James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
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“Finis Austriae” was the only entry in Sigmund Freud’s journal on the day the Nazi army flooded over the Austrian border. In Saving Freud: The Rescuers Who Brought Him to Freedom, former Newsweek foreign correspondent Andrew Nagorski maps the Nazi takeover of Austria and the urgent operation to rescue Freud, one of Austria’s most famous and most devoted Jewish sons, along with fifteen other people, including his personal doctor, in-laws and other family members.

Nagorski is masterful at juxtaposing the evolution of the global emergency that became World War II with the deep interiority of a man whose passionate life work concerned people’s half-hidden thoughts. The father of psychoanalysis downplayed the threat the Nazis posed, clinging to his optimism that humans would turn back to the light and all would be made right, until it was almost calamitously too late. Saving Freud is the sort of book that, though you know the outcome of the events, still makes you hope with Freud that something might take a turn for the better. Nagorski has a gift for revealing that everything—worldwide emergencies, far-away news, political decisions—is, in the end, about people. This is wonderfully appropriate for a book about Freud, who laid the groundwork for interrogating and understanding the inner self.

It is dizzying to think of everything that had to be achieved to move a large, wealthy and well-known Jewish family out of Nazi territory and into the relative safety of the broader world, which was still often unwelcoming to both Jews and immigrants. Yet Saving Freud tells the story of a group of people—including Freud’s daughter Anna and her lover, Dorothy Tiffany Burlingham (heiress to the Tiffany & Co. fortune); the U.S. ambassador to France, William Bullitt; and Marie Bonaparte, princess of Greece and great-grandniece to Napoleon—who did just that. Motivated by love and towering respect for a man and his work, the unlikely team cooperated seamlessly to achieve the near impossible. It is a tale of good-heartedness, of human devotion and of people who unhesitatingly rushed in to do the right thing. In this way, it feels like a relief to read. Far from being a dry historical account, the book’s emphasis on the personal creates a compelling, page-turning narrative that is wholly engrossing and difficult to put down. Nagorski has written a book for our time, reminding us of the potential for good and adherence to higher ideals in moments of global emergency.

Far from being a dry historical account, Saving Freud is a compelling, page-turning narrative of the urgent operation to rescue Sigmund Freud from the Nazis.
Scenes From My Life cements “The Wire” actor Michael K. Williams’ legacy as a kind, thoughtful man who used his public prominence to give back to his community.

There are any number of events that could trigger a global apocalypse: climate change, a virus, nuclear war, an asteroid, the rise of artificial intelligence. Would anyone be able to survive? A group of elitist technology billionaires have seriously pondered this very question, spending a great deal of time and money to plan how they alone might outlive this inevitable catastrophic event, leaving the rest of us in the dust.

In Survival of the Richest: Escape Fantasies of the Tech Billionaires, professor of media theory and digital economics Douglas Rushkoff (Team Human) explains how this evacuation plan came to be and what it means for the future. When Rushkoff was invited to an exclusive desert resort for what he thought was a speech on the future of technology, he was shocked to find that his audience was just five super wealthy men “from the upper echelon of the tech investing and hedge fund world.” As it turned out, they had summoned him to pick his brain about how best to insulate themselves from “the very real and present danger” of a mass extinction, even asking him whether New Zealand or Alaska would be rendered less uninhabitable by the coming climate crisis.

Each chapter of Survival of the Richest focuses on a different aspect of how these tech billionaires have gotten to this place in our society and the origins of their entitled way of thinking. Rushkoff calls this Silicon Valley escapism “The Mindset,” a frame of mind that “encourages its adherents to believe that the winners can somehow leave the rest of us behind.” He skillfully uses his extensive background in media theory to explain The Mindset in such clear terms, it’s scary. For example, he proposes that The Mindset allows for the easy externalization of harm to others: Its very structure requires an endgame, with a clear winner and loser, in which the winners are the ones who have found “a means of escape from the apocalypse of their own making.”

Of course the irony in all of this is that “these people once showered the world with madly optimistic business plans for how technology might benefit human society,” Rushkoff writes. “Now they’ve reduced technological progress to a video game that one of them wins by finding the escape hatch.” Numbing and mind-blowing in equal measure, Survival of the Richest is a true story that seems straight out of a science fiction tale.

Numbing and mind-blowing in equal measure, Survival of the Richest reveals how tech billionaires are planning to survive a global apocalypse.
Juliet Patterson combines her own soul-searching with a decade’s worth of research in Sinkhole, a lyrical memoir about her family's history of suicide.

Rachel Aviv’s first book explores questions of self-knowledge and mental health, subjects she’s previously examined in her award-winning journalism for The New Yorker. Strangers to Ourselves: Unsettled Minds and the Stories That Make Us is a stunning book, offering sensitive case histories of people whose experiences of mental illness exceed the limits of psychiatric terminology, diagnosis and treatment.

Aviv begins with her own experience as a 6-year-old who stopped eating or drinking, for reasons she can no longer remember. She was eventually diagnosed with anorexia, the youngest child in the U.S. to receive such a diagnosis, and hospitalized for “failure to eat.” At the hospital, she met anorexic girls twice her age and learned to mimic their strategies for losing weight. But which came first: the diagnosis or her symptoms? This misfit between psychiatric terminology and lived experience is the core issue driving Aviv’s subsequent chapters.

Western psychiatry has a long history of ignoring how issues of racial violence and systemic oppression drive mental illness. Aviv’s reporting on Naomi, a woman experiencing psychosis, grounds Naomi’s mental illness in the intergenerational trauma she has experienced as a Black woman, which has been largely ignored by the institutions that have offered her treatment. Western psychiatry, as developed within a white European framework, also fails to account for cultural difference, as in the case of Bapu, a devout Hindu. Bapu’s mystical visions of ecstatic union with Krishna could be reduced to symptoms of schizophrenia, but to categorize them as such would be to ignore how Bapu herself interprets these visions and how they are understood by other Hindu worshippers.

Other chapters show how painfully limited and limiting psychiatric language is when measured against a person’s own sense of themself, a pressing issue in the context of the overmedication of young people. When adolescents are prescribed multiple medications for anxiety and depression, they risk—as in Aviv’s final case history—limiting their self-definition to the diagnoses they have received.

Strangers to Ourselves is a compassionate and necessary exploration of the complex relationship between how we understand ourselves and how psychiatric diagnoses define us.

Strangers to Ourselves is a stunning book about people whose experiences of mental illness exceed the limits of Western psychiatry.
One Hundred Saturdays is the story of a Jewish community before the Holocaust, but it is also much more: a story of friendship, survival, reinvention and courage.
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Though Nuar Alsadir set out to write a book about laughter, Animal Joy is a far deeper study of how we express and understand our most powerful emotions, told through meticulous psychoanalytic research and Alsadir’s own experiences.

Animal Joy opens at a clown school where Alsadir enrolled to explore laughter. The only nonactor of the group, Alsadir sought to understand a specific laugh: the spontaneous outburst. “Spontaneous outbursts of laughter express meaning outside of reason and . . . unveil a whole dimension of being and bodily aliveness that short-circuits logic,” she writes. Alsadir explores a wide variety of social outbursts, including the laughter Christine Blasey Ford recalled hearing from Brett Kavanaugh when he allegedly sexually assaulted her, the tradition of professional mourners and the fake laughter purposefully generated in a laughter yoga class. This research provokes an intimate examination of impulsive and unconscious communication in all of its “savage complexity.”

As a poet and psychoanalyst—readers might recognize her as one of the counselors from the Showtime documentary series “Couples Therapy”—Alsadir is uniquely positioned as an excavator of human emotion and the things that evoke those emotions. She draws a constellation of interactions, with points made out of Anna Karenina’s doomed love affair, Blade Runner‘s obedient replicants and Dick Cavett’s 1985 interview with Eddie Murphy. These references are not tangential or tacked on but essential components of her thinking. “Other people’s speech, like it or not, lives inside us, buoys us, metastasizes,” she writes. “We are quantum entangled with our universe and everything in it.”

Rather than feeling dated or overly niche, these deeply specific references only heighten the intimacy Alsadir offers. There is plenty of serious academic analysis to admire in Animal Joy, with her detailed discussions of Sigmund Freud and Roland Barthes, but what is more spectacular is how she entangles theory with the tender anecdotes about her two daughters that ground the book. Though the terrain Alsadir covers is vast and often feels tenuously connected, the resonant beauty of her prose helps guide the reader through a deliberately cluttered and complicated narrative. 

Animal Joy is a challenging and deeply rewarding meditation on laughter and communication that will stand up to multiple readings; as Alsadir herself reminds us, “Understanding often occurs retroactively.”

Though Nuar Alsadir set out to write a book about laughter, Animal Joy is a far deeper study of how we express and understand our most powerful emotions.
In All of This, Rebecca Woolf is as unflinchingly honest about her marriage as she is about the messy, freeing experience of her husband’s death.

“A few months after my pastor asked God to kill me, my mom ran to the bathroom, and I ran after her.” You can’t look away from the riveting opening sentence of Casey Parks’ spellbinding Diary of a Misfit: A Memoir. It draws you quickly in to her atmospheric tale of self-discovery after coming out as a lesbian to her mother in her small Louisiana town.

After Parks came out, her grandmother revealed that she “grew up across the street from a woman who lived as a man” named Roy Hudgins in the town of Delhi, Louisiana. Astonished, Parks asked if Roy was happy, and her grandmother replied that she didn’t know but that she’d always wondered what happened to him. Parks announced to her grandmother, “I’ll find out about Roy.”

Seven years later, Parks, then working as a reporter for The Oregonian, made a series of visits to Delhi in search of clues about Roy, interviewing anybody who would talk to her. Although she was on a quest to find out about Roy for her grandmother, Parks also started to unravel clues about herself, her sexuality and her fraught relationships with family and church. The more she learned about Roy, the more she learned about her own yearning for the love and acceptance that Roy seemed to have felt in a town where the church had rejected him but where his neighbors looked out for and took care of him. Then, as she flipped through Roy’s journals, she discovered a poem titled “The Town Misfit” in which he had written, “When my life on earth is over, and it’s time for me to die, / No one here will miss me. There will be no one to cry.” Parks had hoped “reading Roy’s diaries would settle something inside me. . . . But I understand now that most of what haunted me before might haunt me forever.”

Like Harper Lee, Parks evokes the simmering suspicions of a small Southern town. Like Eudora Welty, she tells a poignant story of people trying to fit into a way of life that once suited them but no longer wears well. And like Truman Capote, she packs her memoir with eccentric characters—especially her mother, whom Parks describes as “bright and joyous when she was off the nose spray, vacant and mean when she was on.” Parks’ dazzling narrative gift imbues Diary of a Misfit with all the makings of a great Southern story that readers won’t be able to get out of their minds.

Casey Parks’ dazzling narrative gift imbues Diary of a Misfit with all the makings of a great Southern story that readers won't be able to get out of their minds.
In American Rascal, Greg Steinmetz tells robber baron Jay Gould’s rags-to-riches story and gives a nuanced view of why he matters to American history.

Documentary filmmaker Tom Mustill has seen all manner of wondrous things. But those awe-inspiring experiences, including collaborations with David Attenborough and Greta Thunberg, still could not prepare him for the astounding close encounter that fundamentally changed his life.

As the British debut author details in How to Speak Whale: A Voyage Into the Future of Animal Communication, the year was 2015; the location, the waters off Monterey Bay, California; and the context, a kayak tour with his friend and co-paddler, Charlotte, wherein they witnessed 120 humpback whales, each “the size of an airport shuttle bus,” enjoying a massive group buffet. Suddenly, one of the whales breached and landed atop the duo with “a release of energy equivalent to about forty hand grenades.”

A YouTube video of the event went viral, and Mustill found himself the subject of news reports and memes, as well as “a lightning conductor for whale fanatics.” He became a bit of a fanatic, too, when his whale specialist friend Dr. Joy Reidenberg said it seemed as if he and Charlotte had survived because the whale decided to veer to one side in midair. Of course, Mustill mused, there was no way to really know if the whale attempted to spare them. It’s not like he could ask—or could he? 

In How to Speak Whale, a mix of thoughtfully explained hard science and colorfully described hands-on adventures (a beachside whale dissection is particularly memorable), Mustill chronicles his incredible journey into the fascinating and profound world of animal communication. He interviews and observes people who are specialists in everything from whale song to bat chirps to interspecies sign language, as well as psychologists, computer scientists, historians, cryptographers, artificial intelligence experts and more.

Thanks to Mustill’s gift for storytelling, it’s as interesting to learn about these experts as the creatures they study. Reidenberg is a particular delight, as is Dr. Roger Payne, whose album of whale song recordings went multiplatinum in 1970. Through it all, there runs an undercurrent of appreciation and wonderment as Mustill gulps down knowledge and determinedly questions whether “decoding animal communications [is] no longer a fantasy but a technical problem.”

Wild (and thrilling!) as that may seem, Mustill’s findings offer hope that someday a book called How to Speak Whale might be more dictionary than discussion, more conversation than exploration.

In How to Speak Whale, Tom Mustill chronicles his incredible journey into the fascinating and profound world of animal communication.
A Place in the World is a beautiful meditation on home, tempered by a dash of wistful examination as author Frances Mayes enters her 80s.

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