James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
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Tony Earley crafts an elegant reinvention of the past The line between fiction and nonfiction is often blurred and in most cases arbitrarily drawn. In his new book, Somehow Form a Family, a collection of essays that reads like the cohering fragments of a memoir, Tony Earley walks gracefully along that line, writing about growing up in the South in the 1970s, the eccentricities of love in most families, and the essential longing to connect with a community that any writer feels but is rarely able to satisfy. "All writers are spies in their own country," Earley said in a recent phone interview. "We are afflicted or blessed with this strange sort of consciousness in which we are always looking in from the outside. I can remember being a kid walking through the playground, imagining myself as I did it, conscious of my every move, always feeling different and never comfortable in any group. Perhaps that’s why we become writers, to deal with that longing." Earley, a North Carolina native and an associate professor of English at Vanderbilt University, is the author of the 1994 short story collection Here We Are in Paradise and the highly acclaimed novel Jim the Boy, published in 2000. A few years back Granta magazine named him one of America’s best young authors, and shortly after that announcement, The New Yorker featured him in an issue that focused on the best new fiction writers in America. The last three stories in Here We Are in Paradise depicted Jim Glass and his family. From those stories, Earley developed the idea for the novel Jim the Boy, a work whose style has been compared to both Ernest Hemingway’s and E. B. White’s. Being compared to Hemingway would not come as an unwanted surprise to most young contemporary fiction writers, but a comparison to E. B. White, in our deconstructed new world where any writer worth his ink seems destined to have a distant, ironic voice, may not seem a compliment. Earley, though, is happy with the comparison and thinks he understands its source. "I started it," he said. "It’s flattering, but the comparisons probably came from my epigraph to the novel from White’s Charlotte’s Web

Tony Earley crafts an elegant reinvention of the past The line between fiction and nonfiction is often blurred and in most cases arbitrarily drawn. In his new book, Somehow Form a Family, a collection of essays that reads like the cohering fragments of a memoir,…

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aps nothing is so ubiquitous in 21st-century America as fast food. Fully one-half of the country’s food expenditures takes place in restaurants, and the large majority of those dollars is spent on fast food. It is no surprise that the two best-known brands worldwide are McDonald’s and Coca-Cola. In Fast Food Nation, Eric Schlosser examines fast food “as a commodity and as a metaphor,” and his new book a fascinating blend of cultural history and groundbreaking reportage should prove of interest to anyone who’s ever polished off a Big Mac and fries.

Fast Food Nation tours the slaughterhouses and potato farms that supply this country’s franchises. Readers get a look at the factories that develop and manufacture the smells that make Value Meals and combo specials so appealing. From nutritional content to labor practices, much of the book’s material is unsettling. Just as the nation’s sensibilities were shocked 100 years ago by Upton Sinclair’s vivid descriptions of meat packing practices in The Jungle, so too will today’s readers feel a bit squeamish about the slaughterhouses currently operating. As Schlosser reveals, fast food has shaped the nation’s landscape more than most readers would imagine, and his consideration of the fast food phenomenon as a cultural metaphor is especially intriguing. With sensitivity and insight, he explores the ways in which the explosion of franchised restaurants has contributed to the homogenization of popular culture. This proliferation, he posits, says something about our lifestyles. The increase in restaurant meals, for example, is surely symptomatic of a society organized less around the family than around obligations and activities outside the home. Eric Schlosser, a contributing editor of Atlantic Monthly, has created a narrative that is at once artful and eye-opening, humorous and uniquely significant. By examining this particular facet of American culture, he has shed new light on our nation as a whole.

Mark Rembert writes from Nashville.

aps nothing is so ubiquitous in 21st-century America as fast food. Fully one-half of the country's food expenditures takes place in restaurants, and the large majority of those dollars is spent on fast food. It is no surprise that the two best-known brands worldwide are…

Most people couldn’t proclaim that they’ve concocted “nine of the biggest, boldest, and most world-changing supervillainous schemes” that are “both scientifically accurate and achievable” without inspiring great skepticism. But if anyone’s going to be a reliable source for dastardly plots bolstered by plausible project plans, it’s Ryan North, the bestselling author of How to Invent Everything: A Survival Guide for the Stranded Time Traveler.

As a longtime writer for Marvel and DC comics, the Eisner Award-winner gets paid to come up with heinous and destructive crimes for fictional heroes to foil. In How to Take Over the World: Practical Schemes and Scientific Solutions for the Aspiring Supervillain, North harnesses his expertise as a “trained scientist and professional-villainous-scheme-creator” to craft highly detailed plans for achieving world domination. In “Every Supervillain Needs a Secret Base,” for example, he patiently yet firmly explains why the best place for a base is not inside a volcano. Perhaps the aspiring villain should build a floating lair in the ocean, or venture into the sky? North has analyzed every option, and he’s got recommendations—not to mention budgets, timelines and risk analyses for scenarios ranging from starting your own country to cloning dinosaurs to destroying the internet. The results are archly funny and always thought-provoking.

Clever illustrations by Carly Monardo up the fun factor, and sidebars take deep dives into carbon-capture technology, airspace ownership laws and more. How to Take Over the World is a wild journey that’s sure to leave readers pondering North’s assertion that “once [the world is] understood, it can be directed, it can be controlled, and it can be improved.” Whether they use his advice to achieve supervillainy or to flip the script and save the world is up to them.

If anyone is going to concoct highly detailed, scientifically accurate plans to achieve world domination, it’s Ryan North.
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Novelist Jami Attenberg invites readers to join her in reflecting on relationships, creativity and the nature of home in her first essay collection, I Came All This Way to Meet You (6.5 hours). Her vignettes intertwine stories of her growth as an author with funny and honest ruminations on a life filled with travel and art.

Attenberg’s vulnerability in these essays, paired with narrator Xe Sands’ quiet, confident voice, makes listening to I Came All This Way to Meet You an intensely personal experience. Sands adds a shade of wistfulness to Attenberg’s wisdom with cool vocal tones, and elevates the author’s witty quips with a cheeky sensibility. Listeners will lean in to enjoy the full range of sentimentality and playfulness. It’s like sitting down with a clever friend to hear stories over cups of tea—nostalgic, conspiratorial and comfortable.

I Came All This Way to Meet You is a relaxing audiobook that will incline the listener toward restful reflection, encouraging them to discover inspiration in even the smallest moments of everyday life.

Read our starred review of the print edition of ‘I Came All This Way to Meet You.’

Nostalgic and conspiratorial, I Came All This Way to Meet You is a relaxing audiobook that will incline the listener toward restful reflection.
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ooks a mother can love There’s no better way to celebrate Mother’s Day than with a gift book that immortalizes the maternal role. Joyce Ostin’s, a volume of radiant photographs, does just that. In Ostin’s touching tribute to womanhood, some of Tinseltown’s biggest names shed their glamorous facades, and the results are simple, stripped-down pictures that reveal the buoyancy, serenity and joy inherent in the mother-daughter relationship.

Much in the limelight, these mothers have daughters named Coco and Collette, Stella and Chelsea, girls with above-average genes who are, in the end, just regular girls. More than 50 black and white photos feature the likes of dynamic duo Goldie Hawn and Kate Hudson; Madonna and a saucer-eyed Lourdes Leon; Melanie Griffith and Stella Banderas (inheritor of Antonio’s brooding stare). Anecdotes and poems from the moms themselves and Carrie Fisher’s introduction to the book offer fresh insights into the mother-daughter connection. With an intuitive eye, Ostin has captured this classic bond, revealing the reality behind the fantasy the private sides of these very public women. Ostin, a two-time breast cancer survivor, will donate all of the proceeds from Hollywood Moms to cancer research.

“The family is one of nature’s masterpieces,” wrote George Santayana, and his statement is proven true by a volume of stunning pictures called Family: A Celebration of Humanity. Photographers from around the world some of them Pulitzer Prize winners have captured the unit in its many configurations (a family, after all, can be as small as two or as large as two dozen). There are brothers and sisters, fathers and sons, children and pets; there are families in poverty and families who flourish. Spanning the globe, the book touches down in Russia, Mexico, South Africa, Australia and the United States, and the multiplicity of cultures makes for some wonderful visual juxtapositions. Artful, honest and at times, graphic (the photo of a baby, fresh from the womb, its umbilical unwound like a telephone cord, is not a sight for the weak-eyed), Family, the first volume in a series by M.

I.

L.

K. Publishing, Ltd., offers timeless images of humanity at its best. M.

I.

L.

K., an acronym for Moments of Intimacy, Laughter and Kinship, hopes to develop a collection of photographs showcasing diversity in family, friendship and love, and will publish two more books in September.

Two new titles celebrate one of the world’s most famous moms, that icon of family and fashion, Jacqueline Kennedy Onassis. The woman who founded a modern-day dynasty and helped set style standards throughout the ’60s and ’70s is the inspiration behind Jay Mulvaney’s Jackie: The Clothes of Camelot. Filled with fabulous, Camelot-era photographs, Mulvaney’s book features Jackie’s dreamy dresses, frocks like confections from Oleg Cassini and other designers done in sugary pink, pastel blue and vivid tangerine, clothes fit for a queen or a First Lady. Those classic suits boxy, modest and perfectly chic are included, too. With over 300 photos and sections on Jackie’s fashion influences, her casual wear and her style during the post-Camelot years, this volume presents a well-rounded fashion portrait of one of the White House’s most regal matriarchs. Mulvaney, author of Kennedy Weddings: A Family Album, contributes lucid captions that set the context for the costumes. Dominick Dunne provides the book’s introduction.

Jackie Style by Pamela Clarke Keogh is part biography, part beauty book. Covering the former First Lady’s childhood in New York, her years at Vassar, her time in the White House and her work as an editor at Doubleday, this volume offers a behind-the-scenes look at Jackie’s life while providing advice on how to make her style your style. Jackie’s makeup and fashion ideas are included, along with never-before-seen photos and sketches, and exclusive interviews. Keogh, author of the bestselling Audrey Style, has created a loving tribute, which has an introduction by fashion designer Valentino.

Both Jackie titles are being published to coincide with a May retrospective of Kennedy’s White House wardrobe at the Metropolitan Museum of Art in New York, an exhibit that will commemorate the 40th anniversary of Camelot.

ooks a mother can love There's no better way to celebrate Mother's Day than with a gift book that immortalizes the maternal role. Joyce Ostin's, a volume of radiant photographs, does just that. In Ostin's touching tribute to womanhood, some of Tinseltown's biggest names shed…
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In Of Blood and Sweat: Black Lives and the Making of White Power and Wealth, Clyde W. Ford confronts readers with a difficult truth about the current state of American affairs: Our politics, economy and social structure are inextricably linked to the enslavement of Black people. The freight trains and trucks that carry goods across the country follow the rail lines and roads built by enslaved people. Our insurance companies, banks and stock exchanges—in both the North and the South—are direct descendants of the institutions that financed and protected the slave trade and commodities produced with slave labor. Our Constitution is the result of compromises with slave-holding states, ensuring through the three-fifths clause, the Fugitive Slave Clause and the Electoral College that power remained in the hands of powerful white men and that slavery continued to flourish.

Ford wants readers to realize the lasting and severe harm that slavery has done to our country on both an intellectual level and a visceral, emotional one. There is no lack of evidence to support his argument, and his book is very well researched and documented. But unlike histories that are so loaded with documents, statistics and official accounts of proceedings that they numb the reader, transforming the tragedy of the past into mere abstraction, Of Blood and Sweat adroitly avoids these pitfalls. Instead, Ford weaves the stories of real people who lived through these times into his narrative, making the information feel immediate and alive. The author of 13 fiction and nonfiction books, including the memoir Think Black, Ford brings to life Antoney and Isabell, an Angolan couple who were among the first enslaved Africans brought to Virginia in 1619; Briton Hammon, an enslaved man whose New England owner permitted him to become a sailor; S.G.W. Dill, a white former Confederate soldier who became a passionate advocate for equality—and was murdered for it by white supremacists; and countless others, the sinners and the sinned against, whose lives illuminate not only what happened but why.

More importantly, Ford makes a clear case that the past is never over. The wounds inflicted by slavery have never healed, and he argues that they will continue to harm our country until we deal with them honestly. For many Americans, reading Of Blood and Sweat will be an excellent first step in that process.

Some histories are so loaded with documents and statistics that they numb the reader, but Clyde W. Ford’s Of Blood and Sweat feels immediate and alive.
Interspersing memoir with research, neuroscientist Stephanie Cacioppo offers a sprightly, illuminating look at the science of love and connection.

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