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When Debbie Fong took a bus tour with her family at age 8, an illuminated underground waterfall struck her fancy—and ultimately inspired the magical Cessarine Lake central to her wonderful graphic novel debut, Next Stop.

The Ignatz nominee and illustrator of the bestselling How to Be a Person has carefully crafted a contemplative tale that invites readers along on middle schooler Pia Xing’s weeklong summer bus trip across the desert. Her dad meant to come along, but a broken leg strands him at home. No worries, though: Pia’s a smart, trustworthy kid, and the tour guide, Caroline, is a family friend. 

Caroline’s plucky daughter, Sam, immediately befriends Pia, and the other travelers are kind and quirky. They share their hopes for what their visit to Cessarine Lake—known for “mak[ing] IMPOSSIBLE things happen”—will bring them, but Pia can’t bring herself to join the conversation. It’s only been a year since a tragic accident plunged her family into grief, and nine months since they moved to a new town for a fresh start. Pia’s mom blames her for what happened, and Pia’s dad is exhausted by his efforts to console his wife while protecting Pia. Perhaps, she hopes, the lake can help her assuage her family’s pain.

Each day of the trip reveals a new array of cleverly conceived tour-stop wonders, including a chicken-shaped hotel, a cactus petting zoo and a watermelon so huge it casts a shadow over the tour bus. Fong’s illustrations are witty and detailed with a strong eye for color. Sepia-toned flashbacks add context to Pia’s present-day emotions, and vividly kooky set pieces become increasingly peculiar the closer the bus gets to its mystical destination. Might magic be afoot after all?

Next Stop is an immersive, empathetic tale of an important journey that sensitively explores grief and loss even as it celebrates friendship and new experiences. Charming and interesting back matter that reveals more about the author’s creative process and her background (including that childhood bus trip!) nicely rounds out a top-notch reading experience.

Next Stop is an immersive, empathetic tale of an important journey that sensitively explores grief and loss even as it celebrates friendship and new experiences.
Behind the Book by

I have been deaf since childhood. A question I get a lot is, “Can you hear music?” My answer, “yes,” is often met with shock and disbelief. But disabilities, including deafness, are on a spectrum. I am a deaf person who benefits from hearing aids, and those hearing aids help me hear music. The music I hear might not sound perfect, but so much of what I do hear, I love.

In the early ‘80s, while my friends were rocking out to tunes on the radio, I preferred listening to the vintage albums that my older siblings brought home from thrift stores. Bacharach and the Beatles, Sergio Mendes and Joni Mitchell—even though I couldn’t understand the lyrics, my hearing aids and my parents’ exemplary turntable and speakers helped me hear voices and instruments and melodies and harmonies, bass lines and drumbeats pumping through my feet all the way to my chest.

But I wasn’t just hearing the music. I was seeing and feeling it, too. I’d sit on the floor and pore over the records’ unique album covers: 12-and-a-half inch squares featuring photographs and illustrations and fonts, a fantastic introduction to the best—and worst—of graphic design. If I was really lucky, there might be lyrics on the album cover, too, and I could sing along. I’d pause my study (and my singing) for the tactile part of the experience: flipping the record over to place the needle down on the B-side, or pulling a different record out of its crinkly, vellum sleeve to start anew.

In my newest book, Animal Albums from A to Z, each letter of the alphabet is represented by its own album cover, with each cover showcasing a different genre as performed by various animal musicians. This book is meant to be a celebration of that visual and tactile experience that I’ve described. But the unavoidable truth is that music is still meant to be heard. As I painted and collaged and cut out letters with a katrillion X-Acto blades, I dreamed about making music to go with my art. With the help of more than 60 talented musicians—many of them friends since childhood—that dream came true. I left the cherished isolation of my studio in the woods to collaborate with old and new friends in a recording studio (and beyond), and now there are 26 silly songs in 26 different genres, all accessible via a QR code on the title page of the book.

My hope is that this book replicates some of the deep sensory joys of music: that readers young and old might pore over my illustrations like I pored over those old album covers; might turn the pages like I flipped a record to its other side; might sing along with the lyrics as I did—and that they might remember these songs fondly, the way I cherish the songs of my own charmed childhood.

Photo of Cece Bell by Tom Angelberger.

The author-illustrator discusses creating the 26 original silly songs that make up Animal Albums from A to Z.
STARRED REVIEW

Our top 10 books for March 2024

The best new books of the month include highly anticipated follow-ups from Sloane Crosley, Sasha LaPointe and Juan Gómez-Jurado.
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Book jacket image for 49 Days by Agnes Lee

49 Days is an unusual, profoundly moving graphic novel whose elegance belies its complexity and whose emotional impact only grows upon rereading.

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Book jacket image for All That Grows by Jack Wong

In All That Grows, Jack Wong evokes the soft haze of childhood summers where a small stand of trees might be seen as a huge

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Book jacket image for Black Wolf by Juan Gomez-Jurado

The Antonia Scott series is hands-down the best suspense trilogy to come along since Larsson’s Millennium Trilogy.

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Thunder Song is an essay collection full of sensitive meditations and powerful observations from Coast Salish author Sasha LaPointe.

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Orlagh Cassidy, Tove Jansson

Listeners will be immersed in this meditative exploration of time spent in nature—the story of Moomin creator Tove Jansson and her partner Tooti Pietila’s life together on an island off the Gulf of Finland.
The best new books of the month include highly anticipated follow-ups from Sloane Crosley, Sasha LaPointe and Juan Gómez-Jurado.
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STARRED REVIEW
March 11, 2024

Reading not required: 3 wordless picture books

See the world anew with three wordless picture books that compel the reader to narrate their own story through unique artwork.
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See the world anew with three wordless picture books that compel the reader to narrate their own story through unique artwork.
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It’s rare to experience the type of connection to a character that I had with Emma in I Lived Inside a Whale. I Lived Inside a Whale opens on the chaos of a party where everyone is having a blast, except for our irritated little narrator. Emma just wants a quiet spot to read, so she packs up and moves into the mouth of a whale (a reimagined space inside her bedroom). Her calm new home is the perfect place for reading—that is, until an interloper in the form of an excitable little boy slides in on a skateboard, and Emma’s solitude takes an unexpected turn. Written and illustrated by Xin Li, I Lived Inside a Whale is a touching and beautiful tale of finding refuge in stories, discovering unlikely allies and sharing one’s voice with the world.

Li’s evocative watercolor and pencil artwork echoes and expands upon Emma’s emotions. Clogged city streets, dour rain and constant noise reflect Emma’s feelings of needing to escape. An abundance of little details (stuffed animals, a warm reading light, a cup of tea, a perfect amount of books in disarray) makes her whale home enviably cozy. As Emma begins to share with others the wondrous stories and worlds inside her head, Li’s art becomes broadly imaginative: welcoming and expressive, it feels joyfully created and makes one happy. Little eyes will have fun whale-spotting while following along. A few classic storytime characters—such as those from Alice’s Adventures in Wonderland—also make delightful cameos.

Li narrates with the matter-of-fact voice of a bookish little girl who takes her alone time very seriously. The first-person perspective has the advantage of letting one directly feel Emma’s exasperation, her carefulness and orderliness, and finally, her bliss when storytelling. I Lived Inside a Whale has a moment for every reader, making it perfect for storytime or bedtime or any time in between. We could all use a little vacation these days, and I Lived Inside a Whale is a great escape, no matter your age.

I Lived Inside a Whale is a touching and beautifully illustrated tale of finding refuge in a story, discovering unlikely allies and sharing one’s voice with the world.
Review by

Somewhere in a big city, there are two different babies having two similar, yet different days. Across a “beep-beep street” and along “two bumpy sidewalks,” this baby and that baby wave at each other “at the very same time.” Both babies go on various adventures—giggling on their grown-ups’ laps, kissing their lovies, reading books, making music and pausing for the several inevitable diaper changes of the day—before going out to the park for a surprise play date that ends with a fun peek-a-boo.

This Baby. That Baby. by Cari Best and Rashin Kheiriyeh is a wonderful addition to your reading list and a great picture book to share with the parents and children in our community. Reminiscent of Ten Little Fingers and Ten Little Toes by Mem Fox and Helen Oxenbury, this book celebrates all the ways two different babies experience the same expressions of love: playtime, a good book, snuggling and friendship. One, dressed in a blue onesie, sits on a mother’s lap, while the other wears a little red floppy hat to match a father’s red ball cap. Kheiriyeh’s simple, whimsical illustrations create a nursery atmosphere, which is alluded to by the opening and closing pages showing different mobiles that may hang above a baby’s crib. The rhyme scheme is lovely and balanced, making for an engaging read-aloud book that will be a go-to for any classroom, library or nursery.

Hello, This Baby. That Baby.: Welcome to the shelf!

Rashin Kheiriyeh’s simple, whimsical illustrations and Cari Best’s lovely and balanced rhyme scheme make for an engaging read-aloud book that will be a go-to for any classroom, library or nursery.
Review by

One little person suits up in their warmest boots, gloves, scarf and hat to make one giant leap into the wintery unknown. They ride the elevator down to the first floor. . . . Or, wait, are they riding a spaceship? In One Giant Leap, a wonderfully inventive ode to imagination, snow is not snow: it’s moon dust. A pigeon is not a pigeon: it’s an extraterrestrial being (or two, or three). Like any good adventure, there is a moment where all may be lost. Will our little astronaut make it back to their spaceship before the duststorm fills the space sky?  

With papercut collage illustrations that play with color and pattern, Thao Lam dives into the unknown of a child’s imagination, reminding readers that intrigue lies around every corner and every day is an opportunity for a new adventure.

Thao Lam dives into the unknown of a child’s imagination, reminding readers that intrigue lies around every corner and every day is an opportunity for a new adventure.
Review by

A boy and his sister wander their quiet neighborhood and admire the life bursting into color around them. The boy’s sister tells him about the burgeoning flowers and trees they pass, dropping small seeds of curiosity that take root in the boy’s mind. 

As the season blooms into summer, the siblings tend to a garden. Though the boy loves to help his sister nurture and weed the vegetable patch, he also ponders the weeds themselves: Why are some plants cultivated, while others are yanked from the ground before they’re given a chance to thrive? 

Award-winning author (When You Can Swim) Jack Wong’s All That Grows is a delicate but powerful ode to curiosity and the delights to be found in the natural world. There is an eloquent simplicity to the story and its contained focus. Wong’s narrator, the unnamed boy, is quiet and thoughtful as he describes his surroundings and experiences in vivid, sensory ways: “Overnight, the trees go from bare to bursting with leaves, turning the streets into enormous green caverns.” In a way, the writing feels like a photographer’s macro lens, homing in on the tiny universes unfurling inside something bigger.

Wong’s illustrations parallel this idea as they zoom in and out of the book’s verdant, sun-dappled setting. The beautifully textured pastel drawings are realistic, but they also possess a subtle whimsy in their decidedly childlike perspective. Whether it’s the way everything seems to glow at the edges or the exclusion of adults (save one lone glimpse), the effect is potent. In some near-intangible way, Wong has evoked the soft haze of childhood summers where a small stand of trees might be seen as a huge forest, and a field of dandelions offers magical, unfettered possibility.

In All That Grows, Jack Wong evokes the soft haze of childhood summers where a small stand of trees might be seen as a huge forest to explore, and a field of dandelions offers magical, unfettered possibility.
Review by

A child cooped up in a small house all winter receives wonderful news. The weather forecaster announces a sunny day from the television; the window is aglow with the bright sunlight; a new page is turned on the calendar: Today is The First Day of May. First, the child is stopped by a pair of adult legs and a disembodied hand that reminds them to put on their shoes. Shoes on, the child is released into the spring day, in a moment of wonder captured by their starry eyes taking in a vast overhead sky. No time to waste, the child is off—flitting around to explore the surrounding fields and forests, watching the birds, chasing butterflies, dancing to the cricket’s song. This most perfect day concludes with the return of the disembodied adult hand bringing the child a cup of tea and tucking them in for a nap in the forest among the flowers, as birds and animal friends look on lovingly. 

This Portuguese import is pure joy: all smiles and cartwheels and bright primary colors. Henrique Coser Moreira’s art is simple but incredibly expressive with its high contrast colors, making this picture book easy for a young child to follow, while compelling adult readers to also remember the joys of all our firsts.

The weather forecaster announces a sunny day from the television; the window is aglow with the bright sunlight; a new page is turned on the calendar: Today is The First Day of May.
Review by

When a big, hairy spider moves into a new house, his plan is to hide and catch flies—but then a kind old woman named Betty reaches beneath the couch and feels his fuzz. She thinks he’s a kitten! Newly named Luigi doesn’t want to scare her, so he pretends to be a cat.

It turns out that cats have cushy lives—snacking on cereal, napping in beds, and playing with toys—and the longer Luigi pretends, the more he truly wants to be a kitten. He misses catching flies and his sticky web, but this is better! If he pretends hard enough, maybe Betty will never notice that he isn’t a cat.

However, when Betty’s friends come to visit and comment on how she adopted a spider, he knows the gig is up. But when Betty turns to him, it’s with open arms and a kind question: “Can you be yourself and still be my friend?”

Author Michelle Knudsen and illustrator Kevin Hawkes, the duo behind Library Lion, reunite for the first time in over a decade with Luigi, the Spider Who Wanted to Be a Kitten. Anybody who thinks spiders can’t be cute will be proven wrong with this charmingly illustrated story about identity and honesty.

With acrylics and pencil, Hawkes uses both shadows and Luigi’s long spider legs to expertly convey his kitten-ness, and read-alouds can be paired with easy challenges to kids to match Luigi’s actions: Can you make your hands look like kitten ears? Can you hold your leg back like a tail?

Luigi, the Spider Who Wanted to Be a Kitten warms the heart, highlighting how freeing the truth can be, as well as the fact that you can be more than one thing—so long as you’re happy.

Correction: The print version of this review featured the wrong illustrator’s name. The correct illustrator is Kevin Hawkes.

Anybody who thinks spiders can’t be cute will be proven wrong with Luigi, the Spider Who Wanted to Be a Kitten, a charmingly illustrated story about identity and honesty.

A case of mistaken identity blossoms into a beautiful friendship in Ann Kim Ha’s clever and heartwarming picture book A Friend for Eddy

Eddy, an adorable orange goldfish, lives in a clear bowl with only decorative rocks and a plant for company. He swims and blows bubbles to his heart’s content, but while “his favorite game, / chase-your-tail” is highly entertaining, he longs for someone else to play with. 

One delightful day, a small yellow fish outside taps on the glass of the bowl and joins Eddy in a game of tag. The next day, the fish returns for more hijinks, with another friend in tow! Not only does this new buddy look exactly like the first yellow fish, he’s just as much fun.

It’s an idyllic new state of affairs. Now that he’s experienced the joys of camaraderie, Eddy wants to join his two pals outside, so he takes a big risk by swimming in fast circles, resulting in a whirlpool that propels him out of his bowl. Soaring through the air is glorious (“He felt weightless and free!”) but alas, short-lived, as Eddy plummets to the table his bowl rests upon.

The book transforms into a bit of a thriller as Eddy realizes what readers discovered a few pages ago: Those two yellow fish are not fish at all. They’re a cat’s eyes! Young readers will gasp as the cat rises up—mouth wide open, pointy teeth on display—and draws Eddy into its gaping maw. What will happen to Eddy now? 

Those who connected with Ha’s Walter Finds His Voice will be similarly inspired by the intrepid Eddy, and appreciate his and his feline friend’s ability to buck conventional wisdom and forge a close bond. A Friend for Eddy’s richly hued, evocative visuals convey an exciting range of emotions while drawing readers into Eddy’s watery world. Its upbeat text and surprising storyline highlight the upsides of trying new things—and being open to the idea that friends can be found in the most unlikely places.

A Friend for Eddy’s upbeat text and surprising storyline highlight the upsides of trying new things—and being open to the idea that friends can be found in the most unlikely places.
Review by

A flood has returned to the Earth. This time it’s not a man but a robot who is there to save all the animals and ferry them to a new world. Large, sturdy and able to traverse any distance, watery or not, the robot cares for the animals, feeding bamboo to the pandas and fish to the tigers. But the robot knows it needs more to sustain this world for the animals. The robot builds a large boat for all the animals—a callback to Noah’s Ark—and carries them through vast stormy seas until they find another robot friend to whisk everyone by air to a new island teeming with life and opportunity. 

Aaron Becker’s The Last Zookeeper is beautifully drawn with spare pencil lines and watercolor washes, and provides a conversation starter for older children who may be wondering about their role to play in a world that needs everyone’s help in order to survive. 

The Last Zookeeper is beautifully drawn with spare pencil lines and watercolor washes, and provides a conversation starter for older children who may be wondering about their role to play in a world that needs everyone’s help in order to survive.
Review by

In her first picture book, You Broke It! (Rise x Penguin, $18.99, 9780593660409), New Yorker cartoonist Liana Finck takes an irreverent look at the endless barrage of reprimands that parents routinely fling at their offspring—“Sit still!” or “Get the hair out of your eyes!”—and twists them in ways that will leave both parents and young children with smiles.

A different parent is featured on each spread, admonishing their young in ways that will make readers laugh out loud. The featured chastisers include various animals and natural forces. A whirling tornado tells their child, “You’re making a mess!” while a worm issues a “Stop squirming!” decree. My own favorites are the cat’s “Stop playing with your food!” to the kitten eyeing a nearby mouse, and a crocodile who warns their toothy youngster, “Stop biting!” 

Finck’s lively illustrations consist of minimalistic line drawings with one burst of muted color on each spread—a pink mouse, a blue tornado, a bit of green on a turtle. In true cartoon style, this artistic simplicity nicely focuses the reader’s attention on the irony at hand, helping kids immediately tune in to each joke without visual distractions.

You Broke It! is a book that parents and children are likely to relish and remember, especially in the midst of those inevitable nagging sessions that occur. Both young and old will enjoy poking fun at popular admonishments, and each will perhaps leave with renewed understanding about the loving aspect of such conflicts. Finck’s final pages certainly bring this message home when an octopus says, “Keep your hands to yourself!” and the child responds, “I am just being me.” With that, You Broke It! concludes with the perfect illustration: a parent and child embracing in a big octopus hug.

You Broke It! is a book that parents and children are likely to relish and remember, especially in the midst of those inevitable nagging sessions that occur in parenting.

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