the time-honored conceit of a dialectic between a wise guide and unrealized seeker to showcase these marvelous stories, many translated from Sanskrit for the first time. The narrative’s young hero remains appropriately nameless throughout the climb, which may be an obvious symbol for everyman, but Glucklich’s thoughtful explication of the quest, through the careful selection and progression of each tale, is not so transparent. Though there are 1,000 steps up Chamundi, the extra step referenced in the book’s title leads to a surprising destination, the epiphany of this entrancing work.

For those who love literary fable, along with a dash of spiritual spice, Climbing Chamundi Hill will prove to be a pleasurable, thought-provoking exercise.

Experienced travelers know that the true value of a pilgrimage lies not so much in reaching a destination, but in the journey itself. One young man learns this valuable lesson when he embarks on an unplanned excursion in Climbing Chamundi Hill: 1001 Steps of a Storyteller and a Reluctant Pilgrim, a unique new book by […]
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Christmas is a Christian holiday commemorating the birth of a savior, but in the America of 1783, the Christmas season was dedicated to celebrating the achievements of a man who saved a nation. As the year neared its end, General George Washington traveled through the newly independent American colonies to spend the holidays at Mount Vernon and retire from public life. It would mark his first Christmas at home since taking command of the army eight years before.

Washington’s little-known six-week journey is the subject of Stanley Weintraub’s new book, <B>General Washington’s Christmas Farewell: A Mount Vernon Homecoming</B>, 1783. A finalist for the National Book Award and author of many historical works, Weintraub has written not only a history book, but an insightful portrait of one of our greatest heroes. He documents Washington’s travels to New York City to accept control of the city from the British, to Annapolis to personally resign his military command before the Continental Congress, and finally to his home in Virginia. He intended the trip to be his final retirement from public life, although his country would call him back five years later to serve as its first president. During his journey, we see him feted at every stop, saying his farewells to citizens and troops. As Washington wrote to a friend, it was a scene of "festivity, congratulations, Addresses, and resignation."

It is Weintraub’s portrayal of Washington as man, however, that makes this book so intriguing. He humanizes the deity history has created while not diminishing his greatness. He shows that through Washington’s entire journey home, his apotheosis preceded, accompanied and followed him. While rising to the prestige of his reputation, Washington angrily rejected the omnipresent calls for his dictatorship or monarchy and continually spoke of the need to consolidate ruling power in the Congress. Weintraub doesn’t shy away from showing Washington’s foibles as well, including his admission to a friend that it soothed his vanity to sit for portraits. As the title suggests, the book is centered on Washington’s desire to be home at Mount Vernon for Christmas. That desire imbues the story and creates a wonderful anticipation in the reader. Sadly, description of the Washingtons’ actual Christmas experience is brief, due to a lack of documentation. Yet this does not diminish the book’s value to anyone who loves American history or admires our first president.

<I>Jason Emerson is a writer based in Fredericksburg, Virginia.</I>

Christmas is a Christian holiday commemorating the birth of a savior, but in the America of 1783, the Christmas season was dedicated to celebrating the achievements of a man who saved a nation. As the year neared its end, General George Washington traveled through the newly independent American colonies to spend the holidays at Mount […]

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