The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
Nico Lang’s powerful American Teenager closely follows seven transgender young adults, rendering complex, searing and sensitive portraits of their lives.
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When life handed the world lemons in the form of a global pandemic, Catherine Price found a way to make lemonade. She began researching and writing a book that would help readers define, prioritize and add more fun to their lives. For anyone hoping to make 2022 a banner year, The Power of Fun: How to Feel Alive Again provides the perfect jump-start. Instead of trying to corral the willpower and restraint that’s key to so many self-improvement plans, Price prioritizes fun, a strategy she compares to “going on a diet that requires you to eat more foods that you love.”

“We go into this self-restriction phase after the indulgence of the holidays,” Price says, speaking by phone from her Philadelphia home. “But you can make positive change in your life and have fun. In January, we feel like we have to make up for anything we did in December, instead of realizing that this is a wonderful opportunity to set a good tone for the new year by doing things that make us happier.”

Price notes that millions of people devote time and therapy to reducing stress and anxiety, but most of us contemplate fun only as an afterthought. “I’ve drunk my own Kool-Aid,” Price admits, her voice brimming with enthusiasm. “Really, fun is one of the most important things in life, and the more fun we have and the more we prioritize fun, the happier and healthier we will be.” As she writes in The Power of Fun, “It should be our guiding star.”

Read our starred review of ‘The Power of Fun.’

Price’s latest book is a natural sequel to her 2018 book, How to Break Up With Your Phone, which she wrote after realizing that she was spending hours mindlessly scrolling on her smartphone while ignoring her infant daughter. By limiting her screen time, Price created more free time—but then she didn’t know what she actually wanted to do with that time.   

For Price, her most vivid experiences of fun occurred while learning to play the guitar. Once she realized that, one thing led to another: She formed a small band, began performing at open mic nights, started drum lessons and made new friends—activities she particularly relished because her work as a freelance writer is so solitary. During the COVID-19 pandemic, Price and her musical friends had numerous outside jam sessions, sometimes in bone-chilling weather. “We did this for the entire winter,” she says, reminiscing about a keyboard that is probably still covered in campfire ashes. “The fact that all of us committed to this source of fun was so meaningful. We went beyond playmates and became friends. And it all came from having a couple other people in my life who also prioritized fun.”

For The Power of Fun, Price surveyed numerous people in detail about their own fun experiences and how they felt during those moments. She calls her writing “science-backed self-help,” explaining, “I don’t like the sort of self-help that’s just platitudes. I really want there to be some evidence. I want to know exactly why I’m doing something.” However, as she dug into the material, she was shocked to discover that there wasn’t even an agreed-upon definition of fun, nor was there much research on the subject.

“This is a wonderful opportunity to set a good tone for the new year by doing things that make us happier.”

Price eventually decided to label passive entertainment, like watching TV for hours at a time, as Fake Fun and to create her own definition for True Fun—moments of what she calls “playful, connected flow” in which someone connects with other people in a meaningful way and becomes so fully engrossed in the moment that they lose track of time. There’s a lot of middle ground between these two poles, Price notes, full of enjoyable, worthwhile pastimes that simply don’t reach peak fun. Luckily, The Power of Fun includes a Fun Audit, which Price developed to help readers identify the activities most likely to spark inner joy.

Price stresses that it’s equally important for each person to recognize activities that aren’t personally fun. For instance, Price knows that she doesn’t like charades or performing improv comedy, and that while she enjoys being part of musical groups, she’s not a solo performer. “If you’ve tried something a number of times and it never generates fun for you, then maybe it’s OK to move on to the next thing,” she says. “By saying no to that, you might open up a new opportunity that’s actually fun.”

Speaking of things that aren’t personally fun—Price faced multiple challenges as she wrote about this joyful magic ingredient “during an objectively not-fun period of history.” One moment was especially memorable, when she found herself alone for several days in the midst of the pandemic. “Imagine, if you will,” she writes in the book, “me slouched in front of my laptop with about fifteen browser windows open, each containing a different research paper about the horrible health effects of loneliness and isolation, as I sat on the couch, isolated and alone.”

If you’ve resolved to get in touch with your feelings this year, these books will help you increase your EQ.

“At the same time,” Price says, “the project had a powerfully positive effect on my own life. It allowed me to weather a difficult time with my sanity intact—and in fact, with my cheerfulness intact. It gave me something positive to focus on.”

At the start of the 2020 lockdown, Price, her husband and their young daughter headed to Price’s childhood home in New Jersey, where her parents could help with child care. “It was interesting to see my daughter playing in some of the very same places that I had played as a kid. But it was also interesting to reflect on what play means as an adult,” Price says. “Having a 5-year-old is very useful for reminding yourself that there are opportunities for playfulness and connection and flow around us all the time. We just need to learn to tune into them.”

This change of focus even improved Price’s marriage. “[My husband and I] were very playful people to begin with,” she says, “but it’s been really useful for us to reframe our own experience through the lens of fun and treat it as a priority, both as a couple and individually.”

“If you’re having fun with people . . . you’re embracing your shared humanity.”

In addition to improving interpersonal relationships, Price believes this process could even heal some of the nation’s divides. “Fun brings people together,” she says. “If you’re having fun with people, you’re not yelling at them, you’re not emphasizing your political differences. You’re embracing your shared humanity.”

Price became a science writer somewhat by accident. In high school, she believed science classes were boring, hard and irrelevant. That feeling changed at age 22, when she was diagnosed with Type 1 diabetes. “That moment of having to take control of my own blood sugar for the rest of my life, lest I suffer devastating consequences, like blindness or amputation or stroke or kidney failure, was a big turning point,” she recalls.

An added influence was Michael Pollan, Price’s mentor at the University of California, Berkeley, journalism program, who helped her discover that she likes “writing about health and science in a quirky, personal, fun way.” For one assignment, Price wrote about being diagnosed with diabetes, which led to the New York Times publishing her essay “Thinking About Diabetes With Every Bite” in 2009. Eventually, she even wrote a book about nutrition called Vitamania: How Vitamins Revolutionized the Way We Think About Food.

“Writing this book made me tune into what made me want to become a writer to begin with.”

For years Price has contemplated writing a book about hormones, a subject that fascinates her, but now she thinks she’ll choose a different topic for her next project. “I want to really lean into this fun thing,” she says. “I personally feel that my books come most alive whenever I’m telling a personal anecdote, and I love writing that way. Writing this book made me tune into what made me want to become a writer to begin with.”

Price hopes The Power of Fun will likewise help readers gather with friends and “spend January or February staging their own kind of ‘funterventions.’” Once you start noticing tiny, everyday moments, she says, “it brightens up your life, and, in turn, that buoyancy can help energize you so that you can start to seek out even bigger moments of playful, connected flow. I see it as a very self-perpetuating, self-reinforcing cycle with innumerable positive effects.”

These lessons have led to a very different life, Price explains. “Realizing what I really want to prioritize as fun has been truly life-changing. And I’m so excited to share that message with the world.”

Author photo by Colin Lenton

Popular science writer Catherine Price says to stop scrolling, put down your phone and play.
Review by

The conflict between fundamentalism and mainstream society is familiar across cultures and centuries. We’ve seen it emerge within religious faith, between faiths, and even wearing the mask of politics and human rights. Will the people that violate my beliefs ever give up? I can’t stand it anymore! It can make a person mad enough to be an extremist! Or an anti-extremist! In The Battle for God, Karen Armstrong gives satisfying attention to this ever-frustrating, ever-enduring issue. She shows the tense relationship between mainstream society and fundamentalists to be the result of resistance to an aggressive move towards modernization. As a former Catholic nun turned Oxford scholar, Armstrong’s credibility is reinforced by her current position as professor of comparative religion at the Leo Baeck College for the Study of Judaism. She practices what she teaches: compassion and understanding between disagreeing traditions.

Western civilization has changed the world. Nothing including religion can ever be the same again. All over the world, people have been struggling with these new conditions and have been forced to reassess their religious traditions, which were designed for an entirely different type of society. Armstrong develops an enlightening historical comparison between fundamentalist movements in the major monotheistic faiths: Sunni and Shii Islam, Christianity, and Judaism. By isolating the development of each in a clearly written historical context, she shows how vastly different religious traditions, often at odds with one another, actually share a crucial characteristic. Armstrong takes the reader back to 15th century Spain to make her point, which is that each embattled movement has sprung from a total dread of modernity. By showing how modernism and fundamentalism are fed and strengthened by each other in a symbiotic relationship, Armstrong encourages understanding between opposing sides instead of continually intensifying resistance. In fact, while Armstrong recognizes fundamentalism as truly modern, she notes that extremism can distort and thereby defeat the original beliefs it hopes to preserve, and that mainstream society’s suppression of fundamentalism avoids a core issue of cultural preservation. Amy Ryce is a writer living in Nashville, Tennessee.

The conflict between fundamentalism and mainstream society is familiar across cultures and centuries. We’ve seen it emerge within religious faith, between faiths, and even wearing the mask of politics and human rights. Will the people that violate my beliefs ever give up? I can’t stand it anymore! It can make a person mad enough to […]
Review by

Drawing on public records and their own on-the-scene observations, Ivins and Dubose contend that George W. Bush’s most remarkable achievement as governor of Texas has been his own political advancement. The two political reporters Ivins for the Fort Worth Star-Telegram, Dubose for the Texas Observer pay scant attention to Bush’s alleged drug use and other youthful excesses. Instead, their focus is on his business dealings and political machinations.

A point they make early in the book is that the Texas constitution so limits the powers of the governor that Bush could not possibly have worked all the wonders he boasts of in his speeches. By their reckoning, the governor is only the fifth most powerful pol in the state’s hierarchy. To the extent that Bush might have used the prominence of his office to sponsor or befriend legislation for the benefit of most Texans, they charge he has failed to do so.

As a young businessman, Bush had greater success finding investors among his father’s rich and powerful friends, the authors assert, than he did in making his various enterprises profitable for them. They add, however, that he usually did extremely well for himself in these ventures, whether it was exploring an oil field or exploiting the Texas Rangers.

But it is their appraisal of Bush’s performance as governor that is most devastating. Ivins and Dubose ridicule Bush’s mantra of compassionate conservatism. His conservatism is evident, they concede, but they see no signs of compassion. He has, they point out, been a pitiless champion of the death penalty, a relentless foe of judicial fairness, an enemy of environmental reform, and generally a scourge of the poor and helpless. They do give Bush fairly high marks for trying to improve education, although they say his efforts in this area have been more impulsive than deliberate.

One of the best features of the book is also its worst and that is Ivins’s wicked humor and incessant folksiness. (We’ll let Dubose off the hook here.) It is hard to absorb and appreciate the full evil of bad politics when you’re encouraged to laugh at the politicians. In depicting these people as buffoons (which they surely are at the lowest level), Ivins permits us to view them as mere eccentrics. And that tends to defuse our rightful anger.

Edward Morris is a Nashville-based entertainment and political writer.

Drawing on public records and their own on-the-scene observations, Ivins and Dubose contend that George W. Bush’s most remarkable achievement as governor of Texas has been his own political advancement. The two political reporters Ivins for the Fort Worth Star-Telegram, Dubose for the Texas Observer pay scant attention to Bush’s alleged drug use and other […]
Review by

A broader critique of the American style of capitalism is offered in Juliet B. Schor’s The Overspent American: When the Cost of Lifestyle Overtakes the Value of Life. Six years ago, Schor, a Harvard University economist, made a big splash with the best-selling The Overworked American. In it she lent academic credence to a gut feeling shared by many but not widely articulated at the time: that Americans across a broad swath were being asked to devote more time and energy to work in a pattern that many found less rewarding and more exhausting. In this latest book, Schor takes on hyper-consumerism and less successfully (for one thing, this book’s themes are more familiar) makes the case against competitive buying.

Schor writes that an upscaling of competitive consumerism has settled on the land. Many people no longer merely try to keep up with the Joneses (they lived down the street and didn’t have much more money than us, anyway). Now, Schor posits, we compete with idealized “friends” we meet on television or through advertising. The lifestyle depicted and of most influence is decidedly upper middle class. This leads to buying beyond our means, leaving stress, too many possessions and too little satisfaction.

Even in an up economy, it’s a no-win, circular game. Schor writes: “The more our consumer satisfaction is tied into social comparisons . . . the less we achieve when consumption grows, because the people we compare ourselves to are also experiencing rising consumption.” Schor also spends some time with “downshifters,” people who have chosen to step off the perceived work-and-spend merry-go-round. They’ll accept less income and fewer things for less stress and more time to smell the flowers. Schor aptly points out that such choices aren’t automatic entrees into carefree, more genuine lives. One woman, for example, frets that she can no longer spend as much as other family members on holiday presents.

Give Schor credit for swimming against the tide. The buoyancy of financial markets combined with many years of low-inflation economic growth has many Americans feeling pretty complacent about their finances. They’ll happily indulge the urge for another wide-screen TV. But Schor offers a counter-argument to the recent glories of the gross domestic product. She writes that the GDP “fails to factor in pollution, parental time with children, the strength of the nation’s social fabric, or the chance of being mugged while walking down the street.” But what happens to economic growth if everyone takes Schor’s advice and significantly cuts consumption? After all, two-thirds of the GDP consists of consumer spending. Schor devotes a few pages near the end of the book to argue not all that convincingly that growth and much lower consumer spending can co-exist.

Reviewed by Neil Lipschutz.

A broader critique of the American style of capitalism is offered in Juliet B. Schor’s The Overspent American: When the Cost of Lifestyle Overtakes the Value of Life. Six years ago, Schor, a Harvard University economist, made a big splash with the best-selling The Overworked American. In it she lent academic credence to a gut […]
Review by

Webonomics: Nine Essential Principles for Growing Your Business on the World Wide Web by business writer Evan I. Schwartz is not so much a critique of the economy as a guidepost to its possible future. In case you’ve been dwelling in a cave of late, the Internet is hot. Sizzling hot. The mere “.com” in a company name or announced plans by an established concern to enter the Internet fray is often enough to send a stock price skyrocketing. This despite the distinct lack of profits exhibited by many newer Internet-oriented companies.

Schwartz offers a knowledgeable guide to this new terrain. His essential point about this fledgling medium for commerce is a good one: you have to remember that the Internet is different. Start-up company and established retailer alike must deal with an audience, attitude, and set of expectations already established on the Web. Simply mimicking in cyberspace the way a company does business in the actual world is not likely to cut it.

Another key point stressed by Schwartz is that sellers of goods and services need to remember the Web is interactive. People want to participate, contribute, ask questions, and get quick answers. He writes: “Although great masses of people use it, the Web is not a mass medium and never will be. It’s an interactive medium, a niche medium, and ultimately a personal medium in which every user’s experience is different than every other’s.” Schwartz also writes insightfully about the products and services that lend themselves most easily to the Internet (those that are “information-rich”). He talks about Web currencies, branding, consumer data, and a host of other subjects. Like all books about dynamic issues, the informed reader will know of certain developments that took place after the book was printed and bound. Still, Schwartz’s vision transcends the occasional shifting detail and maintains its relevance even in the face of further technological change. This is quite a useful guide to where a lot of businesses may be headed.

Reviewed by Neil Lipschutz.

Webonomics: Nine Essential Principles for Growing Your Business on the World Wide Web by business writer Evan I. Schwartz is not so much a critique of the economy as a guidepost to its possible future. In case you’ve been dwelling in a cave of late, the Internet is hot. Sizzling hot. The mere “.com” in […]
Review by

Portrait of a flawed and fascinating idol Most of all, Kate Burford says in Burt Lancaster: An American Life, Burt Lancaster wanted to be an intellectual. It’s a dubious ambition and in connection with Hollywood borders on the oxymoronic, but of any film star of his era, he may have had the best mental equipment for it.

His physical equipment, however and I am fully aware of all that might imply put him on the more lucrative and esteemed path to megastardom. He was impossibly handsome, had a build a Greek god would die for, and moved with fluid grace across the screen. Everything, in short, to buckle the knees of filmgoers and apparently, of some of his female costars.

Plus, he could act. This is the most dubious of the artistic gifts, and not absolutely necessary to celluloid success, but in combination with a build and brain, it made him an unstoppable force in Hollywood for more than 40 years.

The life stories of film celebrities, especially in the studio area, were so often such a web of half-truths, myths, gossip, and outright lies constructed to protect (or destroy) careers that a biographer could be considered lucky to extract a bare skeleton from its threads. Buford manages to give us a fully formed human being, though not quite a full sense of the man. This lack may not be entirely her fault, not so much because the facts were so slippery, as that Lancaster was so complex. Eternally loyal to those who had helped him, he was also, one screenwriter said, capable of a kind of gratuitous cruelty born of years of Hollywood power.

He was born Burton Stephen Lancaster November 2, 1913, in New York City’s East Harlem to a family of respectable poor. Though his publicity always said he had little schooling, in high school he received an education that prepared him academically better than most of today’s college graduates, and he later entered New York University. But then he ran away to join the circus.

Lancaster spent most of the 1930s traveling with circuses as a trapeze performer, always playing smaller than small time. His first wife, June Ernst, was a fellow circus performer. She didn’t last as long as his acrobatic partner, Nick Cravat, who ended up on Lancaster’s Hollywood payroll for decades.

After World War II, during which he performed overseas for troops, came two of those amazing lucky breaks that make you think some people are simply darlings of the gods. Though hardly an actor then, in the fall of 1945 he got a role in a New York play that lasted barely two weeks. That was long enough for him to be seen by Harold Hecht, who became his agent and got his foot in the door of Hollywood.

The second related lucky break was that his first movie, The Killers (1946) was an incredible success. It was an extraordinary debut for a complete unknown, Buford writes. Overnight he was a star with a meteoric rise. He remained a star until his death in 1994, despite the fact that he dropped off the popularity barometer forever in 1964. And despite the fact that, other than Airport in 1970, Gunfight at the O.K. Corral in 1957 was his last truly popular movie. He’s still a star, really. The Chiclets teeth, the sneer, the grin, and the laugh, as Buford encapsulates him, are nearly as recognizable now as they were when the star was at its zenith.

Infrequently the author dips her pen in the purple ink. The body armor nature gave him like a surprise bonus would encase the wary child within makes you want to wince for that poor wary child. But she covers all of the ground Lancaster’s public and private lives, his aggressive success as an independent producer (with Hecht and later, James Hill); his wholesale womanizing; his liberal battle against the House Un-American Activities Committee; the often troubled existence with his alcoholic second wife, Norma Anderson, who bore his five children.

She is especially good at capturing the movie shoots, such as Sweet Smell of Success, which Lancaster struggled to bring out as an independent production in 1957. A critical and commercial disaster when it came out, it is now widely admired. Despite his many human flaws, so is Lancaster.

Roger K. Miller is a freelance writer in Wisconsin.

Portrait of a flawed and fascinating idol Most of all, Kate Burford says in Burt Lancaster: An American Life, Burt Lancaster wanted to be an intellectual. It’s a dubious ambition and in connection with Hollywood borders on the oxymoronic, but of any film star of his era, he may have had the best mental equipment […]

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