With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
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Michael Barson has been a comics collector for decades, in addition to his day job as co-director of publicity for Putnam/Riverhead Publishing. He’s collected some of the finest examples of 1940s and 1950s love comics in the new anthology Agonizing Love.

In the panels of the brightly colored comics that once filled newsstands, young women of the era picked up pointers on finding and keeping love. These tear-jerking pop culture delights feature such stories as “The Man I Couldn’t Love,” “My Heart Cried Out” and “I Loved a Weakling.” Cheesy as the comics might seem to the modern reader, Barson thinks these vintage “morality plays” might still offer all of us some important lessons on love.

We asked Barson to tell us more about his obsession with collectibles, the appeal of romance comics and the agonizing nature of love through the ages.

How and why did you begin to collect romance comic books?
I started pretty late in life in terms of collecting the classic Romance comics. I had been collecting all sorts of other genres since the mid-60s—Superhero, War, Sci-Fi, Horror, even Funny Animal—but it wasn’t until I bumped into a big collection of vintage Love comics that was being offered for sale in the early ‘80s at NY’s Forbidden Planet store, in their collectible comics section, that it suddenly clicked—How cool are these? It was a group that contained most of the early Simon & Kirby Young Romance issues, and those proved my entry point into collecting this category for the first time. Later I bemoaned the fact that I probably had passed over several hundred (if not several thousand) tasty Romance issues over the previous 10 or 12 years while collecting in all those other genres; love comics just didn’t register for me at that time.

Why did you decide to share your collection with readers?
What’s the fun in collecting something for almost 30 years if you can’t share it with others? Let’s face it, 99 percent of the world out there would never have a chance to read any of these little gems if someone—in this case, me—didn’t take the time and effort to rescue them from obscurity. I feel I am performing a service, however modest, for humanity.

For those who aren’t familiar with the genre, can you give us a capsule description of what a “romance comic” is?
To oversimplify terribly, most of the stories that appeared in Love comics during their golden period—to me, 1947 to 1960 or so—are little morality plays that have been given a seven- or eight- page stage on which to play out. Sometimes the resolution is a happy ending, but not always. But I think it’s fair to say that in 98 percent of the cases, a lesson is learned by one of the characters in the story—a lesson that will change their attitudes and philosophy going forward.

These comics look hilariously cheesy today. Do you think readers took them seriously back then?

To the extent that even a teenage girl or young woman (probably the target audience for these comics) would take any kind of comic book in a totally serious manner, I would answer with a qualified “yes.” In that pre-Ironic era, the main reason for someone to buy and read Love comics was because they connected to both the medium and the message. They weren’t partaking of these in order to get a quick laugh—there were humor comics such as Archie and Betty and Veronica for that purpose. So while the readers of the day were not treating these romance issues as the second coming of Madame Bovary, I believe they were reading them in a serious frame of mind.

Do you have a favorite romance comic cover or story?

I don’t have a single favorite, but I will admit to being partial to the Mother-in-law subgenre. There’s something about those that just tickles my fancy, even though my own real-life mother-in-law is perfectly benign. But not so in the stories about them that I’ve included here! And I do have friends in real life who are very much embroiled in a problem of this exact nature. 

What's the most important lesson you've learned about love from a romance comic?

If you just got hitched, don’t invite your mother-in-law to move in with you on your wedding night. That goes for both of you!

Is love any different today than it was in a half-century ago?

Love, and its surrounding mysteries and problems, is exactly the same, I am convinced. The only difference is that eHarmony didn’t exist in 1951. Not that it (or any of the other popular dot-com dating sites) seems to have done all that much good.

Is love always agonizing?

In my experience, yes. Because if it isn’t you that’s doing the agonizing, then the other person probably is. The real question is, would we really have it any other way? The empirical evidence of the past 100 years suggests the answer is no.

You’re the father of three sons. If you could give your children one piece of advice about love, what would it be?

Collect stamps instead. Or at least try to avoid the 434 mistakes I was too dumb to avoid.

You’re an avid collector of pop culture memorabilia—everything from postcards and posters to magazines and comics. Where on earth do you keep all this stuff? Does your collecting drive your wife crazy?
Yes, I have in fact driven my wife crazy because of the millions (nahhh, it’s really just thousands) of pieces of moldering antique memorabilia over which she stumbles every morning. And afternoon and evening.

But let me ask you—does that make me a bad person?? Right—I was afraid of that.

 

Michael Barson has been a comics collector for decades, in addition to his day job as co-director of publicity for Putnam/Riverhead Publishing. He’s collected some of the finest examples of 1940s and 1950s love comics in the new anthology Agonizing Love. In the panels of the brightly colored comics that once filled newsstands, young women […]
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In October 2008, Nina Sankovitch launched a year-long project: She would read one book a day, every day, for a year. The idea was to give some structure to her life after the tragic death of her older sister. In addition to reading the books, Sankovitch also committed herself to reviewing each of them on a website she created, ReadAllDay. As word of her task spread, her audience grew—and, once the project was completed, Sankovitch wrote a book of her own about her experience, Tolstoy and the Purple Chair, an "affectionate and inspiring paean to the power of books and reading." We had to ask Sankovitch a few questions about this ambitious project. Her answers just might inspire you to increase your reading goals!

Even people who read a lot might find the thought of reading a book a day daunting. How did you do it (and have any kind of life!)? 
By reading wherever and whenever I could! I'd started my year with a plan to read while the kids were away at school (treating my reading project like a job—the best job I could ever imagine!) but life quickly intervened in the form of sick children, needy cats, curious friends, and a few unexpected twists and turns. Then I realized that I could fit in so much reading by pushing out unnecessary preoccupations, like folding laundry (what's wrong with a clean pile for foraging?) or watching TV or going online (no need to change Facebook status: "reading" just about covered it). 

Reading a book a day didn't take away from "having a life"; it made my life better, richer, fuller, more satisfying. And there was never, ever a day never a day when I woke up and thought to myself, "Oh darn! I have to read a book today." On the contrary: I was eager to get out of bed every morning because I knew I had something new waiting for me: a new landscape to explore, new characters to meet, a new plot to lose myself in and new lessons to learn. 

Have you always been a reader? When did you fall in love with reading? 
I have always loved books. One of my earliest memories is of going to the local bookmobile: how the three steps up seemed so huge to me and how good it smelled when I got inside the cramped, dusty space crowded with books. I was too young to read but I could pick out books for myself and look through them on my own at home or have my mother or sisters read them to me. Once I started to read for myself, I always had books around me, next to my bed, piled on the kitchen counter, in my school bag—and I still live that way! I cannot imagine a day without reading or a home without books. 

What was your favorite read of the year? 
I read too many wonderful books to have one favorite out of 365 books read. On my Readallday site where I posted my daily reviews, I kept a list of "Great Books," books I'd particularly loved. By the end of the year, I had more than 90 books on that list. 

Was there a book you read–or reread—that surprised you?
Every book I read during my year was new to me—one of my self-imposed rules was no re-reads! But I read many books that surprised me because they were from authors I had not known before: it is such a lovely experience to discover books written by someone new, offering something different than anything I'd read before. Ruins by Achy Obejas, The Curriculum Vitae of Aurora Ortiz by Almudena Solana, The Book of Chameleons by Jose Eduardo Agualusa, The German Mujahid by Boualem Sansal, The Sun Field by Heywood Braun are just some of the gems I discovered. 

How did you make your selections?
I went through the stacks of my local library or the stacks at book stores, and looked first for books about an inch or so thick, which translated to about 250 to 300 pages. That was the optimal number of pages for a day of good reading. Then I looked through the book, read the first few pages, and if everything clicked for me, I added it to the pile in my arms. Friends gave me books, visitors to my website offered recommendations, and even my kids chimed in with the books I "had" to read. 

On top of reading a book a day, you wrote a review of it. Did you enjoy writing the reviews?
I loved writing the reviews, although the more I'd enjoyed a certain book, the harder it was to write a review: how could I do justice to the beauty, the wit, the creativity of the author, or the magnificence of the book? Whenever I got stuck, I said to myself "What did you love about this book? Just be honest!" and the words would come. By writing about each book I was able to reach deeper into the book and into my own reactions about it, and thus I pulled out even more from the experience of reading. I also was sharing my reviews with other readers and getting responses back, further deepening both my understanding of the book and my experience of it. 

What did your family think of your reading obsession?
They saw how restorative the experience was for me, and how much I was flourishing under the daily reading and writing. It was such a pleasurable regime for me that the good feelings spread throughout our house, mellowing everyone and energizing us all, at the same time. 

What would you say to a person who tells you, "I don't have time to read."
Always carry a book with you and you will discover that there are moments that build into significant time for reading. And the more you find the time, the more you look for it, because reading is such a pleasure, a stimulation and an escape. 

Why should people make an effort to incorporate reading into their lives?
Because of all that books offer: wisdom, humor, company, comfort, and pleasure. My advice to people is that they find books they like to read—what is enjoyable for them, not what someone else dictates as a "must read"—and indulge in the pleasures found there. And don't worry about how many books you read or if the books are "important" enough: every book is worth reading if it brings pleasure, escape, comfort or wisdom, and the number of books matters less than the everyday experience of reading. 

Since completing the challenge of reading a book a day for a year, have your feelings toward reading and books changed at all?
Through my year of reading, I now understand how reading connects me to so many other people. I may read alone but in that reading I am in great company! I remember riding in a cab with a Nigerian driver during my year of reading. He and I began to discuss Chinua Achebe and Buchi Emechata, two writers I had just read. We had a great time talking and when the ride was over, we shook hands good-bye. Two strangers, from opposite sides of the world, and we connected over books. Those connections forged by reading have made me more addicted to reading than ever. The great thing about being addicted to books is that there is such an abundance of books! I will never run out of the stuff that feeds my need to read. I might run out of chocolate, but I can always find books on my shelves, new ones yet to discover or old favorites to enjoy.

 

In October 2008, Nina Sankovitch launched a year-long project: She would read one book a day, every day, for a year. The idea was to give some structure to her life after the tragic death of her older sister. In addition to reading the books, Sankovitch also committed herself to reviewing each of them on […]
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You’ve probably never heard of Thad Roberts, the brilliant young NASA recruit who pulled off one of the most audacious heists in history when he tiptoed out of the Johnson Space Center one rainy Texas night in 2003 with a 600-pound safe containing $20 million in moon rocks.

Even Ben Mezrich, the gonzo-inspired biographer of Ivy League geeks (Bringing Down the House), drew a blank when Roberts called him out of the blue following an eight-year prison sentence. Mezrich fields hundreds of such calls these days, thanks in part to the success of the Oscar-nominated film The Social Network, based on his bestseller about the founding of Facebook, The Accidental Billionaires.

“Everyone who does something kind of crazy calls me, so I get like 10 of these a day and 99 percent of the time it isn’t something I can use,” Mezrich says by phone from Boston. “But this one was different.”

If Mezrich’s hunch is correct, you will recognize Thad Roberts from the talk show circuit by summer’s end and, despite yourself, you’ll either love him or hate him, all because of Sex on the Moon, Mezrich’s stranger-than-fiction, true-life thriller of a man who went where no man has gone before.

For a participatory journalist like Mezrich, who describes himself as “Hunter S. Thompson without the guns, alcohol and drugs,” the Roberts story ticked all the boxes: a charismatic dreamer with a troubled past, a Romeo-and-Juliet love story, a geek-alicious high-tech setting, an ingenious Oceans 11-style heist—and perhaps the most boneheaded mistake any man ever made to impress a girl.

Even better, it was a journalist’s Holy Grail: a truly uncovered story.

“It was completely covered up; there was nothing on it,” Mezrich says. “NASA never wanted this story to get out. In prison, Thad was basically strong-armed not to talk about it. Nobody knew the story.”

It goes like this: Roberts, a working-class Mormon, is ostracized by his parents for having premarital sex. He and his girlfriend soon marry and plunge deep into debt while Thad, a triple major in physics, geology and anthropology, studies hard to earn a spot as a NASA co-op, essentially an astronaut intern. Once at Johnson Space Center, Roberts reinvents himself from loser to winner by daring to take risks, thus becoming a leader of the co-ops.

Thad’s marriage is on shaky ground when he catches a glimpse of a cache of invaluable moon rocks, now considered waste by NASA because they’ve been contaminated by scientific study, and soon becomes obsessed. When a risk-taking new co-op captures his heart, the two cook up a scheme with a third ally to steal the lunar samples, sell them to a collector in Antwerp, Belgium, for $100,000, and disappear into private research.

Unfortunately for Thad, the buyer is well aware that it is illegal to traffic in moon rocks and tips the FBI to the scheme. The night before they’re busted, the daring couple spend the night in an Orlando hotel room with lunar samples from Neil Armstrong’s Apollo 11 moon walk tucked under their mattress—hence the book’s intriguing title.

Mezrich didn’t know what to expect when he met Roberts in a Utah hotel lobby near where Roberts is now completing his Ph.D.

“First of all, the kid’s a genius, absolutely a genius,” Mezrich says. “He was this charismatic, incredibly smart guy and he had done something incredibly stupid out of love. What was interesting was how complex his personality was. He wasn’t just this guy who stole something to make money; he was on his way to being an astronaut, to achieving his dream. That made him different from all of the other characters I’d written about.”

Mezrich spent months obtaining the voluminous FBI file on the case through the Freedom of Information Act, including transcripts of conversations by wired FBI undercover agents that add authenticity to much of the dialogue.

“When you’re interviewing a guy like this, your first question is, how much of this is true?” he says. “Thad felt his sentence was very harsh, that he was very unfairly characterized by the FBI and others. He did steal a 600-pound safe full of moon rocks, but at the same time, they got them back. For him, it was almost like a college prank. But NASA didn’t look at it that way at all.”

True to his gonzo ethos, Mezrich managed to tour NASA with remote help from Roberts. “They didn’t know I was writing the book and I got this Level 9 tour,” he recalls. “While I was walking around NASA, I was texting back and forth with Thad and he’d be like, ‘Now go to the back of the room, there’s a door there, go through that door, take a left, that’s the room! ’ So I got to see everything with him guiding me.”

Mezrich received pushback from NASA, which labeled him persona non grata at the Johnson Space Center. The women involved shut him out as well, having moved on with their lives. It will be no surprise to the author if critics lodge their usual objections to the way he reinvents dialogue and weaves whole cloth from random threads of speculation. He’s used to controversy, he says. It comes with the territory. It’s not bad for sales either.

“There are always going to be a million articles about the form of nonfiction that I write,” he says. “But I’m very clear up front [about] exactly what I’m going to do and how I’m going to do it. This story follows very closely with the facts. It’s written like a thriller but it’s very, very true.”

Will readers embrace Roberts?

“He’s an interesting guy,” Mezrich says. “I think when he starts going on TV, people are going to be fascinated by him. Some will think he’s awful and he’s a thief; others are going to see him as a romantic character. I think he’s somewhere in the middle.”

You’ve probably never heard of Thad Roberts, the brilliant young NASA recruit who pulled off one of the most audacious heists in history when he tiptoed out of the Johnson Space Center one rainy Texas night in 2003 with a 600-pound safe containing $20 million in moon rocks. Even Ben Mezrich, the gonzo-inspired biographer of […]
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It all began in 2004—a writer in Brooklyn created a blog to fill with her design ideas, never expecting it to become an online sensation. Today, Design*Sponge is one of the most popular sources of DIY inspiration.

It was only a matter of time before Grace Bonney, the genius behind D*S, released her first book, Design*Sponge at Home, which, like the blog, is filled with gorgeous photographs and easy instructions. With Bonney’s brilliant uses of space, color and texture, every room has the chance to be a showstopper.

What is your favorite aspect of the blog come to life in the book?
I really love the way we’ve managed to cross-reference so many different homes, skills, styling tips and projects in one book. For me, the best part of a blog is how you can link to so many different pieces of information in one post, so I wanted to find a way to carry that through to the book, and I think we did. I love that you can open the book to a home tour and then flip to different pages to learn how to make something you see in the home, learn more about its history, or see a flower arrangement inspired by the home’s color palette.

What was the biggest challenge in moving from a blog format to a book format?
For me it was most difficult to make the edits. I’m so used to having an infinite amount of room to publish online, so having to narrow things down (and lose some really special pieces that just wouldn’t fit) was a real learning experience for me. But I’m glad I did–in the end it really helped me solidify what Design*Sponge’s style and aesthetic is all about.

How did you choose which projects went into the book?
Just like the site, I chose based purely on my gut. I looked for homes, projects and makeovers that grabbed me and made me smile, want to learn more or inspired the best kind of jealousy. I wanted people to have those same gut level responses every time they turned the page.

I looked for homes, projects and makeovers that grabbed me and made me smile, want to learn more or inspired the best kind of jealousy.

In the book’s foreword, Jonathan Adler calls D*S a revolution. Do you consider your blog and book a part of a revolution?
That was an incredibly kind comment and kicked off a serious bout of blushing and appreciation on my end. I don’t often sit back and look at the work I do at D*S, but I think if I step back for a moment and look at our contribution to the community, I think our team has done something really special. There’s been a huge groundswell of change within the design (and publishing) community in the last 10 years and I’m proud to have played a part in it.

How has Brooklyn shaped D*S?
Brooklyn informs everything I do on a day-to-day basis. It’s the place I call home and the energy that exists here is hard to find elsewhere. People (artists and art-appreciators alike) here are so driven to follow their passion it’s hard not to get caught up in that and really follow your heart. Without that sort of community around me, I’m not sure how hard I would have pushed to do all the projects I have over the past seven years. But when you’re surrounded with so much talent it’s the best sort of inspiration to do your best.

What is the most daunting part of DIY, and what advice can you give inexperienced DIY-ers?
I think DIY projects can seem daunting when you’ve never really thrown yourself in and gotten your hands dirty. But it’s really about pushing past that fear and not being afraid to make mistakes. My advice is to spend as much time as it takes to set up a clean work space, get your supplies in order and prepped and clean as you work. Just like cooking, when your space is clear and your mise en place are right at your fingertips, things flow easily.

What is the one thing every room must have?
Texture. I always feel sad when I walk into a space and everything is cold and smooth. I want to feel some sort of warmth in a space to bring it to life and texture does that in a snap. A quilted throw, a knitted pillow or a great wool rug can really add dimension to a space without spending a ton of money.

If you could move into anyone’s home, who’s would you move into?
I’d move into one of the many Neutra homes in Silverlake (Los Angeles)—anyone’s will do. I love the way he integrated moving exterior walls into each space so the outdoors and indoors blended seamlessly.

What was your best ever yard sale/thrift store find?
Our old TV credenza was a serious online thrift score. It was part of an estate sale on eBay and was originally a $1,000+ piece, but I got it for $200. I sold it when we moved earlier this year, but it was one of my favorite pieces of furniture for years.

What’s next for you and for the blog?
I’m most excited to hit the road for the book tour! We so rarely get to break out from behind our laptops and meet people, so this is a huge treat for us. To interact with and meet our readers is going to be the biggest reward for all the hard work we put into the book.

Grace Bonney answered some questions about the little design blog that changed everything.
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There’s nothing more to romance novels than a mullet-sporting hero, a giddy heroine and a happily-after-ever—right? Not if you ask Sarah Wendell, better known as “Smart Bitch Sarah” from the popular (and hilarious) blog, Smart Bitches, Trashy Books. On her website, Wendell critiques and gushes over plot lines, motifs and character development in romance novels. Her first book on the subject, Beyond Heaving Bosoms: The Smart Bitches’ Guide to Romance Novels, has been assigned in courses at Yale and Princeton. Released this month, her new book—Everything I Know About Love I Learned from Romance Novels—explores how romance novels can inform our thoughts on courtship, self-confidence and modern relationships.

Wendell answered questions for BookPage about falling in love with romance novels, her research for the book and why the genre gets a bad rap.

In your book, you explain that the first romance novel you read was Midsummer Magic by Catherine Coulter.  What about that book got you hooked on romance?
Ah, Midsummer Magic. It’s a bit difficult to explain all the reasons I love that book because some of them rest on the fact that, despite being published in the late '80s/early '90s period of historical romance, it has some points that make is distinct from the established tropes of romance at that time. This was the era from which the much-abhorred term "bodice ripper" came to be, and bodices were indeed ripped, and ripped often. I loved this book because it showed a hero and heroine who were sympathetic. I knew what was motivating each of them, even as they did some boneheaded and somewhat dastardly things in the name of preserving their independence.
I loved how strong the heroine was despite her limited options at times. I loved how determined the hero was to do the right thing, even when it was really awful. I had no idea there were strong and independent-minded characters in romance. Once I read one, I had to read more.

Even though the happy ending is a known conclusion, the journey to that happy ending is always different, and in the hands of a skilled storyteller, that journey is worth experiencing every time.

Why are romance novels so addictive? Even when we know the hero and heroine will get a happily ever after, we still keep turning the pages, again and again . . .
I think there are a couple of reasons for that. One: Real life does not come with the happily-ever-after guarantee. It’s wonderfully reassuring and frankly uplifting to read narratives where, no matter how bad it gets, you know that everything will be okay in the end. Two: Even though the happy ending is a known conclusion, the journey to that happy ending is always different, and in the hands of a skilled storyteller, that journey is worth experiencing every time.

What do you think is the most common misconception about romance novels?
That they’re not intelligent, or that the readers are not either. Romances are smart, insightful and valuable, and the women who read (and write!) them are just as intelligent and savvy.

In your interviews with some of the genre’s biggest authors, did you learn anything that truly surprised you?
Oh, yes. Robyn Carr’s comments pretty much summed up the book in four sentences. Eloisa James shared incredibly touching stories from her readers, as did Toni Blake. Jennifer Crusie, Nora Roberts, Christina Dodd and Theresa Medeiros explained the ingredients to a successful courtship in ways that revealed the strengths of their own stories but their very complex understanding of the genre and its role in women’s lives. The writers I interviewed absolutely understood how important romance fiction is to the women who read it, and the ways in which they expressed that understanding surprised me, but in an absolutely good way!

If you could wake up in a romance novel, what kind would it be? Regency? Western? Paranormal? . . . Harlequin Spice?
Can I be in a Regency house party with lots of long walks and really good meals and games and gossip? That would be fun for many weeks of entertainment. I don’t know that I’d love the foundation garments, but I’d survive!

You have read a lot of romance novels. (Care to guess how many??) After all those books, are you still learning lessons about love, intimacy and relationships from your reading?
I don’t think I can guess how many total! My gosh, I would forget a whole dozen or more. But yes, even after many, many, many romances, I am learning about courtship, intimacy and respect from the novels I read. Each novel presents a new account of how to fix what might go wrong, but more importantly, each one reminds me how fortunate I am that I am loved, and to make sure to demonstrate my own feelings to the people I care about. As Theresa Medeiros says in the book, “Never stop courting your spouse.” That’s some excellent advice right there.

 

There’s nothing more to romance novels than a mullet-sporting hero, a giddy heroine and a happily-after-ever—right? Not if you ask Sarah Wendell, better known as “Smart Bitch Sarah” from the popular (and hilarious) blog, Smart Bitches, Trashy Books. On her website, Wendell critiques and gushes over plot lines, motifs and character development in romance novels. […]
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It could be a fairy tale: a young German princess from a small principality is swept from obscurity to marry the heir to the Russian throne.

Crowned Grand Duchess of Russia, showered with gowns and jewels, 15-year-old Sophia is renamed Catherine and baptized in the Russian Orthodox church. Despite having no blood claim to the throne, she eventually rules Russia for more than 30 years, amassing a remarkable art collection, bringing advancements in medicine and science, winning important military victories and raising questions about slavery that few leaders at the time—in any country—were willing to confront.

Yet behind that glittering facade lay a lot of hard work and more than a little bit of luck. Pulitzer Prize winner Robert K. Massie chronicles this tooth-and-nail climb to power and the resulting achievements in mesmerizing detail in Catherine the Great: Portrait of a Woman, his beautifully written biography of the much-maligned ruler. True to its subtitle, the book reveals Catherine the individual as well as Catherine the Empress.

 “In writing biography, you want the reader to feel that he or she is standing at the elbow of the subject,” says Massie, who was reached by phone at his home in Islington, New York, where he lives with his wife, former literary agent Deborah Karl, and two of his children. “In other words, getting the full flavor of the person you’re writing about. I felt that way about Catherine.”

Catherine the Great is Massie’s first biography with a female subject as its main focus, and he relished the idea of telling a woman’s story. “I have six children, four of whom are daughters. I've been married twice, so some of them are grownups who have their own children, and some of them are still being homeschooled downstairs,” he says. “But all of them have been brought up, either by their education or their own searching, to read books about young girls becoming women. And here was a lesson about what it was like to be a brilliant—or at least very bright; exceptional might be a better word—young woman in a situation which didn't offer much opportunity for exceptional young women.”

And from an early age, Catherine the Great knew how to seize an opportunity. “Even as a little girl, in an obscure royal family, lower nobility, she was ambitious,” says Massie. Her willingness to be betrothed to Peter was not because of his stellar personality or good looks (he had neither), but because of his political position. As she wrote in her Memoirs, “the title of queen fell sweetly on my ears.”

“She was a woman who, by her own initiative, courage, intelligence, took charge. Stood up against men, stood up against situations, environment, the past.”

Still, in no way was Catherine in line to be anything but a consort. She had been brought to Russia “just to be a mother,” and continue the Romanov dynasty, explains Massie. “She was popped into this dreadful marriage with this creep, who—I still can't get into five or six words the character of Peter. He didn't have an easy life. I tried to present that in all its complexity, but he didn't want to be [in Russia]. He wanted to go back to Germany. He was petty, selfish, blah blah blah. And then he had this physical defect that made it impossible for him to have sex. Catherine marries this guy when she was 16, and for nine years lies in the same bed with him. He won't touch her, and the Empress Elizabeth and the court blamed her for not producing a child.”

At 25, Catherine finally had a son, although whether or not Paul was a Romanov is highly debatable. Elizabeth immediately “snatched Paul away literally from the birthing bed,” says Massie, initiating what would be a lifelong rift between mother and son. Catherine was crowned empress eight years later, in 1762, after her husband’s brief reign ended under murky circumstances. That the Russian people accepted a German princess as their ruler is evidence of how much respect Catherine had won during her 18 years as a crown princess, adopting their culture, language and religion as her own.

A devotee of Enlightenment philosophy, Catherine corresponded with the likes of Diderot and Voltaire (upon Voltaire’s death, she purchased his library, which is one of many treasures she collected that are still in the Hermitage today). She tried to improve the lives of subjects, although her biggest move, an attempt to abolish serfdom—the Russian brand of slavery—failed. “I don't remember any of the first half-dozen men who became presidents of the United States even trying,” quips Massie.

It is clear that, after eight years spent writing and researching Catherine the Great, Massie feels a bit protective of his royal subject, who is perhaps best remembered for things she didn’t actually do. Especially when it comes to her romantic life. “This was a concoction by her enemies,” he says, pointing out that during her early life and reign, Catherine sustained lengthy, monogamous relationships. Early favorite Gregory Orlov, who was her consort when she became Empress at 33, held that standing for 12 years. “That's a pretty long stay in America these days,” Massie laughs. “Then there was Poniatowski, who really did love her all his life. And there was Potemkin, who she may have married.”

Later, Catherine took a succession of younger men as royal favorites, sending gossips in Russia and around world into an even bigger frenzy. “I bristle at this,” Massie says. “I mean, Louis XV, who ruled France for half a century, had a training ground at Versailles to bring up teenage girls for his bed. . . . No one thinks that's at all disgraceful. Augustus the Strong of Saxony had 300 children, several by his daughter. That's not a story that goes around. But let a woman become empress, and need somebody in various senses, and it's lights out, or whatever metaphor you want to use.”

Massie first became interested in the Romanov family when his oldest son, Robert Massie Jr., was diagnosed with hemophilia in the late 1950s. As the Massies struggled to manage Bobby’s illness (a time chronicled in the memoir Journey, co-written with Massie’s first wife, Suzanne Massie), they reviewed case studies of the most famous hemophiliac, Tsarevich Alexis. Massie became convinced that Alexis’ disease, and the resulting need for secrecy and dependence on Rasputin, was a larger contributing factor to the dynasty’s downfall than it had been considered previously. This research turned into Nicholas and Alexandra (1967), which he wrote over nights and weekends while working as a journalist. “My advance was $2500,” he remembers. Published during the Cold War, the book (and subsequent Hollywood film) was a hit, allowing Massie to write full-time.

Over the course of his lengthy publishing career, Massie has worked with some of the best editors in the business, including Robert Gottlieb (on Peter the Great) and Bob Loomis, to whom Catherine the Great is dedicated. Still, his genius is his own. Massie has the rare ability to shape a life story into a compelling narrative, and he puts his larger-than-life figures into historical context. At the end of a Massie biography, the reader will not only have an in-depth knowledge of its subject, but also an understanding of their world. “I know a whole lot more than the reader knows,” he says of his extensive research, which often results in delightful asides, like a memorable passage on the guillotine in Catherine the Great.

Massie doesn’t feel attracted to the idea of writing about any 20th-century Russians. When Si Newhouse, the owner of Condé Nast, once suggested Massie write about Stalin, “I shivered. . . . I have to feel something other than just a shiver [when I think about a biography subject].”

The only shiver that Catherine’s remarkable story might inspire is one of awe. “She was a woman who, by her own initiative, courage, intelligence, took charge. Stood up against men, stood up against situations, environment, the past,” Massie says. But Massie’s achievement in Catherine the Great goes beyond listing her accomplishments as a ruler—he has resurrected her humanity. “I was simply trying to make the contemporary reader realize that this was a woman we could all understand,” he says. With compassion, intelligence and meticulous research, he has realized that goal.

 

It could be a fairy tale: a young German princess from a small principality is swept from obscurity to marry the heir to the Russian throne. Crowned Grand Duchess of Russia, showered with gowns and jewels, 15-year-old Sophia is renamed Catherine and baptized in the Russian Orthodox church. Despite having no blood claim to the […]

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