The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
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Former librarian Amanda Oliver quickly learned that her job was as much about performing the work of a social worker—without any training—as it was about books.
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Julissa Arce, who charted an unlikely course from banker to writer, doesn’t want to be seen as a model immigrant. Sure, now she has los papeles and owns a home, but she can’t help asking, “What is the real cost of success?” For her, it was not being able to visit her dying father in Mexico because her immigration proceedings were not yet complete. It’s reading textbooks that omit any mention of the roles Latinx people have played in American history. It’s boxes on the U.S. census that erase entire ethnicities and prompt many Latinx people to choose “White” as their race. In You Sound Like a White Girl, Arce argues that now is the moment for Latinx people to reject assimilation and its attendant misconceptions.

These misconceptions, what Arce calls “the lies we’re told,” concern whiteness, English and success, which are all presented as essential to American identity. In the face of this fallacy, Arce wants to recenter Latinx history, identity, culture and language within America. She has thought carefully about not only how assimilation has impacted her—prompting her to modify her name so that her white teachers could pronounce it more easily—but also how such erasures function on a larger scale, causing Latinx folks to miss out on histories that could empower and embolden them. For example, as a girl, Arce wanted to be a cheerleader in Texas. At the time, she was totally unaware of the history of Chicana cheerleaders in Texas or of student protests in 1968, during which students held up signs that read “Brown legs are beautiful.” Without these stories to ground her, she felt isolated among her white teammates. When she went back to her middle school to speak after the publication of her first book, My (Underground) American Dream, she told this story, hoping to speak many such histories back into existence for the next generation.

Ultimately, through these acts of reclamation—of history, language, identity and culture—Arce argues that the very definition of what it means to be an American can shift. On a Christmas trip to Mexico, Arce recalls asking her nephews what they pictured when she said “un americano.” They imagined “a tall white person with blond hair and green or blue eyes.” She replied, “What about me? I am a U.S. citizen. Am I American?” This question, intended to make her nephews think a bit more deeply about their assumptions, is a relevant one for anyone seeking to shed narrow notions of American identity in favor of something truer and more just.

By centering Latinx history and culture, memoirist and cultural critic Julissa Arce boldly challenges narrow notions of American identity.
Historian and critic Lucasta Miller assembles a candid yet affectionate portrait of poet John Keats in this creative blend of literary analysis and biography.

In her brilliant study of the relatively little-known lives of jellyfish, Spineless, science writer Juli Berwald traveled the world to explore the intimate connections between the health of our oceans and the ways that these luminescent creatures adapt to rapidly changing marine conditions. Berwald’s dazzling Life on the Rocks: Building a Future for Coral Reefs now does for coral reefs what Spineless did for jellyfish: offers a love letter to their resplendent beauty, issues a warning about their dire future and holds out cautious hope that they can flourish once again.

Berwald first entered the fairyland of the coral reef when she was contemplating a career in marine biology and snorkeling in the Red Sea. “It was love at first sight,” she writes, “for my part anyway. I’m pretty confident the corals felt nothing more than the waft of a current rolling off my flapping fins as I struggled to control my movements.” The beauty and intricate ecology of that reef stayed with her, and a decade later—as a science writer rather than a marine biologist—Berwald took a cruise to the Bahamas in hopes of seeing the splendor of a coral reef again. To her chagrin, she only found “broken and displaced piles of rubble.”

In her quest to find out what is killing the world’s coral reefs and what, if anything, can be done to mitigate the damage, Berwald met with scientists in Florida, California and Bali, among other destinations. In Florida, for example, she learned that stony coral tissue loss disease (SCTLD) is eating up to 2 inches of coral tissue per day. Other factors contributing to the loss of coral reefs include “overfishing, sedimentation from coastal erosion, ship anchors leaving scars, pollution from pesticide runoff and untreated sewage, unrelenting oil spills, and ever larger hurricanes.” The world’s great coral reefs, she learned, may cease to exist by 2050.

Despite such a dire prognosis, Berwald also learned that the public and private sectors are developing strategies—such as growing coral in nurseries and placing coral larvae on substrates designed to give them a head start—for restoring coral reefs. Along the way, she intersperses fiercely tender stories of her daughter’s struggle to receive treatment for her mental illness with these discoveries about coral reefs, offering thoughtful reflections about what can and can’t be known about the problems we face.

Life on the Rocks shimmers with radiant prose, sending out rays of hope for the future of coral reefs. As Berwald immerses readers in a glimmering undersea world, she also encourages them to discover ways they can support efforts to preserve the reefs, which play a key role in maintaining the fragile ecological balance of our oceans.

Juli Berwald’s dazzling Life on the Rocks does for coral reefs what her first book, Spineless, did for jellyfish.
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ew Yorker wit and wisdom “Everybody talks of The New Yorker‘s art, that is its illustrations, and it has just been described as the best magazine in the world for a person who can not read,” Harold Ross, the magazine’s founder and editor, wrote in a 1925 letter. Oh, how times have changed. Although it’s now a cultural institution, the magazine made a somewhat lackluster debut in February of 1925 and would have folded a few months later had it not been for Ross. A bluff, determined Westerner sometimes at odds with the Eastern elite, the editor fought hard to find a focus for his weekly. Rallying writers in the ’20s and ’30s many of them from the renowned Algonquin Round Table he created a forum that would publish some of the most memorable journalism of the 20th century. The magazine may be named for New York, but its span exceeds the city’s limits. Its list of contributors is long and illustrious John Cheever, Eudora Welty, James Baldwin and William Trevor, to name a few and the number of books written about it or featuring the work of its writers and artists gets bigger every season. Worthy titles crop up regularly we counted eight in the past six months alone and a few of the most recent releases are highlighted here.

One of America’s greatest humorists, New Yorker cartoonist James Thurber was an artist who could, with a few shapely, articulate lines, produce quibbling siblings, bickering spouses and, of course, canines dogs of all shapes and sizes, dispositions and breeds. His big, bumbling mutts were creatures that didn’t know the difference between man and beast, that dragged their owners whither they would and did things only humans could went snow-skiing, say, or got psychoanalyzed. These and other Thurberesque absurdities are collected in The Dog Department: James Thurber on Hounds, Scotties, and Talking Poodles, an endearing anthology, edited by author Michael Rosen, of the artist’s dog-centered writings and drawings. Comprised of New Yorker shorts and unpublished archival material, along with selections from the book Thurber’s Dogs, this delightful, amply illustrated volume is filled with humor, advice and reflection Thurber-style on man’s best friend.

In the 1930s, as a reporter for The New Yorker, John McNulty frequented Costello’s Irish saloon on Third Avenue, a boisterous gin mill filled with cabbies, horseplayers and bums on the make that he immortalized in the pages of the magazine. The results are collected in This Place on Third Avenue, a group of slice-of-life stories brimming with humor and drama that feature the saloon, its habituŽs and their pungent, city-steeped dialect. This is the low life writ large, no fringe, no frills. McNulty calls ’em as he sees ’em, and the titles tell all: “Atheist hit by truck.” “Man here keeps getting arrested all the time.” Though a skyscraper now stands at the site of Costello’s, thanks to McNulty, the spirit of the place and the era lives on.

The Fun of It: Stories from The Talk of the Town brings together the best of the magazine’s trademark “Talk” essays, those succinct journalistic gems, full of crystalline reportage and plainspoken prose, about the everyday and the remarkable, the little man and the big. Spanning nine decades, The Fun of It opens with selections from the 1920s and features contributions by some of the magazine’s best writers, from E. B. White to Jamaica Kincaid to John McPhee. Edited by long-time staff member Lillian Ross, who chose from thousands of pieces, the volume is studded with standouts. Especially memorable are antic essays on the city from a young John Updike, and Jane Kramer’s visit with Samuel Beckett and Buster Keaton.

Another collection of classic profiles by Joseph Mitchell, McSorley’s Wonderful Saloon was included in his anthology Up In the Old Hotel but has not existed as a separate volume since it was first published in 1943, when it became a bestseller. Offering a gallery of unforgettable characters oystermen, barkeeps and street-walking eccentrics, a gypsy king and a true-blue bearded lady McSorley’s is vintage reporting from the man The New York Times once called “a listener of genius.”

ew Yorker wit and wisdom “Everybody talks of The New Yorker‘s art, that is its illustrations, and it has just been described as the best magazine in the world for a person who can not read,” Harold Ross, the magazine’s founder and editor, wrote in a 1925 letter. Oh, how times have changed. Although it’s […]
For focused listeners seeking an audiobook for edification, not for leisure or relaxation, Manifesto is a smart choice.
Review by

ew Yorker wit and wisdom “Everybody talks of The New Yorker‘s art, that is its illustrations, and it has just been described as the best magazine in the world for a person who can not read,” Harold Ross, the magazine’s founder and editor, wrote in a 1925 letter. Oh, how times have changed. Although it’s now a cultural institution, the magazine made a somewhat lackluster debut in February of 1925 and would have folded a few months later had it not been for Ross. A bluff, determined Westerner sometimes at odds with the Eastern elite, the editor fought hard to find a focus for his weekly. Rallying writers in the ’20s and ’30s many of them from the renowned Algonquin Round Table he created a forum that would publish some of the most memorable journalism of the 20th century. The magazine may be named for New York, but its span exceeds the city’s limits. Its list of contributors is long and illustrious John Cheever, Eudora Welty, James Baldwin and William Trevor, to name a few and the number of books written about it or featuring the work of its writers and artists gets bigger every season. Worthy titles crop up regularly we counted eight in the past six months alone and a few of the most recent releases are highlighted here.

One of America’s greatest humorists, New Yorker cartoonist James Thurber was an artist who could, with a few shapely, articulate lines, produce quibbling siblings, bickering spouses and, of course, canines dogs of all shapes and sizes, dispositions and breeds. His big, bumbling mutts were creatures that didn’t know the difference between man and beast, that dragged their owners whither they would and did things only humans could went snow-skiing, say, or got psychoanalyzed. These and other Thurberesque absurdities are collected in The Dog Department: James Thurber on Hounds, Scotties, and Talking Poodles, an endearing anthology, edited by author Michael Rosen, of the artist’s dog-centered writings and drawings. Comprised of New Yorker shorts and unpublished archival material, along with selections from the book Thurber’s Dogs, this delightful, amply illustrated volume is filled with humor, advice and reflection Thurber-style on man’s best friend.

In the 1930s, as a reporter for The New Yorker, John McNulty frequented Costello’s Irish saloon on Third Avenue, a boisterous gin mill filled with cabbies, horseplayers and bums on the make that he immortalized in the pages of the magazine. The results are collected in This Place on Third Avenue, a group of slice-of-life stories brimming with humor and drama that feature the saloon, its habituŽs and their pungent, city-steeped dialect. This is the low life writ large, no fringe, no frills. McNulty calls ’em as he sees ’em, and the titles tell all: “Atheist hit by truck.” “Man here keeps getting arrested all the time.” Though a skyscraper now stands at the site of Costello’s, thanks to McNulty, the spirit of the place and the era lives on.

The Fun of It: Stories from The Talk of the Town brings together the best of the magazine’s trademark “Talk” essays, those succinct journalistic gems, full of crystalline reportage and plainspoken prose, about the everyday and the remarkable, the little man and the big. Spanning nine decades, The Fun of It opens with selections from the 1920s and features contributions by some of the magazine’s best writers, from E. B. White to Jamaica Kincaid to John McPhee. Edited by long-time staff member Lillian Ross, who chose from thousands of pieces, the volume is studded with standouts. Especially memorable are antic essays on the city from a young John Updike, and Jane Kramer’s visit with Samuel Beckett and Buster Keaton.

Another collection of classic profiles by Joseph Mitchell, McSorley’s Wonderful Saloon was included in his anthology Up In the Old Hotel but has not existed as a separate volume since it was first published in 1943, when it became a bestseller. Offering a gallery of unforgettable characters oystermen, barkeeps and street-walking eccentrics, a gypsy king and a true-blue bearded lady McSorley’s is vintage reporting from the man The New York Times once called “a listener of genius.”

ew Yorker wit and wisdom “Everybody talks of The New Yorker‘s art, that is its illustrations, and it has just been described as the best magazine in the world for a person who can not read,” Harold Ross, the magazine’s founder and editor, wrote in a 1925 letter. Oh, how times have changed. Although it’s […]
Review by

For market watchers, these are uncertain times. The market boom, so spectacular in its sunrise, has faded to pale twilight. Reassessment is the watchword at many major American companies as terms like e-commerce, e-venture and Internet-driven fade from glory. Surely those concepts will re-emerge in a short time, dusted, retooled and remodeled. In the meantime, a period of corporate reflection settles over American business. This month we look at three books and an audiotape whose ideas seem relevant for this reflective era. Beginning with a book about the Federal Reserve and how it drives the markets to an exploration of new research on customer value and marketing, each title reflects new ideas American businesses must consider as the post-New Economy world reconsiders itself.

The Fed: The Inside Story of How the World’s Most Powerful Financial Institution Drives the Markets by Martin Mayer is a powerful book written with rare insight and aptitude by a longtime business journalist. Much has been made of Alan Greenspan, and much has been attributed to his acumen as the chief of the Federal Reserve. Mayer expands that view, giving us a historical account of the Fed’s role, from the 1920s through the1970s banking regulation to the 1987 crash and into the present century. Well-cited and carefully researched, Mayer’s book warns that while Fed policy has supported the past weight and inequities of the U.S. banking system, like Atlas holding the earth, it "may not support tomorrow’s" problems. He calls for the Fed to bring the hidden maneuverings and derivatives dealings of the markets into public view, but says, "the Fed has never believed in sunshine as a disinfectant." Historically significant and timely, The Fed is an eye-opening reminder that the future of the markets is not always in our hands.

Game, Set, Match: Winning the Negotiations Game by Henry S. Kramer describes the "game we all play." Whether we’re talking about haggling over the price of a car, the outcome of a job raise or the sale of one corporate entity to another, negotiation is a prime activity for anyone entering the marketplace. Why is it important to plan a strategy for successful negotiation? What are the legal and ethical pitfalls of managing a negotiation? Kramer, an attorney and professor of negotiations simulation classes, argues you will not "end up where you want to be" if you do not prepare to ask for and creatively negotiate for the things you want. In an uncertain era, Kramer says "commercial and labor relations transactions involve fairly large sums of money, in which even the terms won by a good negotiator in a single negotiation may well reach six or seven figures . . . A good negotiator can be a real contributor to the bottom line." Clearly written with helpful tips, Game, Set, Match defines a new watchword as businesses look at new ways to reduce costs.

ValueSpace: Winning the Battle for Market Leadership by Banwari Mittal and Jagdish N. Sheth argues that a new paradigm is emerging in marketing. While most marketing programs rely on price points in the marketplace, Mittal and Sheth show real-market examples where the 3 Ps of marketing (price, performance and personalization) combine to create what they call ValueSpace.

ValueSpace, simply put, is a whole package of values customers want when they shop among major brands, services or products. Currently, many marketing managers focus on offering the lowest price for their product to win market share. Mittal and Sheth say successful brands offer more than low prices, they also offer great performance (think of the constant Palm Pilot innovations) and great "personalization" (Microsoft Outlook is appealing because it works easily with other computer programs). At core, the authors say, ValueSpace energizes quality and innovation practices within a corporation. From Xerox to Hilton to 3M, the authors document ValueSpace initiatives at many major American companies, highlighting innovation and quality control as key company components. For innovative companies, these ideas are nothing new; for everyone else, they will be keys to the future.

Free Agent Nation by Daniel H. Pink has just been released on audiotape. Pink’s fast-forward approach to the changing nature of employment is de rigeur listening. Termed "dis-organization" men and women, the ranks of 21st century employees may well include a mom-preneur, a consultant with flexible work hours or a freelance technology guru. Talented workers don’t need company loyalty, don’t expect it and are having a great time fending for themselves in the great wide world. Read by the author, a 30-something willing to challenge the status quo, Pink describes the coming work generation to a frightened corporate hierarchy and hopes Free Agent Nation will shake up corporate America.

Briefly Noted: The Customer Revolution by Patricia Seybold highlights another future trend a return to valuing the customer. Seybold delivers a straightforward message: your current customers are the backbone of your business; get to know them and why they are important to your business. Seybold shows how to create a great customer experience, drawing examples from hundreds of innovative and customer-motivated corporations. No marketing manager should miss this book.

The Future of Leadership edited by Warren Bennis, Gretchen M. Spreitzer and Thomas G. Cummings could be just another book on leadership principles, but it isn’t. Instead, the 18 essays reflect on the role of leadership in years to come. How will our concepts of leadership change? Particularly insightful are chapters on the promise of today’s youth as leaders and an essay on why we tolerate bad leaders. Required bedside reading for future CEOs.

For market watchers, these are uncertain times. The market boom, so spectacular in its sunrise, has faded to pale twilight. Reassessment is the watchword at many major American companies as terms like e-commerce, e-venture and Internet-driven fade from glory. Surely those concepts will re-emerge in a short time, dusted, retooled and remodeled. In the meantime, […]
Review by

Staying on track At first glance it looks something like a proud parent’s “Baby Book.” But appearances can be deceiving The Cancer Patient’s Workbook: Everything You Need to Stay Organized and Informed by Joanie Willis is actually an excellent resource for the cancer patient who prefers a hands-on approach to dealing with illness. Well illustrated (it even has cartoons) and thoughtfully designed, the workbook supplies readers with information on treatments, healthful eating and more questions to ask oncology, radiation and surgery experts than one would ever think of on one’s own, not to mention a place to record the answers. Some cancer writers counsel developing a spirit of detachment and observation. The Cancer Patient’s Workbook (complete with a cover that can be removed along with any outer reference to cancer, so you can carry it anywhere) certainly offers the wherewithal to achieve some measure of objectivity. It also provides inspirational material, even jokes (unrelated to cancer) to lift the spirit. However, be warned, this workbook skips nothing! It also has sections on writing obituaries and wills, planning funerals and bequeathing one’s precious things to others. Still, the overall air of the book is hopeful, courageous and enabling and by the end even the little cartoons that seem incongruous at the start have turned into familiar icons for doing what must be done to survive trouble with grace and dignity.

Staying on track At first glance it looks something like a proud parent’s “Baby Book.” But appearances can be deceiving The Cancer Patient’s Workbook: Everything You Need to Stay Organized and Informed by Joanie Willis is actually an excellent resource for the cancer patient who prefers a hands-on approach to dealing with illness. Well illustrated […]

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