Brand-New Bubbe

After Jillian’s mom gets married, Jillian finds herself with a Brand-New Bubbe in Sarah Aronson and Ariel Landy’s vivacious picture book.

Jillian’s new Bubbe has glorious curly red hair, a mean jump shot and an upbeat attitude. Yet despite Bubbe’s fabulousness, her new stepgrandchild refuses to be charmed. Jillian already has plenty of loving women in her life: her mom; her grandmothers, Gram and Noni; and her great-grandmother, Mama-Nana. So why, Jillian wonders, would she need one more?

Faced with her daughter’s standoffishness, Jillian’s mom reminds her that “family is more than blood.” Jillian reluctantly agrees to be open to Bubbe’s overtures. Matzo ball soup turns out to hold the key, as an afternoon of cooking with Bubbe melts Jillian’s defenses. After all, who can resist a soft, fluffy matzo ball bobbing in a bowl of steaming, delicious broth? 

But as she spends time with Bubbe, Jillian questions whether embracing Bubbe will leave her other grandmothers feeling left out. Several sips of soup later, Jillian realizes the perfect way to bring her whole family together. Spoiler alert: It involves more soup. 

Landy accompanies Aronson’s playful prose with a clever subplot-in-pictures: Jillian’s cat initially gives Bubbe’s dog serious side-eye, but as Jillian warms to Bubbe, their pets bond too. It all culminates in a gathering of family, food and love. Three detailed soup recipes and a collection of resources for interfaith families end Brand-New Bubbe with a chef’s kiss. Mazel tov and bon appetit!

Dadaji’s Paintbrush

Rashmi Sirdeshpande and Ruchi Mhasane offer a quietly moving tale of love, loss and community in Dadaji’s Paintbrush.

In a small village in India, a little boy and his grandfather live in a house surrounded by lush trees and colorful flowers. The inside of their home is a wonderland of color, too, thanks to their artistic endeavors. Dadaji has spent countless hours teaching his grandson to paint. Some days, the pair paint together, just the two of them, while other days, they’re joined by children from the village. Grandfather and grandson are constant companions in a sweet, serene life filled with everyday marvels and expressions of love.

And then one day, the boy is left all alone. Gifted, empathetic illustrator Mhasane drains the color from the boy’s life, surrounding him instead with a palette of grays. Just one small spot of red remains: a little box that contains Dadaji’s favorite paintbrush. But the boy cannot bear to look at it, so he puts it up on a high shelf and turns away from art in an attempt to spare his aching heart.

Color makes a tentative reentry when a little girl comes knocking on the door and asks the boy to teach her to paint. Will the boy let the girl into his home and his life—and open himself up to carrying on Dadaji’s legacy? 

In an author’s note, Sirdeshpande explains that Dadaji’s Paintbrush was inspired by her relationship with her late grandfather. “That feeling that the people you love will always, always be with you? That’s just how I feel,” she writes. 

Together, Sirdeshpande and Mhasane have created a touching exploration of how love can deepen and grow, becoming generous enough to include others and strong enough to allow our memories to comfort and sustain us.

A Grand Day

A kaleidoscope of family fun swirls through A Grand Day, a lively grandparentstravaganza of cuddles, laughter and imagination. 

In rhyming text, Jean Reidy salutes the magic of days spent with grandparents. She begins with cheery let’s-go-have-fun hugs, then progresses through a range of shared activities. The possibilities are creative (chalk painting, gardening, baking), athletic (yoga, cartwheels, dancing) and even a little mystical (magic tricks, attic expeditions, a starlit campfire). Reidy spotlights lower-energy pursuits for more laidback types, too, such as relaxing by a pond, reading and napping—crucial recharging for marshmallow-toasting time!

Illustrator Samantha Cotteril’s fascinatingly detailed and immersive 3-D artwork offers a dazzling array of elements that will reward repeat reads. Every page has a dioramic vibe, with impressively engineered cut-paper sculptures that range from massive trees to minuscule sticks of sidewalk chalk. There are patterns and textures galore, and loads of depth and color. You’ll marvel at intricate wallpaper, wooden benches, hungry cardinals descending on a bird feeder and more.

Throughout the book, characters revel in sharing their favorite endeavors, highlighting the importance of learning from one another: “Try a two-step, maybe ten. / All that’s old . . . is new again.” Vibrant elements of nature appear on every page, with sheltering trees, a backyard garden or a pond dotted with lily pads paying homage to the wider cycle of life. Reidy’s text encourage appreciation and contemplation of the world around us: “Salute the sun. / Soak in the breeze.”  

A Grand Day is a visual feast of a book that will inspire readers to cherish hugs, kisses and time spent with people they love. 

I’ll Go and Come Back

In Rajani LaRocca and Sara Palacios’ warmly engaging I’ll Go and Come Back, a young girl named Jyoti forges an endearing, affectionate relationship with her grandmother, Sita Pati. She learns that, when there is love, the miles cannot truly separate us. 

Jyoti is excited to travel with her parents from the U.S to India, but when they arrive, she is disoriented by how different everything is, from the humid air and noisy streets to the relatives and friends that fill the family home. She’s especially lonely when her cousins leave for school each day. 

But Sita Pati is at home during the day, too, and despite their language barrier (Jyoti knows only a few Tamil words, and Sita Pati doesn’t know much English), she coaxes Jyoti into having fun. They play games, create intricate rangoli designs with colored sand, dress up and cook together. Every night before bed, they sip warm milk with saffron. Gradually, their shared pursuits become their common language. 

When Jyoti’s visit ends, Sita Pati helps her to see their parting not as something permanent, but rather as part of a larger continuation. “I remembered that no one in India just said ‘goodbye,'” Jyoti reflects. Instead, they say poitu varen, which means “I’ll go and come back.” 

Happily, the two reunite when Sita Pati visits America the following summer. This time, it’s Sita Pati who feels out of place and Jyoti who shares her favorite activities: sidewalk chalk instead of rangoli, quesadillas instead of chapatis, and drifting off to sweet dreams after mugs of hot cocoa. 

Palacios’ illustrations showcase the beautiful textures, patterns and colors of their homes, making for a captivating visual experience. She expertly conveys an astonishing range of emotions through faces comprised of simple lines and shapes. The hopscotch court that Jyoti and Sita Pati draw on the sidewalk outside Jyoti’s house incorporates floral elements similar to those in the rangoli design they made together in India, a lovely parallelism.   

I’ll Go and Come Back provides an affirming perspective on our relationships with loved ones. Instead of focusing on our feelings of sadness when they depart, why not embrace the anticipation of their eventual return?

Every Dog in the Neighborhood

Louis lives with his determined, free-spirited grandmother. When neither she nor City Hall can tell him how many dogs live in their neighborhood, Louis takes Grandma’s advice to heart: “Sometimes if you want something done you’ve just got to do it yourself.” 

Louis decides to go door to door to take a census. Along the way, he learns a lot about his neighbors and their pets. Two corgis named Wilbur and Orville enjoy bird-watching, while a small white terrier named E.B. “dreams of writing stories.” Such clever references elevate the story, even if younger readers might not immediately grasp their meanings. An older man tells Louis that he has learned many lessons from his dogs, Aesop and Fable, while a house in which musicians practice saxophone and flute is also home to a pair of hounds named Thelonious and Monk. All of these touches are artful and light, just there for the taking.

Meanwhile, Grandma is occupied with a project of her own, as she’s unsatisfied that the city has fenced off an abandoned lot. Her efforts and Louis’ dovetail pleasingly, and there’s a lovely surprise for Louis in the end.

Every Dog in the Neighborhood is an easy book to fall in love with. Philip C. Stead’s writing is exquisite, and illustrator Matthew Cordell’s artwork portrays a delightful menagerie of humans and their four-legged friends. Stead (author of the Caldecott Medal-winning A Sick Day for Amos McGee) makes every word count, while fellow Caldecott Medalist Cordell (Wolf in the Snow) brings the bustling sidewalks of Louis’ neighborhood to life. His signature loose, expressive lines have fabulous energy and personality reminiscent of the work of Quentin Blake and Jules Feiffer.

Every Dog in the Neighborhood is a memorable story about energetic grandparenting, the importance of being a good neighbor and the fruits of civic engagement.    

The Pet Potato

Move over, Sophie’s Squash: Albert’s potato has arrived. In Pat Zietlow Miller and Anne Wilsdorf’s beloved 2013 picture book, a young girl befriends a squash she finds at the farmers market. Josh Lacey and Momoko Abe’s The Pet Potato pays similar tribute to the power of imagination through the story of Albert, a playful boy with circular red glasses and a mop of curly hair who longs for a pet but whose parents have squashed all of his suggestions.

Despite his parents’ firm stance, Albert pleads unrelentingly until, one day, his father hands him a small wrapped package, which turns out to contain a potato. “You wanted a pet,” Dad tells Albert. “It’s a pet potato.” Albert sets the potato aside, then notices that it looks sad. The next day, he gives the potato a ride on his train set, and soon the pair are inseparable.  

British author Lacey is no stranger to unusual pet tales; he’s also the author of the Dragonsitter chapter book series. Here, he employs excellent comic timing as he describes Albert and the potato’s adventures at home, on the playground and even at the library, where, “for some reason, the potato particularly liked books about pirates.”

Abe’s illustrations capture it all, from Albert and the potato palling around on the playground to Albert drifting off to sleep at night, the potato resting on the pillow next to him. A limited color palette of greens, reds, yellows and browns allows Albert’s and the potato’s facial expressions to shine. Using minimal linework and an arsenal of adorable potato-size hats, Abe creatively animates the potato, who becomes an intrepid safari explorer, a railway engineer and more.

Of course, like all pets, potatoes don’t live forever, and Lacey crafts a satisfying ending that leaves everyone happy, including Albert. A final spread portrays a diverse array of neighbors discovering how much fun a pet potato can be.

With great style and gentle humor, The Pet Potato demonstrates how a vivid imagination can transform an ordinary spud into an extraordinary buddy.

The Surprise

When Kit receives a guinea pig as a surprise birthday gift, her household’s other animals are perplexed by the creature. Bob the pug, Dora the cat and Paul the bird pronounce, “If you’re not a cat or a dog or a bird, you’re an oddball.” Co-authored by award-winning novelist Zadie Smith (White Teeth) and her husband, Nick Laird, The Surprise is a spirited celebration of the unexpected. In the world of this story, anything can happen—and it does. 

The Surprise (as the newly arrived guinea pig is called for most of the book) is dressed for judo, which she loves, but her new companions abandon her to watch TV, leaving her feeling sad and lonely. As she experiments with ways to fit in, the Surprise winds up in big trouble. Fortunately, she is rescued by a fellow oddball, an older woman named Emily Brookstein who lives in a flat below Kit’s. “Life’s too short not to be an oddball,” Emily advises.

Illustrator Magenta Fox’s artwork is well suited to this tale of anthropomorphized animals. The guinea pig is an immediately adorable and sympathetic protagonist. Ginger-haired, exuberant Emily Brookstein and loving new pet owner Kit make perfect foils to the disapproving trio of Bob, Dora and Paul. Fox excels at facial expressions, whether it’s a smug yet puzzled look on a bespectacled pug’s face or the Surprise’s downcast eyes as the other animals talk about her as though she can’t hear them. There’s plenty of action, too, including an airborne guinea pig and a dynamic series of panels that depicts an exciting elevator journey. 

When Kit returns home from school, she finally christens her new pet Maud. It’s clear that Maud will fit right in with the animals and humans of her new family, but she has also gained an appreciation for what makes her stand out, too. 

The Civil War of Amos Abernathy

Thirteen-year-old Amos Abernathy loves history. He and his best friend, Chloe Thompson, volunteer as reenactors at the living history park in their small town of Apple Grove, Illinois. When Ben Oglevie begins volunteering at the park, Amos is instantly impressed with his knowledge of Abraham Lincoln, who is Amos’ favorite Illinois historical figure. It takes a little longer for Amos to realize he’s also got a serious crush on Ben.

When the park invites volunteers to submit proposals for a new exhibit, Amos struggles to come up with an idea until Ben sees a gay couple visiting the park and wonders whether LGBTQ people are part of the park’s history. Amos sets out to find answers and discovers Albert D.J. Cashier, a transgender man who fought in the Civil War and lived out the rest of his life in a town near Apple Grove. Amos knows that Albert’s story should be told at the living history park, but not everyone—including Ben’s conservative, religious parents—agrees.

Michael Leali’s debut novel, The Civil War of Amos Abernathy, is an inspiring portrait of determined young people helping their community become more inclusive. Told through diary-style letters that Amos writes to Albert, the book’s first-person narration is conversational and authentic, and Amos’ self-deprecating earnestness is quickly endearing.

The Civil War of Amos Abernathy is thoughtfully intersectional: A notable subplot depicts the racist and sexist resistance that Chloe faces when she applies for an apprenticeship in the park’s blacksmith shop. As Amos, Chloe and Ben work on their proposal, Amos becomes determined to change the way that “only some identities matter” in the story that the park tells about the past.

This tale of tweens who teach the adults in their lives important truths about justice, equity and the power of history shines with respect for its impassioned young protagonists.

★ Different Kinds of Fruit

Sixth grader Annabelle Blake is bored. She’s been attending the same small school since kindergarten, and it seems like nothing new or interesting ever happens in her small town. She often wishes that her family would move to the nearby big city of Seattle, just for some excitement.

Then Bailey, a nonbinary kid, moves to town. Bailey’s fashion is impeccable and their whole vibe is electrifying, so Annabelle is confused when her parents discourage her from getting close to them. If Annabelle’s parents don’t accept Bailey for who they are, then maybe she won’t be accepted either as she tries to determine which of the LGBTQIAP+ letters fit her best.

The actual reason is a secret that Annabelle’s parents have concealed her entire life: Annabelle’s father is a transgender man and is the person who gave birth to her. He was rejected by his trans community for his decision to become a birthing parent, and his pain has kept him in hiding ever since.

Kyle Lukoff’s remarkable Different Kinds of Fruit juxtaposes two generations of gender-nonconforming people’s experiences. It honors the trauma that Annabelle’s dad went through but, as in The Civil War of Amos Abernathy, shows how much adults have to gain by listening to and learning from young people.

Annabelle also has a lot to learn—about herself, her family and her community. Her eager, openhearted spirit makes her story especially accessible to readers who are also beginning to understand the spectrum of gender identities but who may not have ever met a nonbinary or transgender person. Different Kinds of Fruit will be as meaningful to young people today as Judy Blume’s Are You There God? It’s Me, Margaret was for earlier generations of readers.

The Rainbow Parade

Emily Neilson draws on childhood memories to offer young readers a front-row seat to San Francisco’s Pride celebration in The Rainbow Parade.

On the day of the Rainbow Parade, Emily loves to take the train with Mama and Mommy and meet family friends in the city. As they walk down the sidewalk together, Emily sees people “wearing whatever makes them feel most like themselves,” whether it’s swishy dresses, casual clothing, leather outfits or nearly nothing.

When the parade begins, Emily enjoys the loud motorcycles and the bright colors. But when the rainbow fairy queen invites Emily’s family to join the parade, Emily wonders, “Maybe I’m not loud enough or proud enough” to join the festivities. Emily’s moms offer reassurance that the parade is a place where everyone belongs and that “sometimes finding your pride takes a little practice.”

The Rainbow Parade is a dazzling celebration of queer families that captures how empowering it is to be accepted for who we are. Neilson’s digital illustrations convey the joyful fun of marching in the parade as well as watching it from the sidelines. They expertly communicate Emily’s emotions via facial expressions and body language, whether the child is grinning and striding toward the train, hand-in-hand with Mama and Mommy, or gazing wide-eyed at the people marching and pondering the possibility of joining them..

The final page of The Rainbow Parade includes photos of Neilson as a child attending Pride celebrations with their family, as well as a moving note in which Neilson pays tribute to their moms for teaching them “how powerful it can be when we love and accept ourselves.”

Correction, May 26, 2022: A shortened version of this article that appeared in print used pronouns when referring to the protagonist of The Rainbow Parade. This character’s pronouns are not specified in the text of the book.