Instagram Facebook X-twitter Linkedin
NonfictionLifestylesArt

Great Women Sculptors

The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
NonfictionSocial ScienceLGBTQ+

American Teenager

Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
Previous
Next

All Nonfiction Coverage

Filter by genre
NonfictionPoliticsMilitary HistoryHistory

Paths of Dissent

Review by Roger Bishop

Since 1973, when President Richard Nixon and Congress created the all-volunteer force as an alternative to conscripted military service, there has been a division between the American public and the military. Less than one-half of 1% of our population currently serves on active duty. And as the public has watched the wars in Afghanistan and Iraq continue on for years after 9/11, they have become more uncertain than ever about U.S. missions.

But active duty and retired military personnel have become more uncertain too. In an enlightening new book, Paths of Dissent: Soldiers Speak Out Against America’s Misguided Wars, a diverse group of veterans who volunteered and served in those wars tell us what they saw, did and learned. In these original essays, selected by co-editors Andrew Bacevich and Daniel A. Sjursen for their candor and eloquence, the contributors share their reasons for deciding to serve, why they became disillusioned and why they now feel the need to speak out about “military policies that they deem ill advised, illegal, or morally unconscionable.”

Erik Edstrom, a West Point graduate, was an infantry platoon leader in Afghanistan, where he “saw the systematic dehumanization and devaluation of Afghan lives on a regular basis. . . . It’s one of America’s deepest ironies: in efforts to ‘prevent terrorism’ in our country, we commit far larger acts of terrorism elsewhere,” he writes. Joy Damiani was an enlisted public affairs specialist who served two tours in Iraq. “According to the Army’s official narrative,” she writes, “the war was always in the process of being won. There were never any mistakes, never any defeats, and certainly never any failures.” Buddhika Jayamaha was an airborne infantryman in Iraq. He and many others “felt that the extreme hubris of American politicians and the commentariat was responsible for the mess in Iraq.”

Bacevich, who served for 23 years in the Army, including in Vietnam, writes that “genuine military dissent is patriotic.” Any citizen who wants to better understand our country’s current military entrapments will want to read this book.

In 17 original essays, U.S. veterans share their reasons for deciding to serve, why they became disillusioned with the military and why they now feel the need to speak out against its misguided policies.

The Palace Papers

English author and journalist Tina Brown gives an energetic and engrossing performance as she shares juicy details about the strife and scandal that has surrounded the British monarchy for decades.
NonfictionLiteratureArts & Culture

How to Read Now

Review by Kelly Blewett

Elaine Castillo’s How to Read Now is both a directive and a question. Castillo, a Filipinx American novelist (America Is Not the Heart), calls for readers to recognize and resist the ways that texts of all kinds center whiteness. But the book isn’t only a polemic; it’s also an investigation. How should we read now?

In critical essays that examine everything from fantasy novels to award-winning classic literature, Castillo outlines the limitations of America’s reading culture. Her voice is eviscerating, dramatic and funny as she lays out the ways that universalizing the white experience reduces writers of color to teachers of historical trauma and nonwhite cultures. What would it mean for publishing to be open to something new, to what Castillo calls “the unexpected reader”?

“Trying to read more slowly has been the great ongoing failure of my adult life.” Read our Q&A with Elaine Castillo.

In each essay, Castillo offers a specific and persuasive diagnosis of a problem and a sense of what the treatment might be. For example, the essay “Main Character Syndrome” explores how centering whiteness plays out in the work of recently deceased cultural icon Joan Didion, noting how Didion’s famous essays about California focus on the perspective of a settler, including her obsession with the ruts caused by wagon wheels. Castillo then counters with the work of Tommy Pico, showing what this Indigenous writer sees in the California landscape that Didion missed.

The effects of centuries of colonialism are dangerous and wide-ranging, as Castillo documents throughout How to Read Now. It’s important to make small ruptures in the system, she says—small acts of resistance through everyday decisions, including which stories we tell and value. In this book, Castillo argues that being a good reader means learning how to interrogate and interpret the stories all around us.

In How to Read Now, Elaine Castillo brilliantly argues that being a good reader means learning how to interrogate and interpret the stories all around us.

Picasso’s War

Hugh Eakin’s rapturous storytelling makes Picasso’s War a spellbinding, page-turning read about the fight to bring Picasso’s art to America.
NonfictionScienceAnimals

If Nietzsche Were a Narwhal

Review by Deborah Hopkinson

We may think we know what intelligence is. After all, human intelligence is what enables us to read intriguing nonfiction books such as If Nietzsche Were a Narwhal: What Animal Intelligence Reveals About Human Stupidity by animal behavior and cognition researcher Justin Gregg, who works with the Dolphin Communication Project at St. Francis Xavier University in Nova Scotia. But as Gregg makes clear in his engaging third book, we might not know as much as we think about intelligence. In fact, we might be entirely wrong in our assumptions. It might be time to seriously question “human exceptionalism” and what it means for our species and our planet. To do that, Gregg sets out to answer the question “What good is human intelligence?”

Justin Gregg, author of ‘If Nietzsche Were a Narwhal,’ extols the virtues of stupid animals.

The author begins with a chapter about humans as “why specialists.” Anyone who has been in the presence of a toddler will recognize the “Why?” stage of development. While we may automatically assume that this ability to ask—and discover answers to—every question under the sun is uniformly positive, Gregg asks us to look at this human characteristic through a different lens: “I propose we consider a provocative premise: does asking why give us a biological advantage?” Gregg then takes readers on a time-travel expedition, from 240,000 years ago until today, to demonstrate why certain qualities associated with human intelligence have not, evolutionarily speaking, benefited either our species or the Earth. When humanity’s answers to “why questions” are wrong, Gregg explains, they lead to some truly terrible outcomes, including white supremacy and genocide.

Gregg takes readers on a wide-ranging, entertaining journey of discovery in If Nietzsche Were a Narwhal, challenging them to reexamine their assumptions about animals and humans. Along the way, he explores aspects of human experience (such as language use, morality, awareness of death and our capacity to wonder about virtually everything in the universe) and reveals ways in which nonhuman animals experience consciousness themselves. All together, If Nietzsche Were a Narwhal is a timely, thought-provoking and often sobering book that will make you look at humans, animals and the future of our planet with new eyes.

According to cognitive scientist Justin Gregg, we might be entirely wrong in our assumption that human intelligence is a good thing.

Fruit Punch

Fruit Punch is a startling, unique and deeply poetic meditation on sexuality and violence. Kendra Allen is a writer on the rise.
NonfictionMemoir

The 35 best memoirs of 2022 (so far)

List by the editors of BookPage
Share this Article:
Collage of book jackets for memoirs published in 2022
STARRED REVIEW

June 29, 2022

The 35 best memoirs of 2022 (so far)

There were plenty of personal narratives to laugh, cry and sigh over in the first half of 2022. Add the best of the best to your TBR now; you can thank us later.

Share this Article:
NonfictionTrue CrimeMemoir

Unmasked

Review by Jessica Wakeman

Why are some people drawn to darkness? It’s understandable why some people seek it out as entertainment; to some, grisly murder is no more real than a sweet romance or an exciting adventure. But what about the people who choose to interact with darkness as part of their livelihoods? What makes someone say, “Serial killers—I want to hunt them down for a living”?

The best explanation readers might get is in Unmasked: My Life Solving America’s Cold Cases by Paul Holes, a retired detective from Contra Costa County in California. The region is where Laci Peterson was murdered, where Jaycee Dugard was held in captivity and where the Golden State Killer terrorized communities for decades. Holes spent his entire career in the county, with a particular focus on cold cases, and he devoted 24 years to investigating and ultimately finding the Golden State Killer.

Paul Holes, the cold case investigator who found the Golden State Killer, reveals the personal toll of his onerous career.

Holes’ memoir, co-written with journalist Robin Gaby Fisher, unpacks one man’s bruised brain. Unmasked is more about Holes’ mental health journey than other “how I caught the killer” tales in the true crime genre (although, of course, there is some of that, too). Holes’ blessing and curse was being gifted at a career that required him to think like a murderer, torturer, kidnapper or rapist. His book looks at what staring into that darkness does to a husband and father.

Unmasked is not for squeamish readers; investigations into many, many murders and rapes are described in detail. Additionally, Holes’ honesty about how police use macabre jokes and gallows humor to cope with their difficult jobs may disturb some readers.

But for readers who would like to see a different side of the true crime genre—the lifelong impact that catching twisted individuals has on one man—Unmasked is a must-read.

Retired cold case investigator Paul Holes’ memoir looks at what catching murderers, kidnappers and rapists does to a husband and father.
NonfictionNatureMemoir

Pig Years

Review by Sarah McCraw Crow

Ellyn Gaydos’ meditative Pig Years mixes memoir and nature writing as it details her four years of seasonal farm work in New York and Vermont. In punishingly long days as a farmhand, she planted seeds, tended vegetable plots (weeding, watering, coping with pests, harvesting, sorting and selling) and raised chickens and pigs. The book opens right in the middle of things, describing the pigs on a small farm in New Lebanon, New York, and zooming in to consider Gumdrop, an accidentally pregnant pig, and her piglets, who “came out like torpedoes all attached through different stems to one briny umbilical cord. . . . Nature, being unsentimental, accommodates the reality that some sows eat their young, but Gumdrop is gentle in her new domesticity, tenderly positioning her body so as not to squish anyone. She is a good mother.”

The book’s loose narrative proceeds chronologically through the seasons, and through Gaydos’ relationships with other farmworkers and with Graham, her partner. Gaydos’ close eye on the natural world allows us to vividly see the cycle of a farm’s blossoming and dying seasons. She doesn’t look away from any part of it, either from newborn pig life, for instance, or from the pigs’ later deaths—the procedures of slaughter and the preparation of the pork that she will eat and sell. “I keep seeing death’s face in different ways,” she writes. “It is funny to choose a profession, like farming, in which death is taken into the fold and yet nothing is clarified. It does not steady me for loss even if I have held a pig’s head in my hand or seen a chicken collapsed in the dirt. It is like a blunting of the real.”

The bulk of Pig Years takes place on the farm in New Lebanon, which is part of a former Shaker settlement that’s now a Sufi commune in decline. Throughout the book, Gaydos turns to 19th-century Shaker farm journals for comparison, and we can see the similarities between the current-day farm’s gains and losses and those of the long-ago Shakers. There’s a coming-of-age aspect to Pig Years, too, as Gaydos, a young woman in an unsettled phase of life (and an inherently impermanent field of work), studies the women and moms around her. She reflects on her own path, imagining possible futures as a parent and life partner.

Gaydos’ cleareyed, sometimes intense perspective reminds us that farm work is not always pretty: It often involves constant near-poverty, injuries, even desperation. Still, Pig Years is a poetic meditation on fertility, loss and the farmworkers who eke out a marginal living as long as they can. It’s a narrative that evokes the pleasures and perils of life and work on a small farm.

Ellyn Gaydos’ debut memoir, Pig Years, is a poetic meditation on fertility, loss and the pleasures and perils of life and work on a small farm.
NonfictionMemoirLiteratureFamily & Relationships

Also a Poet

Review by Robert Weibezahl

Every childhood is unique, but Ada Calhoun’s, as portrayed in her fearless new memoir, Also a Poet, stands out for its blend of adolescent freedom and paternal neglect. The daughter of art critic and poet Peter Schjeldahl, Calhoun grew up at the vortex of New York City’s East Village bohemia, a world she wrote about in the history St. Marks Is Dead. Young Calhoun, eager and precocious, craved nothing more than the approbation of her father, a complicated, emotionally distant man famously given to saying the wrong thing—a trait from which his daughter was never spared. One piece of common ground that Calhoun and her father shared, however, was a love of the work of Frank O’Hara, the legendary New York School poet who died in a freak accident in 1966.

One day in 2018, Calhoun was searching for something in the basement storage of her parents’ apartment building when she found dozens of loose cassette tapes from the 1970s, labeled with the names of famous artists like Willem de Kooning, Edward Gorey and Larry Rivers. Her father said they were interviews he had conducted with O’Hara’s friends because he’d intended to write a biography of the poet. Circumstances—not least of all a roadblock erected by O’Hara’s sister, Maureen—had killed the project. Schjeldahl told his daughter she could use the interviews for her own purposes, and Calhoun envisioned a new biography of the iconic poet based on these priceless recollections. But the book took on a new shape as she proceeded—in part, again, because of the obstruction of Maureen, who serves as her brother’s literary executor.

As Calhoun began to delve into the interviews, short portions of which she shares in Also a Poet, she began piecing together a multifaceted portrait of O’Hara, greatly loved by friends who painted him as gregarious, whip-smart, generous, sexually fluid and happily promiscuous. (The latter two assessments are most likely at the core of his sister’s posthumous protectiveness.) But the interviews also provided Calhoun with insight into the interviewer: her father.

Frustrated by the ways Schjeldahl had sabotaged his own project, Calhoun plunged back into their often difficult father-daughter relationship with fresh eyes. Lifelong resentments resurfaced as she viewed her father with redoubled awareness. When the aging Schjeldahl, who had smoked three packs a day for decades, was diagnosed with lung cancer, his solipsistic reaction to his illness rankled Calhoun, even as she dutifully stepped in to help.

The unexpected convergence of the challenging O’Hara book project and her father’s sudden decline provide Calhoun with a singular perspective on the timeless issues of family relationships, most especially the vulnerabilities of following in a father’s eminent footsteps and the elusive possibility of ever fully understanding our parents. Calhoun’s honesty and willingness to push beyond her own resentments make Also a Poet a potent account of a daughter reaching out to a perhaps unreachable father before it’s too late.

Ada Calhoun’s literary biography of the poet Frank O’Hara unexpectedly transformed into an absorbing and insightful personal memoir about her father.
NonfictionMemoirHumor

Did Ye Hear Mammy Died?

Review by Julie Hale

Séamas O’Reilly’s debut book, Did Ye Hear Mammy Died?, is a tender, comic chronicle of the author’s upbringing as one of 11 children raised by their widower father in Derry, Northern Ireland. O’Reilly, a regular contributor to the Observer who has a knack for crafting uproarious anecdotes, is attuned to the extraordinary—and somewhat absurd—nature of his childhood. He takes a jovial approach in the narrative, and the result is a rousing tale of family fellowship.

The book opens in 1991, right after the death of O’Reilly’s mother, Sheila (Mammy), from breast cancer. O’Reilly, who was 5, struggled to make sense of the loss and the events that followed, including Mammy’s well-attended wake. When a family friend told him that Sheila was a flower picked by God to be in his garden, O’Reilly observes, “It was nice to think that Mammy was so well-liked by God, since she was a massive fan. She went to all his gigs—Mass, prayer groups, marriage guidance meetings . . .”

After Mammy’s death, O’Reilly’s father, Joe, an engineer, was left to care for his 11 children. A devoted dad, Joe possessed seemingly bottomless reserves of patience and good nature, which allowed him to bring up a happy brood against all odds. (O’Reilly points out a particularly challenging juncture when six of his sisters were teenagers at the same time.) The O’Reilly children shared bedrooms and books, divvied up household duties (not always equitably) and traveled with Joe in a minibus dubbed the “O’Reillymobile.”

The author describes his parents as “comically, parodically, Catholic,” and religion is a constant undercurrent in the book. As O’Reilly came of age, the violent sectarian conflict in Northern Ireland known as the Troubles was waning, but he still found himself reckoning with its long-term effects. One lasting repercussion: the sense of gallows humor that’s pervasive among the Northern Irish.

Indeed, finding comedy in tragedy seems to be an operative instinct for the author. Stylistically, O’Reilly is an unabashed maximalist, packing his sentences with adverbs and consistently minting fresh figures of speech. Throughout the book, as he sifts through memories of his boisterous upbringing, he never fails to find cause for joy or a good joke. As a result, Did Ye Hear Mammy Died?—title aside—feels bracingly alive.

Did Ye Hear Mammy Died? is a tender, uproarious chronicle of Séamas O’Reilly’s upbringing in Northern Ireland. Despite the title, it feels bracingly alive.
NonfictionMemoirLGBTQ+

Sexuality and culture collide in three memoirs

Feature by Timothy Burger

A talented new crop of memoirists explore the friction between their queer identities and their cultural and geographical surroundings.

Asylum

Jacket of Asylum by Edafe Okporo

Edafe Okporo’s aptly titled memoir, Asylum: A Memoir and a Manifesto, recounts his experience growing up gay in Nigeria, a place known for having harsh laws against “known homosexuals.” Okporo writes with sensitivity about the scenery that shaped his childhood, his powerful familial relationships and the friendships that formed his identity. One night in 2016, however, all of these things were threatened by a mob that gathered outside his home. Okporo tried to escape out a window, but before he could, they broke down his door and beat him until he was unconscious. It was his 26th birthday.

This event marked the beginning of Okporo’s one-way journey to America as a refugee. Once he arrived in New York City, there was a potent juxtaposition between his experiences as a Black gay man from a place of repression and the freedom he encountered as an asylum-seeker. Still, the cruelty of America’s immigration system and the overwhelming whiteness of New York’s gay community presented stark new forms of injustice. With clarity and grace, Okporo casts light on the racism and oppression he discovered lurking within communities that are themselves oppressed.

Okporo was able to explore new relationships in New York, sexual and otherwise, and ultimately found both professional and personal purpose in America as a global gay rights activist. Along the way, Asylum chronicles a range of hardships, from the severe laws of the author’s home country to the bitter realities of immigrating to the U.S. Throughout these difficulties, Okporo weaves a thread of hope that he will find freedom while remaining true to himself. If you are seeking a read that couches complex issues in a heartfelt personal narrative, Okporo’s memoir will surely delight.

★ Boys and Oil

Jacket of Boys and Oil by Taylor Brorby

In Boys and Oil, environmental activist Taylor Brorby masterfully recounts his upbringing in coal-fractured North Dakota. Growing up, Brorby was teased by his peers because he played with girls and didn’t gravitate toward sports. Like many queer boys, his sexuality was in conflict with traditional models of what men were meant to do and how they were supposed to act.

Brorby’s memoir opens with superbly detailed insight into North Dakota’s geography, which becomes a powerful symbol throughout Boys and Oil. This jagged imagery grounds the narrative and the author’s journey, and Brorby’s attention to it throughout the book feels nearly ekphrastic, with sweeping, alluring descriptions of a land that is at once beautiful and damaged.

It’s within the context of this landscape that Brorby’s life unfolds, from a taunted child whose grandmother lovingly painted his fingernails, to a young man being physically assaulted outside of a small-town bar, to an out poet and environmentalist. In many parts of the country (and world), defying your culture’s expectations comes with a price. Whether as a boy in love with books or as an adult fighting to protect the broken land of his youth, Brorby writes about the personal price he has paid with striking honesty.

Queer politics calls perceived norms to task, subverting the status quo and making it possible for new structures to emerge. In his unique and breathtaking memoir, Brorby does just this, creating wonderful new categories for rural communities and American masculinity, and for gay kids’ places within both.

★ Ma and Me

Jacket of Ma and Me by Putsata Reang

Putsata Reang was born in Cambodia amid civic turmoil and unrest. Her family fled in 1975, when she was only 11 months old, and her journey would become legend. Aboard the ship her family escaped on, the infant Reang was believed to be dead. A Navy captain suggested that she be thrown overboard, but her mother resisted. Upon arriving at a U.S. naval base in the Philippines, her mother handed Reang to the doctors, and under their treatment, she survived—accruing a lifelong debt to her mother in the process.

Reang’s relationship with her mother is a strong feature in Ma and Me as the author examines her past with a surgeon’s precision and artist’s view. Reang takes a kaleidoscope of influences into consideration—including cultural expectations for girls and women, the institution of marriage and trauma caused by war and flight—as she inspects her upbringing as an immigrant in Oregon, learning to balance her Cambodian identity with the pressure to assimilate. Up close, she handles these influences on her mother with grace and compassion, even when her mother severs their relationship because she can’t handle Reang’s engagement to a woman. Reang does an excellent job of portraying the permeability of accepting loved ones for who they are and finding the limits of that acceptance.

In the world of Ma and Me, stories grow larger than life and queer identity creates conflict as it becomes a part of the long-woven tapestry of family lore. With great care, Reang addresses the legacy of trauma—both as a child of war who is displaced geographically and as a gay woman who is estranged from her family. The layers stacked together in this memoir, and Reang’s treatment of their complexity, are simply brilliant.

Edafe Okporo, Taylor Brorby and Putsata Reang beautifully capture the places that shaped their queer identities.
NonfictionSocial ScienceMemoir

Corrections in Ink

Review by Sarojini Seupersad

By most measures, Keri Blakinger lived a charmed life. As the daughter of a successful lawyer and a schoolteacher, her upper-middle-class suburban existence seemed, from the outside, perfect. Her childhood was filled with loving parental support, academic success and a fierce pursuit of competitive figure skating that took her all the way to nationals. But when that pursuit ended in disappointment, Blakinger’s life came undone.

In her exceptional debut, Corrections in Ink, investigative journalist Blakinger reflects on an important decade of her life that took her from figure skating to drug addiction, to selling drugs and sex, to an arrest on a drug charge while she was a college student at Cornell University. She got clean during the almost two years she was imprisoned, but afterward she still had to grapple with the inhumanity of being behind bars.

Blakinger details the cruelties, big and small, that she endured while she was incarcerated. She also acknowledges that, as a white woman, she was in a position of privilege and that Black and brown people are treated far worse, get tougher sentences and have worse outcomes than their white counterparts. It is a sad and powerless position for anyone to be in, as the prison system is designed to slowly strip away one’s humanity. To hold on to her humanity, Blakinger had to find joy in unexpected places.

Corrections in Ink is written with deep insight and urgency, and Blakinger’s gripping insider knowledge and experience is supported by research, strong analysis and a blistering indictment of the criminal justice system. It’s this rare combination of personal narrative and reporting that makes Corrections in Ink such a singular reading experience.

Blakinger’s raw and important memoir isn’t only a drug recovery and success story. It’s a searing condemnation of our cruel and unjust project of caging human beings, a firsthand account of what this entails and a challenge not to look away from America’s flawed and punitive carceral system.

Keri Blakinger’s combination of personal narrative and reporting makes her debut memoir about her life in prison an exceptional, singular read.

Sign Up

Sign up to receive reading recommendations in your favorite genres!

 

Recent Features

All Features
There were plenty of personal narratives to laugh, cry and sigh over in the first half of 2022. Add the best of the best to your TBR now; you can thank us later.
NonfictionTrue Crime

The real-life sleuths behind true-crime masterpieces

Feature by Deborah Mason

True-crime books are frequently framed as guilty pleasures. Often sensational or even lurid, they feed our inner rubberneckers. But in the hands of a tenacious reporter, true crime can also expose devastating truths about human nature.

★ We Carry Their Bones

Book jacket for We Carry Their Bones by Erin Kimmerle

We Carry Their Bones is Erin Kimmerle’s firsthand account of the discovery, exhumation and identification of 51 bodies buried in unmarked graves on the grounds of the Dozier School for Boys in Marianna, Florida. Truthfully, it is obscene to call Dozier a school. The inspiration for Colson Whitehead’s The Nickel Boys, Dozier was a prison where boys and young men were exploited, abused and often left to die from their injuries, beginning in 1900 and lasting until its closure in 2011. Kimmerle, a professor of forensic anthropology, led the team of volunteers and students who combed through layers of obstinate Florida clay to find and reclaim these lost boys, despite fierce opposition from townspeople and politicians.

Kimmerle’s commitment to finding the truth was grounded in her identity as a scientist. She didn’t fit facts to a predetermined answer but allowed the facts to lead her. Her dedication to clarity is reflected in her writing style as well. Without ever losing the thread of her story, Kimmerle outlines precisely, patiently and clearly each step of her task—including dealing with court appearances, bureaucratic battles and hostile town officials, as well as the myriad engineering and scientific difficulties she faced.

But We Carry Their Bones is not just a procedural: Kimmerle’s account of how her investigation unfolded also illuminates why it was so important. Unearthing these boys’ bodies likewise unearthed Dozier’s history, forcing onlookers everywhere to confront the racism and classism that sanctioned the crimes Dozier employees committed against so many young people. And most of all, restoring the boys’ names and returning their remains to their families brought both healing to the survivors and a measure of justice to the dead, demonstrating that something like peace is possible if amends are sincerely made.

★ Trailed

Book jacket for Trailed by Kathryn Miles

In 1996, Julianne Williams and Laura Winans, two young women deeply in love, were murdered while backpacking in Shenandoah National Park. Kathryn Miles, a journalist and science writer, learned about their murder several years later while teaching at Unity College, where Laura had been a popular student. An enthusiastic backpacker herself, Miles was fascinated by the case and set out to write an article about the double murder. Instead, she ended up writing her fifth book, Trailed: One Woman’s Quest to Solve the Shenandoah Murders.

Reading Trailed is like taking an interesting and often treacherous hike with a friend who is not afraid to explore the side trails. The main trail in the book is, of course, the story of Julianne and Laura, their deaths and the investigation that followed. But as Miles became more immersed in their story, she discovered other trails that looped back to Julianne and Laura: similar murders in and around the National Park System, especially of young women, members of LGBTQ communities and people of color; the lack of law enforcement resources allocated to park rangers; the many flaws in the initial investigation of Julianne’s and Laura’s murders that eventually led to the prosecution and persecution of a man who was probably innocent; and the community of cold case investigators and exoneration attorneys who helped Miles hunt for the real killer.

Like Kimmerle, Miles uses a true-crime story to shed light on society’s ills. Miles believes that Laura and Julianne weren’t murder victims who happened to be lesbians; they were murder victims because they were lesbians. Similarly, the flawed investigation shows the disastrous impact that confirmation bias can have on an innocent man—while letting the guilty man remain free. Meticulously honest and lyrically written, Trailed is an elegy to two young women and an indictment of the system that failed them.

★ Rogues

Book jacket for Rogues by Patrick Radden Keefe

In Rogues: True Stories of Grifters, Killers, Rebels and Crooks, a collection of 12 articles previously published in The New Yorker, author and journalist Patrick Radden Keefe undertakes a different kind of sleuthing. There is no single crime that unites these pieces; for that matter, not every piece concerns a crime. The article on Anthony Bourdain, for example, is remarkably crime-free, if you discount his use of illegal drugs. Instead, Keefe focuses on “rogues”—not the jolly scallywags that the word often evokes but rebels, outliers, rule-breakers and operators who recognize no boundaries between themselves and the objects of their obsessions.

Keefe introduces readers to a notable rogues’ gallery, including a woman who must spend her life in hiding after informing on her mobster brother, an assistant professor who went on a shooting spree after being denied tenure, an IT guy in a Swiss bank who spilled the beans on hundreds of tax evaders and a lawyer who defends only death penalty cases. “Buried Secrets,” which details the struggle between an honest Guinean president and an unscrupulous Israeli diamond merchant over the world’s richest iron ore deposit, could easily have come straight out of a John le Carré novel. “The Avenger,” on the other hand, is a heartbreaking account of a man’s search for his brother’s murderer, the Lockerbie bomber.

Keefe has written several lengthy investigative books, including Empire of Pain, the comprehensive story of the Sackler family’s complicity in the opioid crisis. By contrast, he is working within the confines of 10,000-word articles in Rogues, so there is little room for self-reflection or digression. Instead, he makes full use of journalistic tools for fact-finding: keen observation, meticulous research and insightful interviews with the rogues, their associates and their victims. As a result, each essay is a taut, highly honed yet powerful reflection on the creative and corrosive effects of obsession.

Read more: Patrick Radden Keefe narrates the audiobook for ‘Rogues.’

Scientists and journalists are on the case in three noteworthy books about unsolved murders and other long-buried secrets.
NonfictionFood & DrinkCookbooksArt

3 wonderful books about food, drink and other creature comforts

Feature by Susannah Felts

★ Breadsong

Kitty and Al Tait may not be the first to write of the redemption and delight that can come from watching yeast and heat transform mere water, flour and salt into beautiful, delicious creations. But their memoir-cum-cookbook, Breadsong: How Baking Changed Our Lives, is the most charming version of that story I’ve yet come across. In it, the father-daughter team tells their origin story in alternating points of view before sharing over 50 recipes, both savory and sweet. As a young teen, Kitty began experiencing terrible depression and anxiety. Nothing seemed to help, until Al baked a no-knead loaf, sparking Kitty’s curiosity. In no time at all, the duo had opened what has become a tremendously successful family bakery in their tiny village in Oxfordshire, England. Their story is as heartwarming as it gets, accentuated by Kitty’s lively voice and infectious grin splashed across the pages along with her dad’s adorable illustrations. There’s a recipe for a caramel-covered Happy Bread here, which says a lot about this joyful book. Definitely follow Kitty, who’s now 17, on Instagram @kittytaitbaker for dopamine hits, too.

Things to Look Forward To

When my daughter was young, we enjoyed many books featuring Sophie Blackall’s cozy illustrations; the Ivy & Bean series was a particularly big hit. How fun to come across Things to Look Forward To, Blackall’s new picture book for all ages (that best and rarest of all genres). Not surprisingly, this project grew out of bleak days during the COVID-19 pandemic and was nudged along by community input via social media. Some of the assembled things to look forward to are as common as the sun coming up; in fact, that is literally one of them. Who can argue with coffee, finding something you thought you’d lost or seeing the sea? Other experiences here are a bit more nuanced (doing your taxes, looking at maps) or whimsical (drawing on eggs, flowers that look like brains!). What’s certain is that you can’t page through this book without feeling a renewed sense of appreciation for the everyday, and that’s something all of us can use, every day.

Nectar of the Gods

For a decidedly elevated sort of toga party, be sure to consult Nectar of the Gods. The work of mythology podcaster Liv Albert and beverage consultant Thea Engst, and brought to colorful life by illustrator Sara Richard, this book pairs inventive cocktail recipes with soupçons of Greek and Roman myth. Take, for example, Pandora’s Jar (yes, in fact, it was originally a jar, not a box!): a gin, blueberry and creme de violette concoction. Calypso’s Island Iced Tea, designed to bring out the sexy nymph in each of us, seems like the perfect poolside sipper: hibiscus iced tea, vodka, lemon juice and simple syrup. For a more complex and decadent drink, try the Phaedra Phizz, and pour one out for its ill-fated namesake.

A warm loaf of bread, a mythologically charged tipple: These and other delights give readers something to look forward to in this month’s lifestyles column.
NonfictionNatureEssaysEnvironment

The World as We Knew It

Review by Becky Libourel Diamond

Climate change is now ingrained in our daily lives. Newscasts almost always have a climate-related segment, whether it’s about a new science report on the status of the world’s temperatures or about natural disasters such as wildfires, hurricanes, tornadoes and droughts. Most of today’s children will not know what life was like before the world began to change so drastically, but for now, many still remember the world as it used to be.

There are a huge number of books on the scientific aspects of global warming, from pleading calls to action to sustainability guidebooks. But what about essays and memoirs from everyday people? Stories about how climate change is personally affecting us and about its emotional impact on our lives? In their new book, The World As We Knew It: Dispatches From a Changing Climate, editors Amy Brady (executive director of Orion) and Tajja Isen (editor of Catapult magazine and author of Some of My Best Friends) have pulled together a diverse, impactful set of essays that explore the climate crisis from these more intimate angles. Kim Stanley Robinson, Melissa Febos, Lacy M. Johnson, Omar El Akkad and 15 other writers from around the world share how familiar landscapes are becoming unrecognizable and how the rhythms of their daily lives are being forever altered.

Each author brings a unique style and focus to their topic, with prose that is in varying degrees lyrical, reflective and urgent. Some relay extreme weather events, such as Mary Annaïse Heglar in “After the Storm,” about the blatant systemic racism that emerged in the aftermath of Hurricane Katrina. “Structural racism and inequality collide with fearsome extreme weather to reveal the grotesque unnaturalness of disaster,” she writes. This concept is continued in Rachel Riederer’s “Walking on Water,” which covers the displacement of people, usually people of color, that’s happening more and more as sea levels rise.

It’s not only deadly weather events that are highlighted in The World As We Knew It. Chronicling the first three months of the COVID-19 pandemic in 2020, “How Do You Live With Displacement” by author Emily Raboteau discusses the parallels between COVID and climate change. In “Leap,” journalist Meera Subramanian writes wistfully about how the nature she loves most keeps changing, especially as ticks carrying Lyme disease keep multiplying in the Northeast as temperatures and carbon dioxide levels climb.

As Subramanian writes in her essay, “We used to be a story in nature. Now we are the story.” This statement reverberates throughout all the essays in The World As We Knew It, providing one example after another of the ways climate change has affected every region of the Earth. It is a warning that commands the full attention of every reader.

The 19 lyrical, reflective and urgent essays in The World As We Knew It command the full attention of every reader.

Want more BookPage?

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Sign up now

Trending Nonfiction

All Nonfiction

Author Interviews

More Interviews

Recent Features

All Features