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A plump mother duck sleeps soundly in her nest, with seven little eggs snuggled under her breast. But as she sleeps, there’s a crack, crack, peep! And seven little ducklings rustle out of sleep.

But what’s this? Later, the mother collects her seven ducklings and counts eight! The imposter (a turtle) is welcomed into the family—and so are the other little ducks who join the duckling line. Two more past eight, then two more past 10 add up to a delightful dozen.

Thus begins Seven Little Ducklings, the latest little treat from Annette LeBlanc Cate, and it has all the hallmarks of a satisfying storytime read-aloud. Children can count the ducks (plus turtle) on each page to keep track of how many have joined the family, and will need to pay close attention to the illustrations to catch when newbies join the pack. On the final spread, the mother has a surprise 13 ducklings resting in her nest, in a manner reminiscent of Sandra Boynton’s Hippos Go Berserk, where the number of hippos keeps growing past the expected 10.

The rhyme of this picture book flows well, and the prose includes chances for children to complete rhyming sentences, mimic noises or practice simple counting and addition. The sweet and lovely illustrations lend themselves to the adventurous nature of the story by encouraging children to look for the ducks, look for the imposters and compare and contrast which of the ducks are not like the others.

Seven Little Ducklings is sure to go down as a quacking classic.

The flowing prose of Seven Little Ducklings includes chances for children to complete rhyming sentences, mimic noises or practice simple counting and addition.

Natalia Shaloshvili’s Pavlo Gets the Grumps is the sweetly funny story of an eventful day in the life of a grumpy kitten and the loved ones who attempt to jolly him out of his bad mood. Will their efforts be successful?

First, while she and cranky little Pavlo eat their breakfast, Mama suggests a trip to the park. But a downcast Pavlo says no: “The swings are too swingy, the sandbox is too sandy, and . . . the slide is too SLIDEY!”

Well, that’s hard to argue with, so Mama moves on: How about swimming? “You love making big splashes!” But even as Pablo envisions himself and Mama floating alongside a friendly frog, he demurs, noting, “The water is too wet and . . . the fishies will nibble my toes!” 

When even a trip to the movies doesn’t appeal (that’ll involve sitting, and Pavlo’s “bottom is very wriggly today!”), Mama decides they’re off to the playground. “The best thing to do with the grumps,” she explains with fake-it-’til-you-make-it gusto, “is to go out anyway.”

And thank goodness they do, because not only does Pavlo’s friend Mila greet him with a sympathetic hug, she convinces him to join her and Mama on the slide, which this time is cause for giggling, not grouchiness. Even better, they have ice cream without anyone saying the ice cream is too ice creamy! Happiness is achieved, grumpiness dissipated, and day salvaged in a charming, amusing story that any reader who’s ever been cranky will relate to—especially if they’ve ever dramatically laid tummy-down on the couch while feeling irritable in a way they can’t quite explain.

Shaloshvili’s outstanding art, done in acrylics and watercolor pencil, is rife with appealing texture, spot-on body language and humorous details galore (especially endearing: a book-reading, bicycle-riding mouse). Her visual humor is finely tuned and dovetails nicely with her comforting, uplifting message to readers who get the grumps: It’s okay to feel grouchy sometimes, but don’t forget about the restorative power of play, hugs, friends and joy—not to mention ice cream.

Natalia Shaloshvili’s finely tuned visual humor in Pavlo Gets the Grumps dovetails nicely with her comforting, uplifting message to any reader who’s ever been a bit cranky (aka all of us).
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Make a Pretty Sound: A Story of Ella Jenkins describes a pioneer whose 70-year career introduced children to Black music and music from all over the world, earning her a Grammy Lifetime Achievement Award in 2004 and the nickname “the First Lady of Children’s Music.”

Thanks to Traci N. Todd’s rhythmic prose and Eleanor Davis’ powerful illustrations, this picture book biography is beautifully grounded in the lively sights and sounds that inspired Jenkins. Jenkins grew up in the Bronzeville neighborhood of Chicago, amid “the blare and bleat of taxicabs, the screech of high-up trains, the tambourines that ring as preachers preach and choirs sing—amid the pool hall-gritty beat of the city.” Todd shows how Jenkins listened to music from all over the world at record shops, and loved seeing Cab Calloway perform. Each spread is filled with lively city scenes, people and music—a church choir, a boy in a window playing a flute, Jenkins’ uncle’s harmonica serenade, or Cab Calloway, dressed in a bright yellow suit, belting out, “Hi-de-hi-de-hi-de-hi!” Davis uses a palette of textured bronzelike browns and reds along with a yellowish green and teal, giving the illustrations an old-fashioned feel that deftly imparts the grand span of Jenkins’ life: She celebrated her 100th birthday in 2024.

As an adult, Jenkins moved to San Francisco and became a teacher before returning to Chicago, where she fought for civil rights. She appeared at the Rev. Martin Luther King Jr.’s 1964 rally at Soldier’s Field, to perform “for the children, for the hope she feels when she hears their voices, for all that music can teach them about themselves and about each other.”

While the book’s text immerses young readers in the variety of personalities and sounds that defined Jenkins’ musical life, these details are more explicitly spelled out in an accompanying timeline, lengthy afterword and bibliography. As a result, the book can be enjoyed by a wide range of readers, from preschoolers to older elementary students, who can choose how much detail to absorb. Make a Pretty Sound highlights the life of a musical pioneer whose message continues to be vibrant and vital.

Make a Pretty Sound highlights the life of musical pioneer Ella Jenkins, whose message continues to be vibrant and vital.

“A cat that strolls from door to door. A cat that takes time to explore.” Haven’t we all seen a cat like that? Follow a neighborhood cat as it wakes from a nap at a fire station and sets out on an adventure. First, she gets treats at the bookstore, and pets at the park. Then she strolls along the boardwalk before fishing with friends. But where are we going now? Where has our cat been walking toward all along? Climb the fence and we’re almost there: Yellow buses and a big red door! Who is our cat waiting for?

With sparse, rhyming text, Lester L. Laminack perfectly captures a day in the life of a typical neighborhood cat in A Cat Like That. As she wanders through town without a care, she could belong to anyone. But “she stretches and yawns but does not stay,” reminding those she meets that there is someone special she is looking for. Laminack’s repetition of the question “have you seen a cat like that?” emphasizes the common experience of seeing a familiar cat on a daily stroll. 

Nicole Wong’s whimsical illustrations bring this cat and her entire neighborhood to life, with clever details such as the cat’s napping spot on the title page, hidden characters recurring throughout each spread, and the cat’s collar being the same red as many details of the town, showing that she is right where she belongs. Wong’s use of scale and perspective brings a sense of mischief that matches the cat’s playful nature, with illustrations zooming in and out of the cat’s adventure through the town. 

A fun read-aloud with engaging illustrations, children will ask to read A Cat Like That many times over, finding new details in the pictures with every read. Whether one has pets at home or not, A Cat Like That is sure to please!

With sparse, rhyming text, Lester L. Laminack perfectly captures a day in the life of a typical neighborhood cat in A Cat Like That, a fun read-aloud with engaging illustrations by Nicole Wong.
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STARRED REVIEW
December 10, 2024

Six poetry gifts for young readers

Poems inspire sharing, discussion and creativity. These collections explore a wide range of subjects, with moods from sunny to serious, and would make thoughtful gifts for babies, kids and teens alike.
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Bursting with energy and bright images, Beware the Dragon and the Nozzlewock is smart, sassy and perfect for reading alone or out loud together.

Bursting with energy and bright images, Beware the Dragon and the Nozzlewock is smart, sassy and perfect for reading alone or out loud together.

While the masterful poems in Grace Notes evoke the specific history of her mother’s life, Nye never leaves readers out of the frame, encouraging them to ask questions and think deeply.

While the masterful poems in Grace Notes evoke the specific history of her mother’s life, Nye never leaves readers out of the frame, encouraging them to ask questions and think deeply.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

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Poems inspire sharing, discussion and creativity. These collections explore a wide range of subjects, with moods from sunny to serious, and would make thoughtful gifts for babies, kids and teens alike.

Artist and poet Douglas Florian has created numerous award-winning picture books over the years, including Dinothesaurus and Insectlopedia. A book by Florian is often destined to become part of family lore, lovingly passed down from child to child to grandchild. And that’s certainly true of his newest title, Windsongs: Poems about Weather

Each poem in this appealing collection appears in white lettering on a bright page, opposite illustrations rendered with gouache paint, colored pencils and rubber stamps on primed paper bags, giving the volume a cheerful, homespun feel. Weather, of course, fascinates everyone, and after reading this book, kids and parents alike might find themselves creating their own poems, inspired by Florian’s poetry about the dew, drought, thunder and frost, among other topics. 

Some of the poems here are silly, others playful or evocative. A poem entitled “Fog” begins: “The fog is just a cloud that’s lost. / A cloud that’s gone astray. / It woke up in a hazy daze / and slowly lost its way.” The collection concludes with a poem about climate change, including a reminder that “Mars is too cold, and Venus too hot. / Our blue planet Earth is all that we’ve got.” Back matter includes a glossary and weather websites for kids. Windsongs is a gift for the whole family!

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

In London, Nate Macabuag designs and builds prosthetics for people with limb differences. “To be able to give someone something that they didn’t have access to before—it’s a good feeling,” he says. At Chicago’s Field Museum, Lauren Nassef helps care for specimens used in scientific research. And in the Bronx, shopkeepers Dan Treiber and Reina Mia Brill spend their days surrounded by toys. “We sell things that bring people joy,” Dan says. “We sell happiness!” 

Those are just a few of the 28 professions depicted in Shaina Feinberg and Julia Rothman’s fascinating and inspiring Work: Interviews with People Doing Jobs They Love

The duo, who write and illustrate the New York Times’ popular Scratch column (about “money—and the people who deal with it”), previously teamed up for How We Got By, a collection of 111 personal accounts about getting through hardships. This time, they wanted to create a book for kids in the vein of their newspaper column. 

For Work, Feinberg and Rothman interviewed people around the world about their skills, motivations, daily tasks and favorite aspects of their careers. The answers are varied and intriguing, presented in brief biographies that also include discussion prompts such as “If you could invent anything, what would it be?” Rothman’s art is detailed and vibrant, ranging from portraits of people at their jobs, to illustrations of a wildland firefighter’s helicopter and a cobbler’s custom shoes.

Those looking for answers to “What do you want to be when you grow up?” will delight in learning how youthful propensities might translate into grown-up jobs: For example, an artist who climbed trees as a child now paints murals on very tall buildings. They’ll also gain insight into Rothman’s and Feinberg’s own work via the final entries in this engaging, illuminating collection, as well as the “How We Made This Book” section that follows. 

Another nice touch: The duo note that many illustrations were based on photos, and include credits for each one, ensuring that, from start to finish, their book explores, celebrates and values work and the people who undertake it. Work is a helpful resource and entertaining read that’s sure to broaden horizons and inspire exploration.

 

From start to finish, Shaina Feinberg and Julia Rothman’s book explores, celebrates and values work and the people who undertake it. Work is a helpful resource and entertaining read that’s sure to broaden horizons and inspire exploration.
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With nearly 50 books under his belt, beloved author and illustrator Barney Saltzberg turns his attention to canines in his latest zany offering, The Smell of Wet Dog: And Other Dog Poems and Drawings. He proclaims his love in the first poem, “I Love Dogs,” followed by the title verse, which describes their odor as “Imagine moose and skunk perfume. / An odiferous stench, a paint-peeling plume.”

Young readers will relish these often rip-roaringly funny short poems, with lines like “A long stretchy / drizzle of slobbery ooze / dribbles and splats / on my favorite shoes.” Kids will readily identify with lines like “It’s hard to sit. / It’s hard to stay. / Who makes these rules up, anyway?”

This is a celebration of all things dog—the good, the bad and the smelly—that adult dog lovers will enjoy as well. Saltzberg’s endearing spot illustrations complete the package, with big-eyed dogs of all shapes and sizes cavorting, rolling around in messes, leaping into the air and staring pleadingly at each other and the reader. How can you not fall in love? There are poignant moments as well, with poems about a lost dog, an aging pet and the undying adoration that dogs have for their owners—and vice versa. (Cat lovers: a sequel is likely in store, as the last page features a cat saying, “You forgot . . . / the cat!”)

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.
Review by

The City Sings Green & Other Poems About Welcoming Wildlife is an inspirational treasure trove that introduces young readers to the concept of rewilding, showing how cities and communities around the world are repairing some of the environmental damage caused by human habitation. Focusing on 11 intriguing examples, Erica Silverman has created a unique blend of poetry, science, civics and activism. 

Each story is compelling: a honeybee highway in Oslo, Norway; a Los Angeles school that tore up their asphalt playground to create a natural oasis; and cities in Australia that built rope bridges over highways so that western ringtail possums might safely cross. Silverman introduces each short lesson with a poem celebrating an ecological achievement, accompanied by a prose explanation of the specific details. It’s a winning combination that succinctly informs and delights, while helpful back matter provides additional resources. Both the poetry and prose of The City Sings Green are widely accessible.

Ginnie Hsu’s cheery illustrations are an ecological feast, filled with bright colors that readily convey the benefits of each endeavor. Her art is particularly immersive, leaving readers feeling as though they’ve practically taken a walk through many of the places described, often seen from an animal’s point of view.  

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature. 

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.
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Tamales for Christmas transports readers right into Grandma’s kitchen, filled with warmth, comfort and creativity. . “Her kitchen is the heartbeat of our familia, loud and cramped and perfumed with delicious smells,” states the book’s narration. Grandma is based on author Stephen Briseño’s grandmother and her cooking skills, legendary among her numerous children, grandchildren and great-grandchildren.  

With the holidays approaching, Grandma sells her tamales to make money for Christmas gifts, and the bright, saturated colors of Sonia Sánchez’s art immediately infuse a festive spirit into this big-hearted tale. Gray-haired Grandma always has a smile on her face, delighted as she enlists her entire family’s help with her project. Each spread oozes joyous commotion: pots steam on the stove, children run from room to room, Grandma’s busy hands layer the corn husks. Her work begins in the fall and lasts until Christmas, sometimes before dawn as well as at night. There’s an ongoing tally of the tamales she makes, starting with 15 dozen and ending at 1,000 dozen—12,000 tamales! Young readers will enjoy keeping track of the count, as well as the repeated refrain, “With masa in one hand, corn husks in the other,” used to describe the matriarch’s efforts. 

While heroic and quick to help out neighbors, Grandma is also human. As the months pass, she keeps making her specialty, even on Halloween night. She whips up a big feast for Thanksgiving—no tamales, however—and finally takes a well-earned break in early December, propping her feet up on the couch, “long enough to play a game, weave stories that get everyone laughing so hard our eyes tear up and our sides hurt.”

Briseño never loses sight of the holiday spirit. As the narrator says, “We finally enjoy the best present Grandma could have given us. Each other.” Both story and art shine in Tamales for Christmas, making readers feel as though they’re part of this big, loving family. 

Both story and art shine in the festive Tamales for Christmas, making readers feel as though they’re part of the book’s big, loving family.
Review by

Thank You, Everything is a unique picture book meant to be enjoyed over and over: It may easily become a favorite of preschoolers as well as young elementary students. One morning, a child wakes up, eats breakfast and receives a box containing a mysterious treasure map that launches a grand journey. Told with minimal prose, this intriguing tale opens up the world to readers in a multitude of fascinating ways, leading them on a grand adventure that lasts for months and involves travel by bicycle, train, bus, plane, raft and hot-air balloon.

Icinori—the design and illustration duo of Mayumi Otero and Raphael Urwiller—use a bold yet limited color palette that favors shades of turquoise and rust to create wildly stylized, dynamic illustrations. Their graphic designs are eye-catching throughout, whether portraying a glass of water, jungles of wild animals or winding pathways reminiscent of an M.C. Escher painting. The pacing is perfect, prompting readers to appreciate and take close-up looks at small details (a bath towel, a canteen, a caterpillar) while also admiring big, beautiful landscapes (a bustling city, a dark forest lit by a full moon, a mountainside strewn with boulders, a mysterious palace).

The narrative, translated from French by Emilie Robert Wong, is equally distinctive. Just as Goodnight Moon uses a repeated refrain, the explorer in this picture book, as the title suggests, thanks each and every thing encountered, starting simple (“Thank you, alarm clock) and getting progressively more intriguing (“Thank you, volcano”). This delicious blend of art and prose is both soothing and exciting, and will encourage young imaginations to soar. The mystery of the final destination—where a surprise awaits—will keep readers engaged from start to satisfying conclusion.

Thank You, Everything is a delightful book filled with wonder and gratitude, feelings that will linger with readers long after they close its cover.

Thank You, Everything is a delightful book filled with wonder and gratitude, feelings that will linger with readers long after they close its cover.
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Robert Frost’s poem “Stopping by Woods on a Snowy Evening” is so well known and so often quoted that its beauty has almost become staid from overuse: It could use a refresh. In this picture book, author Richard T. Morris and illustrator Julie Rowan-Zoch have taken Frost’s words off the shelf, given them a dusting, added a kid and a hippopotamus, and created a delightful, charming and clever tale. Stopping by Jungle on a Snowy Evening is an irreverent homage that will leave all readers smiling. 

Stopping by Jungle on a Snowy Evening begins with a little boy riding a blue hippopotamus through the wintry woods as he recites Frost’s famous opening, but with a hippopotamus instead of the poem’s “little horse.” However, he is interrupted by the poet himself, who climbs out of his window to correct him. Their conversation becomes increasingly ridiculous as the child imagines even more bizarre answers to the poet’s logical objections. Things get delightfully out of hand, ending in complete chaos and an unlikely inspiration for yet another famous poem. Richard T. Morris narrates with an easy, conversational and factual tone. While Frost and his young rewriter come from very different places, their chatty exchanges feel more collaborative than conflicting. 

Julie Rowan-Zoch’s cartoon-like depiction of the protagonist is immediately familiar and loveable: curious, imaginative and a little cheeky, wearing a backwards hat and slide sandals. In contrast, Frost is drawn in a more traditional style. Rowan-Zoch’s bold, clever art mashes both their worlds together; a classically painted snowy forest scene right out of Frost’s original poem is delightfully invaded by snakes, jungle birds and a karate hippo. As Frost’s world unravels—snow falls in the jungle, cookies fall from the sky—the exasperated poet’s appearance also becomes more and more ragged. Reality and imagination smash together, and the result is perfect hilarity.

Stopping by Jungle on a Snowy Evening is a rare find. It’s a combo of old and new, clever and classic, innovative and familiar—perfect for any fathomable storytime scenario. Even more rare, there isn’t a single thing this reviewer would change about it. Two thumbs up.

Stopping by Jungle on a Snowy Evening is a rare find. It’s a combo of old and new, clever and classic, innovative and familiar—perfect for any fathomable storytime scenario.
Review by

One sunny day as she’s flying high above a patchwork of rolling farmland, a sudden blast changes Katerina the stork’s life forever. Felled by a hunter’s bullet, she lays helpless in a field, with her beloved mate Luka squawking in distress, until a farmer and his granddaughter scoop her up and carry her home.

At first, the duo tend to Katerina’s injured wing in their living room; later, they help her to a nest they’ve created inside their barn. All the while, Luka hovers outside, peeking through every window to reassure himself Katerina is safe—and ensure that Katerina knows he is, as ever, close by. But as winter looms, the storks know they soon must part. “He would not bear the coming cold,” Katerina explains. “I could not bear the flight. And so we said goodbye.”

In some romantic-yet-tragic tales, a couple’s story might end with that inevitable, wrenching separation. But in author Carol Joy Munro’s moving and hopeful debut Springtime Storks: A Migration Love Story, the storks’ separation transforms into a new beginning. Like the real-life birds that inspired Munro to write this story—a pair of Croatian storks named Malena and Klepetan, as detailed in the Author’s Note—Katerina and Luka adapt to their new reality and continue their love story in an unexpected but no less wonderful way. 

Chelsea O’Byrne’s beautiful, often fanciful, chalk pastel and colored pencil illustrations cleverly convey Katerina’s longing for Luka during their first year apart: At night, a stork-shaped silhouette swoops through the stars, and by day, as Katerina stretches her wings, Luka-shaped clouds encourage her from above. O’Byrne’s emotive art colorfully captures the storks’ joyful reunion and parental pride in their three chicks, as well as the beauty of nature present all year round. 

Budding naturalists will flock to Springtime Storks and its memorable celebration of loyalty and devotion, call to protect and conserve wildlife, and heartfelt reminder that love can prevail despite unanticipated challenges. 

Budding naturalists will flock to Springtime Storks and its memorable celebration of loyalty and devotion, call to protect and conserve wildlife, and heartfelt reminder that love can prevail despite unanticipated challenges.

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