Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Richard Munson’s splendid biography of Benjamin Franklin provides an insightful view of the statesman’s lesser known accomplishments in science.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
Lili Anolik’s Didion and Babitz is a freewheeling and engaging narrative about two iconic literary rivals and their world in 1970s Los Angeles.
With its seamless integration of gardening principles with advanced design ideas, Garden Wonderland is the perfect gift for new gardeners—or anyone in need of a little inspiration.
With its seamless integration of gardening principles with advanced design ideas, Garden Wonderland is the perfect gift for new gardeners—or anyone in need of a little inspiration.
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In 2007, Elisha Cooper experienced one of those life-changing moments that every parent prays they never face. He had taken his nearly 5-year-old daughter to a Chicago Cubs game on a beautiful summer day when he happened to reach his arm around her torso and feel an unusual bump under her ribs.
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"Oh hi,” Clay Byars says, answering the phone at his home in what he calls “horse and cow country” in Shelby, Alabama, about an hour south of Birmingham. “How are you?”

The fact that 43-year-old Byars is giving a phone interview is nothing short of a miracle, given that he nearly died not once, but twice—in a pair of events that he chronicles in the intensely powerful memoir Will & I. Not much has been easy since, he writes: “Actions as simple as brushing my teeth, shaving and showering all begin with the question ‘How am I going to do this?’ ” 

Writing remained one of the few things he could still accomplish without struggle and quickly became “a healing obsession.” Telling his story, however, proved to be anything but easy. 

“I figure that with all the different drafts,” Byars says, “I’ve probably been working on it for about 15 years. So it’s been a while.”

In 1992, during his sophomore year at the University of the South in Sewanee, Tennessee, Byars was riding in a car with friends when an oncoming car veered into their lane. Byars likely would have died at the scene had not a passing motorist removed a piece of broken jaw from his airway. Additional injuries included nerve damage to his right shoulder that left him unable to bend his elbow.

Meanwhile, his identical twin brother, Will, was hours away, back at home in Birmingham, studying for a test and unaware of the accident. Just before midnight, though, Will was suddenly awakened by a throbbing pain in his jaw. 

“We’ve had incidents like that throughout our lives,” Byars says. “People used to ask us what it’s like to be a twin. My response was always, what’s it like to not be a twin? So I didn’t think much of Will’s jaw pain at the time of my wreck.”

Tragically, things went from bad to worse. About nine months later, a New Orleans neurosurgeon nicked Byars’ vertebral artery while attempting to repair the nerve damage, causing him to have a massive stroke. For several weeks, he experienced Locked-In Syndrome, leaving his brain unable to communicate with his body. 

“It was a weird feeling,” Byars remembers, “and it’s sometimes hard to think about that now. The best way to describe it is having one dream inside of another and waking up, but not being fully awake yet from the first dream.”

Byars says the neurosurgeon continued to practice, eventually retiring. When Byars’ parents tried to sue, the surgeon was so respected that other doctors weren’t willing to testify against him. He never apologized, but Byar says, “I kind of understand why he didn’t. He didn’t want to make himself liable.”

The initial prognosis was dire, with the best-case scenario that he would remain paralyzed from his eyes down. Will recognized that his brother was “conscious and trapped,” which was unbearable to witness, so he said nothing and left. To others, Will’s reactions might have seemed abrupt, but Byars understood, writing, “Every stage of life we’d gone through not just together but as a unit, as a unity.”

Ever so slowly, Byars began to regain movement, first in his right leg and right thumb. While others rejoiced, hoping that Byars would recover fully, Will held no such illusions, and once again, quickly left his brother’s hospital room. “He didn’t know what to say, and I couldn’t speak,” Byars writes.

After months of physical and occupational therapy and workouts at a nearby gym and on his home elliptical, Byars never did fully recover, but today, he walks, drives and lives independently. His vocal cords were left extremely weak, and he’s been taking singing lessons for a number of years, trying to strengthen his “head-injury voice.”

As he explains in his memoir: “I like being able to do things I’m not supposed to do. . . . According to my MRI, I should have been more or less a vegetable.”

The “Will” in Will & I refers not only to his twin brother, but to Byars’ own incredible will, something that he understood anew while still in the hospital, in what he describes as a “liberating flash of vision.” Both of these “wills,” it turns out, have remained essential to his survival.

Undeterred by his vocal problems, Byars is an engaging communicator. In addition to our phone conversation, he answers follow-up questions by email and shares a letter he wrote to Will about his hospital vision, which he later understood to have been the Zen experience of satori, or enlightened consciousness. “It wasn’t a near-death experience,” he wrote. “On the contrary; it was the greatest affirmation of life I’ve ever felt.” 

Byars eventually finished college, and he now writes short stories and serves as an assistant editor for Narrative magazine. Will ended up marrying Byars’ high school girlfriend, and Byars eats dinner with the couple and their three daughters each week. “In many ways, our relationship hasn’t changed since the wreck,” Byars explains in his book. “We are no longer physically equal, but we are more open with each other than we used to be.”

When asked if he ever feels jealous of Will, Byars responds, “Sometimes I’m envious of the ease with which he can do things that take me hours, if I can do them at all, but on the whole, no.”

Byars’ first attempt to write his story took the form of fiction, but he deemed the storytelling ineffective and too linear. He kept at it, though, eventually attending the Sewanee School of Letters to work with writer John Jeremiah Sullivan, who suggested that he weave his voice lessons into the tale and who also helped him pare down his manuscript. “We went over it line by line, working for about three months,” Byars remembers.

The result is compact, substantial and thoroughly compelling—reminiscent of neurosurgeon Paul Kalanithi’s posthumous bestseller, When Breath Becomes Air. While Kalanithi addressed the prospect of his impending death from cancer, Byars tackles the question of facing an immensely compromised life. 

When I suggest that Byars read Kalanithi’s book, he does, later emailing to tell me how much he admires it, and adding, “I wish he’d been my neurosurgeon.”

 

This article was originally published in the July 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

"Oh hi,” Clay Byars says, answering the phone at his home in what he calls “horse and cow country” in Shelby, Alabama, about an hour south of Birmingham. “How are you?”
Patty Hearst? Jeffrey Toobin was skeptical when his Doubleday editor suggested writing about the sensational 1970s kidnapping saga that Toobin would eventually recount in riveting detail in American Heiress.
Interview by

Tasked with cleaning out her late parents’ house, Plum Johnson made some surprising discoveries, which she chronicles with wit and insight in They Left Us Everything.

There are multiple ways to interpret the book’s title. What does it mean to you?
When Mum and Dad died, I rolled my eyes at all their junk and thought: Oh jeez . . . they left us everything. But once we took the time to go through it, I understood the history we’d been given, and I thought: Wow—they left us everything! So the irony of the phrase stayed with me.

What was the best advice you got during the process? The worst?
The best advice was: Forgive yourself and forgive your parents, because everybody did the best they could. My brothers and I also made a pact that material possessions aren’t worth fighting over; relationships are more important. 

They Left Us Everything is dedicated to your children. Did this experience inspire you to make sure your affairs are more settled so they won’t have to go through what you went through?
No! The message is exactly the opposite: “Don’t self-edit.” I’m leaving my mess for my children to sort through. Hopefully, they’ll find out things about me that I never wanted them to know. We all have foibles that we try to hide from our children when we’re raising them. But it’s helpful for them to discover these things, especially when they look in the mirror and realize they’ve become us! I just hope I’m dead when they write their books.

You probably thought you had achieved closure with your demanding father, who died years earlier than your mother. What was it like to rekindle all those memories? 
I don’t look for closure, because I’ve learned that relationships continue even after death. I made peace with Dad during his slow descent into Alzheimer’s. We had 15 years of gentleness, which was lovely. 

If your parents were still alive and you could ask questions of them, what would you ask?
I would probe more deeply into their relationships with their own parents. I never asked those questions, and I wish I had. After Mum died, I found all these letters written to her by her own mother, and they were dated throughout her childhood. This surprised me. I didn’t know her mother had been so frequently absent.

What’s it been like to become a first-time author at the age of 68? Do you have more books on the horizon?
I’ve always been a late-bloomer. Sometimes confidence comes late in life. I had a high school teacher who used to pound on her desk and shout, “Don’t write until you have something to say!” She effectively shut me up for the next 50 years. I kept asking myself, “Is this worth saying? Is that worth saying?” I used to look at all the piles of books on remainder tables—each one representing five years of someone’s life—and think, why bother? But this book just burst forth. It unplugged a cork of non-confidence. Now I have so much to say I can hardly wait to tell it all.

Author photo © Carter Johnson. 
 

ALSO IN BOOKPAGE: Read our review of They Left Us Everything.
 

This article was originally published in the August 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Tasked with cleaning out her late parents’ house, Plum Johnson made some surprising discoveries, which she chronicles with wit and insight in They Left Us Everything.
As an award-winning journalist, Luke Dittrich has investigated topics ranging from near-death experiences to atomic-bomb testing. But there was one story he was especially eager to explore: the role of his own grandfather in one of the most controversial cases in the history of neuroscience.
Interview by

What’s it like to be the subject of a book by Tracy Kidder, master of narrative nonfiction and Pulitzer Prize winner? We tracked down computer genius and entrepreneur Paul English, who’s portrayed in A Truck Full of Money, to find out.

A native of Boston, English received bachelor’s and master’s degrees in computer science from UMass Boston. After working as a software engineer, he co-founded Boston Light Software, which was sold to Intuit in 1999, netting $8 million. A later start-up, the travel website Kayak.com, would bring a far larger return when it was sold to Priceline in 2012 for $1.8 billion.

In a fascinating, fast-moving narrative, Kidder follows English from his days at Boston Latin School (where, as a seventh grader, he hacked a teacher’s computer and captured his password) to his recent passion for philanthropic causes, from education in Haiti to helping the homeless.

Did you have any reservations about allowing Kidder to write about you? How much access did he have and what were the ground rules? 
When Tracy first approached me with the book idea, I declined. Although my work often puts me in the public, I’m uncomfortable being the center of attention. However, I soon decided to accept his offer, hoping that the book might raise awareness for my nonprofit teams. Plus, Tracy is an insanely fun person to hang out with! He is the most voracious reader friend I have, so we had a lot of fun talking about books. Tracy and I spent a lot of time together over the three years this book was in process. He lived with me for a while—we would eat breakfast together, he would come to all of my meetings, and we’d often shop at Whole Foods after work to cook dinner for friends and family. Tracy gets really personal with his subjects—one day he accompanied me in a workout with my personal trainer, and another day he sat in the chair next to me when I got my hair cut!

"Tracy gets really personal with his subjects—one day he accompanied me in a workout with my personal trainer, and another day he sat in the chair next to me when I got my hair cut!"

Have you read A Truck Full of Money? Did any of Kidder’s observations surprise you?
Although Tracy trailed me for three years and took notes constantly, I had no idea what he was actually going to write about until I got my first read of the book in June. I admit that I only skimmed it, because it is a little uncomfortable reading a book about yourself. I provided no input to the manuscript. Although I’m open about my bipolar illness, I was surprised to see how much he decided to write about that. Some of it was embarrassing to read, although I hope it can in some ways be helpful to others, in the same way that Touched with Fire was useful to me so many years ago.

You evidently learned many of your negotiating skills from watching your dad make deals at yard sales. Do you ever think of him as you make deals?
Absolutely. My Dad was a very charismatic person, and he often got deals done by connecting with and charming the other party. I probably model his behavior in that I’m always trying to understand other people, and trying to get them to smile. This is true in daily life as well as when negotiating a big business deal.

At heart, you seem very much a Boston boy, and yet you’ve made much of your fortune from the travel business. Do you ever have the time or desire to travel simply for pleasure?
I travel extensively. In the last year I was in Japan with some friends, and then in Australia with my kids. In the next few months I will be in Haiti, London, Los Angeles and San Francisco. And I just signed up to take my son to climb Kilimanjaro in January.

Can you imagine what you might have done had you been born before the age of computers?
The most obvious role for me would be to become a social worker or psychotherapist, following in the footsteps of my mother and of two of my siblings. I’m fascinated about learning from other people. My own struggles with depression and anxiety allow me to feel the pain of others, and I enjoy trying to alleviate that pain whenever I can.

You’ve had many successes as well as failures. What’s your proudest achievement?
The first thing that came to mind was raising two kids with an amazing woman. The next thing that came to mind was my work creating Summits Education in rural Haiti. This is the longest-term project of my life. We are educating almost 10,000 kids in the central plateau. I’m committed to sending many of them to college.

Kidder vividly describes how being bipolar has affected you, asking rhetorically whether hypomania has helped you by increasing your energy and brashness, or whether you’ve made your way in spite of the condition. Your thoughts?
Sometimes I find mental health labels frustrating. I’ve had many labels thrown at me over the years—ADHD, ADD, bipolar illness, depression, etc. I knew as a teen that something was different about me, from frequent visual distortions (later attributed to temporal lobe epilepsy) to fascination with light and sound, dark depressions, panic attacks, anxiety, weeks with very little sleep, racing thoughts, grandiosity—you name it. The combination of being bright and hypomanic is mostly a great thing, because it can push creative instincts very far. If someone invented a magic pill to rid me of bipolar illness, I would not take it. I continue to struggle with finding meds that keep out the bad parts without eliminating the good parts of being bipolar. At the moment, I feel pretty healthy.

You’re a driven person who loves driving. Are you still an occasional Uber driver, with your Tesla? Do people ever recognize you?
I drove Uber last fall as a way to learn about what it felt like to know that you would be rated at the end of every trip. I wanted to learn this, since our Lola travel agents are rated at the end of each of our traveler’s journeys. Driving was really fun. It opened my eyes to meet all kinds of people in Boston who I would not normally come in contact with.

A Truck Full of Money is a compelling read, especially for young people starting out in business. Any advice for young entrepreneurs?
The most important decision you will make—by far—is who you decide to work with. Please pick people who are fun, confident, humble, curious, open-minded, ethical and driven.

Kidder writes that you “felt like going into hiding” when the news broke about Priceline buying Kayak for $1.8 billion. Any worries that this book will make you feel that way again?
I’ve had to learn how to cope with this over the last few years. I think my friend Tracy is going to cause my inbox to get flooded a bit more than the few hundred emails I get each day now, but I’m trying to get prepared. Check out my one-page site paulenglish.com to see how I list my top few projects these days.

ALSO IN BOOKPAGE: Read our review of A Truck Full of Money.

 

A portion of this article was originally published in the October 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

What’s it like to be the subject of a book by Tracy Kidder, master of narrative nonfiction and Pulitzer Prize winner? We tracked down computer genius and entrepreneur Paul English, who’s portrayed in A Truck Full of Money, to find out.

It took Beth Macy 25 years to unearth the Muse brothers’ sad saga, requiring painstaking research on multiple fronts to try to “untangle a century of whispers from truth.” The result is a deeply moving and endlessly compelling book, such an intricate tale that it’s worthy of not one but two subtitles—Truevine: Two Brothers, a Kidnapping, and a Mother’s Quest: A True Story of the Jim Crow South.
Interview by

When Pat Conroy died in March at the age of 70, the literary community lost one of its most prolific and beloved voices. Perhaps best known for The Great Santini and The Prince of Tides, Conroy was the author of six novels, four memoirs and one cookbook—all written with great heart, an insatiable curiosity about human nature and a deep reverence for the South that raised him.

But Conroy wasn’t satisfied with 11 books under his belt. Just two years before his death, he reflected, “I believe I’ve got two long novels and three short ones still in me. But my health has to cooperate, and I need to pay more attention to my health. It is not long life I wish for—it is to complete what I have to say about the world I found around me from boyhood to old age.”

As heartbreaking as it is to know that Conroy didn’t get to share those stories with the world, his unmistakable voice comes through loud and clear in A Lowcountry Heart: Reflections on a Writing Life. A charming collection of Conroy’s letters, interviews, magazine articles and speeches, A Lowcountry Heart is a true gift to his legions of fans. 

Conroy speaks directly to his readers in a series of reproduced blog posts, always opening with “Hey, out there” and ending with “Great love.” He writes about books he’s reading, writers he admires, the big things going on in his life (including a 70th birthday celebration thrown by the University of South Carolina) and the little things on his mind (trying to get in shape). The Conroy that emerges from these pages is the one we’ve read and admired for decades: honest, effusive, passionate, funny and downright lovable. And that’s precisely the man he was.  


Pat Conroy in his final author photo.

Speaking from her home in Beaufort, South Carolina, Conroy’s widow, Cassandra King, explains, “Pat is the friendliest person who’s ever lived. He just had such charisma, and he was one of these folks that you felt like you’d known your whole life. Even if you met him for a few minutes, he was so personable and so easy to talk to. . . . And I swear to god, he talked exactly the way he wrote. I think that’s why so many of us felt like we knew him. His books were just him.” 

A novelist herself and Conroy’s wife of 20 years, King was one of the driving forces behind A Lowcountry Heart. “After Pat died, it really began to hit us that this was it, and there weren’t going to be any more of these beautiful, wonderful books. And you know, it broke my heart,” she recalls. “It still breaks my heart that he didn’t finish the book he was working on. So it sort of became a mission to collect any of his handwritten notes to see what was left and where.” 

Conroy handwrote everything—a pretty amazing feat considering the length of some of his more popular works. When he was diagnosed with pancreatic cancer in February, he was 200 pages into a new novel. Set in the 1960s, the novel is based on four young men teaching high school and forming lifelong friendships. King says with a laugh, “I take full credit for this book. Not really, I’m teasing. [But] over the years [Pat] would tell me these great stories. Right out of college, he taught at Beaufort High School . . . with three other young men. He would tell me that none of them knew what they were doing and they would sneak down to each other’s rooms and say, ‘Hey, you got any lesson plans?’ Every time he would tell me one of these stories, I would say, ‘Pat, you’ve got to make that into a book. This is your male friendship book.’ ”

In a note at the beginning of the new collection, Conroy’s longtime editor, Nan A. Talese, writes, “We are still searching his journals for more on this novel, and at some point we may have something to share with you.” In the meantime, Conroy readers can find a different, more personal side of the author in A Lowcountry Heart

“[It] brings me some comfort to know that this book is out there,” his widow says, sure that Conroy would be proud of the work done to assemble the collection.

Conroy would also be proud of the efforts by King and friends to open The Pat Conroy Literary Center, a “passionate and inclusive reading and writing community” in Beaufort that will honor one of the greatest joys of Conroy’s life: championing other writers. As King explains, “We’re doing this as a living legacy to Pat. . . . He was so encouraging to other writers. He got involved with Story River Books [an imprint of the University of South Carolina Press] and he loved doing that. So I’d just want anyone who has ever loved Pat Conroy’s writings to come see this once we get running. Hopefully it will be the beginning of [next] year.”

The last few pages of A Lowcountry Heart are remembrances from friends, who describe Conroy’s passion, wisdom and devotion to the people he loved. As King notes, “He was certainly larger than life. Everything about him. He came into a room and he filled up the room, he had that charisma. So when he loved, he loved—his friends and their kids, they were the greatest, they were the best in the world.” 

Laughing, she adds, “His whole life was hyperbole. If he didn’t like you, you were the most horrible person that ever lived. It worked both ways.” 

King says Conroy truly loved writing, and because he wrote everything by hand, he took the time to think things through before he put pen to paper. She says, “There’s a great picture of him where he’s sitting thinking at the [writing] desk, and that’s how I think about him. He was so often just absorbed in what he was doing.”

It seems that’s how we should all remember the great Conroy—immersed in the worlds he was creating for his devoted readers, writing the stories he was born to tell. 

 

This article was originally published in the December 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

When Pat Conroy died in March at the age of 70, the literary community lost one of its most prolific and beloved voices. Perhaps best known for The Great Santini and The Prince of Tides, Conroy was the author of six novels, four memoirs and one cookbook—all written with great heart, an insatiable curiosity about human nature and a deep reverence for the South that raised him.
Yes, Gary Taubes, the “prosecutor” in the provocative, eye-opening book The Case Against Sugar, took his 8-year-old son trick-or-treating in his Oakland, California, neighborhood on Halloween.
Interview by

The former co-host of “What Not to Wear” delivers candid and comical observations on growing up gay and other topics in an entertaining new memoir, I Hate Everyone, Except You.

My favorite line from the book is addressed to your fans: “Start focusing on you . . . your power, your value, the stuff that goes way deeper than designer jeans and the perfect shade of lipstick. But also on the perfect shade of lipstick if that makes you happy. Because you deserve to be happy.” What do you think needs to change for women to stop equating their appearance with their value?
A cultural revolution, I suppose. Men and women have tied a woman’s value to her looks for a very long time. That kind of thinking doesn’t magically cease overnight, but we could begin by praising our daughters, granddaughters, nieces for qualities in addition to their beauty, like their intelligence, strength, creativity, talent. And we could start teaching boys at an earlier age not to behave like pigs.

You write about how hurtful it was to you and your husband when Ted Cruz called the ruling on marriage equality one of our nation’s darkest days. You briefly considered moving to Sweden but write, “even if he, or someone just as horrible, becomes president, it’s not worth jumping ship.” How are you feeling post-election?
Well, I’ve been experiencing a wide range of emotions. I want to be clear, I would never leave the United States just because I don’t like a president. I love this country very much and believe the vast majority of Americans are good human beings. But if the Supreme Court reverses its marriage equality ruling, I’ll have a big problem with that, as I’m sure you can understand.

In the hilarious chapter “Clinton for President!” you eat a marijuana gummy bear and then talk about how when you’re president, you will make American fabulous again. So, Clinton Kelly 2020?
I’m not gonna lie: Part of me thinks I could do a freakin’ awesome job as president, but another—much larger—part of me doesn’t want to work that hard at anything. Taking all those meetings would be torture for me. If I’m on a conference call that lasts for more than 10 minutes, I want to commit hara-kiri.

You have a funny fake sitcom script in one chapter. Do you think you’ll ever try writing an actual TV pilot?
So glad you liked it! I have a drawer full of sitcom scripts I’ve written. Writing them and subsequently squirreling them away is a weird habit of mine. I never show them to anyone because I assume people will think they’re stupid. But then again, a lot of really stupid stuff makes its way to television.

Your afterword is addressed to your grandma, saying you didn’t share any stories about her because she’s all yours. Come on, tell us one thing about your grandma!
Aw, she’s just a dream. She’s 97 and originally from New Zealand. When I was a kid, she’d make me a proper cup of tea—she would never use a tea bag!—with lots of milk and sugar, then read my tea leaves, like a fortune teller. She always saw all these wonderful things happening in my future. . . . And this is why I didn’t include any stories of ours. I’m totally crying. Thanks a lot, Amy!

ALSO IN BOOKPAGE: Read our review of I Hate Everyone, Except You.

This article was originally published in the January 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

The former co-host of “What Not to Wear” delivers candid and comical observations on growing up gay and other topics in an entertaining new memoir, I Hate Everyone, Except You.

When Jack Spencer began the 13-year, 80,000-mile odyssey that would result in his ravishing book of photographs of the American landscape, he was in a very bad mood.

Interview by

Through a series of personal interviews, journalist Michael Finkel uncovered the story behind Christopher Knight’s elusive 27-year existence in the Maine woods.

You write in The Stranger in the Woods that news of Knight’s capture in 2013 immediately “grabbed” you. Why did you identify with his story of living as a hermit?
One of the things I like to do most in life is spend time in the wilderness. Another great love is reading. Christopher Knight seemed to have both passions on an exponentially grander scale. I couldn’t help but be gripped by his life story.

You wrote to Knight in jail from your home in Montana. Were you flabbergasted when he wrote back?
Strangely, I wasn’t. Knight’s story—or at least the bit of it reported in the Maine daily papers—resonated with me so strongly that I had this odd sense we were fated to communicate.

Knight wrote you five letters, then stopped. So you took a wild chance and flew to Maine to try to visit him in jail. What did you think the odds were of Knight allowing you to visit?
I’ve been a journalist for more than a quarter-century, and one of the things I’ve learned is that it’s always best to show up in person. So I did. And Knight, despite long odds, agreed to meet with me.

What most surprised you about Knight during your first visit? Did subsequent visits get any easier?
I was most surprised by Knight’s wonderfully poetic way of speaking and his dry sense of humor. But he was not easy to spend time with—he put up with me but was never happy to see me—and the visits never really got any easier. Still, Knight accepted every one of my nine visits to the jail.

"I am certain that Knight wishes he could return to the woods. But I have a feeling he will not go back, at least not so intensely. I can envision him living in a small shack on his family’s land. But I believe that for the rest of his life, he will pine for his campsite on Little North Pond, his personal Eden."

Knight certainly seems to lament being captured. Did he ever acknowledge that as he got older, his life in the woods was becoming increasingly difficult?
Living outside, especially in a place like Maine, with its brutally cold and long winters, demands a great deal of energy and strength. And like an aging athlete, Knight—despite his incredible outdoor skills—found himself in a position where surviving was becoming more and more difficult. His eyesight was failing him. Cuts and bruises did not heal as swiftly. He became less and less confident that he’d be able to survive each winter. And yet he was not willing to quit his isolation.

Knight’s story is ultimately very sad. From your description, he seems highly intelligent and simply unable to fit in with society. Do you think he will ever return to the woods or wishes he could?
I am certain that Knight wishes he could return to the woods. But I have a feeling he will not go back, at least not so intensely. I can envision him living in a small shack on his family’s land. But I believe that for the rest of his life, he will pine for his campsite on Little North Pond, his personal Eden.

Knight once told you he wants to return and let hypothermia claim his life. Do you still worry that he might do this?
Yes. Every psychologist I spoke with about Knight’s case said that suicide is a distinct possibility. He lives by his own rules, and if he gets to a point where he feels that he has no other path to freedom other than suicide, he may opt for it. I certainly hope he will not choose this exit, but my worry remains, and probably always will.

Are you concerned that some readers of your book might be tempted to go to Knight’s hometown to try to catch a glimpse of him, or speak with him—both actions that he would despise?
I believe that one of the reasons Knight shared his story with me was specifically to prevent others from asking. Anybody reading this story who concludes that it would be a good idea to try and disturb Knight is making a grave and cruel error.

At what point did you decide to write a book about Knight? Does he approve of your project?
Though I wrote a magazine article about Knight, for GQ, I understood early in the reporting process that to adequately tell Knight’s story would require a book-length piece of writing. Knight himself indirectly approved of the project. He knew, from my first letter, that I was a journalist, and I took notes right in front of him. He even referred to me, in the end, as his “Boswell”—a reference to the Scottish writer James Boswell, the author of The Life of Samuel Johnson, one of the most famous biographies in all of literature.

Did you find any of your historical research into the subject of hermits especially intriguing or surprising?
Humans have been writing about hermits since writing was invented—it’s a primal fascination. I became obsessed with reading hermit stories, and devoted the better part of a year to historical research. I was continuously surprised that so many of the religious, scientific, philosophical, and artistic successes throughout history were the result of someone spending a significant period of time alone. People who have been compelled to seek alone time have dramatically shaped human history. Three examples: Jesus, Muhammad, and Buddha.

You write that you enjoy being alone, although you once went on a 10-day silent retreat in India, only to find it "grueling." During the writing of this book, did you come to any new realizations about your own need for solitude versus socialization?
The process of writing a book inevitably demands a great deal of time spent alone. While I love socializing with my friends, and I live in a frenetic house with a wife and three young children, while working on this project it became clear to me that, in order to maintain a content life, I need to spend a significant period of time each day by myself.

 

ALSO IN BOOKPAGE: Read our review of The Stranger in the Woods.

A condensed version of this article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Author photo by Christopher Anderson Magnum Photos.

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