The Icon and the Idealist is a compelling, warts-and-all dual biography of the warring leaders of the early 20th-century birth control movement: Margaret Sanger and Mary Ware Dennett.
The Icon and the Idealist is a compelling, warts-and-all dual biography of the warring leaders of the early 20th-century birth control movement: Margaret Sanger and Mary Ware Dennett.
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ere is a book written in the language of hurt, learned from childhood and refined through years of intensive education, both by the world he lives in and the person he is.

Nasdijj, whose pen name in the Athabascan tongue means “to become again,” was born on the Navajo Reservation, the son of a “white cowboy daddy,” and a mother “whose people were with the Navajo.” Migrant workers, they were “always going somewhere else,” but their nomadic existence was the least of his teachers. Far more pivotal in his life were the unaccountable contradictions of his father’s physical and emotional abuse, his mother’s alcoholism, their story-telling, their song-singing, and his own mixed heritage.

Nasdijj admits he “cannot account for the demons of adults,” and wants “the good things to blot out the bad things,” but they don’t always. The mineral traces of his experiences show up time and time again in the “blood that runs like a river” through his imagination. The chapters of this memoir can be read alone with a certain amount of emotional constraint, but taken together they carry the pain from a hundred tributaries and spill into an ocean of barely dammed despair.

In his modified, stream-of-consciousness bravado, Nasdijj never just treads water. He dives into it, and spits it out.

Homelessness, horses, the San Francisco Tenderloin, the Navajo Long Walk Home, fishing all these and more figure one way or another in his own trail of tears, but most unforgettable is the death of his six-year-old adopted son, Tommy Nothing Fancy, from fetal alcohol syndrome. “I was so damn determined I would do good by Tom. Tommy was my sweet revenge. That he could experience joy and all the good things that make life worth living was my salvation. Now he is gone. Writing is my new revenge.” It’s an uneven trade, but in the end, Nasdijj gives us a sad, wild, vital world, beholden to history and nature, that will never surrender either its better spirits, or its devils.

Maude McDaniel writes from Cumberland, Maryland.

ere is a book written in the language of hurt, learned from childhood and refined through years of intensive education, both by the world he lives in and the person he is.

Nasdijj, whose pen name in the Athabascan tongue means "to…
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he political face of Europe changed more between 1989 and 1999 than in any other decade since the period between 1939 and 1949. With the end of the Cold War and the fall of Communism, new opportunities arose in Europe for freedom and democracy. But these were often accompanied by difficult economic challenges and sensitive political problems such as what role the former Communist leaders should play. In the former Yugoslavia there was the ultimate nightmare of war, ethnic cleansing, and thousands of refugees. How can we in the West understand what has happened in that part of the world? For many of us, the most authoritative and readable guide has been Timothy Garton Ash. For the last 20 years his incisive reporting and insightful analysis in The New York Review of Books and such books as The Uses of Adversity and The Magic Lantern have illuminated complex issues and introduced us to a broad range of diverse personalities. Ash is both an Oxford historian and a sharp-eyed journalist with a passion for accuracy. His magnificent new collection, History of the Present, offers an abundance of riches. There are reflective analytical pieces that help the reader understand events in historical perspective. He notes, for example, that if a diplomatic observer had gone to sleep after the Congress of Berlin in 1878 and awoke now, there would be a few surprises, but much would be familiar. “In the so-called Contact Group, he would see representatives of the same powers France, Britain, Germany, and Russia pursuing their national interests through their national diplomats and national armies. . . .” He continues, “It begins to look almost as if the whole twentieth-century European story of postimperial federations and communist multinational states was merely an interruption of a longer, underlying process of separating and molding peoples into nation-states.” Other pieces offer the immediacy of encounters with individuals whose lives have been transformed by events. One particularly memorable person is Ash’s friend Helena Luczywo in Warsaw. When he first met her in 1980 she was deeply involved in preparing a samizdat (underground) magazine allied with Solidarity and the workers’ revolution. “Today she is the key figure behind the most successful newspaper in the whole of postcommunist Europe,” the author writes. Why did she initially get involved as a political activist in the 1970s? “Oh, I don’t know. Just a sense of decency,” she told Ash.

In 1992, Ash visited former East German Communist Party leader Erich Honecker in prison. Honecker relates that he had often spoken on the phone with West German chancellors Helmut Schmidt and Helmut Kohl. “A quarter century of divided Germany’s tragic, complex history,” Ash writes, “is, it seems to me, concentrated in this one pathetic moment: the defiant, mortally sick old man in his prison pajamas, the dog-eared card with the direct number to Chancellor Kohl.” Ash, who describes himself as “an agnostic liberal,” has lavish praise for Pope John Paul II, whom he describes as “simply the greatest world leader of our times.” None of the other credible candidates for this designation Gorbachev, Kohl, Vaclav Havel, Lech Walesa, Margaret Thatcher matches the pope’s “unique combination of concentrated strength, intellectual consistency, human warmth, and simple goodness.” By emphasizing the inalienable rights of each human being, the pope has supported the cause of those without economic, political, or cultural power.

Anyone who wants to better understand the last decade in Central Europe will benefit from reading this stimulating and perceptive book.

Roger Bishop is a regular contributor to BookPage.

he political face of Europe changed more between 1989 and 1999 than in any other decade since the period between 1939 and 1949. With the end of the Cold War and the fall of Communism, new opportunities arose in Europe for freedom and democracy. But…
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★ The V&A Sourcebook of Pattern and Ornament

I like to imagine the process of assembling the exquisite compendium that is The V&A Sourcebook of Pattern and Ornament. What a dizzying and delightful task! London’s Victoria & Albert Museum is home to one of the world’s largest collections of decorative and designed objects in the world, and in this tome, one can peruse thousands upon thousands of images adapted from the museum’s holdings. Spanning pottery, textiles, paintings, wallpaper, sculpture and pretty much any other patterned thing you can imagine, the contents are arranged into four categories—plants; animals; earth and the universe; and abstract patterns—with most pages featuring a grid of three or more images and a succinct set of captions identifying the source objects and their makers. As you page through swiftly or slowly, the effect is kaleidoscopic. It’s a veritable feast of patterns for the eyes and mind, full of color, intricate details and beautiful repetition. You’ll wish for two copies: one to keep and savor; one to cut up for collage art. Frankly, I’m besotted.

Sketch by Sketch

I recently purchased my first iPad and began exploring Procreate, a digital tool that, when paired with the Apple Pencil, opens one up to a new realm of two-dimensional artmaking. I’m finding a daily drawing practice to be a profoundly joyful and meditative pursuit. Sheila Darcey, founder of the SketchPoetic community on Instagram (@sketchpoetic), knows all about the therapeutic potential of low-stakes sketching, and in Sketch by Sketch, she encourages readers to try 21 exercises designed to help them dig deep internally and work through difficult emotions. Darcey doesn’t care how well you draw, and her exercises are not meant to build artistic skill. If you create something that makes you smile, all the better, but self-discovery, not technical mastery, is the goal. “This is not art,” she writes. “It is a visual learner’s version of freewriting.” Testimonials throughout from SketchPoetic acolytes demonstrate how the process has worked for others.

Snails & Monkey Tails

Speaking of details . . . it’s an interesting time for punctuation, isn’t it? Texting has completely upended the rules, such that a period now suggests a hostile vibe to some (my teenager confirms this), and even the meaning of certain emoticons seems to be shifting with the generations. But these symbols persist in print matter, and they are lovingly and fetchingly celebrated in Snails & Monkey Tails, graphic designer Michael Arndt’s spiffy salute to the “tiny designs that run interference among the letterforms.” If you don’t know what a grawlix is, you sure as $@%!* will if you read this book. Afterward, you may never call @ an “at” symbol again. Rather, try “little duck” as they do in Finland, or “cinnamon bun” like the Swedes. From silcrows to pilcrows to guillemets and the dinkus, Arndt’s book will up your word-nerd quotient, and it will do so with impeccable style.

Design takes center stage in this month’s lifestyles column, from intricate filigrees found in museums to the elegant curve of a silcrow.
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Although some may lament the decline of handwritten letters, many people are writing more than ever, whether it is e-mail, reports, newsletters, memoirs, or family histories. Writing programs continue to cite increases in enrollment. Patricia O’Conner, former editor at the New York Times Book Review and author of the successful writing book Woe is I, offers readers a new guide to writing entitled Words Fail Me. Designed to ensure that our words do justice to our ideas, O’Conner’s book provides practical advice on how to improve our everyday writing. Words Fail Me is divided into short chapters that offer witty and detailed solutions to a range of issues such as verbs that zing and the Ôit’ parade. O’Conner also tackles issues writing professors repeat every semester to their students: know your subject, know your audience, and know your position. No one, O’Conner reminds us, can avoid having to organize one’s writing. She also discusses the difficult subject of jargon, words that many feel they have to use in their company’s memo. (The comic strip Dilbert masters these.) She warns that jargon is often too complicated and sounds contrived. While the majority of the book focuses on writing style, O’Conner also confronts the one issue many fear: grammar. She explains grammar rules in a short, concise manner with humorous anecdotes, making even passages on prepositions enjoyable. And if readers should forget all of her advice, she provides a check list at the end of the book.

Charlotte Pence is an English professor at Belmont University in Nashville, Tennessee.

Although some may lament the decline of handwritten letters, many people are writing more than ever, whether it is e-mail, reports, newsletters, memoirs, or family histories. Writing programs continue to cite increases in enrollment. Patricia O'Conner, former editor at the New York Times Book Review…

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Challenged to find meaning in his own final years, the esteemed Jungian psychologist James Hillman discovers, creates, or imagines the reader will eventually choose one of these verbs a rational, confident acceptance of the degeneration of old age.

But The Force Of Character, as Hillman stresses almost sternly, is not about facing or understanding death. This is no guidebook to the afterlife, no sweet vision of eternity. Nor does he present cheery prescriptions for combating the aging process. He believes that it is undignified, if not downright bonkers, to invest valuable psychological resources in vainly trying to stop the body’s inevitable, potentially illuminating decline. Rather than imagine 90-year-olds leaping in aerobics classes, Hillman teaches them to learn from supposed infirmities. Does short-term memory fade like the dew? Then use long-term memory to perform the important psychological work of long-term life review. When the physical senses fail and Chateaubriand tastes like cardboard, let the mind’s eyes take over, sharpening perceptions of life’s subtler beauties. Can’t sleep? Let the long hours of the night become a rich resource for deepening wisdom.

Hillman’s theme may at first seem radically contrarian: Old age uses infirmities to present a panoply of opportunities for refining character. Diminished physical faculties coupled with the active intelligence of the soul allow us to recognize and fully become a unique self.

Drawing upon a wealth of references to classical mythology, the Bible, poetry, philosophy, and rock lyrics, The Force Of Character maintains that our century foolishly disdains the historic importance of character, which Hillman distinguishes from morality or genetic inheritance.

He believes that we deny the last years, so valuable for reviewing life and making amends, for cosmological speculation and the confabulation of memories into stories, for sensory enjoyment of the world’s images, and for connections with apparitions and ancestors. That quote is Hillman’s prescription for imaginative, consequential aging. To the reader frantically seeking guidelines for preserving youth or promises of bliss in the hereafter, such rewards may seem too abstract and conjectural.

Of course, that is Hillman’s point. To concentrate on character is to find sense and purpose in the changes that define the decades past age 60 or so. In that transcendent sense, as he writes, Character is a therapeutic idea and determines the fragile image we finally leave to the world.

Charles Flowers recently received a Washington Irving Award for his book, A Science Odyssey.

Challenged to find meaning in his own final years, the esteemed Jungian psychologist James Hillman discovers, creates, or imagines the reader will eventually choose one of these verbs a rational, confident acceptance of the degeneration of old age.

But The Force Of…

If you’ve resolved to get in touch with your feelings in 2022, then we have the books for you.
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Banned authors or their books are usually attacked for their socially, politically, or religiously unacceptable ideas or speech. Perhaps it’s not by chance that we observe Banned Books Week in September. After all, it’s the time of the year when students (those we encourage to think for themselves) return to schools and colleges and review reading lists for the year’s writing projects. While many students will recognize Lady Chatterley’s Lover and Lolita as banned material, they may be shocked to see Mark Twain’s Adventures of Huckleberry Finn and Walt Whitman’s Leaves of Grass on the list as well. 100 Banned Books discusses the censorship histories of books both past and present and this is only the short list. Banning, as it turns out, is an old and established way of . . . well, keeping the lid on. The first list of forbidden books was probably compiled during the fifth century by the pope. The Vatican, however, didn’t abolish it until 1966, after running up a grand total of 4,126 books. The irony is that The Bible still ranks as one of the most censored books in history, yet it’s translated more times and into more languages than any other book and has outsold every book in the history of publishing. Another study in irony is popular sci-fi writer Ray Bradbury’s Fahrenheit 451, a believable tale of a futuristic society in which all books are banned. It’s also on the list. 100 Banned Books clears up the fog about what’s been banned, when, where, and why. But it has more than court cases and public opinion. The book allows readers a bird’s-eye view of the values and opinions that this and other societies have held over the centuries with respect to politics, religion, sex, and social mores. Each listing begins with a brief summary of the book, followed by its censorship history, and a generous listing of newspaper, newsletter, magazine, and journal articles for Further Readings. The book provides a panoramic view of the full scope of book banning.

Pat Regel is a frequent reviewer for BookPage.

Banned authors or their books are usually attacked for their socially, politically, or religiously unacceptable ideas or speech. Perhaps it's not by chance that we observe Banned Books Week in September. After all, it's the time of the year when students (those we encourage to…

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