Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
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Every childhood is unique, but Ada Calhoun’s, as portrayed in her fearless new memoir, Also a Poet, stands out for its blend of adolescent freedom and paternal neglect. The daughter of art critic and poet Peter Schjeldahl, Calhoun grew up at the vortex of New York City’s East Village bohemia, a world she wrote about in the history St. Marks Is Dead. Young Calhoun, eager and precocious, craved nothing more than the approbation of her father, a complicated, emotionally distant man famously given to saying the wrong thing—a trait from which his daughter was never spared. One piece of common ground that Calhoun and her father shared, however, was a love of the work of Frank O’Hara, the legendary New York School poet who died in a freak accident in 1966.

One day in 2018, Calhoun was searching for something in the basement storage of her parents’ apartment building when she found dozens of loose cassette tapes from the 1970s, labeled with the names of famous artists like Willem de Kooning, Edward Gorey and Larry Rivers. Her father said they were interviews he had conducted with O’Hara’s friends because he’d intended to write a biography of the poet. Circumstances—not least of all a roadblock erected by O’Hara’s sister, Maureen—had killed the project. Schjeldahl told his daughter she could use the interviews for her own purposes, and Calhoun envisioned a new biography of the iconic poet based on these priceless recollections. But the book took on a new shape as she proceeded—in part, again, because of the obstruction of Maureen, who serves as her brother’s literary executor.

As Calhoun began to delve into the interviews, short portions of which she shares in Also a Poet, she began piecing together a multifaceted portrait of O’Hara, greatly loved by friends who painted him as gregarious, whip-smart, generous, sexually fluid and happily promiscuous. (The latter two assessments are most likely at the core of his sister’s posthumous protectiveness.) But the interviews also provided Calhoun with insight into the interviewer: her father.

Frustrated by the ways Schjeldahl had sabotaged his own project, Calhoun plunged back into their often difficult father-daughter relationship with fresh eyes. Lifelong resentments resurfaced as she viewed her father with redoubled awareness. When the aging Schjeldahl, who had smoked three packs a day for decades, was diagnosed with lung cancer, his solipsistic reaction to his illness rankled Calhoun, even as she dutifully stepped in to help.

The unexpected convergence of the challenging O’Hara book project and her father’s sudden decline provide Calhoun with a singular perspective on the timeless issues of family relationships, most especially the vulnerabilities of following in a father’s eminent footsteps and the elusive possibility of ever fully understanding our parents. Calhoun’s honesty and willingness to push beyond her own resentments make Also a Poet a potent account of a daughter reaching out to a perhaps unreachable father before it’s too late.

Ada Calhoun’s literary biography of the poet Frank O’Hara unexpectedly transformed into an absorbing and insightful personal memoir about her father.
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Once upon a time there was a young writer named Meghan Daum whose work won the admiration of one of cyberspace’s many inhabitants. The fan in question, a certain PFSlider, emailed Daum, told her he had a "crazy crush" on her, proposed marriage and asked her to lunch. The meeting that ensued between reader and writer—boy meets girl, with a contemporary twist—is recounted in "On the Fringes of the Physical World," an essay in Daum’s new collection My Misspent Youth.

Such is the effect of Daum’s work on her readers. Full of honesty, insight and wicked wit, My Misspent Youth is her first book, and it has garnered Daum comparisons with Joan Didion. Examining a society lost in the allure of material possessions, the collection probes modern life using Daum’s own experiences as a filter. With velvet incision, she pierces "the personal banalities to something larger and worth telling," both issuing invitation and provoking challenge to readers interested in having an authentic relationship to the world around them.
 
Heard frequently on NPR’s Morning Edition reading sharp pieces about her new home in rural Nebraska, Daum may be best known for the essay, "In My Misspent Youth." Originally published in The New Yorker, the narrative examines the clash of romantic fantasies and financial realities that characterize living in New York City.
 
In this wonderful debut collection, Daum escorts her readers through such diverse subjects as the publishing industry, polyamorous subcultures and the world of flight attendants.
 
Despite their disparity, these pieces successfully hang together because, as Daum puts it, "they are about remoteness. They are about missing the point. They are about the fictional narratives that overpower the actual events, the cartoon personae that elbow the live figure out of the frame."
 
These essays, written not in breath-taking, but in authentic, breath-giving prose, probe experiences to which we can all relate. My Misspent Youth marks the arrival of a brave new writer.
 
Temple West writes from Norfolk, Virginia.

 

Once upon a time there was a young writer named Meghan Daum whose work won the admiration of one of cyberspace's many inhabitants. The fan in question, a certain PFSlider, emailed Daum, told her he had a "crazy crush" on her, proposed marriage and asked…
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Ten Steps to Nanette: A Memoir Situation (14 hours) takes listeners through Hannah Gadsby’s life up to the release of “Hannah Gadsby: Nanette,” her groundbreaking 2018 Netflix special, in which she declared her intentions to quit comedy while offering a razor-sharp commentary on the industry’s dark side. 

As an autistic lesbian arts historian whose best friends growing up were her elderly neighbors in Tasmania, Gadsby has a unique perspective to share. From barely making it through school to mingling with Jennifer Aniston at Hollywood parties, she’s had quite the journey. Gadsby is a marvelous storyteller, and as a narrator she guides us through the sometimes heartbreaking, sometimes hilarious story of her life with good humor and a dry wit. Her impressions of her Mum are very funny and give us a real sense of the woman’s charmingly brusque personality. 

Four years after “Nanette,” Gadsby continues to bring eye-opening insight to the art of storytelling.

Hannah Gadsby is a marvelous storyteller, and as the narrator of her memoir's audiobook, she guides us through heartbreaking and hilarious moments with good humor and a dry wit.
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Our cousins the apes have been getting a bad rap for decades. Victorian scientists derided the notion that such primitive animals might be related to the lofty Homo sapiens. Savants regularly dismissed as hoaxes reports of a man-like creature living in the tropics until confronted with proof of the orangutan’s existence. Making a case for the apes today is noted author and scientist Robert Sapolsky, who discovered through years of psychological study that the creatures lead remarkably ordered and intelligent lives. Sapolsky shares his findings in A Primate’s Memoir, a lively account of the time he spent on the Kenyan plains studying these complex, highly evolved animals. Sapolsky first met his baboon troop as a young student fulfilling a lifelong ambition to study primates. He quickly discovered that his Brooklyn upbringing ill prepared him for life on the Serengeti plains and in the cities of Kenya. He writes about this clash of cultures with great wit and sensitivity. As a stranger in a strange land (he lived in the middle of the plains with no radio, electricity or running water) Sapolsky had many hair-raising encounters. He was, by turns, kidnapped and held at gunpoint discouraging initiations into African culture, but, thanks to the author’s skill, incidents that make for great reading.

Spending more time in the company of baboons than with humans, Sapolsky began to recognize individual personalities and complex social interaction among members of the troop. In clear, entertaining prose, he relates fascinating findings like the discovery that lower-ranking members of a troop have higher stress levels, which seem to adversely affect their health. The fact that stress affects the health of humans as well is taken for granted today, but Sapolsky was among the first researchers to document the connection between these two elements. One of our foremost science writers, Robert Sapolsky is the author of The Trouble with Testosterone and Why Zebras Don’t Get Ulcers. With A Primate’s Memoir he has given us another accessible, work full of humor and profound insight.

Gregory Harris is a writer and editor in Indianapolis.

Our cousins the apes have been getting a bad rap for decades. Victorian scientists derided the notion that such primitive animals might be related to the lofty Homo sapiens. Savants regularly dismissed as hoaxes reports of a man-like creature living in the tropics until confronted…

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Andrew Johnson, the military governor of Tennessee, was chosen by the 1864 Union Party convention (a coalition of Republicans and so-called "War Democrats" opposed to the Civil War) as Abraham Lincoln’s vice-presidential running mate because he was a Southerner and a Democrat. A steadfast defender of the Union throughout the Civil War, Johnson was placed on the ticket as an expression of national unity.

After the assassination of Lincoln, Johnson’s greatest challenge was the reconstruction of the nation. The most adamant Congressional opponents of slavery, the Radical Republicans, sought major changes in the secession states and in ways to assist the freed slaves. Johnson did not share their principles or their goals. With increasing bitterness, the president and the heavily Republican Congress fought over issue after issue. When Republicans increased their numbers in Congress after the 1866 elections, they decided to take the extreme measure of impeaching the president, for the first time in American history.

In his magnificent Impeached: The Trial of Andrew Johnson and the Fight for Lincoln’s Legacy, David O. Stewart, author of the highly acclaimed Summer of 1787, provides an extraordinary narrative that brings the many key players vividly to life while at the same time exhibiting an admirable clarity in discussing issues and events.

Although procedurally judicial, impeachment is a political action. Stewart excels in describing the often-complex strategies and machinations of the politicians on both sides as they use all legal, and even illegal, means to prevail. The author notes that definite conclusions are elusive, but the evidence indicates that corruption–bribery and patronage–may well have determined one of the critical moments in American history: Johnson was acquitted by a single vote in the Senate.

At the heart of Stewart’s re-creation of the period is Rep. Thaddeus Stevens of Pennsylvania. As a lawyer before the war, Stevens represented slaves and sometimes personally bought their freedom; his home had been a stop on the Underground Railroad. Stevens’ legacy includes the 14th Amendment to the Constitution as well as Reconstruction legislation. After two failed attempts to steer presidential impeachment through the House of Representatives, Stevens was successful on a third try. Although he was the logical choice to lead opposition to the president, he was frail and in poor health. He did serve on the Impeachment Committee and co-authored Article XI, the catchall article that had more support in the Senate than the other 10 Articles of Impeachment against the president. Six weeks after Johnson was acquitted, Stevens introduced five more articles of impeachment against the chief executive.

Historians and writers have drawn very different lessons from this episode in history. In an excellent overview–in which he discusses myths about the trial and disagrees with Woodrow Wilson and John F. Kennedy, who were more sympathetic than he is to Johnson–Stewart concludes that Johnson’s presidency can only be seen as a tragedy. Although Johnson’s personal rise from poverty to the White House is inspiring, his refusal to compromise with Congress on crucial aspects of Lincoln’s legacy was unfortunate. Lincoln was too good a politician to alienate Congress and too strong and compassionate a leader to accept violence and oppression toward the freedmen and the Southern Republicans.

Stewart’s book splendidly illuminates an important chapter in American history.

Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

 

Andrew Johnson, the military governor of Tennessee, was chosen by the 1864 Union Party convention (a coalition of Republicans and so-called "War Democrats" opposed to the Civil War) as Abraham Lincoln's vice-presidential running mate because he was a Southerner and a Democrat. A steadfast defender…

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Closing the gaps in women’s history Talk to young women about the women’s movement, and their eyes glaze over. That’s ancient history. Women’s equality is a given, taken for granted by today’s college-aged women, who were born in the 1980s.

Historian Ruth Rosen discovered how little the younger generation knew about the topic when she stood before a classroom of college students and asked how the women’s movement had affected their lives. They couldn’t answer. The students stared in amazement as Rosen listed on the blackboard the myriad of indignities and roadblocks women had encountered before women’s liberation swept the nation in the 1960s and ’70s.

After her epiphany in the classroom, Rosen, professor of history at the University of California-Davis, decided to write a book that would document the origins and impact of the contemporary women’s movement.

The result is The World Split Open: How the Modern Women’s Movement Changed America (Viking, $34.95, 0670814628), a comprehensive account of the personalities and issues that dominated the drive for women’s equality. This modern movement marks the third major era of women’s rights the first two being the Seneca Falls Women’s Rights Convention of 1848 and the women’s suffrage movement of the early 1900s and the one having the most profound impact on the lives of women. Rosen dates the beginning of the movement from the publication of Betty Friedan’s The Feminine Mystique in 1963. Friedan was among the first to notice that the Donna Reed persona of the 1950s housewife had left many women with deep feelings of frustration and boredom. Rosen shows how the frustrations of these women led to an eventual revolt by their daughters, the young women of the 1960s who were determined not to live under the same constraints. As an activist herself, Rosen is particularly adept at capturing the passion that motivated many participants in the movement. From consciousness-raising sessions to protest marches, the new feminist culture served to energize converts and shake the establishment to its core.

Although Rosen is a noted feminist academic, with two of her previous books on the standard Women’s Studies reading list, in The World Split Open, she creates an accessible narrative account that should appeal to non-academic readers as well.

One battle cry of the feminist movement was, The personal is political. By this, women meant that politics and power structures affected the everyday occurrences of private life, from the home to the workplace. A first-rate description of how the women’s movement affected the personal lives of women can be found in Elizabeth Fishel’s Reunion: The Girls We Used to Be, the Women We Became (Random House, $23.95, 0679449833). Spurred by her 25th high school reunion, Fishel decided to trace the paths of ten classmates after their graduation in 1968 from the Brearley School, a girls’ school favored by New York City’s wealthiest families.

Fishel gives a fascinating account of how these young women were caught in the crossfire between the old world of wealth and privilege and the new world of social upheaval and changing roles for women. Women just a half generation older were secure in their lives as housewives and mothers, while women a few years younger aimed for careers as doctors, lawyers, and psychologists. The girls of the class of ’68 were left floundering, unsure which direction to take, as a social revolt erupted around them. Fishel follows them through suicide, divorce, drugs, alcohol, career changes, and spiritual seeking. Along the way, she points out broader generational patterns and statistical tidbits, such as this one: Women born in the 1950s have had fewer children than any other generation in U.

S. history. The women of the Brearley class conformed to this trend, with many remaining childless or choosing motherhood later in life.

Fishel’s book ends on an upbeat note when the class gathers in 1998 for its 30th reunion. Despite the anguish and confusion they have endured, many of these women reach a more peaceful plane as they approach their 50th birthdays. Although few have the lived the lives they dreamed of, most have come to terms with the choices they made.

Another good reading selection for Women’s History Month is Claudia Roth Pierpont’s Passionate Minds: Women Rewriting the World (Alfred A. Knopf, $26.95, 0679431063) which gives detailed and incisive portraits of 12 women writers who lived and wrote in the transitional era before the women’s movement leveled the playing field. Pierpont could have titled her book Hard-Headed Women, for if there is one quality these fiesty women writers have in common, it’s stubbornness. From Gertrude Stein to Eudora Welty, each woman stuck to the course she set, which was often outside the norm established for women of the day.

The 12 women profiled here are all what Pierpont considers literary women of influence (very different from women of literary influence). In other words, their writing changed the way people thought about race, about politics, and about sex.

Pierpont’s subjects include both the lesser known (19th century South African novelist Olive Schriner) and the wildly popular (Gone With the Wind author Margaret Mitchell). One surprising inclusion is Mae West, who made her name as the Madonna of her era, more than willing to deny conventions of appropriate sexual behavior. It’s not nearly as well known that West was also a writer. As Pierpont notes, Mae West had to become a writer before she could be a movie star. In 1926, West wrote a three-act play titled simply, Sex, which delighted its sold-out audiences, but appalled the critics. West went on to the movies, where she often punched up her own part in the script to add sizzle.

Pierpont gives sympathetic portrayals of these often outlandish and avant-garde women, with the curious exception of Eudora Welty. This Mississippi writer earns Pierpont’s criticism for failing to condemn the racial bigotry that existed in her home state. Only once, in a short story about the assassination of Medgar Evers, did Welty express anguish over racial discrimination. For Pierpont, this studied avoidance of social reality casts a pall over Welty’s work.

And finally, for the younger woman in your life, Penny Colman has written an excellent overview of a neglected topic, Girls: A History of Growing up Female in America. Working from letters, diaries and other original sources, Colman pieces together a culturally diverse account of girls’ experiences throughout U.

S. history. Girls coming of age in the new millennium will find role models, encouragement, humor, and despair in the life stories presented here. From pioneer girls to future astronauts, each has a unique story to tell.

Closing the gaps in women's history Talk to young women about the women's movement, and their eyes glaze over. That's ancient history. Women's equality is a given, taken for granted by today's college-aged women, who were born in the 1980s.

Historian Ruth…

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