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Anyone who listens to Ira Madison III’s exuberant pop culture podcast, “Keep It!,” knows the writer has a way with words. Whether he’s critiquing a play (he’s a New York University Tisch School of the Arts grad and a Broadway geek) or a Taylor Swift album (he’s also a Swiftie), Madison always brings smart, edgy, hilarious takes. Pure Innocent Fun is a thoroughly enjoyable collection of essays in which Madison reflects on his sometimes-difficult 1990s Milwaukee childhood and the pop culture that shaped him, from Buffy the Vampire Slayer to Lil’ Kim to Jerry Springer.

Growing up Black and closeted while attending a mostly white, all-boy Catholic high school, Madison learned early how to blend in—or at least try. “I did feel a bit like Clueless’s Dionne, a bougie Black girl played by Stacey Dash who understands the ins and outs of white culture and whose best friend is rich white Beverly Hills teenager Alicia Silverstone’s Cher Horowitz,” he writes.

Raised mostly by his grandmother, Madison struggled with his self-esteem throughout adolescence. A chubby middle schooler, he noticed the unending focus on weight and appearance in pop culture. From Oprah infamously dragging 67 pounds of fat onstage in a wagon to the so-called Subway diet, fat-shaming was everywhere in the 1990s. “Celebrities like Britney Spears and Jessica Simpson were called fat even when they were rail-thin,” Madison writes. “Every TV sitcom had a fat-friend character whose only dialogue involved responding to punch lines about their weight.”

Madison found refuge in the movie theater and, later, in his high school and college theater programs. He didn’t end up coming out until college (more accurately, he was outed by a classmate). He recounts this incident and his understandably less-than-magnanimous reaction with heart and candor, hallmarks of this entire essay collection. Pure Innocent Fun is a dizzyingly fun treat for children of the 1990s, pop culture aficionados and really anyone who enjoys hilarious, clear-eyed essays. A superfan of the razor-sharp writings of pop culture critic Chuck Klosterman, Madison shares his idol’s ability to connect pop culture moments to bigger life themes.

 

In his dizzyingly fun debut essay collection, Ira Madison III riffs on his 1990s Milwaukee childhood and the pop culture that shaped him.

Believe         

Fans of beloved hit television series Ted Lasso will delightedly embrace Believe: The Untold Story Behind Ted Lasso, the Show That Kicked Its Way Into Our Hearts.

Part oral history, part cultural analysis, Believe is an entertaining and insightful behind-the-scenes tour in which New York Times television editor Jeremy Egner offers a wealth of interviews with key players as he reflects on Ted Lasso’s origins as a 2013 commercial; standout influences and episodes (e.g., the divisively trippy “Beard After Hours”); and its rocket-like ascension to national-treasure status.

Like Ted Lasso, Believe brims with enthusiasm, sports-talk and fun. As Egner writes, “It’s a story, appropriately enough, of teamwork, of hidden talent, of a group of friends looking around at the world’s increasingly nasty discourse and deciding that, as corny as it sounds, maybe simple decency and a few laughs still had the power to bring people together.” Believe is a winning read about a stellar show.   

Steven Spielberg     

Steven Spielberg: The Iconic Filmmaker and His Work is an upbeat, photo-packed tribute to the famous filmmaker, written with wit and warmth by British film critic Ian Nathan.

Nathan believes Spielberg is “the medium’s defining artist. Indeed, the embodiment of the Hollywood ideal: the commercial potential of film married to its creative possibilities. Art and commerce.” He proves his point as he traces the filmmaker’s development as director, producer and writer over his 50-plus year career, from his earliest films (1971’s Duel, his first feature-length film) to his most personal work to date, 2022’s semi-autobiographical The Fabelmans

Analysis of the auteur’s favorite collaborators and common themes offers illuminating context, and reveals a bounty of nitty-gritty details about Jaws, Raiders of the Lost Ark, Hook, A.I. Artificial Intelligence, Lincoln and more. Photos and movie posters amp up the fun, and even Nathan’s captions offer fresh insight. Steven Spielberg will absolutely intrigue and enchant fans of “the man with the universal touch.”

Box Office Poison       

There’s always high drama on movie sets, thanks to the studio politics, budget-busting sets and creative intensity that swirls around them. Sometimes a hit is born, but other times, as film critic Tim Robey writes in Box Office Poison: Hollywood’s Story in a Century of Flops, one must wonder, “What the hell were they thinking?”

Robey spotlights 26 cinematic “weirdos, outcasts, misfits, [and] freaks” via well-informed, gleefully snarky takes on what went wrong and what we might learn from flops. Intolerance (1916) exemplifies the “giant folly of trying to be a one-man film studio”; Speed 2: Cruise Control (1997) was waterlogged; and Cats (2019) suffered from “the buttholes” and endless production problems.

Robey notes that many flops become cult classics or are eventually recognized as misunderstood, and due to streaming, it’s become difficult to quantify losses and thereby designate a new ultimate bomb. But on the upside, our cord-cutting world has also made it easier than ever for cinephiles riding high on the spirited Box Office Poison to experience the movies Robey deems “turkeys.” 

Hollywood Pride

In his wonderfully wide-ranging encyclopedia of 130 years of movie history, Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film, film critic Alonso Duralde “hope[s] to pay tribute to artists whose contributions on both sides of the camera have been essential to cinema history while also spotlighting films that have told queer stories and/or had special resonance with queer audiences.” 

Mission accomplished: This chronological compendium examines filmic LGBTQ+ representation in key eras like the years after World War II, when “gay men were among the biggest stars in Hollywood, even if almost no one outside the industry knew it”; and the “opening of the floodgates” after 2005’s Brokeback Mountain. There are vivid photos and sidebars galore, and lists of notable films and artists, too. 

Hollywood Pride is a well-written, visually appealing cultural history: a book to learn from, gaze at and celebrate that “as long as there is a cinema . . . we will continue to exist and to thrive and to create.”

The Worlds of George R.R. Martin

George R.R. Martin fans—especially those who wish they lived in Westeros—will clamor for Tom Huddleston’s The Worlds of George R.R. Martin: The Inspirations Behind Game of Thrones, which illuminates the creative process of the much-loved author of the Song of Ice and Fire fantasy series.

Huddleston ponders “What sources—historical, literary and personal—did [Martin] draw upon in the writing, and what inspiration did they give him?” He notes that Martin’s writing has a “sprawling, breathtaking sense of scale” that draws readers in, and certainly echoes that scope and intensity here as he delves into the creation of the hugely popular series, considers how it was translated into TV shows Game of Thrones and House of the Dragon, and assesses its place in pop culture.

Fans who want to spend even more time in Martin’s medieval-esque world will treasure The Worlds of George R.R. Martin: It’s a well-researched, engagingly written and visually immersive experience.

These books are just the thing for screen buffs who want to revel in their favorite stories and auteurs, with deeply knowledgeable experts as their enthusiastic guides.
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Book Nooks

The question of how best to set up a personal library has confounded many a book collector. When it comes time to arrange them, all those wonderful volumes can seem like the pieces of an unsolvable puzzle. The literature lover who’s searching for solutions will welcome Book Nooks: Inspired Ideas for Cozy Reading Corners and Stylish Book Displays by Vanessa Dina and Claire Gilhuly.

Packed with easy-to-execute design schemes and Antonis Achilleos’ fabulous photographs, Book Nooks offers tips on how to group books according to color and size, as well as strategies for using personal effects in an arrangement. For establishing a comfy reading area, there are options to suit every style, space and taste. The book also addresses the art of stacking (Yes, it can be a creative act!), suggests methods for bringing plants into the picture, organizing those prize cookbooks and integrating analog reading material into a teen’s room. With reading recs from noted authors and a look at Little Free Libraries, Book Nooks is a bibliophile’s best friend.

Hidden Libraries

DC Helmuth’s Hidden Libraries: The World’s Most Unusual Book Depositories is a perfectly on-point present for any reader, but especially one who loves to travel. This wide-ranging title profiles 50 remarkable libraries in locations across the globe. Staff stories, fascinating facts, spectacular imagery and a foreword from critic and librarian Nancy Pearl make it a winning tribute to the mission of libraries everywhere.

Hidden Libraries surveys a range of amazing physical spaces. The Kurkku Fields’ Underground Library in Kisarazu, Japan, is a book-lined grotto covered in grass, while the cocoon-shaped Heydar Aliyev International Airport Library near Baku, Azerbaijan, projects sheer architectural awesomeness. Examples of inspired resourcefulness regarding book circulation abound: In China, the Shenzhen library system distributes titles via vending machine. And Helmuth doesn’t dismiss even the most miniature of libraries. A handsome wooden cabinet filled with colorful books, the Little Free Library at the South Pole—startling against Antarctica’s unrelieved whiteness—seems to defy its frozen surroundings. Big or small, grand or humble, each library serves as a singular point of enrichment and connection, and Helmuth’s stirring volume honors these efforts.

The Rory Gilmore Reading Challenge

With its quick-witted heroine Rory Gilmore, a voracious reader with dreams of attending Harvard, Gilmore Girls could very well be classified as a TV show for bookworms. The series, which aired from 2000 to 2007, made numerous allusions (339, to be exact) to books of all genres—titles favored by Rory and her friends. In The Rory Gilmore Reading Challenge: The Official Guide to All the Books, Erika Berlin explores the novels, plays and poetry cited on the show, providing episode information and details on who read what. 

Inspired by Buzzfeed’s 2014 list of all the books mentioned in Gilmore Girls, Berlin’s breezy volume takes a nostalgic look back at Rory’s world while sharing reading recommendations (Frankenstein, The Poems of Emily Dickinson, One Hundred Years of Solitude, the list goes on) and invaluable book-related advice, including approaches for becoming a more focused reader and easy ways to impose order on a chaotic book collection. Filled with photos from the show, this book is a sunny retrospective and a buoyant tribute to the reading life.

Buried Deep and Other Stories

For the fantasy fan, there’s no better gift than Buried Deep and Other Stories by Naomi Novik, bestselling author of the Scholomance trilogy, Uprooted and Spinning Silver. As this collection proves, Novik is a natural conjurer whose stories—rich with allusion and detail—feel effortlessly authentic. Each provides an escape into an alternative world that’s wholly realized. 

“Dragons & Decorum”—a fantastical recasting of Pride and Prejudice, set in the Regency England of Novik’s Temeraire seriesfinds Elizabeth Bennet riding a winged dragon named Wollstonecraft. In “The Long Way Round,” Novik offers a taste of her next work (tentatively titled Folly) and introduces spirited protagonist Intessa Roh. “Vici,” another Temeraire tale, but this time set in ancient Rome, chronicles the unexpected camaraderie that arises between Marc Antony and a valiant dragon. Introductions from Novik accompany the anthology’s 13 stories, and readers will relish the context they give to her work. This is a transportive collection from an author who maps her narrative milieus with extraordinary precision.

The Man in Black and Other Stories

Crime fiction maven Elly Griffiths is known as a prolific writer, having penned the Ruth Galloway, Harbinder Kaur and Brighton mysteries series. But did anyone suspect she was writing short stories on the side? That’s right—Griffiths has long played around with short-form work, and her intriguing new volume, The Man in Black and Other Stories, spotlights this aspect of her artistry. 

The atmospheric anthology brings together 19 pieces, in which, fans will be delighted to learn, Griffiths expands the backstories of some of her most popular characters. The volume’s eponymous story is a spooky sketch set just before Halloween that features Ruth Galloway. “Harbinger” tracks Harbinder Kaur’s all-too-eventful first day at Shoreham Criminal Investigation Department. And in “Ruth Galloway and the Ghost of Max Mephisto,” all three of Griffiths’ sleuths converge, as it were. Ingeniously plotted and leavened with humor, the pieces are brief but satisfying. From sinister tales to twisty whodunits, Griffith’s short stories deliver as much spellbinding suspense as a full-blown novel.

Got a serious bibliophile on your list? Tick that box with one of these titles.
STARRED REVIEW
September 1, 2024

Best Hispanic and Latinx titles of 2024 (so far)

Celebrate Hispanic Heritage Month (September 15 to October 15) by reading one of these excellent books by Hispanic and Latinx authors.
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Book jacket image for Shut Up

Shut Up, This Is Serious

Caroline Ixta doesn’t shy away from representing Oakland’s complexities—its vast socioeconomic inequalities, its legacy of racial tensions, its rich but complicated Mexican American community—in clear-eyed ...
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The Cemetery of Untold Stories

Magical and multifaceted, Julia Alvarez’s meditation on creativity, culture and aging, The Cemetery of Untold Stories, is a triumph.
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Book jacket image for The Seventh Veil of Salome by Silvia Moreno-Garcia

The Seventh Veil of Salome

The Seventh Veil of Salome is another triumph from Silvia Moreno-Garcia, a page-turning historical drama with mythic overtones that will please readers of her realistic ...
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Book jacket image for I Shouldn’t Be Telling You This by Chelsea Devantez

I Shouldn’t Be Telling You This

Comedy writer Chelsea Devantez romps through personal embarrassments, traumas and triumphs in her memoir, I Shouldn’t Be Telling You This.
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My Daddy Is a Cowboy

There is so much to love about My Daddy Is a Cowboy, a gorgeous book that celebrates Black urban horsemanship.
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My Favorite Scar

Nicolas Ferraro’s My Favorite Scar is a nihilistic, hair-raising road trip through Argentina’s criminal underworld.
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Book jacket image for The Great Divide by Cristina Henriquez

The Great Divide

Cristina Henriquez’s polyvocal novel is a moving and powerful epic about the human cost of building the Panama Canal. It’s easy to imagine, in these ...
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The Imposition of Unnecessary Obstacles

The Imposition of Unnecessary Obstacles is a delightful cozy mystery—set in the rings of Jupiter.
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Celebrate Hispanic Heritage Month (September 15 to October 15) by reading one of these excellent books by Hispanic and Latinx authors.
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When Deborah Paredez describes the women she awards diva status as “extraordinary, unruly, fabulous,” she is just getting started. In tributes as impassioned and exuberant as any of her subjects, the college professor and poet offers a diverse collection of women to be celebrated and emulated. American Diva: Extraordinary, Unruly, Fabulous is the grand platform Paredez creates for her stars as she tells their stories, bedecked with her own scintillating flourishes. 

Paredez memorializes divas at a propulsive pace. Here is the Queen of Salsa, Celia Cruz; the effervescent and doomed Selena; Tina Turner performing “Proud Mary” with “inimitable ferocity”; Rita Moreno, on-fire dancer and vengeful victim in the movie West Side Story; Venus and Serena Williams, “defying the naysayers” and dominating the courts; Aretha Franklin, “a queen bee dripping with so much nectar” at Bill Clinton’s presidential inauguration. These iconic women, both here and gone, have earned their diva status and, Paredez insists, stand as beacons of feminism for future generations.

Divas, by Paredez’s definition, are “strong, complicated, imperfect, virtuosic women who last and last and last.” But competing definitions of divas have made their way into the culture. Newsweek cautioned parents against “Generation Diva” in 2009, and divas, “once synonymous with virtuosity, became symbols of vitriol.” Meanwhile, tween icons like Miley Cyrus—whose exploits as Hannah Montana came “adorned with sparkly merchandise”—were on the rise. Young girls have learned to dress, dance and perform as the stars they yearn to be. Paredez wonders, has a diva instead become “a means of convincing girls that singing along to a power ballad in a sequined T-shirt emblazoned with ‘Li’l Diva’ equals actual power”? The downside to such youthful appropriation becomes clear by contrast: The women whose careers Paredez showcases in American Diva are real and powerful in their sheer fearless embrace of their own best selves—rendering moot any worshipful imitation.

Paredez doesn’t hold back, and is especially startling in her candor about her own impetuous coming of age. Bookending this star-studded lineup is the author’s own beloved Lucia, the aunt who introduced her to all things diva: Dress up, dance, sing or ace your serve—and always accessorize. The rest—success, money, fame, love—will happen only if you are strong enough to make it so.

The exuberant American Diva celebrates “extraordinary, unruly, fabulous” women who earned their diva status and stood the test of time.
Review by

“I’m rooting for, uhmmm, everybody Black,” said actor/writer/producer and “Insecure” creator Issa Rae at the 2017 Emmy Awards. The essential Black TV: Five Decades of Groundbreaking Television from “Soul Train” to “Black-ish” and Beyond, from Washington Post reporter Bethonie Butler, does the same, showcasing prime-time television shows of a “new era in Black television: one in which viewers would have more say in what they watched and Black writers, producers, and talent would have more creative control over the stories they brought to television.” Among these noteworthy series, Butler highlights Donald Glover’s “Atlanta,” Quinta Brunson’s “Abbott Elementary” and Ava DuVernay’s “When They See Us,” swiftly surveying their impact on the industry. Along the way, Butler visits the Jeffersons and the Cosbys, Arsenio Hall and Richard Pryor, the Fresh Prince and the ladies of “Living Single,” and many other icons of television, showing how Black creators opened doors for one another to find success. 

Bethonie Butler’s glossy coffee table book Black TV highlights the impact of Black creators on the entertainment industry.
STARRED REVIEW

September 29, 2021

A quartet of books for pop-culture lovers

Your favorite pop culture fanatic will adore these fun and fascinating new books about the TV, movies, and other media we know and love. They’ll laugh, cry, nostalgically sigh — and immediately want to press “play.”

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The prolific and hilarious Keegan-Michael Key—known for his work in “Key & Peele,” “Mad TV,” “Schmigadoon!” and as President Obama’s “anger translator”—shares his passion and enthusiasm for sketch comedy in the aptly titled The History of Sketch Comedy: A Journey Through the Art and Craft of Humor, co-authored with his wife, film producer Elle Key.

The book, based on their Webby Award-winning podcast, is a wonderful soup-to-nuts compendium of everything sketch. The authors trace its origins from ancient Greece to today’s comedians, and take readers around the U.S. and abroad as they consider influential American comedy schools and highlight the British comedians who are “courageous trailblazers who have influenced comedy around the world.”

Key also revisits his Detroit upbringing, detailing his comedy education in college and on various stages. Aspiring comedians will benefit from the book’s educational elements: With copious examples of (and scripts from) favorite sketches and shows, their creators analyze what, exactly, makes them so funny and memorable. Guest essays from stars like Ken Jeong, Carol Burnett, Julia Louis-Dreyfus and Tracy Morgan add to the fun, as do tangents about beloved colleagues like Jordan Peele and “one of the godfathers of modern sketch,” Bob Odenkirk. The History of Sketch Comedy is a highly informative and entertaining read that’s sure to inspire instant binge-watching and a groundswell of sketch-centric enthusiasm.

Keegan-Michael Key and Elle Key’s History of Sketch Comedy is a wonderful soup-to-nuts compendium of everything sketch.

Following on the success of his 2017 memoir, Cured, Lol Tolhurst returns with what he calls a “memoir of a subculture.” Goth: A History is Tolhurst’s compendious exploration of the music, art, literature and fashion that made up the dark side of post-punk. The Cure—which he co-founded as drummer with Robert Smith and Michael Dempsey—is often seen as one of the instigators of the movement, alongside bands like Bauhaus, Siouxsie and the Banshees, and Joy Division. Richly illustrated with flyers and photos from Tolhurst’s private collection, Goth is a coffee table book for the discriminating vampire.

Goth was always more than black eyeliner and black clothes; in Tolhurst’s reading, it reflects the bleak social and political context of Margaret Thatcher’s England. As a philosophy, it suggests a melancholic point of view and a willingness to contemplate obsessive love, madness and death. In Goth, Tolhurst catalogs the poets and artists whose work appeals to those who also love goth music. Sylvia Plath’s novel The Bell Jar was a massive influence on Tolhurst, as were the poets T.S. Eliot and Anne Sexton. Emily Bronte’s Wuthering Heights is obviously goth, as are the death- and madness-drenched poems of Charles Baudelaire. David Bowie, Alice Cooper and Marc Bolan of T. Rex each have goth elements and were also early influences on Tolhurst.

Inevitably, a good part of this book focuses on Tolhurst’s time with The Cure as the drummer and later keyboardist. (He left the band in 1989). He dwells on The Cure’s three early albums, culminating in the magisterial fourth, “Pornography,” as exemplary goth music. But he is also generous in his assessment of other bands, tracing the continuation of goth music from the post-punk era in England to the Los Angeles goth scene and beyond. Structured as mini essays, Goth can feel disjointed, and Tolhurst at times is repetitive. But fans will find themselves immersed. It’s a beautiful book, full of concert photos, portraits and band flyers. Tolhurst is a passionate storyteller and an elder goth statesman worth listening to.

The Cure’s Lol Tolhurst explores the influences and impact of goth music and culture in an immersive new coffee table book.

Insider deputy editor Walt Hickey won the 2022 Pulitzer Prize for Illustrated Reporting and Commentary. His wide-ranging, captivating You Are What You Watch: How Movies and TV Affect Everything makes it easy to see why.

The average American spends three-plus hours a day consuming media. “Across a lifetime,” Hickey writes, “that’s 22 percent of our time on Earth!” No wonder we’re curious about how media affects us. He asserts that, contrary to those who consider our favorite media a “bogeyman, a brain melter, a violence inciter, a waste,” it actually is “complex, fascinating, and often rather good.”

Hickey fascinates as he demystifies pop culture, sharing the outcomes of his experiments and studies. He’s a data journalist, and cheeky and informative visuals—charts, graphs, maps and little photos of famous people’s heads—bolster his pro-pop-culture assertions and illuminate personal stories, such as when he subjected his nervous system to a “Jaws” rewatch to discern which scenes most affected him. Colorful charts like “Movies Make People Exhale the Same Chemicals at the Same Times” bring his research into focus. He notes that when “The Hunger Games” film debuted in 2012, USA Archery’s merchandise sales quintupled. Similarly, the premieres of 1943’s “Lassie Come Home” and 1992’s “Beethoven” were both followed by spikes in the popularity of collies and Saint Bernards.

The author’s keen eye for detail and ability to see connections across genres enliven the narrative beyond theory and talking points. From the WWE to the Tax Reform Act of 1976, Scooby-Doo to geopolitics, Hickey offers a bounty of enthusiasm for our favorite stories.

Pulitzer Prize winner Walt Hickey champions pop culture with a cornucopia of studies, experiments and visuals in You Are What You Watch.

Anyone immediately transported to a riverside pier by the lyric “So open up your morning light” will love Thea Glassman’s Freaks, Gleeks, and Dawson’s Creek: How Seven Teen Shows Transformed Television. “Today’s teen shows are leading the charge when it comes to progressive, diverse, and creative storytelling,” Glassman writes, but they wouldn’t exist without the seven predecessors she covers in her impressive debut: “The Fresh Prince of Bel-Air,” “My So-Called Life,” “Dawson’s Creek,” “Freaks and Geeks,” “The O.C.,” “Friday Night Lights” and “Glee.”

In a wealth of new interviews with creators, writers, actors, crew and more insiders, Freaks, Gleeks, and Dawson’s Creek shares behind-the-scenes details that will delight devoted fans and excited newbies alike. While all of the shows drew heavily from their creators’ own teenage years, Glassman points out the unique choices and approaches that made each iconic. For example, “Fresh Prince” subverted typical sitcom format and “painted a nuanced picture of the Black experience. “My So-Called Life” inspired the first online campaign to save a show, and “Dawson’s Creek” had the first openly gay character in the teen sphere.

While Glassman acknowledges controversies that touched each show, she focuses on the creativity, heart and hard work that led to a groundbreaking era of teen TV. After all, as writer and pop-culture maven Jennifer Keishin Armstrong writes in her introduction, “There is no drama like teenage drama, in life and in fiction.”

This survey of seven teen shows explores how they broke ground with creativity, heart and hard work, paving the way for the genre’s progressive and diverse oeuvre today.

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Recent Features

Your favorite pop culture fanatic will adore these fun and fascinating new books about the TV, movies, and other media we know and love. They’ll laugh, cry, nostalgically sigh — and immediately want to press “play.”

Anyone immediately transported to a riverside pier by the lyric “So open up your morning light” will love Thea Glassman’s Freaks, Gleeks, and Dawson’s Creek: How Seven Teen Shows Transformed Television. “Today’s teen shows are leading the charge when it comes to progressive, diverse, and creative storytelling,” Glassman writes, but they wouldn’t exist without the seven predecessors she covers in her impressive debut: “The Fresh Prince of Bel-Air,” “My So-Called Life,” “Dawson’s Creek,” “Freaks and Geeks,” “The O.C.,” “Friday Night Lights” and “Glee.”

In a wealth of new interviews with creators, writers, actors, crew and more insiders, Freaks, Gleeks, and Dawson’s Creek shares behind-the-scenes details that will delight devoted fans and excited newbies alike. While all of the shows drew heavily from their creators’ own teenage years, Glassman points out the unique choices and approaches that made each iconic. For example, “Fresh Prince” subverted typical sitcom format and “painted a nuanced picture of the Black experience. “My So-Called Life” inspired the first online campaign to save a show, and “Dawson’s Creek” had the first openly gay character in the teen sphere.

While Glassman acknowledges controversies that touched each show, she focuses on the creativity, heart and hard work that led to a groundbreaking era of teen TV. After all, as writer and pop-culture maven Jennifer Keishin Armstrong writes in her introduction, “There is no drama like teenage drama, in life and in fiction.”

This survey of seven teen shows explores how they broke ground with creativity, heart and hard work, paving the way for the genre’s progressive and diverse oeuvre today.

Insider deputy editor Walt Hickey won the 2022 Pulitzer Prize for Illustrated Reporting and Commentary. His wide-ranging, captivating You Are What You Watch: How Movies and TV Affect Everything makes it easy to see why.

The average American spends three-plus hours a day consuming media. “Across a lifetime,” Hickey writes, “that’s 22 percent of our time on Earth!” No wonder we’re curious about how media affects us. He asserts that, contrary to those who consider our favorite media a “bogeyman, a brain melter, a violence inciter, a waste,” it actually is “complex, fascinating, and often rather good.”

Hickey fascinates as he demystifies pop culture, sharing the outcomes of his experiments and studies. He’s a data journalist, and cheeky and informative visuals—charts, graphs, maps and little photos of famous people’s heads—bolster his pro-pop-culture assertions and illuminate personal stories, such as when he subjected his nervous system to a “Jaws” rewatch to discern which scenes most affected him. Colorful charts like “Movies Make People Exhale the Same Chemicals at the Same Times” bring his research into focus. He notes that when “The Hunger Games” film debuted in 2012, USA Archery’s merchandise sales quintupled. Similarly, the premieres of 1943’s “Lassie Come Home” and 1992’s “Beethoven” were both followed by spikes in the popularity of collies and Saint Bernards.

The author’s keen eye for detail and ability to see connections across genres enliven the narrative beyond theory and talking points. From the WWE to the Tax Reform Act of 1976, Scooby-Doo to geopolitics, Hickey offers a bounty of enthusiasm for our favorite stories.

Pulitzer Prize winner Walt Hickey champions pop culture with a cornucopia of studies, experiments and visuals in You Are What You Watch.

The prolific and hilarious Keegan-Michael Key—known for his work in “Key & Peele,” “Mad TV,” “Schmigadoon!” and as President Obama’s “anger translator”—shares his passion and enthusiasm for sketch comedy in the aptly titled The History of Sketch Comedy: A Journey Through the Art and Craft of Humor, co-authored with his wife, film producer Elle Key.

The book, based on their Webby Award-winning podcast, is a wonderful soup-to-nuts compendium of everything sketch. The authors trace its origins from ancient Greece to today’s comedians, and take readers around the U.S. and abroad as they consider influential American comedy schools and highlight the British comedians who are “courageous trailblazers who have influenced comedy around the world.”

Key also revisits his Detroit upbringing, detailing his comedy education in college and on various stages. Aspiring comedians will benefit from the book’s educational elements: With copious examples of (and scripts from) favorite sketches and shows, their creators analyze what, exactly, makes them so funny and memorable. Guest essays from stars like Ken Jeong, Carol Burnett, Julia Louis-Dreyfus and Tracy Morgan add to the fun, as do tangents about beloved colleagues like Jordan Peele and “one of the godfathers of modern sketch,” Bob Odenkirk. The History of Sketch Comedy is a highly informative and entertaining read that’s sure to inspire instant binge-watching and a groundswell of sketch-centric enthusiasm.

Keegan-Michael Key and Elle Key’s History of Sketch Comedy is a wonderful soup-to-nuts compendium of everything sketch.
Review by

Aisha Harris, co-host of NPR’s “Pop Culture Happy Hour” and a writer for Slate and The New York Times, is the pop culture maven millennials have been waiting for. That’s why her debut book, Wannabe: Reckonings With the Pop Culture That Shapes Me, will be flying off the shelves faster than Taylor Swift presale tickets. Part pop culture analysis, part social commentary, and completely and intrinsically personal, Wannabe tackles topics both internal and external. At the forefront are societal issues such as positive representation versus harmful stereotypes in media. Harris’ identity as a Black woman also shapes the narrative as she deftly explores the intersection of pop culture and politics, noting how our political climate changes the way we tell stories.

This book will appeal to readers wishing to go beyond the consumption of media for entertainment’s sake by helping them engage in a socially conscious dialogue. But despite its intellectual value, Wannabe isn’t written for academics. Harris’ audience is anyone who wishes to broaden their understanding of pop culture’s significance to society, and the accessibility of her writing helps to achieve that goal. The humor incorporated throughout the book is truly a delight, and each chapter is chock full of so many witty asides that Harris, were she a television writer, could be the new Amy Sherman-Palladino.

But the book truly shines when it offers us a peek inside Harris’ psyche, providing examples of specific artists, actors and authors who have impacted her life. From unlikely childhood heroines such as tomboy Kristy from The Baby-Sitters Club and loyal punk Ashley Spinelli from the cartoon “Recess,” to the incredible impact of the MTV and VH1 R&B era (looking at you, Toni Braxton), Harris explores how her younger self gravitated toward subversive female icons who redefined the meanings of femininity and strength. As the years passed, other content challenged Harris’ views of womanhood and sexuality, from the sensual Nola Darling in She’s Gotta Have It to the four iconic women who defined a sex-positive generation in “Sex and the City.” Harris also analyzes present-day pop culture, from flawed female leads in TV shows like “Fleabag,” “Crazy Ex-Girlfriend” and “Insecure” to pop stars like Rihanna and Megan Thee Stallion who are unapologetically sensual, commanding and fun. When Harris applies her refined, journalistic scrutiny to subjective nostalgia, the behind-the-scenes magic of Wannabe becomes truly clear.

So in conclusion—taps mic—Imma let y’all finish, but this book is the best pop culture guide of all time!

When Aisha Harris applies her journalistic scrutiny to the subversive pop culture icons who shaped her millennial upbringing and worldview, the magic of Wannabe comes alive.

Humans are fascinated with weird and unusual phenomena—hence the popularity of books, magazines, television shows and podcasts focusing on “unexplained” subjects such as Bigfoot, the Loch Ness monster, UFOs and the Bermuda Triangle. 

In The Theory of Everything Else: A Voyage Into the World of the Weird, comedian and co-host of the “No Such Thing as a Fish” podcast Dan Schreiber takes peculiar theories about some of life’s greatest mysteries and spins them into nonstop hilarity. Many of the ideas presented here are so implausible—such as the hypothesis that time travelers sank the Titanic—that Schreiber starts with a disclaimer, a suggestion that readers should “let the ideas alter your universe for a few seconds . . . but for God’s sake, don’t believe in a single one of them.” In fact, he uses the word batshit over and over to describe these unconventional beliefs and bizarre encounters, while also demonstrating that investigating such baffling notions (whether to solve them, prove them or disprove them) is often what leads people to discover something closer to the truth.

Schreiber divides the book into three main sections that cover the importance of unconventional thought, scientific theories that have been “rejected” and eccentric beliefs that are woven throughout our daily lives. His research is extensive, covering all areas of the globe and a variety of cultures as he considers the possibility of a hollow Earth, the extinction of pubic lice, the chance that reptilian aliens walk among us and many more far-fetched and otherwise wacky notions. There are connections to famous people such as Ringo Starr (whose grandmother was known as “the voodoo queen of Liverpool”), tennis player Novak Djokovic (who believes there are ancient lost pyramids in Bosnia) and the British royal family (yes, Prince Philip harbored an interest in UFOs). Several scientists who made groundbreaking discoveries are included as well, since they also embraced unusual theories or beliefs.

Humorous illustrations are featured side by side with historic photographs, and each “batshit” story or theory is counterbalanced with a reality check of facts and statistics. As Schreiber sums up, “Whether we like it or not, many of these alternative thinkers have shaped the world we live in today.” The Theory of Everything Else is a wild, witty, entertaining ride into the funhouse of the unexplained and the unexplainable. Hop on and enjoy the trip.

The existence of ghosts, aliens and cryptids will seem like tame notions by the time you finish Dan Schreiber’s hilarious book about life’s greatest mysteries and most peculiar theories.
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Lynn Melnick’s I’ve Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton is an extraordinary homage to one of country music’s leading ladies. Melnick’s early life was marked by abuse and trauma, and she fell in love with Parton’s music at age 14. Mixing her personal history with reflections on the singer’s significance as a cultural figure, Melnick creates a moving narrative of female endurance. Parton’s popular tunes, including “Jolene” and “Islands in the Stream,” serve as springboards for the chapters of this inspiring book.

In Unlikeable Female Characters: The Women Pop Culture Wants You to Hate, Anna Bogutskaya explores how our perception of what makes a “likable” woman has changed as more complex female characters have become prevalent in media. Bogutskaya uses tropes such as “the mean girl” and “the shrew” as reference points and celebrates how those misogynist terms have been, in some cases, reclaimed. Bogutskaya’s analysis of gender, sexuality and the power of the media will get book clubs talking as she explores famous figures such as Cardi B and Hillary Clinton.

Emily Nussbaum delivers a shrewd overview of the modern TV landscape with her dazzling collection of essays, I Like to Watch: Arguing My Way Through the TV Revolution. Over the course of the collection, Nussbaum—an unabashed fan of the tube—provides engaging analyses of audience viewing habits and storytelling trends and traditions. She also interviews showrunners and considers the significance of watershed series like “Buffy the Vampire Slayer.” Nussbaum’s lively writing style and gifts as a critic are on full display in this eye-opening collection.

Nerd: Adventures in Fandom From This Universe to the Multiverse, Maya Phillips’ smart, incisive essay collection, investigates the growth of nerd culture and its influence on modern media. Reading groups will appreciate Phillips’ personal yet wide-reaching critiques of cultural touchstones such as Harry Potter, Star Wars and Marvel comics and how they inspire feelings of belonging among fans. Phillips also delves into the complications of her own experiences as a Black woman engaging in fandoms without many Black characters. The evolution of pop culture, hero worship and the impact of fan bases are but a few of the rich themes in this intriguing book.

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