Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
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Every parent knows you have to pick your battles, and here's a book to help you choose yours: Picking Your Battles: Winning Strategies for Raising Well-Behaved Kids, by Bonnie Maslin, Ph.D. Maslin, a psychologist and mother of four, writes about a broad range of ages, from birth to 11. Many books are written about babies, toddlers, preschoolers and teens, so it's useful to have a reference directed at 5- to 11-year-olds, a group that's often not addressed.

Maslin earns her audience's trust by admitting, "flawless parenting is not my stock-in-trade. The vantage point of Picking Your Battles is the trenches, not the exalted heights. I wrote this book because I made every mistake in it and fortunately learned from it." Maslin has many strategies for avoiding those plentiful moments we parents aren't proud of, those Battles Royal, or, as she puts it, moments when we turn into "parental lunatics." What parent couldn't benefit from "Seven Steps to Getting Good at Getting Angry"? Step 1, for instance, is an easy-to-remember, invaluable tool: "Respond Rather Than React." In addition to helping moms and dads with their own reactions and discipline style, Maslin includes a helpful section on how parents can help develop their children's moral compass. '

 

Every parent knows you have to pick your battles, and here's a book to help you choose yours: Picking Your Battles: Winning Strategies for Raising Well-Behaved Kids, by Bonnie Maslin, Ph.D. Maslin, a psychologist and mother of four, writes about a broad range of ages,…

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CBS News’ Bob Schieffer relives his life on deadline From James Meredith’s fiery admission to the University of Mississippi in 1962 to the recent take-down of Mississippi Sen. Trent Lott, Bob Schieffer has worked at the wellsprings of America’s political history. It’s often been history made in a hurry. The veteran CBS News correspondent had the unenviable job of deciphering the voluminous Starr Report while he was on camera live. Later, he did the same with the convoluted Supreme Court opinion that gave George W. Bush the presidency. His new book This Just In is a breezy, story-a-page account of what it’s like to become famous while covering the famous. It is also a keen appraisal of the changing nature of news and reporting.

“There’s just so much news now,” says the affable Texas native, speaking by phone from Washington. “All of us are just pounded from all sides [with] this 24-hour news cycle. It’s difficult to break through this great maw of facts and figures and get people’s attention with something that’s really important.” Schieffer believes the assassination of President Kennedy marked the dividing line between old and new journalism. “That was the first time for many people to see reporters working,” he points out. “You saw those live television pictures of reporters jostling around in the Dallas police headquarters, pushing and shoving. You saw that a lot of times gathering the news is not an orderly process. It gave people real questions about our methods, and I think it raised questions about our credibility.” (Schieffer was a police reporter for the Fort Worth Star-Telegram when Kennedy was shot and had the strange experience of giving Lee Harvey Oswald’s mother a ride into Dallas to see her imprisoned son.) Nowadays, Schieffer observes, reporters are accustomed to doing a lot of their work in public, frequently with warranted trepidation. He says he had to do his summarizings of the Starr and Supreme Court documents the moment he got them because “people will turn on CBS to see if we know anything about this story. If we’re not on the air talking about it, people will turn away from us and go to somebody who is. And once they turn away from you, they never come back.” One of Schieffer’s complaints about modern TV journalism is that it places no premium on good writing. “So much of television reporting these days,” he says, “is what I call behind-me television’ that is, the anchor switches to a reporter who’s on the scene and the reporter says, Dan, in that building behind me . . .’ or Dan, the flames behind me. . . .,’ and that’s the start of it. Then he interviews three or four people who’ve wandered by or maybe some spokesman from the police department, and then he throws it back to the anchor.” This Just In has a wealth of gossipy, good-humored tales about such eminent talking heads as Walter Cronkite, Dan Rather, Daniel Schorr and Roger Mudd. Schorr, now a commentator for National Public Radio, was such a relentless news hound that Mudd once dreamed he boarded a plane and found Schorr sitting in every seat. Of Cronkite, Schieffer says, “Of course, Walter is my hero. But he could just drive you nuts calling you up at 6:15 and asking you how much oil there was in the world. I mean, who the hell knows? My favorite was not a question asked of me but to Hugh Heckman, who worked on the evening news. One day [Cronkite] turned to him and said, Hugh, how long is Greenland?'” It troubles Schieffer that government officials in all branches and at all levels have learned how to divert and manipulate the press. “Government is so much more sophisticated in its press relations than it was 40 or even 20 years ago. Everybody has learned how you have talking points,’ how you try to have a couple of things you want to say. Everybody has a public relations strategy. This is all relatively new.” None of these roadblocks, however, appear to have blunted Schieffer’s journalistic enthusiasm. He still talks with the eagerness of a cub reporter and notes at one point that it was he who broke the news that Lott would be stepping down as majority leader. “If there’s a lesson in this book for young journalists,” he tells BookPage, “it’s that one reason you might want to be a reporter is that it’s so much fun.”

CBS News' Bob Schieffer relives his life on deadline From James Meredith's fiery admission to the University of Mississippi in 1962 to the recent take-down of Mississippi Sen. Trent Lott, Bob Schieffer has worked at the wellsprings of America's political history. It's often been history…
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Montana native Blunt makes a strong debut with this memoir of life on a cattle ranch during the 1950s and ’60s. Raised in a rural area with no running water, the author was early initiated into the harsh realities of ranching, tackling chores and attending a one-room school. Unwillingly, she adhered to established gender roles, marrying a man from a neighboring homestead and trying to be a suitable wife. But after 12 years of marriage and the birth of three children, Blunt decided to follow her dream of becoming a writer. She said goodbye to the farm, enrolled in college and began composing award-winning verse. Her memoir reflects her penchant for the poetic. It’s beautifully written, full of unforgettable anecdotes about the severity of Montana living and the constraints of being a female in a man’s world. It’s also proof that you can’t keep a good woman down. A reading group guide is available in print and online at www.vintagebooks.com/read.

Montana native Blunt makes a strong debut with this memoir of life on a cattle ranch during the 1950s and '60s. Raised in a rural area with no running water, the author was early initiated into the harsh realities of ranching, tackling chores and attending…
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In the late 1950s, an ambitious, enterprising young Detroit songwriter named Berry Gordy Jr. got his feet wet in the music business. He went on to start Motown Records, a history-making organization that cranked out hit after hit in the mid-1960s and launched the careers of a who’s who of R&andB, soul and pop vocalists. Smokey Robinson and the Miracles, Mary Wells and Jackie Wilson were the label’s earliest big successes, but following rapidly on their heels were Martha and the Vandellas, the Temptations, the Supremes, Stevie Wonder, Marvin Gaye, and later the Jackson 5, Gladys Knight and the Pips, and the Commodores. These artists sold millions of catchy, slickly produced records, successfully bridging the gap between black-made music and the massive white record-buying audience. Four decades later, in Motown: Money, Power, Sex, and Music, author Gerald Posner takes on the daunting task of telling the Motown story. Posner admits that many people affiliated with the company would not grant him interviews. Consequently, he relies heavily on biographies, autobiographies (including those of Gordy and singer Diana Ross) and other published accounts to craft a readable if, at times, somewhat overly glib chronicle of events. The Motown story is mostly Gordy’s, and Posner focuses in detail on the head honcho’s predilection for authoritarian and paternalistic control, his many marriages and affairs, his eight children with a variety of partners, his exorbitant lifestyle and his attempts to shepherd Motown’s growth in the ever-changing music market. Despite Posner’s effort to humanize his subject, Gordy comes across as an egomaniac devoid of moral compass or business ethics a black man who exploited black artists. Lawsuits about royalties, rights and ownership remain pending even today. Eventually, after the company moved its headquarters to Los Angeles and sales of new material continued to spiral downward, Motown was sold to outside interests in 1988. With Gordy at the helm, it was said that Motown was like a family, albeit a dysfunctional one, where talent got gypped and bosses scooped up the gravy. Along the way, many individuals connected with the company tanked their careers, fell into a life of drugs, or headed for an early grave. But make no mistake the music was, and remains, great. Posner offers a fascinating look at this slice of pop culture history. Martin Brady is a writer in Nashville.

In the late 1950s, an ambitious, enterprising young Detroit songwriter named Berry Gordy Jr. got his feet wet in the music business. He went on to start Motown Records, a history-making organization that cranked out hit after hit in the mid-1960s and launched the careers…
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Does stress send you straight to the cookie jar? Is a dinner just not complete without a slice or two of sourdough bread nestled alongside your linguine? If so, chances are, according to nutritionist Adele Puhn, you’re a Sugar Baby with a case of “metabolic mix-up,” or an extraordinary carbohydrate sensitivity. Puhn, author of a previous bestseller, The Five-Day Miracle Diet, returns to corral our sugar cravings with The Midlife Miracle Diet: Tame Your Insulin Resistance. This book’s impassioned message urges everyone, young and old, toward a radical reduction of carbohydrates in their diets. Heart disease and diabetes are on the rise in the United States, Puhn says, and carbohydrates, with their inherent sugars, are the culprits.

Puhn, a committed advocate for vibrant health and longevity, clearly explains the dangers of a metabolism unbalanced by carbohydrate addiction. Her plan outlines the basics and benefits of assessing and controlling blood sugar, provides easy dietary guidelines with food lists and five days’ worth of sample menus, and emphasizes the integral importance of supplements and regular exercise. To further prove her case, she includes a comprehensive source list of scientific research that supports her findings.

So, does this mean a life without pasta, without bread? No, says Puhn, just be “carb careful,” and don those walking shoes. Alison Hood is a freelance writer based in San Rafael, California.

Does stress send you straight to the cookie jar? Is a dinner just not complete without a slice or two of sourdough bread nestled alongside your linguine? If so, chances are, according to nutritionist Adele Puhn, you're a Sugar Baby with a case of "metabolic…
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Your New Year’s resolutions are set: You’re ready to lose those extra pounds, but you need help. The luxury of a personal trainer would be great, but Christmas shopping has temporarily busted the bank. Don’t despair: Matt Roberts, personal trainer to the likes of Sandra Bullock and Sting, is ready to lend a hand. Matt Roberts’ Fat Loss Plan promises a leaner, fitter body in eight weeks, offering a day-by-day personalized diet and exercise program in an easy-to-follow workbook format. Roberts’ program is accessible; you don’t need any fancy gym equipment, stylish exercise togs or exotic food items to get started.

This practical, positive approach begins with an initial fitness assessment and goal-setting session. Roberts introduces the workout regimen, a gradually paced, balanced method of cardio-aerobic activity, resistance training and stretching. Then, it’s on to what and how to eat. The author advocates an “80 percent/20 percent” eating strategy: The majority of foods you eat should be healthy; the rest can be foods that are your favorites. “Food,” says Roberts, “should be a joyful experience, and not the enemy. The perfect diet should let us savor food without ever leaving us feeling guilty.” The diet plan favors an abundance of low glycemic (low carbohydrate), more alkaline foods for daily intake, highlighting fresh fruits, vegetables and whole grains. Recipes for each day’s meals are included, though for additional, more varied menu planning there are comprehensive food lists, ranked from low-to-high carbohydrate content.

Roberts does a fine job of establishing his supportive, cohesive presence throughout the book with motivational chats and tips (each chapter opens with a pep talk). You’ll feel like he’s right there with you, applauding as you successfully reach your fitness goals. Alison Hood is a freelance writer based in San Rafael, California.

Your New Year's resolutions are set: You're ready to lose those extra pounds, but you need help. The luxury of a personal trainer would be great, but Christmas shopping has temporarily busted the bank. Don't despair: Matt Roberts, personal trainer to the likes of Sandra…

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