With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
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Offering a close-up and visceral view of one of America's finest contemporary poets, Larry "Ratso" Sloman's On the Road with Bob Dylan, a behind-the-scenes look at Dylan's Rolling Thunder Revue tour of 1975, is a fascinating portrait of the man who once advised, "Take care of all your memories. For you cannot relive them." Luckily for Dylan, Sloman took note of all the happenings during the unforgettable tour that took place in support of the multi-platinum album Desire. Originally published in 1978, his book is being reissued this month with new photographs and a new foreword by Kinky Friedman.

In the whirlwind of that hectic time, Dylan's days were packed with commotion. Surrounding him were talented musicians like Joan Baez, Robbie Robertson and Joni Mitchell, as well as the poet Allen Ginsberg. He was involved in efforts to free Reuben "Hurricane" Carter, the legendary boxer wrongly imprisoned for murder, whom he championed in the song "Hurricane." And he followed a demanding tour schedule. "A lot of people can't stand touring," Dylan said of his traveling days, "but to me it's like breathing. I do it because I'm driven to do it."

An intense portrayal of the man who has defined and redefined rock-and-roll for nearly four decades, On the Road with Bob Dylan is required reading for any fan. From the music to the groupies, the book captures the aura of an era. Anyone can go see him in concert, but very few have the chance to actually know the musician. Thanks to Sloman's book, readers can come pretty darned close.

Offering a close-up and visceral view of one of America's finest contemporary poets, Larry "Ratso" Sloman's On the Road with Bob Dylan, a behind-the-scenes look at Dylan's Rolling Thunder Revue tour of 1975, is a fascinating portrait of the man who once advised, "Take care of all your memories. For you cannot relive them." Luckily […]
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The prolific Larry McMurtry has written essays, screenplays, memoirs and 27 novels, including the fabulous Lonesome Dove. In all that work McMurtry has probably written no more than a dozen or so bad paragraphs, and his writing about the American West usually offers a compelling blend of insight and humor. So even a relatively minor work like The Colonel and Little Missie, McMurtry’s study of the celebrity of Buffalo Bill Cody and Annie Oakley, gives reason to sit up and pay attention.

Buffalo Bill Cody was an extraordinary figure who, in McMurtry’s view, was America’s first superstar. Annie Oakley, who shared the stage with Cody in his Wild West Show, was the second. Of the two, Cody was the more outgoing and flamboyant. As an Indian scout he knew George Armstrong Custer, won and then lost a Congressional Medal of Honor (turns out he wasn’t actually in the U.S. military at the time, which is a requirement), and, McMurtry writes, received major fame for the minor role he played in the Indian wars. To the end of his life, Cody cut a smashing figure on horseback. His adventures, real and imagined, were the subject of an incredible 1,700 dime novels. Many of the signature exploits of his life what McMurtry calls the "tropes" formed the centerpiece of Cody’s 32-year career as a showman. Casting a friendly but skeptical eye on these legends, McMurtry presents with great economy a fascinating portrait of a rather complex man.

Annie Oakley occupies a much smaller part of McMurtry’s narrative, mainly because she was less knowable. She was reserved, modest to the point of requiring a female embalmer, and so frugal that many [Wild West] troopers believed that she lived off the lemonade Cody . . . served for free. She grew up in grinding poverty in Darke County, Ohio, but rarely spoke of her past, devoting herself instead to becoming a consummate performer.

Good novelist that he is, McMurtry leaves the mysteries of these two engaging personalities intact. He suggests rather than defines how it was they seized the public’s imagination and love in their day, and why they should remain of interest today.

 

The prolific Larry McMurtry has written essays, screenplays, memoirs and 27 novels, including the fabulous Lonesome Dove. In all that work McMurtry has probably written no more than a dozen or so bad paragraphs, and his writing about the American West usually offers a compelling blend of insight and humor. So even a relatively minor […]
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While the main events of history paint the picture of our past in broad strokes, it is often the lesser known stories that fill in the details and enrich our understanding of events. The Last Voyage of Columbus, a new book by Martin Dugard, is of the latter variety, and in it we find a figure who, while familiar, is more human and thus more interesting than the Christopher Columbus we know from history textbooks.

Columbus is, in many ways, one of the most complex and enigmatic figures in human history. While certainly a man of vision, he was also stubborn to the point of absurdity; he was a superb navigator and sailor who often had trouble with the sailors he led; he was handsome and charming, so much so that if Queen Isabella had been other than the devout Catholic she was, he could have been her lover. Dugard’s portrait of Columbus has its origins in the discovery of an ancient shipwreck at the mouth of a river in Panama. While the evidence is inconclusive, it is possible that the wreckage is that of the La Vizcaina, one of four ships Columbus took on his fourth trip to the New World. This journey was more than Columbus’ last voyage it was his last shot. While Columbus fancied himself the administrator of all the lands he discovered, in truth there was nothing he could do to stop the flood of humanity to the New World. His only chance at everlasting glory (he thought) was to find China, or at least discover a way to get there. In pursuit of that goal, Columbus endured becalmed seas, hostile natives, a horrific hurricane and eventually a devastating shipwreck before finally making his way home to die two years later.

As Dugard shows us in this remarkable book, while Columbus may have thought himself a failure, and while he remained virtually unremembered for a couple of centuries thereafter (Amerigo Vespucci was mistakenly credited with the discovery), the truth finally resurfaced. And amazingly, the wrecked ship in Panama tells us that Columbus may have come within 38 miles of seeing his goal, the Pacific Ocean.

While the main events of history paint the picture of our past in broad strokes, it is often the lesser known stories that fill in the details and enrich our understanding of events. The Last Voyage of Columbus, a new book by Martin Dugard, is of the latter variety, and in it we find a […]
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omething amazing started in the late 1970s and continues to this day. Whales, the largest mammals on earth and killers in self-defense of many men, began to show a willingness, indeed an eagerness, to be friends with humankind to a degree never before recorded. From gently nudging boats to begging to be petted, the behavioral turnaround among these behemoth creatures has captivated the imaginations and affections of thousands of whalewatchers.

Eye of the Whale offers a persuasive and very readable study of the current state of whale-human affairs. Those who are sympathetic (like me) to the whales’ cause will find equal grounds in the book for alarm and hope. From Baja California, the birthing and nursing waters of the Eastern Pacific gray whale, to Siberia, where the Western Pacific population is on the verge of oblivion, environmental writer and activist (he was instrumental in saving the Atlantic striped bass) Dick Russell follows the migration pattern of the gentle giant. He seems to examine almost everyone and everything along the way that might have an effect on the creatures’ progress from geography and economics to the human heart itself.

Giving thrust to the story is the ongoing environmental fight against Mitsubishi, one of the largest corporations in the world, which sought to commercialize the Baja beaches resulting in the inevitable destruction of gray whale habitat. Another constant presence is that of Charles Melville Scammon, a 19th century whaler and sea captain whose written descriptions and drawings of whales and other sea creatures, landscapes and natural phenomena are included in the book and reveal a 21st century sensitivity.

“That intense, that immense and impeccable, eye” of the whale seems to cast a mythic spell over all those, even enemies, who have gazed into it up close. The number of the spellbound is increasing. Bruce Mate, an Illinois marine biologist interviewed by Russell, sees whales as avatars of a whole new world not all that far in the future. “I think, probably, in our children’s generation, we’re going to see remarkable changes in our relationships with certain forms of wildlife,” he says.

If so, Eye of the Whale will have played, in its enthralling way, a small but important role in the transformation.

Maude McDaniel writes from Cumberland, Maryland.

omething amazing started in the late 1970s and continues to this day. Whales, the largest mammals on earth and killers in self-defense of many men, began to show a willingness, indeed an eagerness, to be friends with humankind to a degree never before recorded. From gently nudging boats to begging to be petted, the behavioral […]
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dward Abbey, the staunch defender of the natural world, can quit turning over in his grave now. His torch has been retrieved and lifted high by Kathleen Meyer, an environmental writer with as much wit and stylistic color as the man himself. Meyer’s Barefoot-Hearted is, in part, the story of her romance with Patrick McCarron, an old-fashioned blacksmith of Irish descent with whom she shares a rodent-infested, fly-ridden barn in Montana’s Bitterroot Valley. Meyer proves once again that the material for great writing is almost always close at hand. You might think of flies, mice and bats as vermin, but through close observations of these intruders and much scientific and anecdotal research, Meyer turns her life with these critters into a complex treatise on man’s often unconscious inhumanity to wildlife. “Who is the real intruder here?” Meyer frequently asks. She is one of those rare writers who can pile on the zoological detail and make it as compelling as an Agatha Christie chiller. The book’s centerpiece is a chapter on bear cubs orphaned by hunters and high-speed drivers, and the animal advocates who undertake heroic measures to save them from animal control gas chambers. It’s a fascinating and sympathetic portrait of the American Black Bear, a creature, it seems, much more sinned against (by encroaching development, hunting and reckless huckleberry harvesting) than sinner. When she’s not regaling her readers with the sex life of the skunks who live under her barn, Meyer entertains with scenes from her relationship with McCarron, whose immunity to suburban conditioning makes her own environmentalism pale to light green by comparison. We’re talking here about a man who refuses to use pesticides, indoor plumbing or gasoline-powered vehicles. At one point in their adventure together, Meyer points to a pesky fly on her beloved’s shoulder. Patrick looks at the fly, looks back at Kathleen and says, “Pretend it’s a parrot.” The only reservation I have in recommending this memoir is that you may become so addicted to Meyer’s prose, you’ll want to read all her other books immediately. Unfortunately, there’s only one: the international bestseller How to Shit in the Woods. Kathleen, don’t make us wait 10 years for the next one! Lynn Hamilton writes from Tybee Island, Georgia.

dward Abbey, the staunch defender of the natural world, can quit turning over in his grave now. His torch has been retrieved and lifted high by Kathleen Meyer, an environmental writer with as much wit and stylistic color as the man himself. Meyer’s Barefoot-Hearted is, in part, the story of her romance with Patrick McCarron, […]
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reporter Jim Huber tells the story of his father’s terminal illness and the transformative effect it had on their relationship in his fine new memoir, A Thousand Goodbyes. In their last six months together, Huber and his father bridged the emotional distance that had lain between them for years to find authentic compassion and love. An Emmy award-winning journalist, Huber, in telling the life story of his father, realized for the first time that his success grew not only from his own hard work, but from the foundation provided by his parents. It’s an emotional journey that he writes about with admirable honesty and a fresh eye for the father-son relationship.

In 1998, 78-year-old Bob Huber discovered he had liver disease, apparently resulting from a tainted blood transfusion nearly five decades earlier. Despite the diagnosis, Huber, who worked as an underwater welder in the Pacific during World War II and delivered mail in Ocala, Florida, before retiring, displayed a strength of character his son could only admire. Huber has produced a poignant memoir in the spirit of Tuesdays with Morrie. The book artfully weaves together stories of Huber, his father and the scores of celebrities and everyday people the author encountered in his role as a sports journalist. Personal anecdotes of golf greats Tiger Woods, Jack Nicklaus and other sports heroes are included.

Though he reported touching stories for his television show The Sporting Life, this time around, Huber is participant rather than reporter. He handles his new role with grace and skill, consistently avoiding the twin ditches of oversweet sentimentality and forced drama that mar so many memoirs. Huber brings the reader along in such a way that he or she is not expected to merely mourn with him. Instead, readers are invited to share in a more complex realization about universal themes how we are changed forever by what we desire and by the preciousness of our relationships with those we love.

Michael Epps Utley writes from Nashville.

reporter Jim Huber tells the story of his father’s terminal illness and the transformative effect it had on their relationship in his fine new memoir, A Thousand Goodbyes. In their last six months together, Huber and his father bridged the emotional distance that had lain between them for years to find authentic compassion and love. […]

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