With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
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British author Lynne Truss is a self-described "stickler," a nut about punctuation who can't rest easy when she sees mistakes on street signs, newspaper headlines or billboards. ("Within seconds, shock gives way to disbelief, disbelief to pain, and pain to anger," she says upon spotting a misplaced apostrophe.) As a punctuation perfectionist, Truss considers herself part of a rare breed, and she expected her book, Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation, to interest only a tiny segment of the British population when it was first published in the U.K. last year. However, to the surprise of the author, her publisher and just about everyone else in Britain, the book became a number-one bestseller, even topping sales of John Grisham's latest legal thriller.

Will the book have the same appeal for American readers? We'll find out on April 12, when Gotham Books releases the North American edition of Eats, Shoots & Leaves. Editors at Gotham, who might have been afraid to wade into the copyediting waters with an opinionated author like Truss, wisely decided to reprint the book exactly as it was in the original version, with all its British spellings and punctuation intact. Some of the references might well be confusing to American readers she refers to a period as a "full stop," for example but Truss manages to get her point across nonetheless.

Proper punctuation, she argues, is similar to good manners, a system for making your intentions clear. Truss fusses about people who insist on adding apostrophes to plurals (DVD's), who use the wrong possessive for "it" (its'), and who put commas in many, many places where they don't belong. Her most hilarious example of the latter is replicated in the book's title, a reference to a wildlife manual with poor punctuation that unintentionally turned a panda into a gun-wielding restaurant diner (you'll have to read the book for the full joke).

Funny and self-deprecating but always serious about her mission, Truss is a stern commander in the war on careless writing. Weary editors, schoolteachers and fellow sticklers everywhere will wish her victory in this much-needed battle.

 

British author Lynne Truss is a self-described "stickler," a nut about punctuation who can't rest easy when she sees mistakes on street signs, newspaper headlines or billboards. ("Within seconds, shock gives way to disbelief, disbelief to pain, and pain to anger," she says upon spotting a misplaced apostrophe.) As a punctuation perfectionist, Truss considers herself […]
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Bringing together her revelatory portraits of some of the biggest names in the music industry, American Music is a collection of Annie Leibovitz’s greatest hits and the ultimate photo album for any fan. From tattooed tough-guy Eminem to angelic songstress Emmylou Harris and the velvet-voiced Mary J. Blige, the images in this intuitive, passionate volume reflect the varied nature of American song today.

Leibovitz’s entree into the world of professional picture-taking happened at Rolling Stone magazine, where she became chief photographer in 1973. Over a 10-year period she documented the music business, producing an unmatchable portfolio of work and building her own extensive archive, which is represented in the new volume along with a host of new material. With photos of Ray Charles, Steve Earle, Dolly Parton and Anita O’Day, among others, Leibovitz covers all the musical genres, and her reverence for her subject matter penetrates each and every image. (Our favorite: A youthful Bruce Springsteen, iconic in biker boots and blue jeans, eating Ritz crackers in his kitchen.) Biographical info about each musician and insightful essays written by notable artists round out the volume. By turns innocent, sexy and edgy, American Music is a landmark release in the career of one of our finest photographers.

 

Bringing together her revelatory portraits of some of the biggest names in the music industry, American Music is a collection of Annie Leibovitz’s greatest hits and the ultimate photo album for any fan. From tattooed tough-guy Eminem to angelic songstress Emmylou Harris and the velvet-voiced Mary J. Blige, the images in this intuitive, passionate volume […]
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In a more whimsical vein comes Bob Mathews’ Chicks Dig Fries: A Guide for Clueless Men. This slim volume offers tips on how men can win the affectionate approval of their female friends and lovers. Drawing on some apparently hard-won experience in the lost-love department, TV executive Mathews delivers handy advice accompanied by his own cutesy color cartoons, one tidbit to a page. This stuff hardly qualifies as even pop psychology “Chicks dig . . . a guy who makes a big deal out of her birthday”; or, “Chicks dig . . . a guy who will share the at-home work load.” And yes, chicks dig chocolate and pillows and the gentlemanly touch and cotton balls and potpourri and honesty. And a whole lot of other things. One gets the feeling that this lightweight but mildly amusing primer might have been commissioned by a committee of manipulative women. At any rate, you can be sure that the book should find its way into the Christmas stocking of many a (presumably clueless) guy. Ephemeral fun.

In a more whimsical vein comes Bob Mathews’ Chicks Dig Fries: A Guide for Clueless Men. This slim volume offers tips on how men can win the affectionate approval of their female friends and lovers. Drawing on some apparently hard-won experience in the lost-love department, TV executive Mathews delivers handy advice accompanied by his own […]
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Small-town life has always been subject to petty power struggles. The political-religious squabbles that beset colonial Boston in the 1630s were especially fervid, given that founding governor John Winthrop foresaw, correctly, that the fate of this hardscrabble "citty on a hill" would ultimately "be made a story and a byword through the world." Little wonder, then, that when a well-spoken newcomer, Anne Hutchinson, the 44-year-old mother of 15 children, began attracting influential men to "conventicles" (scripture discussions) held in her parlor, Winthrop and his ministerial cohorts soon singled her out as a potential enemy of the church and the state in those days, essentially the same entity.

Drawing on a staggering amount of historical detail (including transcripts of Hutchinson's two trials, the only paper trail left by most woman of that era), 12th-generation descendant Eve LaPlante plots her forebear's downfall with the vivid immediacy of a novel. While some of the doctrinal debates recounted might strike the modern reader as hair-splitting sophistry, LaPlante reminds us that, for the colonists, such theological wrangling represented not only the path to eternal salvation, but the be-all and end-all of permissible entertainment.

Banished from the Massachusetts Bay Colony, Hutchinson went on to found the colony of Rhode Island (the only woman who can claim such a distinction), but her path ended in tragedy a turn which Winthrop greeted with unseemly schadenfreude. Still, her legacy lives on, and American Jezebel, released during National Women's History Month, comes as a timely reminder of the causes she held dear: freedom of speech, religious and racial tolerance, and the spiritual fulfillment available oh, heresy even to females.

 

Sandy MacDonald is based in Nantucket and Cambridge, Massachusetts.

Small-town life has always been subject to petty power struggles. The political-religious squabbles that beset colonial Boston in the 1630s were especially fervid, given that founding governor John Winthrop foresaw, correctly, that the fate of this hardscrabble "citty on a hill" would ultimately "be made a story and a byword through the world." Little wonder, […]
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In The Interpreter, noted academic and National Book Award nominee Alice Kaplan digs into the archives of World War II to shed some ominous light on U.S. Army courts martial. Her research focuses primarily on the trials of African-American GIs in post-liberation France, with particular emphasis on the case of Pvt. James Hendricks, who was accused, convicted and executed for the murder of a French farmer. Kaplan marshals statistics that imply an inordinate percentage of black GIs were found guilty of misconduct, and for counterpoint, she explores the trial and subsequent acquittal of George Whittington, a white Army captain also brought up on murder charges.

Kaplan infuses her general narrative and trial accounts with the unique perspective of Louis Guilloux, an acclaimed French political novelist who served as an interpreter at four of the courts martial and later produced a roman ˆ clef about those experiences called OK, Joe. Kaplan’s effort effectively revisits the shadowy workings of a predominantly white bureaucracy over a black minority, and there’s legitimate reason to suspect that ingrained bigotry might have played a role in trial results. Nevertheless, the author never proves the convicted soldiers’ innocence, leaving in her wake a trail of innuendo that seems designed more to stir up unpleasant memories than to uncover unassailable truth. Kaplan intently exploits the specter of Jim Crow in the WWII armed forces, further asserting that whatever their contributions, African Americans were excluded from the story of the Greatest Generation.’ This latter claim is dubious since accounts of African-American heroism do exist in the war literature. Furthermore, the U.S. military has become the leading institution in the postwar era to have offered opportunities for career growth, professional achievement and further education to the average African American.

The Interpreter remains an interesting and well-written slice of history, but its ultimate overall context raises broader questions about its author’s motivations.

In The Interpreter, noted academic and National Book Award nominee Alice Kaplan digs into the archives of World War II to shed some ominous light on U.S. Army courts martial. Her research focuses primarily on the trials of African-American GIs in post-liberation France, with particular emphasis on the case of Pvt. James Hendricks, who was […]
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Traditional histories of the European colonization of North America concentrate on British settlements along the Atlantic seaboard. The focus is often on the concept of a "new people" in a New World who found opportunities that were not open to them in their native countries. For historian Alan Taylor, who received both the Pulitzer Prize and the Bancroft Prize in 1996 for Mr. Cooper’s Town, that approach "provides only a painfully limited picture of colonial life."

In his new book, American Colonies, Taylor paints a broader and more complex portrait of colonization by going back thousands of years and proceeding to the more recent period emphasized in many histories. In particular, he emphasizes the crucial roles played by various powers the Spanish, Dutch and French who interacted on the continent and strongly influenced the direction of events before the American Revolution. Drawing on the latest scholarship, Taylor expands our understanding of our own history in this comprehensive and exciting book. Focusing on regional explorations that move forward in time, Taylor draws on environmental history of the region and ethnohistory of colonial peoples. He emphasizes the pivotal role in colonization played by Native Americans, who were "indispensable" as "trading partners, guides, religious converts, and military allies." He also probes the reasons the British ultimately prevailed in the settlement of North America. After all, at different times other countries had greater empires and more resources to put into colonization. In summary, he says, "The English succeeded as colonizers largely because their society was less successful at keeping people content at home." With free access to the overseas colonies, many poor and disaffected English citizens were eager to seek a new home.

Naturally, it made a significant difference which country or countries prevailed. Unlike the kings of France and Spain, Queen Elizabeth shared power with the aristocracy and gentry, whose representatives comprised Parliament. Only about 25 percent of the men owned enough property to be eligible to vote, and then only for the House of Commons, and women could not vote at all. Still, as Taylor writes, "the English constitution was extraordinarily open and libertarian when compared to the absolute monarchies then developing in the rest of Europe. Consequently, it mattered greatly to the later political culture of the United States that England rather than authoritarian Spain or France eventually dominated colonization north of Florida."

Taylor challenges some long held beliefs. "Contrary to popular myth," he writes, "most eighteenth-century emigrants did not come to America by their own free will in search of liberty. Nor were they Europeans. On the contrary, most were enslaved Africans forced across the Atlantic to work on plantations raising American crops for European markets. During the eighteenth century, the British colonies imported 1.5 million slaves more than three times the number of free immigrants." The author confronts the belief that 17th century English colonists fled religious persecution at home to go to a land that offered religious freedom. "In addition to omitting economic considerations, the myth grossly simplifies the diverse religious motives for emigration," he says. "Not all colonists had felt persecuted at home, and few wanted to live in a society that tolerated a plurality of religions."

Full of surprising revelations, this superb book is history at its best.

Roger Bishop is a regular contributor to BookPage.

 

Traditional histories of the European colonization of North America concentrate on British settlements along the Atlantic seaboard. The focus is often on the concept of a "new people" in a New World who found opportunities that were not open to them in their native countries. For historian Alan Taylor, who received both the Pulitzer Prize […]

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