Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Emphasizing personal style, Joan Barzilay Freund’s Defining Style is a freeing, inspiring and extremely innovative look at interior design.
Previous
Next

All Nonfiction Coverage

Filter by genre
Review by

Of course Jon Katz plugs his own book on Amazon.com’s Web site. After all, Geeks is about the way the Internet is changing people’s lives. It’s about people making connections, especially the kind of people the lost people who have trouble connecting in the real world. He says tongue-in-cheek that he wrote Geeks in an open source fashion. That is, he wrote columns on the themes that Geeks would focus on, published them on the Web, and responses flooded in. These responses fed more writing, which he again posted.

One of Katz’s thousands of e-mails was from Jesse Dailey, a teenage boy in Middleton, Idaho. Jesse and his friends had started their very own Geek Club at school, proudly referring to themselves with the name once used to disparage them. Dailey and Katz began corresponding regularly, and, before too long, they met in Idaho.

Geeks aims to document the ongoing Geek Ascendancy in which the geeks highly intelligent, long-despised nonconformists are at the forefront of the technological revolution, wielding new power. They are running the systems that run the world. To illustrate, Katz documents Jesse’s upward movement from Middleton into the professional, social, and academic worlds of Chicago.

Jesse is almost always accompanied by his best friend Eric Twilegar, whose story Katz also tells. Eric, however, is less likely to win friends and less forthcoming with his thoughts and feelings. You get the feeling that if it weren’t for Jesse, Eric never would have left Idaho.

The most powerful part of Geeks deals with the Columbine High School tragedy. The contrast between Dailey’s success and Dylan Klebold and Eric Harris’s murders/suicides is chilling. In the wake of the shootings, Katz is saddened that the cost of being different just went up (i.e., two disturbed individuals brought about a backlash against all things non-mainstream). While conventional wisdom maintains that playing violent videogames makes teenagers depressed, murderous, and suicidal, Katz questions the assumed cause-effect. What if troubled teenagers are depressed before they begin spending so many hours online? What if, for the first time in their lives, these lost people are finding friends? What if the Internet is actually a solace to those who have been hurt in the real world? Online community, Katz makes clear throughout Geeks, may be second to the real thing. But it sure beats nothing.

Ask Jesse and Eric.

Robin Taylor is a Web project manager and technical writer for an IT company in Washington, D.C.

Of course Jon Katz plugs his own book on Amazon.com's Web site. After all, Geeks is about the way the Internet is changing people's lives. It's about people making connections, especially the kind of people the lost people who have trouble connecting in the real…

Review by

Unwrapping the past Certainly not everything in the world is getting better and better, but illustrated books may well be. Color reproduction gets ever more precise and lush, and no book demonstrates this better than what is hands-down the most beautiful book on King Tut ever published Tutankhamun, with text by T.

G.

H. James and photographs by A. De Luca (Friedman/Fairfax, $60, ISBN ). James was for a long time Keeper of Egyptian Antiquities at the British Museum, and De Luca is considered one of the foremost photographers of jewelry and statuary in the world. The text is vivid and comprehensive, and explains many aspects of the story of the boy king, but the words are attendant upon the text in this volume. Primarily they serve as detailed captions for De Luca’s breathtaking photographs. The pictures capture the sheen of gold and lapis, the details of texture and inlay, as never before. From the quartz-eyed, ivory-toothed hippo beside the king’s bed to a gold-beaded bracelet with an amethyst scarab, the range of shameless opulence is amazing. Every time you turn the page you find another close-up view of a work of art demonstrating staggering workmanship. No fan of ancient Egypt, and certainly no Tutophile, will be able to resist this book.

While you’re in an Egyptian mood, you should turn to another beautiful new book, Valley of the Golden Mummies, by Zahi Hawass. Hawass is Egypt’s undersecretary of state for the Giza Monuments. He has made many discoveries of his own, including the tombs of the workers who built the pyramids, the tombs of some of Khufu’s officials and evidence about how the pyramids were built. He also directed the conservation of the Great Sphinx at Giza. Many artifacts appear in this book’s impressive illustrations, but there is also much more to round out the story. Handsome color photographs document excavations, restorations, tomb sites and many other fascinating archaeological tidbits that place the artifacts in context and help explain their role in the ancient world. The book is a pleasure to look at and a delight to read, and helps bring alive an era that has captured the imagination of the modern world.

Unwrapping the past Certainly not everything in the world is getting better and better, but illustrated books may well be. Color reproduction gets ever more precise and lush, and no book demonstrates this better than what is hands-down the most beautiful book on King Tut…

Review by

Between 1981 and 1993, John McPhee published four books describing how the world came to be shaped the way it is Basin and Range, In Suspect Terrain, Rising from the Plains, and Assembling California. Told in a vivid first-person travel-memoir format, interspersed with lyrical descriptions of the making of the very earth itself, the books found a larger audience than one might have predicted. McPhee rambled across the United States, roughly along the 40th parallel, visiting sites with geologists and others. And, because he is a fine writer, he makes the scientists and even the passersby come alive on the page.

One of the aspects that makes these books so interesting, besides McPhee’s flair for language and analogy, is the way he illuminates the recent human drama played on this ancient stage we take for granted. By being, as his new collection is entitled, Annals of the Former World, they are simultaneously the annals of our current world. In the books gathered in this omnibus volume, McPhee tells Our Story So Far. McPhee is a writer, not a scientist. He is rigorously precise with the science, but he is writing literature, not field reports. He points out that he was an English major: “Why would someone out of one culture try to make prose out of the other? Why would someone who majored in English choose to write about rocks?” But McPhee himself proves on every page that the old notion of two opposing cultures, the arts and the sciences, is a failure of taxonomy rather than a reflection of reality. Annals of the Former World isn’t merely a reunion. It also contains the final installment in the series, Crossing the Craton, for a total of 660 pages. It is a feast of excellent writing, a blend of science and, well, poetry in the way that Rachel Carson could not resist the inherent poetry of the natural world.

But lest that sound precious, let’s end with an example of McPhee’s alloy of Olympian and human perspectives, in the opening of his first book in the series, Basin and Range: The poles of the earth have wandered. The equator has apparently moved. The continents, perched on their plates, are thought to have been carried so very far and to be going in so many directions that it seems an act of almost pure hubris to assert that some landmark of our world is fixed at 73 degrees 57 minutes and 53 seconds west longitude and 40 degrees 51 minutes and 14 seconds north latitude a temporary description, at any rate, as if for a boat on the sea. Nevertheless, these coordinates will, for what is generally described as the foreseeable future, bring you with absolute precision to the west apron of the George Washington Bridge. Nine a.m. A weekday morning . . . Who would not keep reading? Reviewed by Michael Sims.

Between 1981 and 1993, John McPhee published four books describing how the world came to be shaped the way it is Basin and Range, In Suspect Terrain, Rising from the Plains, and Assembling California. Told in a vivid first-person travel-memoir format, interspersed with lyrical descriptions…

In We Refuse to Forget, Caleb Gayle chronicles the history of Black members of the Creek Nation and their descendants’ ongoing fight to reclaim their legacy.
Review by

Unwrapping the past Certainly not everything in the world is getting better and better, but illustrated books may well be. Color reproduction gets ever more precise and lush, and no book demonstrates this better than what is hands-down the most beautiful book on King Tut ever published Tutankhamun, with text by T.G.H. James and photographs by A. De Luca. James was for a long time Keeper of Egyptian Antiquities at the British Museum, and De Luca is considered one of the foremost photographers of jewelry and statuary in the world. The text is vivid and comprehensive, and explains many aspects of the story of the boy king, but the words are attendant upon the text in this volume. Primarily they serve as detailed captions for De Luca’s breathtaking photographs. The pictures capture the sheen of gold and lapis, the details of texture and inlay, as never before. From the quartz-eyed, ivory-toothed hippo beside the king’s bed to a gold-beaded bracelet with an amethyst scarab, the range of shameless opulence is amazing. Every time you turn the page you find another close-up view of a work of art demonstrating staggering workmanship. No fan of ancient Egypt, and certainly no Tutophile, will be able to resist this book.

While you’re in an Egyptian mood, you should turn to another beautiful new book, Valley of the Golden Mummies, by Zahi Hawass (Abrams, $49.50, ISBN ). Hawass is Egypt’s undersecretary of state for the Giza Monuments. He has made many discoveries of his own, including the tombs of the workers who built the pyramids, the tombs of some of Khufu’s officials and evidence about how the pyramids were built. He also directed the conservation of the Great Sphinx at Giza. Many artifacts appear in this book’s impressive illustrations, but there is also much more to round out the story. Handsome color photographs document excavations, restorations, tomb sites and many other fascinating archaeological tidbits that place the artifacts in context and help explain their role in the ancient world. The book is a pleasure to look at and a delight to read, and helps bring alive an era that has captured the imagination of the modern world.

Unwrapping the past Certainly not everything in the world is getting better and better, but illustrated books may well be. Color reproduction gets ever more precise and lush, and no book demonstrates this better than what is hands-down the most beautiful book on King Tut…

Review by

Lincoln’s legacy lives on Abraham Lincoln was born in February of 1809, in humble surroundings. When he was assassinated 56 years later, he was one of the most famous human beings on earth. Even Uncle Sam himself had gradually evolved into a Lincolnesque figure. To this day Lincoln is the supreme deity in American mythology, and his profile on the penny is the most frequently reproduced portrait in the world. In an author’s note at the front of Lincoln: A Foreigner’s Quest (Simon ∧ Schuster, $23, 0684855151), Jan Morris offers respectful and apologetic gratitude to the living and dead scholars upon whose work she built her own. Perhaps they should thank her instead. Many historians have written about Lincoln, but few have brought the man and his times alive so vividly as Morris does in this 200-page book. She waves her imagination across the dry old facts and they stand up and dance.

Jan Morris first visited the United States during the 1950s, when Lincoln idolatry was at its peak. Over the years Morris remained skeptical but intrigued. Finally, in the late 1990s, she visited contemporary Springfield, researched the city as it was in Lincoln’s time, and wrote about both experiences. She did the same with Gettysburg and Washington and the prairie countryside. The result is this splendid book.

Lincoln rose above his humble origins by becoming a lawyer and a legislator. According to Morris, Lincoln, like many ambitious politicians, made shady deals, rewarded patronage, and made empty promises. Only later, as president, when he had nowhere else to climb and his perpetual melancholy and Shakespearean outlook grew into a sense of destiny, did he rise to the occasion and become an Emersonian great man. Morris’s account of this personal growth is riveting. Although Lincoln never lost his taste for cheap jokes, gradually he replaced the stilted rhetoric of his early years with sinewy prose of almost Elizabethan grandeur.

Morris’s description of slavery also helps bring to life the era and its issues, from the horrors of punishment to the appeal of the genteel slave-based culture of the South. Although in time he opposed slavery, Lincoln considered blacks decidedly inferior and dreamed of their repatriation to their native lands or segregation in a separate colony. Skeptical at first, always objective, Morris nonetheless grew to like her subject. Ultimately she decides that the contradictory aspects of Lincoln’s personality may be resolved by accepting that he was by nature as much an artist as anything else. The moods, the contradictions, the evasiveness, the questioning of accepted truths, the playacting, the sexual complexity, the sad resolution, and the power to move the spirit, all made a poet of this consummate politician. Two other new books address Abraham Lincoln in ways dramatically different ways from Morris’s approach. Historian and novelist Richard Slotkin has written a novel about Lincoln’s upbringing and early years, titled simply Abe (Henry Holt, $27.50, 0805041230). It is an adventurous, violent, and yet thoughtful melodrama based in historical research but not strangled by it.

Usually Slotkin has a light touch that brings the man alive without dressing him up as the myth. This skill shows especially in such scenes as the teenage Abe working on his reading skills, even when he pores over a book that contains the Declaration of Independence. After all, reading really was Lincoln’s salvation, and his first inklings of the power of language and the language of power came from the already sacred American gospels. Slotkin nicely renders the requisite Huck Finn scenes, such as Abe’s momentous journey down the Mississippi. However, there are moments when the author’s admiration for his hero gets out of hand. At one point Slotkin’s teenage Abe is mistaken for a high yaller octoroon and actually quotes Shylock’s Hath not a Jew eyes? speech with references to slaves replacing those to Jews. Jan Morris is skeptical about the mythological Abraham Lincoln, and Richard Slotkin’s narrative urge is inspired by both the myths and the facts. Another new book examines the ways in which Lincoln’s powerful figure captured the imagination of Hollywood and other purveyors of popular culture. Abraham Lincoln: Twentieth-Century Popular Portrayals, by Frank Thompson, is a curious labor of love. Thompson has thoughtfully examined every movie about Lincoln, including silents, and also the many portrayals on television. After all, the cinematic Lincoln ranges the spectrum from Henry Fonda’s Young Mr. Lincoln to comic appearances in Police Squad and Bill and Ted’s Excellent Adventure. Through this surprisingly entertaining tour, Thompson evaluates the popular status of Abraham Lincoln. Apparently the myth is alive and well.

Michael Sims is the author of Darwin’s Orchestra (Henry Holt).

Lincoln's legacy lives on Abraham Lincoln was born in February of 1809, in humble surroundings. When he was assassinated 56 years later, he was one of the most famous human beings on earth. Even Uncle Sam himself had gradually evolved into a Lincolnesque figure. To…

Because Atlas of the Heart is a highly visual book, Brené Brown assures listeners that she's taken steps to ensure that the audiobook is just as engaging, with additional stories exclusive to the recording.
Review by

Lincoln’s legacy lives on Abraham Lincoln was born in February of 1809, in humble surroundings. When he was assassinated 56 years later, he was one of the most famous human beings on earth. Even Uncle Sam himself had gradually evolved into a Lincolnesque figure. To this day Lincoln is the supreme deity in American mythology, and his profile on the penny is the most frequently reproduced portrait in the world. In an author’s note at the front of Lincoln: A Foreigner’s Quest, Jan Morris offers respectful and apologetic gratitude to the living and dead scholars upon whose work she built her own. Perhaps they should thank her instead. Many historians have written about Lincoln, but few have brought the man and his times alive so vividly as Morris does in this 200-page book. She waves her imagination across the dry old facts and they stand up and dance.

Jan Morris first visited the United States during the 1950s, when Lincoln idolatry was at its peak. Over the years Morris remained skeptical but intrigued. Finally, in the late 1990s, she visited contemporary Springfield, researched the city as it was in Lincoln’s time, and wrote about both experiences. She did the same with Gettysburg and Washington and the prairie countryside. The result is this splendid book.

Lincoln rose above his humble origins by becoming a lawyer and a legislator. According to Morris, Lincoln, like many ambitious politicians, made shady deals, rewarded patronage, and made empty promises. Only later, as president, when he had nowhere else to climb and his perpetual melancholy and Shakespearean outlook grew into a sense of destiny, did he rise to the occasion and become an Emersonian great man. Morris’s account of this personal growth is riveting. Although Lincoln never lost his taste for cheap jokes, gradually he replaced the stilted rhetoric of his early years with sinewy prose of almost Elizabethan grandeur.

Morris’s description of slavery also helps bring to life the era and its issues, from the horrors of punishment to the appeal of the genteel slave-based culture of the South. Although in time he opposed slavery, Lincoln considered blacks decidedly inferior and dreamed of their repatriation to their native lands or segregation in a separate colony. Skeptical at first, always objective, Morris nonetheless grew to like her subject. Ultimately she decides that the contradictory aspects of Lincoln’s personality may be resolved by accepting that he was by nature as much an artist as anything else. The moods, the contradictions, the evasiveness, the questioning of accepted truths, the playacting, the sexual complexity, the sad resolution, and the power to move the spirit, all made a poet of this consummate politician. Two other new books address Abraham Lincoln in ways dramatically different ways from Morris’s approach. Historian and novelist Richard Slotkin has written a novel about Lincoln’s upbringing and early years, titled simply Abe (Henry Holt, $27.50, 0805041230). It is an adventurous, violent, and yet thoughtful melodrama based in historical research but not strangled by it.

Usually Slotkin has a light touch that brings the man alive without dressing him up as the myth. This skill shows especially in such scenes as the teenage Abe working on his reading skills, even when he pores over a book that contains the Declaration of Independence. After all, reading really was Lincoln’s salvation, and his first inklings of the power of language and the language of power came from the already sacred American gospels. Slotkin nicely renders the requisite Huck Finn scenes, such as Abe’s momentous journey down the Mississippi. However, there are moments when the author’s admiration for his hero gets out of hand. At one point Slotkin’s teenage Abe is mistaken for a high yaller octoroon and actually quotes Shylock’s Hath not a Jew eyes? speech with references to slaves replacing those to Jews. Jan Morris is skeptical about the mythological Abraham Lincoln, and Richard Slotkin’s narrative urge is inspired by both the myths and the facts. Another new book examines the ways in which Lincoln’s powerful figure captured the imagination of Hollywood and other purveyors of popular culture. Abraham Lincoln: Twentieth-Century Popular Portrayals, by Frank Thompson (Taylor, $26.95, 0878332413), is a curious labor of love. Thompson has thoughtfully examined every movie about Lincoln, including silents, and also the many portrayals on television. After all, the cinematic Lincoln ranges the spectrum from Henry Fonda’s Young Mr. Lincoln to comic appearances in Police Squad and Bill and Ted’s Excellent Adventure. Through this surprisingly entertaining tour, Thompson evaluates the popular status of Abraham Lincoln. Apparently the myth is alive and well.

Michael Sims is the author of Darwin’s Orchestra (Henry Holt).

Lincoln's legacy lives on Abraham Lincoln was born in February of 1809, in humble surroundings. When he was assassinated 56 years later, he was one of the most famous human beings on earth. Even Uncle Sam himself had gradually evolved into a Lincolnesque figure. To…

Trending Nonfiction

Author Interviews

Recent Features