James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
James Chappel’s thought-provoking Golden Years offers strategies to understand and address the needs of America’s aging population.
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(good and bad) luck o’ the Irish Many Irish women and men probably tire of the official version of themselves that is packaged for export nowadays. From the hammering heels of Lord of the Dance to the manic comedy of Waking Ned Devine, books, films and Broadway extravaganzas portray the children of the Emerald Isle (both natives and their descendants) as devout but hard-drinking, sentimental but hard-bitten and colorful to the point of gaudiness. Several new books alternately confirm and refute this national stereotype. Among the more comprehensive recent accounts is Patrick Bishop’s The Irish Empire: The Story of the Irish Abroad. The stories range through the Dromberg stone circle in Cork, New York politicians, the English invasion and oppression of Ireland, lyrical poetry, prison uprisings, shipboard squalor, urban exploitation, religion and political activism. The scope is surprising, for such a brief and comprehensible and well-illustrated book. It’s beautiful to look at, but also rich in anecdotes.

Bishop tells, for example, the fascinating Bonnie-and-Clyde epic of Ned Kelly, an Irishman in Australia. Kelly imbibed stories of oppression and outrage at his mother’s knee and grew up contemptuous of authority and particularly scornful of Irish policemen, whom he considered traitors. Inevitably he clashed with the abusive, nationalist, class-obsessed rulers. Next, turn to two books that address the American experience. A good place to start is Greatest Irish Americans of the 20th Century, edited by Patricia Harty. At one point the Irish made up 10 percent of all immigrants into the United States. In these 200 oversized pages, you find out some of the consequences of that influx. Included are labor and religious leaders, actors, writers, politicians, gangsters. Everyone is here: Michael Flatley and Grace Kelly, Margaret Bourke-White and Georgia O’Keeffe, John McEnroe and Mark McGwire. No other designation besides “fellow Irish” would corral both Dorothy Day and Andrew Greeley in the same subset.

On the same theme is Maureen Dezell’s Irish America: Coming Into Clover, with the second subtitle “The Evolution of a People and a Culture.” A staff writer for the Boston Globe, Dezell writes entertainingly and provides rather more historical perspective than Harty does in her browser book. She also goes further back than the recently departed century. Dezell gets into some surprising and fascinating topics. These even include an analysis of the ways the Irish rib each other about everything, comparing the habit to certain aspects of humor among African Americans. She also looks at how female purity and passivity were drilled into the new young Irish Americans after the Famine, and how stereotypes became scapegoats in all sorts of situations. She even thoughtfully critiques anti-Irish attitudes in E. L. Doctorow’s novel Ragtime. Not surprisingly, Ireland has produced an array of wonderful writers. You can find the ultimate sampler of them in a new book edited by Susan Cahill, For the Love of Ireland: A Literary Companion for Readers and Travelers. In a nice original touch, these poems, essays, stories and excerpts from novels are grouped by county and province. Naturally, you will find Sean O’Faolain and James Joyce, William Butler Yeats and Samuel Beckett. But you may be surprised to run across Lorrie Moore, Edna Buchanan and Joyce Cary. There are fine later poets such as Seamus Heaney and Eavan Boland, too, providing an almost musical accompaniment to the beautiful, textured prose around them. For the Love of Ireland has the virtue of following each author’s contribution with a note entitled “For the Literary Traveler.” These detailed asides get you out to the sites described, warn you about ways in which they have changed and provide lovely cultural footnotes to the main entries. By now, of course, you will have called your travel agent. Before you go to Ireland yourself, however, read Pete McCarthy’s first book, McCarthy’s Bar: A Journey of Discovery in the West of Ireland. Then take it with you. McCarthy is a journalist and performer well known on radio and TV in Britain. His book is along the lines of Bill Bryson’s Notes From a Small Island. To discover the roots and test the validity of his fascination with his mother’s homeland, McCarthy travels throughout Ireland. One of his travel rules is Never Pass a Bar That Has Your Name on It. This is a smart and funny book, and not just because McCarthy learns that there are a great many pubs in Ireland named McCarthy’s Bar. He has to plan elaborate strategems to escape the convivial habituŽs. Along the way he encounters, and recreates for us, some hilarious conversations. Consider this response to his desire to eat an actual meal rather than continue to subsist on fermented liquids: “You’re on holiday. You can eat when you’re at home. Have a bag of nuts, why don’t ya?” And now for the dark side of this famously hospitable land. Ireland’s critically acclaimed and popular novelist Patrick McCabe is back with a scary new book, Emerald Germs of Ireland. No quaint, cheerful volume, this although McCabe is certainly darkly humorous, in a Hitchcockian way. The author of The Butcher Boy and Breakfast on Pluto tells the story of Pat McNab, who definitely murders his mother and who possibly, just possibly, becomes a serial killer. This particular Irish outing is unlikely to become a dance anytime soon, although it would make a good movie. Although this book is in helpfully distancing third-person, its dark psychology may remind you of the twisted narrators of McCabe’s fellow Irishman John Banville. If, after this survey course, you’d like to get in touch with your own Irishness, you can turn to a helpful book by Dwight A. Radford and Kyle J. Betit, A Genealogist’s Guide to Discovering Your Irish Ancestors. While not exactly sparkling with scintillating prose, it supplies advice, methods and highly specific references, including a number of fruitful research avenues you would never think of on your own. Replete with case studies and bibliographies, this book seems like the last word on its topic.

Like most history books, these new volumes remind us of the quirks of fate that shape the daily lives of future generations. As a historian once pointed out, if not for the potato famine of the 1800s, John F. Kennedy would have been born an Irishman, not an American.

Michael Sims is fond of Irish coffee and greatly admires redheads.

(good and bad) luck o' the Irish Many Irish women and men probably tire of the official version of themselves that is packaged for export nowadays. From the hammering heels of Lord of the Dance to the manic comedy of Waking Ned Devine, books, films…
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Linking sex to real estate is like using pretty girls to sell cars it may be hitting below the belt, but it works.

It’s easy to imagine Garber and her agent brainstorming this book proposal with increasing enthusiasm as the analogies strike: How about realtor as matchmaker? Waiting for the telephone to ring? Open houses as blind dates? Garber, who teaches at Harvard and has six other books to her credit, makes an excellent case for the intimate relationship of sex and real estate. If you buy the concept, you’re in for a fine romp through Freudian fields and psychological symmetries that are persuasive, fun and sometimes a bit of a stretch.

Real estate today has become a form of yuppie pornography proclaims the introduction, citing sex and real estate as two of the most erotic terms in the language. In view of current luxuriously sensual lifestyles, it’s easy to understand the connections this book makes between grounded possessions and erotic compulsion in chapters on The Dream House, The House as Beloved, The House as Body, The Trophy House, and The Summer House. Other aspects of the comparison are covered in The House as Mother, and The House as History.

Tapping a considerable reservoir of cultural references, Garber views real estate in a two-fold role as both site for sex and itself the object of desire. Adeptly written and playful, her book gets a lot of mileage out of a clever idea. In addition, it offers wry insights on several subjects: for instance, authenticity itself is a desirable commodity which can be advertised, imitated, manufactured, and sold. As the Freudian wave in 20th century psychology attested, it’s easy to succumb to the temptation of connecting everything to sex. Really, to paraphrase the great man himself, sometimes a bathtub is just a bathtub.

Still, as I well remember with the first house I bought, seduction by architecture can be a very real emotion, not just, as Garber points out, a substitute or metaphor, but the precursor to a primary relationship. She would not be surprised to hear that the architecture, actually, wasn’t that great, but that I will never forget my very first (real estate) love.

Maude McDaniel writes from Cumberland, Maryland.

Linking sex to real estate is like using pretty girls to sell cars it may be hitting below the belt, but it works.

It's easy to imagine Garber and her agent brainstorming this book proposal with increasing enthusiasm as the analogies strike:…

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The losses continue to mount as we enter year three of the COVID-19 pandemic. While this grief is still new, weathering sorrow is as old as humanity. Four authors offer hidden paths toward healing.

Bittersweet

Like Quiet, Susan Cain’s bestselling book on introversion, Bittersweet: How Sorrow and Longing Make Us Whole eschews American cultural norms like mandatory happiness and productivity in favor of other more fertile traditions, such as Aristotle’s concept of melancholia. Cain asks provocative questions like, “What’s the use of sadness?” and seeks answers through academic studies, insightful interviews and vulnerable self-reflection. A standout example is her interaction with Dacher Keltner, a psychologist who helped Pixar understand the crucial role of sadness in Inside Out. Sadness, he says, is what brings people together and adds depth to joy.

Bittersweetness is both a feeling and a disposition. (The book includes a quiz for readers to determine if they are bittersweet by nature.) Experiencing bittersweetness heightens life’s poignancy, opens the door to transcendence and helps people acknowledge the impermanence of existence. It is reasonable to be sad, Cain explains, when one is deeply aware that life can change in an instant. Grief and trauma may even be inherited. But when we explore these bittersweet feelings, we begin to see ourselves and our world a bit differently, with more depth, and can finally find new paths forward. As one of Cain’s sources Rene Denfeld put it, “We have to hold our losses close, and carry them like beloved children. Only when we accept these terrible pains do we realize that the path across is the one that takes us through.”

Read our starred review of the audiobook, read by author Susan Cain.

Grief Is Love

Marisa Renee Lee focuses on how grief is actually a painful expression of love in Grief Is Love: Living With Loss. When Lee was 25, her mother died of cancer in her arms. Afterward she held a beautiful memorial and started a nonprofit in her mother’s honor, yet she found herself unable to deal with the gnawing grief that clouded her inner life. Every big moment reminded her of her mother’s absence, especially her wedding and her miscarriage. Healing came, but all too slowly.

Grief Is Love is organized around 10 lessons related to grief, touching on topics such as safety, grace and intimacy. Lee carefully considers the impact of identity (gender, race, sexuality, class and so on) on mourning, noting at several points how society’s expectations of Black women—that they’ll be strong and keep their pain to themselves—slowed her own grieving process. Readers of this memoir will get a clear sense of how Lee’s grief rocked her world at 25 and continued to reverberate well into her 30s, but they’ll also appreciate the ways of coping she’s found since then—ones she wouldn’t have allowed or even recognized during those early days. Lee describes the long haul of loss and speaks directly and compassionately to those who are experiencing it. She also takes comfort in her faith and even imagines her mother and unborn child meeting in heaven.

The Other Side of Yet

Media executive and former television producer Michelle D. Hord explores the twin griefs for her mother and her child in The Other Side of Yet: Finding Light in the Midst of Darkness. Hord pulls the word yet from the book of Job, which was a lifeline following her daughter’s horrific murder by Hord’s estranged husband, the child’s father. The Bible describes how Job lost everything and yet still believed. This describes Hord, too, who treasures her “defiant faith.”

In The Other Side of Yet, Hord offers readers a framework for facing life after a traumatic event using the acronym SPIRIT (survive, praise, impact, reflect, imagine, testify). Though Hord’s book is not organized around these directives, her own story does follow this path. To read Hord’s memoir is to witness a mother who lost everything and yet stood to tell the tale and dared to remain vulnerable.

Take What You Need

Jen Crow’s life also fell apart, but not because she lost someone beloved. Instead, the sudden tragedy of a house fire provided the impetus for Take What You Need: Life Lessons After Losing Everything. Crow, a Unitarian minister, may seem an unlikely candidate for a spiritual guide: She loves tattoos and the open road and spent years defying anyone who got in her way as she ran from her difficult childhood. After settling down and finally feeling safe, a literal bolt of lightning changed her life in an instant.

Almost immediately after the fire, Crow realized that the way she and her wife talked about the tragedy would impact their children. “I wanted them to hear our gratitude, not our fear,” she writes. So they took special care in framing the story they told about the fire, never describing it as a form of punishment or “proof that hardship never ends.” As Crow searched for a better way to interpret their situation, she found herself learning from her children, who comforted each other instinctively, crawling into bed together and crying. Observing them, Crow considered that grieving might be as natural to people as any other process in life, and that they might already possess what they need to persevere.

Across these books about suffering and healing, there is a practical and poetic need to surrender to what is overwhelming. Each book points to the power of faith and spiritual traditions to guide people outside of their own perspectives, where they can finally see themselves with lovingkindness, accept their losses and keep going.

Four nonfiction titles offer comfort, empathy and wisdom to those who are reeling from loss.
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Greatest Irish Americans of the 20th Century, edited by Patricia Harty, is a terrific overview of the Irish – American experience. At one point the Irish made up 10 percent of all immigrants into the United States. In these 200 oversized pages, you find out some of the consequences of that influx. Included are labor and religious leaders, actors, writers, politicians, gangsters. Everyone is here: Michael Flatley and Grace Kelly, Margaret Bourke – White and Georgia O’Keeffe, John McEnroe and Mark McGwire. No other designation besides “fellow Irish” would corral both Dorothy Day and Andrew Greeley in the same subset.Michael Sims is fond of Irish coffee and greatly admires redheads.

Greatest Irish Americans of the 20th Century, edited by Patricia Harty, is a terrific overview of the Irish - American experience. At one point the Irish made up 10 percent of all immigrants into the United States. In these 200 oversized pages, you find out…
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With Tom Stoppard: A Life, British biographer and literary critic Hermione Lee delivers a captivating portrait of one of the world’s most beloved playwrights. Stoppard (Rosencrantz and Guildenstern Are Dead, Arcadia) was born in Czechoslovakia in 1937. He and his mother fled the Nazis during World War II and eventually put down roots in England. He worked as a journalist before going on to write the plays, radio shows and screenplays for which he has won numerous awards and worldwide acclaim. Lee explores Stoppard’s works while tracking his remarkable life, diving deep into subjects like artistic reinvention and the creative process.

Actor Leslie Jordan takes stock of his TV career (“Will and Grace,” “American Horror Story”), acclaimed stage work and unexpected Instagram success in How Y’all Doing: Misadventures and Mischief From a Life Well Lived. A Tennessee native, the 66-year-old Jordan writes with Southern flair and plenty of humor, sharing family stories and fabulous anecdotes involving Dolly Parton and other stars. He also writes about serious matters, like the AIDS crisis and his struggles to make sense of his homosexuality. Questions related to the nature of celebrity and social media will inspire spirited reading group dialogue.

Actress and singer Rachel Bloom, who created the musical comedy TV show “Crazy Ex-Girlfriend,” reflects on what it’s like to be an outsider in I Want to Be Where the Normal People Are: Essays and Other Stuff. Recalling awkward middle-school years when she was bullied, sharing journal entries and opening up about her mental health, Bloom explores her enduring quest to feel “normal.” She’s modest and forthright in this funny, deeply personal collection. Book clubs can dig into a wide range of discussion topics, including individuality, conformity and the challenges of self-acceptance.

In My Broken Language: A Memoir, Quiara Alegría Hudes, an award-winning playwright and co-writer of the musical In the Heights, shares memories of her upbringing in a West Philadelphia barrio during the 1980s and ’90s. The daughter of a Jewish father and a Puerto Rican mother whose marriage fell apart, Hudes looks back on life with her family, her Ivy League education and her entry into the world of writing and theater. The art of storytelling and the importance of communication are among the many rich themes in this moving memoir.

Take your book club to Broadway with these show-stopping nonfiction books, all of which explore life in the limelight.
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The world of herbs is both intriguing and somewhat daunting for new gardeners, but Terri Dunn’s 100 Favorite Herbs shows you how to begin with the best plants. This book offers a wide range of appealing herbs and offers information on whether or not you can grow a specific herb in your area. The author has chosen herbs that can be used as ornamental herbs, culinary herbs, herbs for crafts, and soothing herbs for teas and baths.

Each entry lists the ultimate size of the plant, description, bloom time, hardiness requirements, recommended uses, and culture tips. Full-color photos accompany each entry, as well as the basic techniques and terminology used in growing herbs. The author takes you from selecting your first plants, all the way through the harvesting process at the end of the growing season, but she doesn’t stop there. Many herb gardeners will be interested in Dunn’s tips on drying and storing herbs for winter use.

Whether you want to add a few culinary herbs to the vegetable garden or plant them as ornamentals along with your perennials, you’ll find the perfect herb for your needs in this book. Reviewed by Pat Regel.

The world of herbs is both intriguing and somewhat daunting for new gardeners, but Terri Dunn's 100 Favorite Herbs shows you how to begin with the best plants. This book offers a wide range of appealing herbs and offers information on whether or not you…

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