The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
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The role Pope Pius XII played during World War II has long been a subject of controversy. Under great pressure to align himself with the Allies or Axis powers, he chose silence and diplomatic neutrality. Some saw him as a heroic champion of the oppressed. Others thought he turned a blind eye to the killing of Jews and other vulnerable populations and did not use his moral authority to work for peace. Pulitzer Prize-winning historian David I. Kertzer explores the truth of how Pius XII handled this situation with great skill, combining extraordinary documentation and elegant writing, in The Pope at War: The Secret History of Pius XII, Mussolini, and Hitler.

Early in his papacy, which began in 1939, Pius XII decided to tread a careful path. Once World War II began, his public pronouncements were crafted so that each side could interpret them as supporting their cause. The pope often said, for example, that true peace required justice—a familiar theme to Adolf Hitler and Benito Mussolini, who complained that the Treaty of Versailles was not a true peace because it was unjust. The pope insisted it was his role to attend to spiritual, not political, matters. Using this excuse, he didn’t criticize Italy’s anti-Jewish racial laws. He didn’t denounce totalitarian states, until the only one left was the Soviet Union. In his first speech after the war, he emphasized the Nazi regime’s campaign against the Catholic Church and didn’t make any mention of the Nazis’ extermination of European Jews nor Italy’s part in the Axis cause.

The Vatican archives of this period were sealed when Pius XII died in 1958, but they became available to researchers in March 2020. This book is based on many sources but is the first to take advantage of these previously unexplored materials. (Among their revelations are secret negotiations between the pope and Hitler.) Kertzer believes, based on this new evidence, that “Pius XII saw his primary responsibility to be the protection of the institutional church, its property, its prerogatives, and its ability to fulfill its mission as he saw it.” But Pius XII was also aware that, to many people, he failed to provide courageous moral leadership, which Kertzer outlines in gripping detail in his outstanding book.

David I. Kertzer explores the role Pope Pius XII played in WWII with great skill, extraordinary documentation and elegant writing.
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★ Wild Witchcraft

A while back I let my social network know I was interested in learning more about magic, herbalism, astrology and the like. It felt naive to group these things together, but I’ve since discovered there’s more than a little overlap. In Wild Witchcraft, North Carolina-based forager-witch Rebecca Beyer provides a well-researched history of European witchcraft and American folk healing practices, followed by a solid introduction to growing and foraging healing herbs. Readers learn how to use herbs in rituals and remedies and in harmony with the Wheel of the Year, a series of seasonal observances including the fall and spring equinoxes. Beyer covers much ground efficiently and makes a strong case for why these practices are especially necessary now. Amid rapid and cataclysmic climate change, “inspiring people to see value in plants and ecosystems can help to preserve them,” she writes, and “combat the total divorce of humans from their fellow animal, vegetable, and mineral kin.”

Booze & Vinyl 2

During the COVID-19 pandemic, vinyl record sales outnumbered those of CDs for the first time since the 1980s. This vinyl renaissance presents a timely backdrop for Booze & Vinyl 2, which builds on the genius of sister-and-brother duo André and Tenaya Darlington’s 2018 volume of album and craft cocktail pairings, Booze & Vinyl. How about a glow-in-the-dark vodka tonic paired with Kraftwerk’s The Man-Machine or a moonshine-based sipper with Van Morrison’s Moondance? Ella Fitzgerald and Louis Armstong get a “Silver Fizz” to match Ella’s “silvery voice,” and citrus meets prosecco and brandy for two drinks inspired by Beyoncé’s Lemonade. There are even a few themed appetizers, such as “Deeez Nuuuts” for munching while spinning Dr. Dre’s The Chronic. The design freak in me loves how the book’s aesthetic shifts with each album, each turn of the page setting a vibe. Dim the lights, drop the needle and sip to the sounds. 

My America

In My America: Recipes From a Young Black Chef, a follow-up to his 2019 memoir, Notes From a Young Black Chef, James Beard Award winner Kwame Onwuachi filters the cuisine of the African diaspora through the lens of his family, his travels and peripatetic childhood, and the journeys of his ancestors. As Onwuachi notes, a close look at the cuisines of the American South, the Caribbean and Nigeria reveals many common threads and flavor echoes—from the jambalaya of Louisiana to the jollof of Nigeria. Black food tells a story—from groundnut stew and callaloo to crawfish pie and baby back ribs—and the recipes collected here tell it powerfully.

Reconnect to food, music and nature with this month’s best new lifestyles titles.

In the mid-20th century, air travel was considered glamorous, even romantic. Federal regulation kept fares high, and passengers were mostly businessmen en route to work destinations. And what did those men want to see at the end of a long work week? A blushing, girlish attendant who doted on them—or so the airlines assumed. A new pair of nonfiction books offer insight into the sexism women faced in the early decades of commercial flight, as seen through the eyes of the women who lived it.

Cover for The Great Stewardess Rebellion by Nell McShane Wulfhart

The Great Stewardess Rebellion recounts the midcentury fight to get airlines to overturn their sexist requirements for flight attendants. In the 1960s, stewardesses were often fired after their 32nd birthdays, or upon marriage, or upon becoming pregnant—whichever came first. Their continued employment was dependent on regular weigh-ins, and they were required to meet other physical expectations, too, such as cutting their hair to their employer’s standard or wearing gloves while in uniform.

Journalist Nell McShane Wulfhart traces flight attendants’ union and legal battles throughout the 1960s and ’70s, focusing on two women whose experiences help make the political personal. Patt Gibbs was unconcerned with age limits when she applied to American Airlines at age 19, since 32 seemed impossibly distant, and she happily monitored her weight to better her chances of being accepted, dropping from 121 to 110 pounds before submitting her application. However, once Gibbs was hired and she saw how poorly she and her colleagues were treated, she became involved in union work—reluctantly at first, then as a passionate advocate for better pay and fewer discriminatory rules.

Like Gibbs, Tommie Hutto also became enraptured by air travel as a young woman. She became an American Airlines flight attendant after college graduation, as a way out of her conservative Texas surroundings. Hutto, too, became involved in the union, and as she and Gibbs sought better treatment for the women who staffed every flight, they transformed from adversaries to allies.

Wulfhart tells the story of airline unions through Gibbs’ and Hutto’s experiences while weaving in the tales of dozens of other bold women—such as Sonia Pressman, who fought for airline industry change as an attorney for the Equal Employment Opportunity Commission; Dusty Roads and Jean Montague, American Airlines flight attendants who brought the industry’s discrimination to the EEOC’s attention; and Cheryl Stewart and Sharon Dunn, Black flight attendants who challenged their colleagues’ racism. With stylish flair, The Great Stewardess Rebellion explores the nuances of these spirited women and the sexism they battled.

Cover of Fly Girl by Ann Hood

While Wulfhart reveals how women fought to change air travel, Ann Hood paints a portrait of how air travel shaped one woman’s life. Hood (The Book That Matters Most, The Red Thread) is now a bestselling novelist, but in the late 1970s and early ’80s, she was a TWA flight attendant. She always wanted to write, but first she wanted to see the world beyond her Rhode Island home, especially after falling in love with air travel when she took her first flight to Bermuda as a teen. 

Hood’s memoir, Fly Girl, brims with details and personal anecdotes that air travel buffs will love. She recounts both the horrifying ways that misogyny affected her workplace, including unwanted advances from badly behaved passengers, and happier memories of the glamorous days of flying, when stewardesses could bring home sizable paychecks thanks to the work of the flight attendants’ unions. However, as the industry changed in the 1980s, Hood experienced furloughs and had to take jobs with less affluent airlines, bouncing from plane to plane. Through all the ups and downs, jet lag was her normal.

With time, Hood’s self-confidence grew, with regard to both her ability as a flight attendant and her understanding of people and cultures. She began to use time in the jump seat to write, and steadily she made her way toward the writer’s life she’d always dreamed of.

“Life unfolds on airplanes,” Hood writes. “People are flying to funerals and weddings, they are on their honeymoon or leaving a partner, they are carrying a newborn on their first flight to meet grandparents or taking a kid to college or on their way to adopt a baby. And they fall in love.” In Fly Girl, Hood paints a first-class portrait of chasing your dreams and coming of age in the sky.

Two nonfiction books render the complex lives of women during a bygone era of air travel.
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The Mirror 

Combining fish-out-of-water humor and historical detail, time-travel stories must deftly balance magic and reality. A bestseller when it was published in 1978, Marlys Millhiser’s novel The Mirror is now something of a cult classic, and it’s easy to see why. On the eve of her wedding, 20-year-old Shay falls through an antique mirror into the body of her grandmother, Brandy, whose life on the Colorado frontier in 1900 involves strict gender roles, physical danger and structured undergarments. In exchange, Brandy is transported to Shay’s body in 1978 and must deal with that era’s comparatively lawless (and braless) abandon. This sounds like a prosaic setup, but The Mirror is a wild ride that almost never hits the expected beats. Shay and Brandy are fully realized characters, and the details of both settings are spot on and evocative, lending a sense of reality to the novel despite its absolutely chaotic premise. Along the way, Millhiser digs up some timeless truths about mother-daughter relationships and how the women who came before us are often reflected in the ones who come after. 

—Trisha, Publisher

Nothing to See Here

My reading preferences vary widely, but I rarely gravitate toward fantasy novels whose first few pages consist of maps, family trees, timelines and other hallmarks of extensive world building. I get too overwhelmed! But I love when a work of fiction contains just a touch of the supernatural. I’m willing to suspend my disbelief if the magical or otherworldly elements are woven into the story in a way that feels effortless. Kevin Wilson’s 2019 novel, Nothing to See Here, is about two children who burst into flames when they’re upset. The kids’ newly hired nanny, Lillian, transitions from reluctant caretaker to fiercely protective parental figure over the course of the book. A note for other fantasy-averse readers like myself: If the whole catching-on-fire thing seems like too much, don’t let it deter you. You’ll miss out on a delightful story that’s as funny as it is moving.

—Katherine, Subscriptions

How to Write an Autobiographical Novel

It may seem unusual to single out a nonfiction book for having a sprinkle of magic, but Alexander Chee’s exceptional essay collection, How to Write an Autobiographical Novel, is the first title that comes to mind when I think of books with an undercurrent of enchantment. In 16 spellbinding pieces, Chee explores the stuff of everyday life—work, writing, family, activism—alongside more supernatural subjects, such as his lifelong pursuit of tarot and being tested for psychic abilities as a child. These brushes with the mystical elevate Chee’s more commonplace topics until the whole book seems to hover in that liminal space between the sacred and the profane. Suddenly, as you read about his stint as a cater waiter for William F. Buckley or his recollections of the AIDS epidemic in San Francisco, the sense that you’re encountering something extraordinary (that is, out of the ordinary) is heightened. Magic is all around us, Chee seems to say. Read it in the cards. Produce it with your mind. Find it in a well-tended rosebush in your own backyard.

—Christy, Associate Editor

The Raven Boys

The first time I read The Raven Boys, the first novel in Maggie Stiefvater’s Raven Cycle series, I was a high school junior in the midst of a reading slump. I occasionally found a book that I enjoyed, but not with the same ferocity that kept me plowing through stories in my childhood. Although I had seen fan-made content for Stiefvater’s series online, I didn’t know the plot until a friend described it to me. By the time I finished reading the first chapter, I was electrified by the prose and already attached to the characters. While I love fiction that includes speculative elements, I have a harder time feeling immersed in the worlds of high fantasy or sci-fi novels. The Raven Boys kept me rooted in reality while introducing me to Welsh mythology and women with psychic powers. These elements are expanded in the series’ subsequent three novels, but the foundational connection to the real world is never severed. 

—Jessie, Editorial Intern

The Midnight Library

In the tender reading year of 2020, Matt Haig published what a friend of mine called a “cheerful book about suicide.” I had recommended The Midnight Library to her, but she was skeptical about reading it—understandably so, as so many of us were picky about the types of books we were willing to read while riding out the first year of the COVID-19 pandemic. But Haig has been open about his experiences with depression for years, and all of his books have explored the terrain of mental health for both children and adults. In this gentle novel, a woman dies by suicide and is transported to a special library between life and death. There, with help from a kind librarian, she is able to step into the different lives she could’ve lived, as a rock star, intrepid explorer, parent and more. It’s such a smart and empathetic story, and exactly what it needs to be: a cheerful book about depression, yes, but also about making it through.

—Cat, Deputy Editor

Sometimes the best way to understand reality is with just a hint of unreality. In these five books, fantastical elements reveal hidden or unexpected truths about our not-so-ordinary world.

Puzzles are big news—and big business—these days. With their capacity to entertain, challenge and provide a distraction from the stresses of daily life, puzzles have found a wider audience than ever before.

In the introduction to his new book, The Puzzler: One Man’s Quest to Solve the Most Baffling Puzzles Ever, From Crosswords to Jigsaws to the Meaning of Life, journalist, bestselling author and invenerate puzzler A.J. Jacobs (The Know-It-All) shares the euphoria he felt upon learning that his name was featured as a clue in a New York Times crossword puzzle. He’d made it to the big time! But, alas, it was a Saturday puzzle, one of the hardest of the week. So, not a household name just yet, just an obscure clue.

However, Jacobs may find his name appearing in clues more often as puzzle lovers old and new discover this timely and entertaining exploration of why we love (and, yes, often become addicted to) all sorts of puzzles—from the word puzzle books we gobbled up in childhood, to jigsaw puzzles on card tables during family summer vacations, to the world’s recent embrace of a simple daily word game. (You know the one.)

A.J. Jacobs shares how he solved the hardest puzzle yet: motivating himself to finish writing ‘The Puzzler.’

Jacobs covers a wide variety of puzzles, including anagrams, mazes, math and logic puzzles, Rubik’s Cubes, Sudoku, riddles, ciphers and, of course, crosswords—his first love. He admits to knowing the exact time the New York Times crossword puzzle appears online each day. He’s also honest about the emotions involved in puzzle-solving. Frankly, it’s not all enjoyment; there’s frustration, drama, despair and even humiliation. “And sometimes there’s terror,” Jacobs writes, speaking of the creeping fear that getting stuck portends mental decline.

The Puzzler isn’t simply Jacobs’ personal journey, however; it’s also an exploration of the history of puzzles and their role in society. Along the way, Jacobs meets and interviews some fascinating puzzle lovers, including Jeff Varasano, who created his own algorithms to solve a Rubik’s Cube as a teenager back in 1980, and a young woman named Sydney Weaver, a “speedcuber” whose cubing has helped her with pediatric arthritis. Readers also meet crossword maker Peter Gordon, who, when asked why he thinks we’re addicted to puzzles, replied, “Well, life is a puzzle.” Indeed, as the late Maki Kaji, often known as the father of Sudoku, believed, puzzles are a journey. Jacobs’ wonderful book reminds us that puzzles help us to be present in the moment and connect with others on the same journey.

A final note: The Puzzler would make a fabulous gift as a physical copy simply because it includes original puzzles by Greg Pliska for readers to solve. But don’t despair; the answers are in the back.

Puzzle lovers old and new will be thrilled to discover this entertaining exploration of why we love (and often become addicted to) all sorts of puzzles.
In Lost & Found, read by author Kathryn Schulz, listeners are invited to discover a bittersweetness that’s as mundane as it is cosmic.
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When Zain Ejiofor Asher was 5, her father—a larger-than-life personality who was training to be a doctor—was touring his Nigerian homeland with his 11-year-old son, Chiwetel. Not long before they were expected home in London, Asher’s pregnant mother, Obiajulu, received a life-changing phone call: The pair had been in a car accident, and only one had survived. Obiajulu had to fly to Nigeria to find out it was her husband who had died.

As Asher writes, “There is tragedy in my story, but my story is not a tragedy. It is a story of grit, grace, and perhaps above all, an extraordinary story of extraordinary triumph that I want to share with the world.” Where the Children Take Us: How One Family Achieved the Unimaginable is an ode to her parents—who both achieved success despite facing civil war and famine—and especially to her mother. Asher is a master storyteller as she interweaves both of her parents’ life stories with her own upbringing. Thoughtful emotion and striking immediacy fill every scene, making for a mesmerizing read from start to finish.

Asher’s parents owned a small pharmacy in London, which Obiajulu continued to run after she became a widow. Meanwhile, her life’s work became ensuring her children’s success, following her firm belief that formal education was key to survival. She began a family book club, requiring each child to read and discuss a book every week. She plastered their walls with inspirational photos of “uplifters”—successful Black people, especially Nigerians. When 9-year-old Asher experienced racism from her peers, her mother sent Asher to live with relatives in Nigeria for two years, a common practice among Nigerians known as “shipping back.” There, she had to walk a mile to a river to fetch water for her family. Electricity was rare, and discipline was omnipresent. As Asher reminisces, “Nigeria, for all its faults, was the perfect place to toughen me up. It was an elite training ground for resilience; the West Point academy of perseverance. Survive in Nigeria for ten years and you can survive anything. Thrive in Nigeria and you can change the world.”

Thanks to Obiajulu’s determination, Asher and her three siblings are doing just that. Asher is an Oxford-educated news anchor for CNN International. Her sister is a physician; her oldest brother, an entrepreneur. And Chiwetel Ejiofor is an actor who received an Oscar nomination for his role in 12 Years a Slave.

It’s important to note that Obiajulu, for all her single-minded focus on achieving excellence—and her sometimes shocking strategies—doesn’t come off as overbearing. She empowered her children to believe in the seemingly impossible and to focus on personal achievement, not competition. Where the Children Take Us is an enlightening and entertaining read that will likely challenge readers to reexamine their views on child rearing and education.

Where the Children Take Us is an ode to Zain E. Asher’s determined, driven mother, full of thoughtful emotion and striking immediacy in every scene.

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