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The Stranger Diaries

When you’re dealing with a murder mystery set in a possibly haunted high school, you need a practical, analytical lead investigator whose sense of humor is solidly intact. Detective Sergeant Harbinder Kaur is my methodical queen, her assessments of characters both living and dead as sharp as a jagged piece of glass, her self- deprecation just the right amount of wicked. She’s been underestimated enough in her life—and experienced enough prejudice—to gain a significant chip on her shoulder, which is more pronounced now that she’s been called back to her alma mater to investigate a murder in Elly Griffiths’ The Stranger Diaries. A line from fictional gothic author R.M. Holland’s most famous story is found with the body, so Kaur pays special attention to English teacher Claire Cassidy. Scenes from Kaur’s family life (she lives with her Sikh parents) provide a soft place to land after her most biting appraisals, such as when she’s considering the inanity of celebrity dancing shows. Why do people like dance competition shows? DS Kaur knows many things, but she hasn’t got a clue there.

—Cat, Deputy Editor

Inheritance

She may not wear a trenchcoat or carry a magnifying glass, but novelist and memoirist Dani Shapiro can investigate a mystery with the best of them. In her 2019 blockbuster memoir, Shapiro does an at-home genealogy test on a whim and accidentally uncovers a 52-year-old family secret: Her late father was not her biological father. This revelation kicks off a search for the truth that winds its way through all manner of thorny questions. What role did the emerging field of fertility science play in Shapiro’s conception? Were her parents aware that she was conceived using donor sperm? Did they intentionally keep this a secret? Were they duped by their doctor? Is her biological father still alive? Shapiro’s chops as a novelist shine in Inheritance, which is plotted as well as any mystery, with enough twists to keep you guessing about what detail she might uncover next. Determined to get to the root of her family tree, she is as indefatigable, dogged and determined as any fictional gumshoe.

—Christy, Associate Editor

I Want My Hat Back

The ursine protagonist of Jon Klassen’s debut picture book, I Want My Hat Back, is an exemplary detective. Faced with the mystery of his hat’s location, he immediately begins questioning potential witnesses. He’s polite and thanks everyone he meets for taking the time to speak with him, even though they offer no useful leads. He stays focused on the task at hand and isn’t waylaid by existential meanderings, such as when an armadillo asks, “What is a hat?” He’s helpful to his community, as we see when he offers assistance to a turtle who’s been trying to climb a rock all day. He believes the best of everyone, even rabbits wearing familiar red hats who claim they would never steal a hat. When he hits an investigative wall, he does exactly what I would do: He lies down and despairs until the solution comes to him. And he would never, ever, ever eat a rabbit. Not even a rabbit who stole his hat.

—Stephanie, Associate Editor

The Devil and the Dark Water

In Stuart Turton’s The Devil and the Dark Water, Samuel “Sammy” Pipps is basically a globe-trotting, 17th-century Sherlock Holmes. When a mysterious, seemingly demonic force begins to haunt Saardam, the ship he’s sailing on from the Dutch East Indies back to the Netherlands, you’d think that Sammy would immediately be on the case. There’s just one problem: Sammy’s locked in the Saardam‘s brig, where he is to remain for the entire voyage. Enter his bodyguard, Arent Hayes, an enormous former mercenary and all-around nice guy who’s deeply grateful to Sammy for giving him a purpose beyond body-slamming anybody dumb enough to face him in battle. As Turton gleefully tilts things into Grand Guignol horror, Arent is the down-to-earth port in the storm: humble to a fault, instinctively feminist when faced with a few female passengers who might be better at this whole sleuthing thing than he is and possessed of an unshakable (but still somewhat flexible) sense of justice. Turton maintains that he never conceived of Arent as being, well, sexy—but rather tellingly, many readers insist that he very much is.

—Savanna, Associate Editor

None Shall Sleep

To catch a teenage serial killer, the FBI recruits Emma Lewis and Travis Bell, who are teenagers themselves, for their capabilities as well as their atypical circumstances: Travis lost his father to a serial killer, and Emma is the sole survivor of one. The heroes of Ellie Marney’s thriller None Shall Sleep are remarkably refreshing as their personal and professional involvement in the investigation builds genuine tension and inner conflict. However, despite the novel’s many plotlines, Emma is at the heart of it all. I felt attached to her early on, especially when witnessing her navigate her sense of duty toward solving the case while grappling with the crime’s triggering nature. Her unique perspective and talents provide forward momentum, as she comes to conclusions that people who lack her insight would never think of. At the novel’s end, I wanted to keep following her as she drove away.

—Jessie, Editorial Intern

It takes a certain spirit to leap into action and pursue the slightest of clues. Our favorite sleuths, both real and fictional, get right down to business exposing the evidence and solving seemingly unsolvable quandaries, and we love them for it.
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Eily and her father live by the sea, not far from the mysterious island of Lisnashee, home to the fairy folk known as the Good People. Eily’s father ventures annually to the island to gather fog, which has magical properties. It’s a dangerous job, but the village folk rely on the fog water for charms, cures and protection, particularly from the Good People. But this year, Papa accidentally makes the trip to Lisnashee without his charm meant to ward off fairy spells, leaving Eily with her own job to do.

Marianne McShane’s text in The Fog Catcher’s Daughter feels like it’s been passed down through generations, a folk legend whispered in hushed tones to little ones leaning forward to listen. Her tale is filled with rich sensory descriptions. When she writes that “a cold wind shivered across the sand,” you’ll tremble right along with Eily. Young readers are sure to wonder, as I did, whether The Fog Catcher’s Daughter is based on a true story. An author’s note gives a glimpse into the Irish folklore that underpins the tale, as well as the real-life Moroccan practice of fog catching that inspired McShane to create it.

Illustrator Alan Marks’ watercolor art is so ethereal and captivating, you’ll want to hang it on the wall. Windswept grasses and tumbling waves create a landscape that seems both fantastical and utterly real. Fog creeps around corners, rises from the ground and blows across the water, becoming a character every bit as significant as Eily herself. At times, Marks depicts the Good People as mere wisps of mist and other times as distinct, ghostly figures, perfectly capturing their ambiguous, tempestuous nature. A soft, warm-toned hearth scene as well as the lush greens of spreads depicting Eily’s family’s fields offer a reassuring and welcoming contrast to the wild blues and grays of Lisnashee. You’ll especially want to linger on a wondrous two-page spread of the village apothecary shop and its shelves packed with plants, shells, stones and bottles. 

Though it contains slightly spooky themes, The Fog Catcher’s Daughter doesn’t haunt so much as enchant.

This original tale feels like it's been passed down through generations, a folk legend whispered in hushed tones to little ones leaning forward to listen.
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Hakim, a donkey, heads out to visit his friend Daisy, who lives on the top of a mountain, so that he can give her the sweater he knitted. The mountain is covered in a thick fog and said to be riddled with monsters. “You’re doomed!” yells a goat as Hakim begins his journey, establishing a comically eerie tone to the whole affair.

When Hakim sees a strange figure in the fog, he wonders if the old goat was right. From a distance, the outline of the figure is enveloped in mist, and it appears to be a robot-esque monstrosity. But when Hakim and the figure draw closer, the “monster” turns out to be a dog carrying a pallet of bricks on her head. The friendly dog joins Hakim on his journey up the mountain.

Twice more, the fog tricks the travelers into thinking that they see monsters on the path ahead, but each time, they’re proven wrong and a new companion joins the party. Ultimately, the group realizes that “everything looks like a monster in the fog. . . . But the closer you get, the less scary it becomes.”

Understated humor has never been so laugh-out-loud funny as in Ali Bahrampour’s Monsters in the Fog. The moderate absurdity of a dog carrying a pile of bricks on her head is one thing, but the final “monster” tops them all. In the fog, it appears as a massive skull until the page turn reveals the gloriously ridiculous truth: It’s a bear on a tricycle, careening down the mountain on her way to a repair shop to get the brakes fixed. Even better is the way she manages to stop long enough to meet the group: “A rock helped her out,” we read as the tricycle is wedged into a large stone, sending the bear flying through the air.

Bahrampour presents this perfectly paced, playful tale in muted watercolors and a lively cartoon style that’s reminiscent of the work of Jon Agee and William Steig. The reveals steal the show, but readers will also love Hakim’s sweet devotion to Daisy, who is responsible for her own surprising reveal at the book’s close. It may be difficult for a donkey to knit a sweater, but Hakim knows that his struggles with knitting needles and monsters alike are worth it for a friend.

Understated humor has never been so laugh-out-loud funny as in Ali Bahrampour’s perfectly paced, playful picture book.

Young astronomer Mable loves to listen to Grana’s stories, but her grandmother is ill and “too weak to tell stories now.” As Mable stays close to Grana’s bedside, she looks up at the sky through a telescope, making maps of the constellations. “If we can touch the moon,” Grana asks her granddaughter, “then what is impossible?”

Later that night, Mable embarks on a quest to “make impossible things possible” by touching the moon. After a countdown, she rockets into the sky like a spaceship. As she soars among the constellations, she recognizes fantastical figures from her grandmother’s tales of African mythology and African American history, including an archer, a pair of twins and a friendly dog. When Mable stops for a sip of water from the drinking gourd, she sees tracks that remind her of the Underground Railroad. Eventually, she begins to feel tired, and a group of celestial women cocoon her in a blanket of stars until she falls asleep. No miracle awaits when Mable awakens the next morning, but Grana feels well enough to sit up and ask Mable to tell her a story.

Author Breanna J. McDaniel’s prose is warm and inviting. Grana’s illness seems severe, but McDaniel constructs a comforting, hopeful narrative that emphasizes the strong, loving relationship between Mable and her grandmother. In the book’s backmatter, McDaniel (Hands Up!) movingly describes Impossible Moon‘s personal origins. She also provides brief descriptions of the constellations Mable encounters and explains their roles in African American culture.

Illustrator Tonya Engel’s oil and acrylic illustrations are richly hued and playful. Small flames trail behind Mable’s feet as she shoots up into the sky, a rocket ship of a girl. Brilliant blues evoke the dreamlike atmosphere of Mable’s nighttime adventure, while tiny splatters of white and yellow convey the vast number of distant stars.

Readers who enjoyed Antwan Eady and Gracey Zhang’s Nigel and the Moon won’t want to miss this fresh, imaginative lunar tale. It belongs on the nightstands of young dreamers everywhere.

Mable embarks on an imaginative journey to touch the moon in this lunar tale perfect for readers who loved Antwan Eady and Gracey Zhang’s Nigel and the Moon.
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Neighbors everybody has them. For some, a neighbor is little more than an acquaintance. For others, a neighbor is a source of contention or even worse, an enemy! For many, though, a neighbor is a friend.

In Yoshi’s Feast (ages 4Ð8), the story centers around the lives of two neighbors. The setting for this story is the Japanese city of Yedo, and through Yumi Heo’s lively and colorful illustrations, we see beautiful kimonos, tidy villages, exciting fan dances, and other glimpses of Japanese culture and life. The story itself, however, transcends the borders of Japan. It is an age-old theme told in a new and entertaining manner. At the start of the story, the reader is presented with Yoshi, a fan maker, and Sabu, an eel broiler. Yoshi lives next door to Sabu, but the reader can infer that these two neighbors are acquaintances and not friends. Every night, Sabu broils delicious smelling eels in hopes of enticing customers to his hibachi. Sabu’s hibachi, though, is hard to find so he has few customers and many leftover eels to eat. Yoshi thinks that Sabu should share the leftover eels with him, since they are neighbors. Sabu is of the opinion that his neighbor should buy the eels. At one point, Sabu, who knows Yoshi desires his eels, demands to know when his neighbor is planning to buy some. Yoshi explains to Sabu that he will never buy any eels, because smelling them is as good as eating them. After smelling them, he is content to eat his rice, which in turn, allows him to save money. He enjoys the growing weight of his money box and the lovely sound it makes when he shakes it. This attitude infuriates Sabu, whose money box is not growing in weight. He sees Yoshi growing rich at his expense and presents him with a bill for smelling the eels. Now, Yoshi and Sabu are feuding neighbors, and the rift of discontent produces negative consequences. Are Yoshi and Sabu doomed to be feuding neighbors forever? Will Yoshi pay Sabu’s preposterous bill for smelling eels? Yoshi’s clever handling of the situation makes this story entertaining. The age-old dilemma of neighborly relations makes Yoshi’s Feast universally appealing.

Denise Harris is a writer and children’s multicultural education consultant.

Neighbors everybody has them. For some, a neighbor is little more than an acquaintance. For others, a neighbor is a source of contention or even worse, an enemy! For many, though, a neighbor is a friend.

In Yoshi's Feast (ages 4Ð8), the story…
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Every Dog in the Neighborhood

Louis lives with his determined, free-spirited grandmother. When neither she nor City Hall can tell him how many dogs live in their neighborhood, Louis takes Grandma’s advice to heart: “Sometimes if you want something done you’ve just got to do it yourself.” 

Louis decides to go door to door to take a census. Along the way, he learns a lot about his neighbors and their pets. Two corgis named Wilbur and Orville enjoy bird-watching, while a small white terrier named E.B. “dreams of writing stories.” Such clever references elevate the story, even if younger readers might not immediately grasp their meanings. An older man tells Louis that he has learned many lessons from his dogs, Aesop and Fable, while a house in which musicians practice saxophone and flute is also home to a pair of hounds named Thelonious and Monk. All of these touches are artful and light, just there for the taking.

Meanwhile, Grandma is occupied with a project of her own, as she’s unsatisfied that the city has fenced off an abandoned lot. Her efforts and Louis’ dovetail pleasingly, and there’s a lovely surprise for Louis in the end.

Every Dog in the Neighborhood is an easy book to fall in love with. Philip C. Stead’s writing is exquisite, and illustrator Matthew Cordell’s artwork portrays a delightful menagerie of humans and their four-legged friends. Stead (author of the Caldecott Medal-winning A Sick Day for Amos McGee) makes every word count, while fellow Caldecott Medalist Cordell (Wolf in the Snow) brings the bustling sidewalks of Louis’ neighborhood to life. His signature loose, expressive lines have fabulous energy and personality reminiscent of the work of Quentin Blake and Jules Feiffer.

Every Dog in the Neighborhood is a memorable story about energetic grandparenting, the importance of being a good neighbor and the fruits of civic engagement.    

The Pet Potato

Move over, Sophie’s Squash: Albert’s potato has arrived. In Pat Zietlow Miller and Anne Wilsdorf’s beloved 2013 picture book, a young girl befriends a squash she finds at the farmers market. Josh Lacey and Momoko Abe’s The Pet Potato pays similar tribute to the power of imagination through the story of Albert, a playful boy with circular red glasses and a mop of curly hair who longs for a pet but whose parents have squashed all of his suggestions.

Despite his parents’ firm stance, Albert pleads unrelentingly until, one day, his father hands him a small wrapped package, which turns out to contain a potato. “You wanted a pet,” Dad tells Albert. “It’s a pet potato.” Albert sets the potato aside, then notices that it looks sad. The next day, he gives the potato a ride on his train set, and soon the pair are inseparable.  

British author Lacey is no stranger to unusual pet tales; he’s also the author of the Dragonsitter chapter book series. Here, he employs excellent comic timing as he describes Albert and the potato’s adventures at home, on the playground and even at the library, where, “for some reason, the potato particularly liked books about pirates.”

Abe’s illustrations capture it all, from Albert and the potato palling around on the playground to Albert drifting off to sleep at night, the potato resting on the pillow next to him. A limited color palette of greens, reds, yellows and browns allows Albert’s and the potato’s facial expressions to shine. Using minimal linework and an arsenal of adorable potato-size hats, Abe creatively animates the potato, who becomes an intrepid safari explorer, a railway engineer and more.

Of course, like all pets, potatoes don’t live forever, and Lacey crafts a satisfying ending that leaves everyone happy, including Albert. A final spread portrays a diverse array of neighbors discovering how much fun a pet potato can be.

With great style and gentle humor, The Pet Potato demonstrates how a vivid imagination can transform an ordinary spud into an extraordinary buddy.

The Surprise

When Kit receives a guinea pig as a surprise birthday gift, her household’s other animals are perplexed by the creature. Bob the pug, Dora the cat and Paul the bird pronounce, “If you’re not a cat or a dog or a bird, you’re an oddball.” Co-authored by award-winning novelist Zadie Smith (White Teeth) and her husband, Nick Laird, The Surprise is a spirited celebration of the unexpected. In the world of this story, anything can happen—and it does. 

The Surprise (as the newly arrived guinea pig is called for most of the book) is dressed for judo, which she loves, but her new companions abandon her to watch TV, leaving her feeling sad and lonely. As she experiments with ways to fit in, the Surprise winds up in big trouble. Fortunately, she is rescued by a fellow oddball, an older woman named Emily Brookstein who lives in a flat below Kit’s. “Life’s too short not to be an oddball,” Emily advises.

Illustrator Magenta Fox’s artwork is well suited to this tale of anthropomorphized animals. The guinea pig is an immediately adorable and sympathetic protagonist. Ginger-haired, exuberant Emily Brookstein and loving new pet owner Kit make perfect foils to the disapproving trio of Bob, Dora and Paul. Fox excels at facial expressions, whether it’s a smug yet puzzled look on a bespectacled pug’s face or the Surprise’s downcast eyes as the other animals talk about her as though she can’t hear them. There’s plenty of action, too, including an airborne guinea pig and a dynamic series of panels that depicts an exciting elevator journey. 

When Kit returns home from school, she finally christens her new pet Maud. It’s clear that Maud will fit right in with the animals and humans of her new family, but she has also gained an appreciation for what makes her stand out, too. 

There’s nothing quite so wonderful—or as challenging—as bringing a new pet into the family. These three picture books showcase the happiness that these companions add to our lives.
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The Bravest Ever Bear has everything a good story should have: a bear, a dragon, a princess, a wolf, a troll, even a penguin and a sausage. With silly twists and characters contradicting each other even complaining to the reader this is the kind of anti-fairy tale kids will want to hear again and again. Allan Ahlberg takes a group of familiar fairy tale characters, each telling their own story, until the bravest ever bear gets fed up and decides to tell his story. Once upon a time there was a perfect bear. This bear did lots of brave things. After slaying a dragon, winning a refrigerator (and a living room set), the bear meets his princess. From there, the characters really take over, each making the story their own. Paul Howard’s playful illustrations are sure to keep even those easily distracted readers eagerly awaiting the next page. It’s obvious that both the author and illustrator had fun with this book, as will the reader.

Just in case you’re wary of another same old fairy tale, The Bravest Ever Bear offers several stories wrapped up in one, with twists, turns, and restarts on every page. For those who love fairy tales, or those who might be looking for something new, The Bravest Ever Bear makes for one fun story at bedtime or any time. The last story wraps it all up with, The Bed. Once upon a time there was a bed . . . with a bear in it. Ê Good! the bear tells us. The End. And he drifts off to sleep. But of course, the penguin has plans of his own! Katie McAllaster Weaver writes from her home in Benicia, California.

The Bravest Ever Bear has everything a good story should have: a bear, a dragon, a princess, a wolf, a troll, even a penguin and a sausage. With silly twists and characters contradicting each other even complaining to the reader this is the kind of…
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The Civil War of Amos Abernathy

Thirteen-year-old Amos Abernathy loves history. He and his best friend, Chloe Thompson, volunteer as reenactors at the living history park in their small town of Apple Grove, Illinois. When Ben Oglevie begins volunteering at the park, Amos is instantly impressed with his knowledge of Abraham Lincoln, who is Amos’ favorite Illinois historical figure. It takes a little longer for Amos to realize he’s also got a serious crush on Ben.

When the park invites volunteers to submit proposals for a new exhibit, Amos struggles to come up with an idea until Ben sees a gay couple visiting the park and wonders whether LGBTQ people are part of the park’s history. Amos sets out to find answers and discovers Albert D.J. Cashier, a transgender man who fought in the Civil War and lived out the rest of his life in a town near Apple Grove. Amos knows that Albert’s story should be told at the living history park, but not everyone—including Ben’s conservative, religious parents—agrees.

Michael Leali’s debut novel, The Civil War of Amos Abernathy, is an inspiring portrait of determined young people helping their community become more inclusive. Told through diary-style letters that Amos writes to Albert, the book’s first-person narration is conversational and authentic, and Amos’ self-deprecating earnestness is quickly endearing.

The Civil War of Amos Abernathy is thoughtfully intersectional: A notable subplot depicts the racist and sexist resistance that Chloe faces when she applies for an apprenticeship in the park’s blacksmith shop. As Amos, Chloe and Ben work on their proposal, Amos becomes determined to change the way that “only some identities matter” in the story that the park tells about the past.

This tale of tweens who teach the adults in their lives important truths about justice, equity and the power of history shines with respect for its impassioned young protagonists.

★ Different Kinds of Fruit

Sixth grader Annabelle Blake is bored. She’s been attending the same small school since kindergarten, and it seems like nothing new or interesting ever happens in her small town. She often wishes that her family would move to the nearby big city of Seattle, just for some excitement.

Then Bailey, a nonbinary kid, moves to town. Bailey’s fashion is impeccable and their whole vibe is electrifying, so Annabelle is confused when her parents discourage her from getting close to them. If Annabelle’s parents don’t accept Bailey for who they are, then maybe she won’t be accepted either as she tries to determine which of the LGBTQIAP+ letters fit her best.

The actual reason is a secret that Annabelle’s parents have concealed her entire life: Annabelle’s father is a transgender man and is the person who gave birth to her. He was rejected by his trans community for his decision to become a birthing parent, and his pain has kept him in hiding ever since.

Kyle Lukoff’s remarkable Different Kinds of Fruit juxtaposes two generations of gender-nonconforming people’s experiences. It honors the trauma that Annabelle’s dad went through but, as in The Civil War of Amos Abernathy, shows how much adults have to gain by listening to and learning from young people.

Annabelle also has a lot to learn—about herself, her family and her community. Her eager, openhearted spirit makes her story especially accessible to readers who are also beginning to understand the spectrum of gender identities but who may not have ever met a nonbinary or transgender person. Different Kinds of Fruit will be as meaningful to young people today as Judy Blume’s Are You There God? It’s Me, Margaret was for earlier generations of readers.

The Rainbow Parade

Emily Neilson draws on childhood memories to offer young readers a front-row seat to San Francisco’s Pride celebration in The Rainbow Parade.

On the day of the Rainbow Parade, Emily loves to take the train with Mama and Mommy and meet family friends in the city. As they walk down the sidewalk together, Emily sees people “wearing whatever makes them feel most like themselves,” whether it’s swishy dresses, casual clothing, leather outfits or nearly nothing.

When the parade begins, Emily enjoys the loud motorcycles and the bright colors. But when the rainbow fairy queen invites Emily’s family to join the parade, Emily wonders, “Maybe I’m not loud enough or proud enough” to join the festivities. Emily’s moms offer reassurance that the parade is a place where everyone belongs and that “sometimes finding your pride takes a little practice.”

The Rainbow Parade is a dazzling celebration of queer families that captures how empowering it is to be accepted for who we are. Neilson’s digital illustrations convey the joyful fun of marching in the parade as well as watching it from the sidelines. They expertly communicate Emily’s emotions via facial expressions and body language, whether the child is grinning and striding toward the train, hand-in-hand with Mama and Mommy, or gazing wide-eyed at the people marching and pondering the possibility of joining them..

The final page of The Rainbow Parade includes photos of Neilson as a child attending Pride celebrations with their family, as well as a moving note in which Neilson pays tribute to their moms for teaching them “how powerful it can be when we love and accept ourselves.”


Correction, May 26, 2022: A shortened version of this article that appeared in print used pronouns when referring to the protagonist of The Rainbow Parade. This character’s pronouns are not specified in the text of the book.

The past is present in these books that powerfully remind us how young people will one day lead us all into the future.
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Yoshi and the Ocean: A Sea Turtle’s Incredible Journey Home, Lindsay Moore’s account of the incredible intercontinental journey of a loggerhead sea turtle, opens with two spreads that precede its title page. Readers meet Yoshi inside an egg, “before she had a name.” Folded within a shell, the little turtle waits until “the voice of the waves” calls her to hatch and enter the world.

As Moore’s story begins, Yoshi is “small and broken,” wounded in the water and rescued by fishermen who name her Yoshitaro. She finds a new home and heals at an aquarium in Cape Town, South Africa, much to the delight of the aquarium’s visitors. But after some time, Yoshi knows that she needs to return to the ocean: “She is from away from here, and that is where she needs to go.”

The scientists who brought Yoshi back to health attach a tracking device to her shell and release her into the ocean. The rest of Moore’s book tracks Yoshi’s extraordinary three-year journey up the eastern coast of Africa, as far north as Angola, then back around the southern tip of the continent and all the way across the Indian Ocean to waters off the northwestern coast of Australia—a distance of 25,000 miles!

Moore gives this remarkable true story an appealing structure. The refrain “This is Yoshi . . .” grounds readers in each new location along the turtle’s journey. As Yoshi sets out on her trip, the story’s brisk pace keeps readers turning pages. Each time Yoshi surfaces above the waves, allowing her tracker to send a signal to a satellite, we read in a looping cursive font: “Hello from Yoshi. I am here.” The narrative pacing slows as the turtle nears Australia, where she transmits one final, emotionally satisfying message, displayed in large letters that span the entire spread: “Hello from Yoshi. I am home.”

Moore illustrates this tale in sweeping full-bleed views of the worlds above and below the waves. Readers discover these worlds along with Yoshi as she takes in all the wonders of ocean life. Moore’s language is precise but also lyrical as she notes the “shape of a wave, the shift of the wind, the push of a current.” The book’s detailed back matter, which includes a photograph of Yoshi, will inspire readers to revisit the turtle’s story, equipped with the context to fully appreciate her astonishing voyage.

With vivid emotion, Lindsay Moore tells the astonishing story of a loggerhead turtle who traveled more than 25,000 miles from South Africa to Australia.
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What makes a family? Is it a name? Or perhaps similar characteristics among its members? Maybe similar abilities? Or similar traits? Well, Mommy Rabbit had a special family. Each member was different in many different ways, but each one knew he or she was loved dearly. Bunny was Mommy Rabbit’s first little honey, and he was as sweet as could be. Before long, Little Duckling came along to join the family. Even though he didn’t look like a bunny, Mommy Rabbit was still his mommy. Little Duckling became Mommy Rabbit’s second little honey. Of course, Miss Mouse, Mommy Rabbit’s third little honey, didn’t look like a bunny, but Mommy Rabbit became her mommy, too. Each little honey was as different as could be, but all needed love and affection.

Bunny, Little Duckling, and Miss Mouse play together, sing together, and know they are loved by Mommy Rabbit. When Mommy Rabbit says, All together now, the three little honeys know it is time to sing their favorite song. Each one has a favorite line in the song that includes a special meaning just for them. Each has a special game at which they are best: Bunny is best at run-rabbit-run, Little Duckling at splashy-sploshy games, and Miss Mouse at itchy-twitchy, squirly-whirly games. Still, there remains one game that each plays well: the thump-your-great-big-feet game. Even though they are all different in so many ways, Bunny, Little Duckling, and Miss Mouse all have great big feet! In this sequel to Bunny, My Honey, Anita Jeram artfully presents a simple, loving story that will touch the hearts of her readers. Jeram’s animal characters exhibit human qualities and emotions which reinforce the moral of the story. Jeram, who illustrated the classic Guess How Much I Love You, presents beautiful watercolor and ink illustrations that carry the story line gracefully from page to page. The delightful pictures will charm youngsters whether they are being read to or reading the book themselves. All Together Now (ages 3 and up) is a sweet, warm, fuzzy story with a special message that young children (whether in age or heart) can grasp and understand. After all, the message of love is universal.

Dr. Cynthia Drennan is a retired university administrator.

What makes a family? Is it a name? Or perhaps similar characteristics among its members? Maybe similar abilities? Or similar traits? Well, Mommy Rabbit had a special family. Each member was different in many different ways, but each one knew he or she was loved…
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Separated by a sturdy wooden fence, two companions—a little girl and a dog belonging to her neighbors—are drawn together by a shared love of stories. They forge a bond that transcends boundaries and changes their lives forever.

Everywhere With You is uniformly flawless. With a master storyteller’s rhythm, author Carlie Sorosiak (Leonard (My Life as a Cat), I, Cosmo) narrates in present tense, close-third person from the lonely pup’s perspective, and his thoughts and unspoken words propel the story forward. Sorosiak’s writing is heartfelt and brimming with emotion. You’ll be so caught up in the narrative that you may not even notice the artistry beneath the words—poetic turns, perfectly tuned descriptions, the power of a concise, earnest statement—but it’s worth a second read to catch and savor it all.

If Sorosiak’s beautifully told story does not completely capture your heart, the artwork will seal the deal. Illustrator Devon Holzwarth’s vibrant, lush images of jewel-tone flowers and trees are mesmerizing, as botanical wonders in deep, rich colors threaten to overflow the edges of the pages.

The kind-faced girl and her canine companion are utterly charming. When the girl reads aloud to her four-legged friend, Holzwarth’s art blossoms even more as the friends’ imagined worlds come to life, with spectacular kingdoms filled with magical creatures and daring adventures—and no wooden fences.

The book’s heightened emotions walk a tightrope between poignance and heartbreak at a pivotal point toward the end. Sorosiak and Holzwarth give real weight to this moment of yearning, tip-toeing the reader up to the edge of despair before pulling back with a final burst of fantasy and delight. It’s a balancing act impeccably managed.

It will be the rare reader who can finish Everywhere With You without a slight catch in their throat. It rings with tender truth: When you are with the ones you love, everywhere you go is home.

Carlie Sorosiak and Devon Holzwarth's flawless picture book rings with a tender truth: When you are with the ones you love, everywhere you go is home.
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Today is a momentous day for young Juan. After years of hearing about his father’s landscaping business, Juan will come along to help for the first time, armed not only with gardening supplies but also with a sketchbook and drawing tools.

During this perfectly ordinary but splendidly memorable day, Juan assists Papi and another worker, Javier, as they rake leaves, mow lawns and prune bushes. He accompanies them to a gardening supply store, where they select plants and flowers for a client. He also joins them at the dump, where the branches and other waste they have collected will be turned into mulch. Finally, the budding artist meets Papi’s new clients, listens to their vision for their overgrown yard and sketches out a design for their future garden. Inspired by his father, Juan is learning how to “make the world more beautiful.”

In a note at the end of John Parra’s heartfelt picture book Growing an Artist: The Story of a Landscaper and His Son, the author-illustrator reveals that Juan’s story is autobiographical. Working with his father as a young boy inspired Parra to consider a career in landscape architecture and design, though he ultimately took a different path and trained as a fine artist. A photograph of Parra and his father accompanies the note, and the book’s landscaping blueprint endpapers contain a designer’s mark for “Del Parra Landscape Constr.”

Parra incorporates Spanish words and phrases into the text and touches on the importance of Latin American migrant workers to the landscaping industry. It’s an underappreciated job that requires creativity and demanding physical labor. An early scene delicately depicts Juan’s growing recognition of such prejudice: Juan waves to a classmate who is neighbors with one of Papi’s clients, but the boy “looks away and pretends not to see me,” and Juan’s “heart sinks.”

Honoring the great pride that Parra’s father took in his landscaping work, Parra’s characteristically vibrant and finely detailed acrylic illustrations in Growing an Artist depict people and plants with equal affection and respect. The way that Papi points out natural beauties to his artistic young son is tender and moving, and a scene in which he gently lifts a branch to reveal a hidden bird’s nest is especially lovely.

Growing an Artist is a love letter to sons and their fathers, to work done with one’s hands and to making the world more beautiful, no matter what tools are used to do so.

This beautiful autobiographical picture book about a boy who spends the day with his father at his landscaping business is a love letter to those who “make the world more beautiful,” no matter what tools they use to do so.
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If you’ve ever been to a professional baseball game, you know a baseball player has got to know how to spit! That’s just one of the things that Paul B. Janeczko describes in his poems in That Sweet Diamond: Baseball Poems, illustrated by Carol Katchen. You’ll find yourself laughing and thinking, Yeah, I’ve seen that! And the next time you go to a game, you’ll know what to do during a rain delay! Janeczko captures the experience of being there in a book children of different ages will like for different reasons. Although the metaphors may escape younger readers, they will enjoy the illustrations that look as if they were drawn with chalk. Older children will appreciate the humor, symbolism, and wide range of subjects found in Janeczko’s poetry. Reviewed by Jeff Stephens.

If you've ever been to a professional baseball game, you know a baseball player has got to know how to spit! That's just one of the things that Paul B. Janeczko describes in his poems in That Sweet Diamond: Baseball Poems, illustrated by Carol Katchen.…

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