James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
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Heather Wolf shows us how to home in on birds in almost any situation—at a superstore, in the car—and offers sound advice for building a birding community.
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One of my neighborhood’s charming features is a “Little Free Art Library” where passersby are encouraged to both take and drop diminutive works of art. I have gleaned several such works from the library and now, I will be able to return the gift with the help of Sarah J. Gardner’s projects in Share Your Joy. Mixed-media is this artist’s sweet spot; for her, it’s about gathering your materials, “surrendering to the process” and shifting focus away from the outcome. In the end, you’ll end up with a greeting card or small journal to mail to a friend. Gardner’s projects are an art-supply lover’s dream (I’m convinced I must add both a brayer and stencils to my stash), allowing for wide exploration of color and pattern and effects, such as introducing salt to wet watercolor pigment. Collage and layering are employed frequently, and while there is abundant room within these projects to assert personal style, they provide ample direction to finish something and see the results of your playful process.

With both abundant room to assert personal style and ample direction to finish a piece of art, Sarah J. Gardner’s projects are an art-supply lover’s dream.
When Kyo Maclear takes a DNA test from a genealogy website, her entire family history is uprooted, leading her on a disorienting yet rich exploration of identity.

If you’re a Maria Bamford fan, you’ve probably already ordered your copy of her hilarious, devastating, fascinating new memoir Sure, I’ll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere. If you aren’t yet clued into her comedic stylings, you might look at the wide-eyed, beautiful woman on the cover and think, “What do I know her from?”

The answer is: loads of things, from stand-up specials to “Arrested Development” to “Lady Dynamite” to iconic Target commercials (or perhaps you’ve heard her in “Adventure Time” and “Big Mouth”). She’s an accomplished comedian who’s brought joy to countless people—and she also has from mental illness, having battled debilitating obsessive-compulsive disorder, eating disorders and bipolar disorder since childhood.

The author is a winsome and unapologetic tour guide through her life thus far, musing on her “splintered, discomfiting need to reveal all my thoughts and flaws—which is either radical honesty or narcissistic showboating” and sharing her hope that “if I can be grandstandingly open about something taboo, maybe someone else might feel a little less isolated by knowing my own sad story (and have a few laughs)?” Bamford reflects on the groups she’s joined in search of achievement, belonging and healing, including Suzuki Violin, Overeaters Anonymous and Debtors Anonymous. She’s also a self-taught expert in the work of Julia Cameron (The Artist’s Way) and Richard Simmons (Richard Simmons’ Never-Say-Diet Book).

Sure, I’ll Join Your Cult is the definition of kaleidoscopic: In addition to loopy riffs, career insights and beautifully sad recollections of her mother’s illness and death, there are painfully honest chapters about the time period in which Bamford’s “mind/body had become a vibrating razor blade of electric psychic pain.” The resulting psychiatric hospitalizations were often grueling, but ultimately offered a hopeful path forward.

The importance of getting such help is central to Bamford’s story and at the heart of her hopes for readers. She writes that, rather than a book about triumphing over obstacles, Sure, I’ll Join Your Cult is more of a “series of emotional sudoku puzzles . . . I haven’t figured it out.” And no matter where readers are on their own puzzle-solving journeys, she wants them to internalize something the late Jonathan Winters said to her after her first hospitalization: “You just keep going, kid.”

Celebrated comedian Maria Bamford is a winsome and unapologetic tour guide through her own life, reflecting on her search for achievement, belonging and healing.
Novelist Martha McPhee’s debut memoir details her work on herself and a family farm, candidly disclosing the frustrations and satisfactions of these worthy but all-consuming projects.

The most persistent plot in literature—from Homer to Tolkien—portrays individuals journeying away from home in search of some object, only to eventually return, sometimes tattered and torn, but always wiser. In the South, musicians and artists record the meaning of home as a place that people carry with them in their hearts, that shapes them and to which they long to return. In her poignant memoir, Up Home: One Girl’s Journey, Ruth J. Simmons carries readers with her as she recounts the contours of her own journey from sharecroppers’ daughter in Grapeland, Texas, to president of Smith College and Brown University, memorializing the many individuals who guided her.

Simmons chronicles her upbringing in Grapeland with her brothers and sisters, where they explored dirt roads and nearby fields, observed wild animals and the animals on the farm and played various games when they weren’t toiling in the fields and keeping up with the drudgery of household chores. Her parents fell into the rigid marital patterns typical of the 1940s and 1950s. Her father was a severe disciplinarian who did not think women should be educated or work outside the home, and he “did not act like a caring husband who appreciated my mother’s love and sacrifices.” Her mother was a “homemaker who managed the household and reared her children,” but Simmons and her sisters did not want to be like her.

When the family moves to Houston, Simmons begins to excel in the classroom and in various extracurricular activities, discovering new facets of the world and launching herself on the journey that carries her from the limiting factors of home in Texas—race, poverty, segregation—to the expansiveness of Europe and eventual leadership in higher education. Along the way, she introduces readers to teachers who helped her, such as her first grade teacher Ida Mae Henderson, who shows Simmons “for the first time . . . the kind of independence of spirit that made life free, happy, and meaningful. If learning could lead to such a result, I wanted it to be a part of my life forever.” Her high-school drama teacher, Miss Lillie, encourages her, working to schedule a one-woman show for Simmons. At the same time, Simmons reads “as many books as possible of every genre . . . wanting to learn specific ways language could open doors to unfamiliar worlds.”

Up Home recalls a life richly shaped by experiences with languages, literature and mentors that helped Simmons become a person she never expected to be. Her sparkling prose and vibrant storytelling invite readers to accompany her on her journey.

Ruth J. Simmons recalls her journey from sharecroppers’ daughter in Grapeland, Texas, to president of Smith College and Brown University in this sparkling memoir.
Prachi Gupta explores the complicated development of her immediate family members, who all struggle to meet societal expectations at the expense of their own wellbeing and wholeness.
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Certain memoirs are easily devoured, practically in one sitting, leaving the reader breathless. Such is the case with Meg Kissinger’s While You Were Out: An Intimate Family Portrait of Mental Illness in an Era of Silence. Like Robert Kolker’s Hidden Valley Road, it sheds light on the vise-like grip that mental illness can have on generation after generation. In this case, however, Kissinger—an investigative reporter and a Pulitzer Prize finalist—writes from an insider’s point of view, describing how mental illness ripped her family apart.

Born in 1957, Kissinger spent most of her childhood in Wilmette, Illinois, in a large, rollicking family whose zany anecdotes are at first reminiscent of Cheaper by the Dozen. The many scrapes, mishaps and family tales are entertaining and often poignant, such as Kissinger’s description of how much she enjoyed an eye doctor’s appointment because it afforded a great rarity: one-on-one time with her mom. Kissinger gradually ups the tension, noting that her mother was taking medication “for her dark thoughts” before she was married, and that throughout Kissinger’s childhood, her mother would disappear from time to time for hospitalizations that were neither discussed or explained. Kissinger explains her family’s situation in a nutshell: “Take two alcoholics—one with bipolar and the other with crippling anxiety—and let them have eight kids in twelve years: What could possibly go wrong?”

Plenty, of course. A number of Kissinger’s siblings began having difficulties in high school or college, especially her older sister, Nancy, who, at age 24, shortly after having her stomach pumped for taking too many tranquilizers, slipped out of the house and ended her life in front of a train. Kissinger’s father instructed his family to tell others that Nancy’s death was an accident. Kissinger recalls her devastated and stunned thoughts at the time: “More secrets, more lies, just like when my mother disappeared years earlier. Why couldn’t we just tell the damn truth? By hiding what really happened, we’d not only be dismissing Nancy’s suffering but fortifying the notion that her mental illness was a choice, one that we should all be ashamed of.”

In 1987, Kissinger wrote an essay for the Milwaukee Journal Sentinel about Nancy’s suicide. “Meg needs to tell this story,” her mother told her horrified father. Indeed, she did—especially when, 19 years later, a similar family tragedy happened once again. Kissinger then spent 25 years traveling across the country to explore the state of mental health issues in families like hers.

While You Were Out is a spellbinding account of one woman’s experience living through family trauma and a thoughtful attempt to reckon with the past. Kissinger asks tough questions and freely admits her own regrets while pointing out systemic problems with no easy answers. Her best advice comes from a letter from one of her siblings, a piece of wisdom that became her mantra: Only love and understanding can conquer this disease.

In a thoughtful attempt to reckon with the past, Meg Kissinger delivers a spellbinding account of how mental illness and addiction ripped her family apart.

Roadways are one of the best examples of how civilization can paradoxically both give and take away. The millions of road miles that crisscross our planet have greatly enabled the mobility of people and goods, but they also have impacted the DNA of wildlife, are a major contributor to climate change and create a significant amount of noise pollution. In Crossings: How Road Ecology is Shaping the Future of Our Planet, Ben Goldfarb (Eager: The Surprising, Secret Life of Beavers and Why They Matter) confronts this conundrum head-on, like an 18-wheeler barreling down an interstate. As he states, “North America and Europe constructed their road networks with little regard for how they would affect nature and even less comprehension of how to blunt those effects.”

Organized into three sections: “Killer on the Road,” “More than a Road” and “The Roads Ahead,” Crossings is a comprehensive guide that uncovers the many different factors that led to global road transportation systems and their continued impact. Goldfarb’s synopsis includes lots of important dates and statistics, such as how “between 1807 and 1880 the U.S. Army carved twenty-one thousand miles of roads through prairies, forests and mountains, cracking open America’s interior to mail delivery and agriculture” and the history behind terminology coined as roads became mainstream such as “Sunday drivers,” “road hogs,” “juggernauts” and “flivverboobs” (inconsiderate motorists).

Through commentary from experts such as ecologists, biologists, historians and government officials, Goldfarb examines the severe impact of roads on wildlife populations and their migration and reproduction, causing localized extinctions of reptiles and amphibians and disruptions among mountain lion populations known as “genetic drift.” He also goes into great detail explaining the game-changing significance of deer collisions, which have made deer North America’s most dangerous wild animal, and discusses roadway interference outcomes noted by researchers, such as the wildlife patterns changed by traffic noise.

Now embedded in human culture, roads have contributed to major change, a fact made blatantly evident through Goldfarb’s extensive research and analysis. Roads aren’t going away anytime soon, but Crossings will spark conversation around the future of motorized vehicles and transportation in general.

Roads aren’t going away anytime soon, but Crossings will spark conversation around the future of motorized vehicles and transportation in general.
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Set in the 1800s, R.F. Kuang’s historical fantasy novel Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution follows the adventures of Robin Swift, a Chinese student at the Royal Institute of Translation at Oxford University, where the act of translation is used to derive magical power. Though languages like Bengali, Haitian creole and Robin’s native Cantonese are the source of much of this power, Britain and its ruling class reaps almost all of the benefits. As Robin progresses at the institute, his loyalties are tested when Britain threatens war with China. The politicization of language and the allure of institutional power are among the book’s rich discussion topics. 

Jason Fitger, the protagonist of Julie Schumacher’s witty campus novel Dear Committee Members, teaches creative writing and literature at Payne University, where he contends with funding cuts and diminishing department resources. He also frequently writes letters of recommendation for students and colleagues, and it’s through these letters that the novel unfolds. Schumacher uses this unique spin on the epistolary novel to create a revealing portrait of a curmudgeonly academic struggling to navigate the complexities of campus life. Reading groups will savor this shrewdly trenchant take on the higher-ed experience, and if you find yourself wanting to sign up for another course with Professor Fitger, Schumacher’s two sequels (The Shakespeare Requirement and The English Experience) are also on the syllabus.

For a surrealist send-up of the liberal arts world, turn to Mona Awad’s clever, disturbing Bunny. Samantha Mackey made it into the MFA creative writing program of Warren University thanks to a scholarship. The other writers—a tightknit circle of wealthy young women known as the Bunnies—convene regularly for a horrifying ritual. When Samantha is invited to take part, she learns difficult lessons about female friendship and her own identity. This haunting, often funny novel probes the dark side of academia and the challenges of the artistic process.

In her uncompromising, upfront memoir, They Said This Would Be Fun: Race, Campus Life, and Growing Up, Eternity Martis writes about being a Black student at Western University, a mostly white college in Ontario. Martis was initially thrilled to attend the university, but the racism she experienced in the classroom and in social settings made her question her life choices. Her smart observations, unfailing sense of humor and invaluable reporting on contemporary education make this a must-read campus memoir.

Go back to school with tomes that spotlight the scandals and drama of life on campus.

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