Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
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Wild Things takes a witty and singular look back at childhood literature through the eyes of Vanity Fair contributing editor Bruce Handy.

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In What She Ate, food historian Laura Shapiro reveals the surprising stories behind six fascinating women’s appetites. Her subjects include author, poet and diarist Dorothy Wordsworth, sister of William; British chef Rosa Lewis, known as the “Queen of Cooks,” whose champions included King Edward VII; first lady Eleanor Roosevelt; Hitler’s mistress and eventual wife, Eva Braun; British novelist Barbara Pym; and writer and publisher Helen Gurley Brown. 

We asked Shapiro a few questions about the secrets food can reveal, the questions that still linger and her own appetites and cooking habits. 

You wrote that digging deeply into the stories of these women sometimes felt like probing into "the underside" of a Norman Rockwell painting. What surprised you the most? Do any unknowns still nag you?

There’s an image I just can’t shake; it’s been hovering over me ever since I started reading about Eleanor Roosevelt and the food at the FDR White House. It's an image of Eleanor herself, one of the most generous and warm-hearted First Ladies in history, gazing pleasantly around the luncheon table as the main course is served. Her guests try a bite or two of some dreary, lifeless dish; they push the food around, and as soon as they can politely do so, they put down their forks. I think about this scene so often, I feel as though I must have been there, but I still can’t figure out what Eleanor was thinking. She loved these people! They were friends, colleagues, people she admired, people working hard for FDR and the New Deal. And she was watching them get up from the table hungry. What’s unknowable here, at least to me, is the nature of the disconnect between Eleanor-the-empathetic and Eleanor-the-oblivious. In the book I write about the various reasons why she tolerated and/or promoted terrible food at the White House, yet enjoyed food in other times and places. But this disconnect runs even deeper, and it’s a mystery to me. I suspect it was a mystery to her, too.

“Everyday meals," you write, "constitute a guide to human character and a prime player in history." In addition to the Last Supper, what other famous meals come to mind, and what questions do you have about that meal?
One day in Paris, probably around 1913, Gertrude Stein invited the writer Carl Van Vechten to dinner. Van Vechten was a cultural entrepreneur and activist—he was involved in dance, music, the Harlem Renaissance and pretty much everything else going on in the arts before World War II. He wanted to cultivate Gertrude Stein, and she was very willing to be cultivated, hence the invitation. Stein, of course, lived with Alice B. Toklas, a great cook and very discerning food-lover. In other words, everything was in place for a noteworthy meal. Toklas herself didn’t make dinner—they had a cook, Hélène—but as Stein’s devoted lover and most fanatic admirer, Toklas surely would have overseen the menu. Or did she? That night, Hélène served them "an extraordinarily bad dinner," Stein wrote in The Autobiography of Alice B. Toklas. "For some reason best known to herself she gave us course after course of hors d’oeuvres finishing up with a sweet omelet." Actually that sounds good to me, but then, I always like the hors d’oeuvres best.

At any rate, I’m dying to know more. Years later, when Toklas wrote The Alice B. Toklas Cookbook, she described Hélène as "that rare thing, an invariably perfect cook. She knew all the niceties of making menus. If you wished to honour a guest you offered him an omelette soufflé with an elaborate sauce, if you were indifferent to this an omelette with mushrooms or fines herbes, but if you wished to be insulting you made fried eggs." I have a feeling insult was on the menu that night—but why? Why?

When you visit people’s homes, do you yearn to peek inside their cupboards and fridge? How and why did you turn into a culinary historian?
Yes, it was exactly that impulse to sneak a look inside other people’s refrigerators that propelled me into writing about food. Growing up I was wildly curious about what everyone else was eating—I remember looking at other kids’ lunch trays at Broadmeadow School, and trying to guess why they skipped the Jell-O but didn’t mind eating those horribly flabby mashed potatoes doled out with an ice-cream scoop. When I discovered that this obsessive curiosity was perfectly respectable as long as I called it being a culinary historian, I was delighted.

The chapter about Eva Braun is fascinating, including her fondness for daily champagne and her penchant for new clothes and preserving her figure. You note that historians have reconstructed Hitler and Braun’s last hours in minute detail, yet there is "remarkably little documentation of the last meal." What might those details reveal?
It’s fascinating that Third Reich historians have described practically everything about the final hours in the bunker, except the last lunch. Or rather, they've noted it, but the accounts differ; and it’s impossible to say for sure exactly what was on the table. I made what I hope is a reasonable guess, based on the most consistent information; but I hate not having all the facts. I think what I’d see, if I knew the food more precisely, would have to do with the nature of appetite and the symbolic power of the act of eating. They were under siege; horror and destruction were just outside, and they had created that horror and destruction, so the chaos was inside them as well. How do you feed yourself, what does sustenance mean, when you’ve brought about so much death and are now looking straight at your own?

Of the women you profile, Cosmopolitan editor Helen Gurley Browns food story seems particularly surprising. Famed for being on the forefront of feminism, she was constantly dieting with protein, pills and Lean Cuisines while still trying to cook for her husband. Why do you think she was unable to escape this self-imposed trap?
I was fascinated by the young Helen I discovered in the Helen Gurley Brown papers at Smith College—a smart, ambitious woman determined to make her way in Los Angeles. She had such a lively mind, and I think she could have gone in all sorts of interesting directions if she hadn’t decided to focus practically exclusively on men and sex. The moment she hit the big time with Sex and the Single Girl it was all over. She didn’t dare let go of the formula. So for the rest of her life, she worked like crazy on maintaining the same body, the same skin, the same hair and the same single-minded focus on men. It really was her prison, and by the end of her life, under the wig and the plastic surgery, there just wasn’t much left.

What were your favorite meals as a child? And now?
My mother was a wonderful cook, and in fact she worked as a caterer during the ’50s and ’60s, so there was often a lot of cooking going on in our kitchen that wasn’t for the family, it was for one of her clients. She would pack it all up, put it in the car, and drive off to the event. Late that night she’d return home, unpack the car, and put the leftovers in the refrigerator. The leftovers! I used to get up very early, go right down to the kitchen in my pajamas, and forage in the refrigerator for breakfast—the most glorious breakfasts you can imagine. There were cream-cheese-and-mushroom rolls; there were slices of "party rye" with onion, mayonnaise and parmesan cheese; there were cream puffs filled with crabmeat; there was liptauer cheese dip; and I suppose there were things like meat and vegetables, but those didn't interest me. Then I would check the cookie tin for desserts—brownies, rugelach, and what we called "edges." My mother made excellent lemon squares, and she always cut off the messy edges so each square would look tidy. The edges— lemony, buttery and crisp—were saved for us.

Alas, I’ve never again lived with a refrigerator that held such treasures, but to this day, leftovers are my favorite meal.

Once you got married, "the prospect of making dinner hovered over each day like a thundercloud that refused to break." To further complicate matters, you and your husband had moved to India.
It’s a good thing I got married back in the 1970s and not last week, because I’d be losing my mind even more definitively in today’s culinary environment than I did all those years ago. Back then I had cooked lots of meals as a woman but none as a wife, and I was frantically trying to figure out the difference between those two female identities. Yes, there was a male partner in my life, but it was the same male partner who had been there before the wedding, so why was I suddenly a different person? Or was I the same person, albeit wearing a ring and writing thank-you notes? In pursuit of some kind of answer, I focused on the act of making dinner, which I knew to be a special preoccupation of wives—at least, that was the message I had absorbed from all the women’s magazines that came to our house while I was growing up.

But suppose I were launching my domestic life today, and focusing on dinner as the prime signifier of wifedom. I’d be assailed on all sides by images of glamorous, perfect meals—they’d be on TV and social media, they'd be in newspapers and magazines, they'd be in every cookbook. The stakes would be impossibly high. I'd have wife-anxiety and also competitive-cookery anxiety. I’d be worrying about spending a fortune on flawless organic ingredients just to make my mother’s recipe for chicken tetrazzini, and I’d be worrying that I shouldn’t make it at all because it's so embarrassingly old fashioned, and I'd be worrying about whether to make some splendidly simple dinner instead, like grilled salmon, and then I'd realize I had no grill and that the good salmon cost $35 a pound—well, you get the picture. Mania in all directions simultaneously.

I think if I have any advice on starting to cook, it’s this—just cook. Regularly. Use fresh ingredients, and for heaven’s sake buy them in the supermarket if you want to. Follow some incredibly simple recipe, and cultivate a respect for the ordinary. The rest is commentary.

ALSO IN BOOKPAGE: Read our review of What She Ate.

(Author photo by Ellen Warner.)

In What She Ate, food historian Laura Shapiro reveals the surprising stories behind six fascinating women's appetites. We asked Shapiro a few questions about the secrets food reveals, the questions that still linger and her own appetites and cooking habits.&nbsp
Do you feel like your phone may be trying to take over your life? Can you even remember the last time you had a sit-down dinner without someone whipping out their phone? Manoush Zomorodi understands, and she wants to help.
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On August 7, 2006, a group of elite U.S. Army Rangers, including Alex Blum, who was preparing to deploy to Iraq, participated in a bank heist that was organized by Specialist Luke Elliott Sommer. In the incredibly gripping Ranger Games, Ben Blum attempts to understand how his clean-cut cousin Alex, who had dreamed of being an Army Ranger for his entire life, could be involved in this disastrous crime. What he discovers is a web of lies, alleged brainwashing and disturbing truths about the military, his family and himself.

We asked Ben Blum a few questions about the Army Ranger program, masculinity and how writing this fascinating book ultimately affected his family.

How do you think you would have reported this story if Alex Blum was not your cousin?
The short answer is that I wouldn’t have. I was a computer science graduate student with zero journalistic experience at the time I started corresponding with Alex back in 2007, and Army Rangers scared the crap out of me—let alone Army Rangers who had robbed a bank. Everything I learned about reporting I learned from my early mistakes with Alex: getting too close to a subject, taking a single perspective on an event as definitive, seeking evidence to fit a narrative rather than a narrative to fit the evidence. After the first couple of years, I managed to graduate from Alex’s friend and confidante to something a little closer to a true journalist, but toward the end, I found that even that role was insufficient to the project. Instead of just reporting what I had come to see as entrenched distortions in his perspective, I wanted to change his perspective, to be a kind of a therapist to him. That goes beyond the bounds of what a journalist is supposed to do. But for better or for worse, it makes the book what it is—a lot more intense than a piece of pure reportage could have been.

What was the most surprising thing you learned about the U.S. Army Rangers program?
That it is possible to become an elite Special Operations soldier in the American military, available for assignment to our most sensitive missions, without even a shred of combat experience.

How has this book affected your relationship with Alex Blum?
It put an enormous amount of strain on our relationship for a very long time, but we are now closer than we ever dreamed we’d be. As he put it in a toast at my wedding last year, we’ve laughed together, we’ve cried together, we’ve said “f— you” to each other, and we each consider the other one of our best friends.

Do you feel that America’s cultural beliefs about masculinity and war was a partner in this crime?
Absolutely. It reminds me of the parable that David Foster Wallace told at his famous graduation speech at Kenyon College. An old fish swims by two young fish and says, “Morning boys, how’s the water?” The two young fish swim on, and eventually one leans over to the other and whispers, “What the hell is ‘water’?” For Americans of Alex’s and my generation, the water is war. We breathed it in through our morning cartoons, our toy cowboys and toy guns, the explosion effects on sports shows, the movies we grew up watching, the videogames we played with our friends. Every branch of the military—Army, Air Force, Navy, Marine Corps, Coast Guard—has its own Hollywood liaison office dedicated to ensuring that screenplays fit the image they want to convey to the young guys like Alex who watch action movies. If directors don’t play ball, they lose access to military equipment and locations.

Alex Blum held his superiors in the Army in high regard and respect. What do you think was different and so powerful about his relationship with Specialist Luke Elliott Sommer?
Fraternization with underlings is generally frowned upon among Rangers, but Sommer broke this taboo. He was more than a superior to Alex; he was a mentor, a role model. He made Alex feel chosen, deemed worthy of special attention by a member of a higher caste. It spoke to Alex’s ambition to excel.

Luke Elliott Sommer is a strange and complex character. Despite his many flaws and poor decisions, it’s difficult not to see the charismatic and ambitious—if not delusional—Sommer as some sort of genius. After completing this book, what are your feelings about Sommer?
I fear for him. I have come to think of his brain as something like a Lamborghini that lacks first, second, third and reverse. It looks amazing and sounds like a lot of fun to drive, but in practice you’re going to have a hell of a time getting to the grocery store and back. I think Sommer is in fact profoundly disabled, and the great tragedy of it is how hard it is for people to tell—sometimes even for himself. Nobody likes pain, but people who are born without the ability to feel it end up losing fingers and limbs. Sommer seems to lack the ability to feel a certain more abstract but equally life-saving species of pain, the kind that tells you that what you are doing is going to cause harm to yourself and others down the line.

Did your feelings toward the military evolve while writing this book?
Surprisingly enough, I ended the book far more sympathetic to the military than when I began it. Educated, middle-class Americans have grown so insulated from military culture that it tends to look a little strange and scary to them. Ever since Vietnam and the abolition of the draft, our wars have been fought by the rural poor, which makes it particularly easy for urban elites to attach their political queasiness about our recent, ever-more-unjustified wars to the men and women who fight them. But the soldiers I’ve met are amazing people—kind, reflective and unusually well-informed. As in all arenas of life, there is a right and a wrong way to conduct oneself as a soldier, and the majority strive to conduct themselves in the right way.

How has writing this book about your family affected your life?
It has completely transformed it. I used to feel pretty alienated from my family. The men were all big, tough jocks and I was this scrawny math nerd who had no idea how to keep up with their banter. I couldn’t wait to leave home for college. Writing about Alex and the army connected me back to my family culture in a way that I never dreamed possible as a kid. I discovered that there was more love and joy available in these classically male modes of interaction than I had ever understood from outside them, but also a tremendous amount of elided pain. Learning about our family history, particularly the foundational influence of my grandfather’s horrific experiences as a soldier in World War II, taught me a lot about my relatives and myself.

What do you hope for Alex Blum’s future?
I hope he is brave enough to show people his vulnerability, confusion and pain. I hope they see the goodness of his heart and give him the opportunity to show the strength of his character. I hope he starts a family and teaches his own kids how to skate. I hope this book doesn’t upend the impressive life he has managed to build for himself as a convicted felon (no easy feat in America).

You’re a former mathematical prodigy and have just completed a wide-ranging, engrossing book about the military, the nature of loyalty and truth, the complex dynamics of male relationships, bank heists and morality. What’s next for you?
I’m still interested in science, but seven years of thinking about Alex and morality have shattered so many of my old scientific beliefs—most notably, my commitment to materialist determinism. I now find the great and pressing mysteries to be the human ones. I am going to keep trying to make a living as a writer as long as they let me get away with it. My next project will address the psychology of morality, religion and trauma.

You dedicate this book to your grandmother, Oma. Can you tell me a bit about your relationship with her?
Oma is a tough Texan belle who taught me manners, pride and that ineffable quality called grace. So much of Ranger Games is about men, and so much of my childhood was about men, but Oma was, looking back, just as much an influence on our family culture as my grandfather. Alex and I both love her dearly.

 

Author photo by Ned & Aya Rosen

We asked Ben Blum a few questions about the Army Rangers program, masculinity and how writing his fascinating book, Ranger Games ultimately affected his family.

Author-illustrator Marcelino Truong has penned a follow-up to his critically acclaimed graphic memoir, Such a Lovely Little War. Picking up in 1963, Truong again blends personal narrative with an incredibly well-researched account of the Vietnamese history of the Vietnam War that is little-known inside the U.S. While the first book focused on Truong's early years in Saigon, Saigon Calling finds his Vietnamese diplomat father, French mother and his siblings on the move to Swinging London in order to escape the escalating conflict in Vietnam. This poignant, honest account chonricles Truong's early teen years, his search for belonging and understanding, his experience caught between very different cultures and their disparate views on the war.

Interview by

Armistead Maupin finished writing his bold memoir, Logical Family, months ago. He couldn’t have foreseen just how relevant his searing reflections on growing up in the deeply conservative, racially divided South would be.

In Logical Family, Maupin, a longtime LGBTQ rights advocate and the author of the groundbreaking series Tales of the City, lays bare his own struggles with self-acceptance and making peace with his past. BookPage spoke with Maupin by phone the day after the violence in Charlottesville that stemmed from protests surrounding Confederate statues.

“It was horrifying to see that much hate made visible,” Maupin, 73, says from his home in San Francisco. “When I was a boy, I got into a fight with my best friend, Eddie, because Eddie was a Yankee. He disapproved of the statues. He said, ‘You lost the war and you were fighting for slavery—why should you have a monument?’ It’s taken 50 years for this to come back up again. Stop tormenting our African-American citizens this way and stop celebrating what should be a public shame.”

Just as he is in conversation, Maupin is unflinchingly outspoken in Logical Family. The book title is based on a term he coined 10 years ago in his novel Michael Tolliver Lives. “[Logical family] is the family that makes sense to you; the family that supports you and loves you unconditionally,” he says. “How many people gripe about having to go home for Christmas and sit with some Trumpy old aunt—yes, I said Trumpy—and bite your tongue? I’ve stopped trying to win the approval of my family. Gay people have spent way too long being good little boys and girls and not relying on the strength of their real families.”

Logical Family opens with Maupin as a young boy in Raleigh, North Carolina. His father was an unapologetic racist who proudly displayed furniture made by “slaves in our family,” and his mother was a Southern belle. In this environment, Maupin developed strong conservative beliefs, at one point even working for notorious segregationist Jesse Helms. “I was trying to please my father,” Maupin says. “Even though he was teaching me some terrible things that I had to unlearn, on the other hand he had a ribald sense of humor and loved to tell stories.”

Given his upbringing, Maupin was deeply conflicted about his homosexuality and remained a virgin until his mid-20s. “Thank God that sex came along and saved me,” he says. “You can’t roll around in the dark in the bathhouse and not bump into somebody who’s nothing like you, but very much the same because tenderness and sweetness and passion are all the same.”

Maupin speaks matter-of-factly about his relationship with his biological family, without a trace of bitterness or regret. Regret, it turns out, is not something he has much use for. “I’m sorry that I was a virgin for so long. That’s my real regret!” he laughs. “I missed the opportunity for youthful lust. The real honest answer is we have to go through what we have to go through. I’m just glad we got through to the other side.”

A generous portion of Maupin’s memoir is devoted to his time serving in the Navy, stationed in Saigon during the Vietnam War. “I found whole stacks of letters from me to my mom during that time,” he tells me. “It was fascinating to reread and research my own history. To be perfectly honest, writing is never a whole lot of fun. To be done writing is fun. Writing is a process of slow, tedious self-doubt.”

“The thing I feared was the thing that ultimately brought me the most joy in my life.”

Maupin also recounts writing the Tales of the City column in the 1970s for the San Francisco Chronicle, which became the basis for his pioneering book and TV series featuring a transgender character. The column was a sensation in a city that was at the heart of the gay rights movement.

But Maupin is modest about his role in helping move our society toward acceptance of people who are gay, bisexual and transgender. “I’m very proud of my role in changing people minds, but there are others who have done much more in changing laws,” he says. “The best thing I’ve done in my life is help gay people change their minds about themselves. To find their own dignity and their own voice, to grow impatient with their own oppression. It just started out as fun, telling stories about my own self-discovery. But you dig as deep as you can in your own heart, and you come up with something others will get. For years I lived in terror of expressing anything in regards to myself being gay. The thing I feared was the thing that ultimately brought me the most joy in my life.”

To complement the memoir, a documentary, The Untold Tales of Armistead Maupin, directed by Jennifer M. Kroot, came out this spring. Maupin had previously admired Kroot’s work on a 2014 documentary about George Takei. “Any illusion you’ve ever had about your personal beauty is shattered when you see yourself on screen,” Maupin says with a laugh. “But I trusted her. I could open up to her in a way I might not have with other people. I said yes on the spot.”

Maupin has found his own family, and he has delivered a generous, deeply satisfying memoir. “I made an effort at poignancy and humor and honesty,” he says. “I always like to take people on a roller-coaster ride. Make them cry one minute and belly laugh the next. That’s the most satisfying thing in the world. Humor is healing.”

 

ALSO IN BOOKPAGE: Read our review of Logical Family.

This article was originally published in the October 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Author photo by Christopher Turner.

In Logical Family, Maupin, a longtime LGBTQ rights advocate and the author of the groundbreaking series Tales of the City, lays bare his own struggles with self-acceptance and making peace with his past.

We talk to Roger D. Hodge about his history of Texas and his personal connections to the Lone Star State, Texas Blood.
Interview by

Endurance proves a fitting title for the eye-opening autobiography of astronaut Scott Kelly, who in 2014-15 spent a record-breaking year in space aboard the International Space Station as a prelude to one day placing space boots on Mars.

While conducting scientific experiments in orbit, Kelly’s body became one of the key NASA test cases for the effects of prolonged space flight on humans. He was subjected to 30 times the radiation of those of us below, or the equivalent of about 10 chest X-rays each day.

But if Kelly’s prologue (in which his excruciating return to gravity after a year in space prompts him to plead, “Stick a fork in me, I’m done.”) could serve as the ultimate NASA buzzkill, Kelly’s colorful look back on how a New Jersey underachiever wound up putting the “rock” in rocket man is anything but. Honest, funny and frequently hair-raising, Kelly’s flight notes and family struggles, including his painful isolation in space during the assassination attempt on his astronaut twin brother’s wife, U.S. Rep. Gabrielle Giffords, really bring this space tale down to earth.

We spoke with Kelly as he drove with his wife, Amiko, through the hills outside Houston, where they live.

Endurance is an unusually candid behind-the-scenes look at the life of an astronaut.
That was my intent, to be honest about it. Hopefully by doing that, it would let people feel like they were part of the experience.

As a wayward teen, you were inspired by reading Tom Wolfe’s The Right Stuff to reach for the stars. How crazy did that seem then?
I was headed to apply to NASA, but I would never say that I felt like I even had a chance [laughs]. That was what I wanted to do, but also, if that didn’t work out, my plan was to stay in the Navy and hopefully be the commander of an aircraft carrier someday.

What were the best and worst surprises your first time in space?
I would say the good surprise is the view. The bad surprise is how zero gravity makes almost everything harder to do, with the exception of moving stuff that is heavy or getting into odd positions or orientations—like floating upside down to hook up the cable to the back of your entertainment center.

Were you aware going in that your body would become an ongoing NASA scientific experiment for the rest of your life?
Not when I became an astronaut. I knew that the science experiments were a part of the shuttle program, but I joined NASA to be a space shuttle pilot and commander; the science was more a secondary responsibility. I never thought going in that, on the back end of my career, I would be such a large part of a human research study like that.

You describe the headache-­causing, underperforming carbon dioxide removal assembly (CDRA) in the ISS as the bane of your existence. How did you muster the nerve to confront NASA about it?
I think everyone has similar reactions to the CO2 issue, but when you’re discussing stuff like your physical reaction to things, NASA kind of keeps that . . . There are privacy issues involved. I thought that since I was spending the longest time up there at one time of any other American, I had an obligation, not only to NASA but to the public, to let them know the physical and psychological effects of that.

You open several chapters with excerpts from your dream journal. How did that come about, and do you dream differently in space?
When I flew my previous long flight of 159 days, I knew I had dreams in space, and when I got back, the psychologists would ask, “Were they Earth dreams or space dreams?” And I really couldn’t remember. So this time, I made an effort to write them down, and it was interesting. In the beginning, they were more like Earth dreams, but as I was up there longer, they became more like space dreams, like I was in space. And as I got closer to coming home, they were more like Earth-centered dreams, which I think was kind of just looking forward to being back on Earth.

Did the ISS come to feel like home?
Oh, absolutely. At some point, it felt like I lived my whole life up there. You kind of forget what Earth is like.

For most earthlings, the one cringe-worthy fact of space flight is the urine-to-drinking water system. How did you adapt?
It’s actually pretty funny because I was involved in it when they were designing and making the system in Huntsville, Alabama, in the late 1990s and early 2000s. I went out there to look at the system, and they were making water out of the urine of the workers in the lab, and I drank some and it tasted fine. So I took a bottle of it home and had my ex-wife, Leslie, and daughter Samantha drink it, and they were like, ‘Oh, this tastes perfectly fine.’ But then I told them it was water made out of urine and they got really mad at me, even though technically it was cleaner than what came out of the tap.

You describe being in orbit when Gabby Giffords was shot as a heartbreaking experience.
Yeah, you have no control over the situation, really. I was mad at the guy who shot her. He killed a bunch of people, injured others and ruined his own life.

As someone who obviously has it, what is “the right stuff”?
The way I describe this is, I’m a below-average person doing a slightly above-average job. I think if you are persistent and prepared and don’t give up and prioritize things to where you focus on the stuff that’s really important and don’t let the stuff that’s not important get under your skin, you can go a long way.

With four space flights under your belt, any interest in going to Mars?
Yeah, I’d go to Mars. I wouldn’t go on that one-way trip there’s talk of. It would take about six months to get there. They’ll do it someday. It’s not the rocket science; it’s the political science.

 

This article was originally published in the November 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

(Author photo by NASA-Bill Ingalls.)

Endurance proves a fitting title for the eye-opening autobiography of astronaut Scott Kelly, who in 2014-15 spent a record-breaking year in space aboard the International Space Station as a prelude to one day placing space boots on Mars.

In our November Nonfiction Top Pick, Leonardo da Vinci, Walter Isaacson reveals the life of one of history’s greatest minds. We asked Isaacson about Leonardo's unique genius and wide-ranging interests (woodpecker tongues, anyone?).
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Caroline Fraser’s endlessly fascinating biography, Prairie Fires: The American Dreams of Laura Ingalls Wilder, honors the 150th anniversary year of Wilder’s birth.

Fraser, who has written for publications including The New Yorker and The Atlantic, has been immersed in Wilder’s world for years, having edited the Library of America edition of the Little House books. On the desk of her home in Santa Fe, she keeps a program from the 1937 Detroit Book Fair, where Ingalls gave what Fraser calls “her most important statement about why she wrote the books.” Wilder said in her speech, “I understood that in my own life I represented a whole period of American history,” specifically, the settling of the American frontier.

(Carrie, Mary and Laura Ingalls)

Fraser’s goal with Prairie Fires was to meld the “great story” of Wilder’s life with American history. “While there are good biographies of Wilder available,” she explains, “I felt that the history really merited a closer look.”

Like generations of young readers, Fraser was fascinated by the Little House books as a child, especially because her maternal grandmother’s family emigrated from Sweden to Duluth, Minnesota. But what ultimately drew her into years of research was an interview she heard with William Holtz about his 1995 biography of Wilder’s daughter, Rose Wilder Lane, whom he claims essentially ghostwrote her mother’s books.

“I just thought really,” she remembers. “That was such a surprise.”

Lane was a well-traveled reporter and celebrity biographer who had publishing connections that were vital to her mother’s success. “If she had not,” Fraser says, “I don’t know that [the books] would have ever seen the light of day.” However, Fraser’s research reveals a more balanced collaboration between mother and daughter, one that she says “brought out the best part of both of them.”

Wilder began writing about her childhood as early as her late teens, although those manuscripts haven’t survived. Over the years she wrote for newspapers and farming magazines, also penning a gritty manuscript titled Pioneer Girl, which remained unpublished until 2014, well after Wilder’s death in 1957.

Little House in the Big Woods was published in 1932, when Wilder was 65. After years of financial instability, her books about her poverty-stricken childhood finally brought her wealth. In the introduction to Prairie Fires, Fraser calls the feat “a profound act of American myth-making and self-transformation,” as she “reimagined her frontier childhood as epic and uplifting.”

The Little House series “has all of Laura’s stoicism and her grit and determination,” Fraser says. “I think Rose made it more accessible for children at times―to kind of gentle down some of the harsher realities of what her mother was writing. She polished some of that and brought out the high points, the cheerfulness, the love in the family.”

Still, questions linger. At the Detroit Book Fair, Wilder firmly stated, “All I have told is true but it is not the whole truth.” Not quite, as it turns out.

“Laura and Rose would take factual material and transform it into fiction,” Fraser asserts, “and then claim it was factual, and have no problem with that. Rose cut her teeth in yellow journalism. Insofar as she had any training, it was in the yellow press. It was the real fake news.”

Wilder aptly described her books as “a long story, filled with sunshine and shadow.” The privations she and her family suffered, however, were much harsher than what was described in the books. The family’s only son died at 9 months, and Wilder’s sister Mary went blind. Years later, Wilder’s husband, Almanzo, suffered a stroke early in their marriage, making farm work difficult, and their only son died as an infant. A short time later, their house burned down. Wilder, her husband and daughter finally left South Dakota in 1894 to settle in the Ozarks, on a farm they called Rocky Ridge.

After their departure, Wilder didn’t see her beloved father again until years later, when he was on his deathbed. After that, she didn’t see her mother or sisters for years and wasn’t able to attend her mother’s funeral. Fraser says Wilder’s “exile” from her family was critical to her writing, adding, “I think all those years added up to a very intense yearning and nostalgia for her family, which resulted in her wanting to recapture and revisit her childhood in these books.”

In recounting her pioneer childhood, Wilder and her daughter blurred the lines between fact and fiction.

Fraser notes that readers cherish the Little House books for their “incredible sense of the closeness of the family.” The paradox, she says, is that Wilder and her daughter never had that. Lane suffered from depression and described her childhood as a “nightmare.”

“It says something about the extraordinary nature of literature that a relationship as fraught as that between Laura and Rose was able to produce this amazing testament to the American family,” Fraser says.

In recent years, many have criticized the series for its racist attitudes toward Native Americans. For example, in Little House on the Prairie, Wilder begs her father to let her adopt a Native American baby whom she sees passing by. Fraser notes that while the young girl’s statement may seem “innocent on the surface,” it embodies “a perfect image in American literature of what white settlement was all about, and the acquisitive nature of the people who came to the West and wanted to take everything that belonged to somebody else.”

Nonetheless, in 1894 Wilder wrote in her diary, “If I had been the Indians I would have scalped more white folks before I ever would have left [the wilderness].”

“It’s a very bold statement,” Fraser says. “I really think it’s one of the most extraordinary statements that she ever made and a really astonishing one for a woman of her era to make. Many other people were just terrified or overwhelmed by the kinds of experiences she had. She remembered the terror, she remembered being overwhelmed, but it did not affect how she felt about the land, and that, to me, is extraordinary.”

Despite the controversies about the Little House books, Fraser believes they will have an enduring legacy. “I certainly hope that people continue to read them, because I do think that they are really important, not only as children’s literature, but as American history,” she says. “They deserve a place among the classics of American literature.”

 

This article was originally published in the December 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

(Author photo by Hal Espen.)

Caroline Fraser’s endlessly fascinating biography, Prairie Fires: The American Dreams of Laura Ingalls Wilder, honors the 150th anniversary year of Wilder’s birth.

A true-crime, legal thriller. A stirring treatise on diversity, gender, race, crime and justice. In The 57 Bus, award-winning journalist and author Dashka Slater offers a window into America in all its tangled complexity. The author talks about nonfiction aimed at teen readers, the power of restorative justice, the importance of community and more.

German forester Peter Wohlleben is a card-carrying nature lover. In his previous book, The Hidden Life of Trees, he examined the unexpected world of trees: their lives, deaths, networks and how they communicate (yes, trees communicate!). In his latest fascinating book, The Inner Life of Animals, he taps into animals’ emotions, feelings and their unique ways of navigating the world.

Your new book is a natural follow up to your previous book, The Hidden Life of Trees. How did the writing and research compare? Was it any easier?
Writing and researching was similar, but much easier. Since I was a little child, I kept animals: Spiders in glasses, aquatic turtles in an aquarium, I brooded an egg on a heating pillow (so the chicken regarded me as its mother)—animals have always been around me.

It is obvious that you have an overwhelming love of nature. What inspired this passion?
I really don’t know. My father worked at the ministry of finance, my mother in a hospital. I was something like the green sheep of the family.

Was there a single “a-ha” moment that made you want to write about the emotions animals feel, or did this desire develop over time?
First I wanted to write one book about trees and animals. But soon I realized that the trees needed a book to themselves—so the animals had to wait for the second.

What is the one thing about animals that fascinates you the most?
We always say that people are working with their mind, animals on instincts. But what is the most important thing in our life? Love! And emotions like love are the language of instincts. So animals should share the most important things with us.

Your loathing for the practice of sport hunting is clear and understandable. How difficult was it to write about the fact that animals are hunted for sport?
Not nice—hunting is responsible for the shyness of many animals. Most people can’t enjoy wildlife because most big animals hide during the daytime. Without hunting, we would see many of them as they are seen on safaris or on the Galapagos Islands—wouldn’t that be great?

Many of your animal observations could also be translated to the way humans behave and feel. Did doing the research and writing for this book give you a better understanding of human behavior as well?
For sure! Horses, for example, can read your body language. If you are in a bad mood (even if you try to hide it) they realize this instantaneously and refuse to work with you. Shouldn’t a boss always be relaxed and fair?

Throughout the book, you compare and contrast wild and domesticated animals. What do you feel is the main difference between the two?
The main difference is that domesticated animals and humans have made evolutionary step toward each other. Dogs, for example, were long regarded as “stupid wolves”. We know today that they can read our mimic and gestures much better than wolves. Domestic animals are something like an intermediary between wild animals and us.

Pets are an important part of the lives of many people. Do you have any advice for the best way to communicate with them?
Love them! Love is an emotion very common among animals. The hormone responsible for the emotion of love, oxytocin, is found not just in mammals but also in some fish. So this strong emotion is the most powerful tool for making the animals we keep happy.

What is the one single message you’d like your readers to take away from reading this book?
Have fun with nature! Always think about the fact that if you are watching wild animals, you are also being watched. This is the first step of communication—and perhaps the beginning of a wonderful adventure.

Are you working on another book project? If so, what is the topic?
The last book of this trilogy is about the network of nature. It is so amazing how it all works. Earthworms control the population of wild boars, cranes affect the ham production in Spain, and trees dictate the quantity of rain. Every human attempt to regulate this network will cause unexpected results. Therefore it’s best just to enjoy nature without manipulating it.

 

In his latest fascinating book, German forester Peter Wohlleben taps into animals’ emotions, feelings and their unique ways of navigating the world.

Despite the title, John-Bryan Hopkins’ Foodimentary: Celebrating 365 Food Holidays with Classic Recipes isn’t quite a calendar or a cookbook. The first entry is “Peanut Butter Lover’s Day” on March 1, and from there the book covers everything from the Aztecs and Incas to health-food pioneer Dr. John Kellogg to the 1904 St. Louis World’s Fair.

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