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Although she’s just a kid, Cecilia has two full-time jobs: elementary school student, and interpreter for her Spanish-speaking parents. 

In her picture book debut, The Interpreter, Olivia Abtahi (Twin Flames) has crafted an empathetic, gently humorous look at what it’s like to be a go-to translator in immigrant and/or multilingual families. Fittingly, The Interpreter is itself a multilingual book: cleverly conceived watercolor and pencil-crayon artwork by Monica Arnaldo (The Museum of Very Bad Smells) separates out languages by color. Orange word bubbles are for Spanish, blue for English and pink for Farsi when Cecilia’s family encounters another kid-interpreter.

Cecilia’s life has become overwhelmingly blue and orange, to her and her friends’ consternation. She’s a plucky, considerate child who beams when her mom says, “What would I do without you?” But while it’s rewarding to explain her sibling’s medical treatments, ensure the hairdresser doesn’t cut mom’s hair too short, and assist dad with his driver’s license photo (“No smiling. / Sin sonrisa.”), it’s also exhausting. 

Not surprisingly, when a perceptive teacher inquires how she—just her, not her family—is doing, Cecilia loses her cool and releases her bottled-up frustration in a gloriously explosive double-page-spread: “I don’t want to run errands every day and wait at the DMV! I want to be outside, I want to play soccer . . . I want, I want, I want.” Her parents are shocked at her outburst, and then shocked at how Cecilia’s calendar has been overtaken by interpreting without their realizing. “I want to help,” Cecilia says,. “just not all the time.”

Abtahi does a stellar job of introducing the concepts of boundaries, self-advocacy and work-life balance while cautioning readers that being super-accommodating might result in being taken advantage of or overburdened, even by those who care about us. But asking for and accepting help can make things better for all involved: By the book’s happy end, Cecilia’s aunt and brother are pitching in with interpreting, she’s back to playing with friends and everybody is smiling—especially Cecilia.

 

Olivia Abtahi does a stellar job of introducing the concept of boundaries, while cautioning readers that being super-accommodating might result in being overburdened, even by those who care about us.

Throughout Ajay Anthonipillai’s life thus far, he’s dutifully adhered to his Sri Lankan parents’ rules. Their 16-item list, displayed at the end of Maria Marianayagam’s winning and inventive No Purchase Necessary, includes things like “Straight As only,” “No friendships with the opposite sex” and “No working while you’re in school.”

Alas, ever since Ajay started eighth grade at Bridge Creek Middle School, he’s been struggling. At his previous school, kids called him “Obnoxious Ajay” because of his relentless academic competitiveness. Now that he’s grown up a bit, he’s more interested in making friends than viewing classmates as rivals, but he’s unsure how to go about it. So, when popular bully Jacob Underson hints they’ll become buddies if Ajay steals a Mercury bar from Al’s convenience store, Ajay shocks himself by actually doing it . . . only for Jacob to laughingly reject his offering, leaving him defeated and guilty. “How was this my life? What made me so unlikable? This year was supposed to be a fresh start.”

Adding to Ajay’s misery, he gets a 79% in language arts class and lies to his parents about it, drawing his sister Aarthi’s disapproval. A classmate, Mandy, seems friendly, but he’s nervous around her, and she gets better language arts grades (old habits die hard). And that chocolate bar, sold during a 25th anniversary promotion? It’s the winner of Mercury’s million-dollar grand prize. But how can he—legally, morally—claim a prize from stolen candy?

Ajay secretly gets a job at Al’s so he can destroy evidence of his crime. But as he gets to know Al while contending with a cascade of ethical dilemmas, his guilt intensifies, not least because his family could really use that money. Is there any way to cash in without betraying everything they’ve worked for?

No Purchase Necessary is an entertaining, thought-provoking read rife with suspenseful twists and turns and well-drawn characters, and enlivened by the witty, appealing voice of its protagonist. Marianayagam perfectly captures the emotional, social and moral minefields of middle school, and will have readers rooting for Ajay to find happiness as he figures out which rules serve him—and which are meant to be broken.

No Purchase Necessary is an entertaining, thought-provoking read rife with suspenseful twists and turns and well-drawn characters, and enlivened by the witty, appealing voice of its protagonist.
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Amber can’t contain her feelings for Nico any longer. They’ve been best friends for years, and though part of her wishes they could go back to easy conversations, nights playing video games and chill hangouts with friends, she can’t hold back how she really feels. So during their eighth grade beach trip, she confesses—and he says he reciprocates! But as the new couple jumps headfirst into romance, they find that relationships can be complicated, especially when it comes to first loves, changing friendships and, of course, high school.

Dreamover is a charming and surreal exploration of young love set during the early days of the internet, when teenagers still spent their summers at the beach and talked all night over instant messaging. Filled with charming illustrations that emphasize the youthfulness of its characters, this graphic novel brings readers back to the thrill, confusion and emotion of growing up.

In many ways, Dreamover is light and silly. Its characters get into good-hearted mischief, playing games, having sleepovers and teasing each other about their crushes. But the story isn’t afraid to step into the angst and confusion of teenhood, speaking to serious issues like jealousy, bullying and growing apart from old friends. The story centers on characters who are easy to feel for, like Nico, who’s teased for his relationship with Amber, and Drew, who starts feeling left out of their trio as Nico and Amber draw closer together. Readers are bound to see themselves—or their younger selves—in these characters as they ride the waves of love and friendship.

As Nico and Amber see how their relationship impacts other people in their lives, they must learn to decide what they value—and how they can maintain what matters even as the world and the people around them are changing. Perfect for those who are grown up and those who are still growing up, Dreamover is a nostalgic and thought-provoking experience.

Perfect for those who are grown up and those who are still growing up, Dreamover is a nostalgic and thought-provoking experience.
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Dream a Dress, Dream a Poem: Dressmaker and Poet, Myra Viola Wilds introduces young readers to Myra Viola Wilds, a Kentucky woman who lived during the Jim Crow era and left her home in the hills for “the city” to become a dressmaker. Eventually, she lost her vision—which the book attributes to eyestrain—and then became a poet. Although biographical details are sparse, Wilds is an admirable, intriguing creator.

Nancy Johnson James tells Wilds’ story in verse, highlighting historical notes in an afterword. She focuses on Wilds’ unending creativity, urging readers to follow her example: “Dream a dream when you struggle, between a painful past and a hopeful tomorrow. Remember when light began to fade, Myra’s art could still be made.”

Diana Ejaita’s fanciful artwork steals the show here. Bold patterns and colors fill each page, reminiscent of Matisse’s splashy shapes. She also uses linework to evoke the weave and intricate stitchwork of the dresses Wilds made. She skillfully introduces the color black into the illustrations to portray Wilds’ descent into blindness.

Dream a Dress, Dream a Poem offers a world of inspiration for young creators of many kinds.

Dream a Dress, Dream a Poem offers a world of inspiration for young creators of many kinds.
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Although Janie and her mother go birding often, she never manages to spot an owl, which she longs to see in the wild. Fortunately, Janie’s teacher, Mr. Koji, is also a lifelong birder, and owls are his favorite too. After Mr. Koji offers her a tip, she heads to the snowy woods once more and sees not one, but two owls. 

Children often dive wholeheartedly into their interests—many, like the wonderful Mr. Koji, carrying those interests into adulthood—focusing with boundless energy. When something sparks their curiosity, they explore it with pure enthusiasm, driven by a sense of wonder and joy. This is precisely what Matthew Cordell captures so skillfully in To See an Owl, using plain language and short, impactful phrasing: “I look and look in the woods. Deep in the trees. At sunrise. At dusk.” 

As the story unfolds, readers learn about owls: their vocalizations (entertainingly, one is “WHO COOKS FOR YOU ALL?”), their droppings (owl poop is called whitewash) and their habitats. Cordell’s repetition works to great effect. The refrain, “Perfectly stout. Large, round eyes. Silent, knowing faces. Birds of the night,” appears more than once and is beautifully paired with the stunning penultimate spread of two adult owls in a tree, snow falling gently around them. There are moments of subtle humor, like when Janie describes her patient mother, who faithfully joins Janie on her owl-watching adventures: “Mama is not excited about birding in a cemetery.” 

Cordell’s palette features a harmonious blend of earth tones and pastels, with the blue of the sky anchoring these elegant tableaux. In the spread where Janie hears her first owl call, only the blue sky, falling snow and Cordell’s handwritten “Hoo-hoo-hoo Hooooo-hoooo” are present. The closing spread conveys Janie’s awe at finally seeing an owl: “Magic,” she exclaims, her bright eyes reflecting wonder as the word escapes in a cloud of vapor suspended in the cold air. Having experienced the buildup of tension through Janie’s repeated attempts to spot the creature she adores, readers end To See an Owl by sharing in her joy.

 

Caldecott Medal winner Matthew Cordell skillfully captures children’s enthusiasm for their interests through elegant illustrations and plain language in To See an Owl.
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A wondrous nighttime adventure unfolds for a nature-loving family in Safe Crossing. As the narrator, a young girl, explains, “The wood frogs, spring peepers, salamanders—spotted, blue-spotted, and Jefferson—and other amphibians are crossing the road tonight.” She, her parents and sister head out as part of the local Amphibian Migration Team to facilitate safe road crossings as the amphibians make their annual journey from the woods to vernal pools to lay eggs. As she did so well in How to Say Hello to a Worm, author-illustrator Kari Percival awakens children’s curiosity while spurring them to action.

Percival’s illustrations, bathed in dark purple and brown that contrast with the bright yellow raincoats and safety vests these citizen scientists wear, evoke the excitement of the rainy night. Readers will practically feel the spring rain on their shoulders as the team shines flashlights in search of amphibians that need help. A host of different species emerge, each labeled as they hop and crawl across the road to the vernal pools. End papers complement these field guide-like identifications with further information and prompt readers to go back and try to spot different types of eggs with the help of detailed clues.

The narrator recognizes that the amphibians struggle to cross a busy road, and “need their own safe crossing. Their own bridge or their own tunnel.” With admirable efficiency and a gift for presenting information in easily understandable ways, Percival shows how this family and others in the community turn this idea into a reality. Data is collected, plans are drawn, a grant is applied for and the narrator nervously states her case at a town hearing. “My belly feels like it’s full of jumping frogs,” she says. Before long, a variety of town groups help raise needed funds, shedding more light on the effectiveness of community involvement. Finally, the completed tunnels under the roadway allow the amphibians to safely lay their eggs. Several pages of backmatter round out the text, including fun facts, a glossary, safety tips and suggestions for citizen scientist involvement.

Safe Crossing is an exciting, informative call to action for budding scientists and environmental activists.

Author-illustrator Kari Percival’s Safe Crossing is an exciting, informative call to action for budding scientists and environmental activists.
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A plump mother duck sleeps soundly in her nest, with seven little eggs snuggled under her breast. But as she sleeps, there’s a crack, crack, peep! And seven little ducklings rustle out of sleep.

But what’s this? Later, the mother collects her seven ducklings and counts eight! The imposter (a turtle) is welcomed into the family—and so are the other little ducks who join the duckling line. Two more past eight, then two more past 10 add up to a delightful dozen.

Thus begins Seven Little Ducklings, the latest little treat from Annette LeBlanc Cate, and it has all the hallmarks of a satisfying storytime read-aloud. Children can count the ducks (plus turtle) on each page to keep track of how many have joined the family, and will need to pay close attention to the illustrations to catch when newbies join the pack. On the final spread, the mother has a surprise 13 ducklings resting in her nest, in a manner reminiscent of Sandra Boynton’s Hippos Go Berserk, where the number of hippos keeps growing past the expected 10.

The rhyme of this picture book flows well, and the prose includes chances for children to complete rhyming sentences, mimic noises or practice simple counting and addition. The sweet and lovely illustrations lend themselves to the adventurous nature of the story by encouraging children to look for the ducks, look for the imposters and compare and contrast which of the ducks are not like the others.

Seven Little Ducklings is sure to go down as a quacking classic.

The flowing prose of Seven Little Ducklings includes chances for children to complete rhyming sentences, mimic noises or practice simple counting and addition.

Natalia Shaloshvili’s Pavlo Gets the Grumps is the sweetly funny story of an eventful day in the life of a grumpy kitten and the loved ones who attempt to jolly him out of his bad mood. Will their efforts be successful?

First, while she and cranky little Pavlo eat their breakfast, Mama suggests a trip to the park. But a downcast Pavlo says no: “The swings are too swingy, the sandbox is too sandy, and . . . the slide is too SLIDEY!”

Well, that’s hard to argue with, so Mama moves on: How about swimming? “You love making big splashes!” But even as Pablo envisions himself and Mama floating alongside a friendly frog, he demurs, noting, “The water is too wet and . . . the fishies will nibble my toes!” 

When even a trip to the movies doesn’t appeal (that’ll involve sitting, and Pavlo’s “bottom is very wriggly today!”), Mama decides they’re off to the playground. “The best thing to do with the grumps,” she explains with fake-it-’til-you-make-it gusto, “is to go out anyway.”

And thank goodness they do, because not only does Pavlo’s friend Mila greet him with a sympathetic hug, she convinces him to join her and Mama on the slide, which this time is cause for giggling, not grouchiness. Even better, they have ice cream without anyone saying the ice cream is too ice creamy! Happiness is achieved, grumpiness dissipated, and day salvaged in a charming, amusing story that any reader who’s ever been cranky will relate to—especially if they’ve ever dramatically laid tummy-down on the couch while feeling irritable in a way they can’t quite explain.

Shaloshvili’s outstanding art, done in acrylics and watercolor pencil, is rife with appealing texture, spot-on body language and humorous details galore (especially endearing: a book-reading, bicycle-riding mouse). Her visual humor is finely tuned and dovetails nicely with her comforting, uplifting message to readers who get the grumps: It’s okay to feel grouchy sometimes, but don’t forget about the restorative power of play, hugs, friends and joy—not to mention ice cream.

Natalia Shaloshvili’s finely tuned visual humor in Pavlo Gets the Grumps dovetails nicely with her comforting, uplifting message to any reader who’s ever been a bit cranky (aka all of us).
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Make a Pretty Sound: A Story of Ella Jenkins describes a pioneer whose 70-year career introduced children to Black music and music from all over the world, earning her a Grammy Lifetime Achievement Award in 2004 and the nickname “the First Lady of Children’s Music.”

Thanks to Traci N. Todd’s rhythmic prose and Eleanor Davis’ powerful illustrations, this picture book biography is beautifully grounded in the lively sights and sounds that inspired Jenkins. Jenkins grew up in the Bronzeville neighborhood of Chicago, amid “the blare and bleat of taxicabs, the screech of high-up trains, the tambourines that ring as preachers preach and choirs sing—amid the pool hall-gritty beat of the city.” Todd shows how Jenkins listened to music from all over the world at record shops, and loved seeing Cab Calloway perform. Each spread is filled with lively city scenes, people and music—a church choir, a boy in a window playing a flute, Jenkins’ uncle’s harmonica serenade, or Cab Calloway, dressed in a bright yellow suit, belting out, “Hi-de-hi-de-hi-de-hi!” Davis uses a palette of textured bronzelike browns and reds along with a yellowish green and teal, giving the illustrations an old-fashioned feel that deftly imparts the grand span of Jenkins’ life: She celebrated her 100th birthday in 2024.

As an adult, Jenkins moved to San Francisco and became a teacher before returning to Chicago, where she fought for civil rights. She appeared at the Rev. Martin Luther King Jr.’s 1964 rally at Soldier’s Field, to perform “for the children, for the hope she feels when she hears their voices, for all that music can teach them about themselves and about each other.”

While the book’s text immerses young readers in the variety of personalities and sounds that defined Jenkins’ musical life, these details are more explicitly spelled out in an accompanying timeline, lengthy afterword and bibliography. As a result, the book can be enjoyed by a wide range of readers, from preschoolers to older elementary students, who can choose how much detail to absorb. Make a Pretty Sound highlights the life of a musical pioneer whose message continues to be vibrant and vital.

Make a Pretty Sound highlights the life of musical pioneer Ella Jenkins, whose message continues to be vibrant and vital.

“A cat that strolls from door to door. A cat that takes time to explore.” Haven’t we all seen a cat like that? Follow a neighborhood cat as it wakes from a nap at a fire station and sets out on an adventure. First, she gets treats at the bookstore, and pets at the park. Then she strolls along the boardwalk before fishing with friends. But where are we going now? Where has our cat been walking toward all along? Climb the fence and we’re almost there: Yellow buses and a big red door! Who is our cat waiting for?

With sparse, rhyming text, Lester L. Laminack perfectly captures a day in the life of a typical neighborhood cat in A Cat Like That. As she wanders through town without a care, she could belong to anyone. But “she stretches and yawns but does not stay,” reminding those she meets that there is someone special she is looking for. Laminack’s repetition of the question “have you seen a cat like that?” emphasizes the common experience of seeing a familiar cat on a daily stroll. 

Nicole Wong’s whimsical illustrations bring this cat and her entire neighborhood to life, with clever details such as the cat’s napping spot on the title page, hidden characters recurring throughout each spread, and the cat’s collar being the same red as many details of the town, showing that she is right where she belongs. Wong’s use of scale and perspective brings a sense of mischief that matches the cat’s playful nature, with illustrations zooming in and out of the cat’s adventure through the town. 

A fun read-aloud with engaging illustrations, children will ask to read A Cat Like That many times over, finding new details in the pictures with every read. Whether one has pets at home or not, A Cat Like That is sure to please!

With sparse, rhyming text, Lester L. Laminack perfectly captures a day in the life of a typical neighborhood cat in A Cat Like That, a fun read-aloud with engaging illustrations by Nicole Wong.
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STARRED REVIEW
December 10, 2024

Six poetry gifts for young readers

Poems inspire sharing, discussion and creativity. These collections explore a wide range of subjects, with moods from sunny to serious, and would make thoughtful gifts for babies, kids and teens alike.
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Bursting with energy and bright images, Beware the Dragon and the Nozzlewock is smart, sassy and perfect for reading alone or out loud together.

Bursting with energy and bright images, Beware the Dragon and the Nozzlewock is smart, sassy and perfect for reading alone or out loud together.

While the masterful poems in Grace Notes evoke the specific history of her mother’s life, Nye never leaves readers out of the frame, encouraging them to ask questions and think deeply.

While the masterful poems in Grace Notes evoke the specific history of her mother’s life, Nye never leaves readers out of the frame, encouraging them to ask questions and think deeply.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

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Poems inspire sharing, discussion and creativity. These collections explore a wide range of subjects, with moods from sunny to serious, and would make thoughtful gifts for babies, kids and teens alike.

Artist and poet Douglas Florian has created numerous award-winning picture books over the years, including Dinothesaurus and Insectlopedia. A book by Florian is often destined to become part of family lore, lovingly passed down from child to child to grandchild. And that’s certainly true of his newest title, Windsongs: Poems about Weather

Each poem in this appealing collection appears in white lettering on a bright page, opposite illustrations rendered with gouache paint, colored pencils and rubber stamps on primed paper bags, giving the volume a cheerful, homespun feel. Weather, of course, fascinates everyone, and after reading this book, kids and parents alike might find themselves creating their own poems, inspired by Florian’s poetry about the dew, drought, thunder and frost, among other topics. 

Some of the poems here are silly, others playful or evocative. A poem entitled “Fog” begins: “The fog is just a cloud that’s lost. / A cloud that’s gone astray. / It woke up in a hazy daze / and slowly lost its way.” The collection concludes with a poem about climate change, including a reminder that “Mars is too cold, and Venus too hot. / Our blue planet Earth is all that we’ve got.” Back matter includes a glossary and weather websites for kids. Windsongs is a gift for the whole family!

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

In London, Nate Macabuag designs and builds prosthetics for people with limb differences. “To be able to give someone something that they didn’t have access to before—it’s a good feeling,” he says. At Chicago’s Field Museum, Lauren Nassef helps care for specimens used in scientific research. And in the Bronx, shopkeepers Dan Treiber and Reina Mia Brill spend their days surrounded by toys. “We sell things that bring people joy,” Dan says. “We sell happiness!” 

Those are just a few of the 28 professions depicted in Shaina Feinberg and Julia Rothman’s fascinating and inspiring Work: Interviews with People Doing Jobs They Love

The duo, who write and illustrate the New York Times’ popular Scratch column (about “money—and the people who deal with it”), previously teamed up for How We Got By, a collection of 111 personal accounts about getting through hardships. This time, they wanted to create a book for kids in the vein of their newspaper column. 

For Work, Feinberg and Rothman interviewed people around the world about their skills, motivations, daily tasks and favorite aspects of their careers. The answers are varied and intriguing, presented in brief biographies that also include discussion prompts such as “If you could invent anything, what would it be?” Rothman’s art is detailed and vibrant, ranging from portraits of people at their jobs, to illustrations of a wildland firefighter’s helicopter and a cobbler’s custom shoes.

Those looking for answers to “What do you want to be when you grow up?” will delight in learning how youthful propensities might translate into grown-up jobs: For example, an artist who climbed trees as a child now paints murals on very tall buildings. They’ll also gain insight into Rothman’s and Feinberg’s own work via the final entries in this engaging, illuminating collection, as well as the “How We Made This Book” section that follows. 

Another nice touch: The duo note that many illustrations were based on photos, and include credits for each one, ensuring that, from start to finish, their book explores, celebrates and values work and the people who undertake it. Work is a helpful resource and entertaining read that’s sure to broaden horizons and inspire exploration.

 

From start to finish, Shaina Feinberg and Julia Rothman’s book explores, celebrates and values work and the people who undertake it. Work is a helpful resource and entertaining read that’s sure to broaden horizons and inspire exploration.

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