The author’s latest, Confounding Oaths, comes complete with an evil fairy godmother, plus sweet new releases from Emma R. Alban and Katie Shepard in this month’s romance column.
The author’s latest, Confounding Oaths, comes complete with an evil fairy godmother, plus sweet new releases from Emma R. Alban and Katie Shepard in this month’s romance column.
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Kristin Vayden returns to her Cambridge Brotherhood series with In the Eyes of the Earl, which pairs a scholarly heroine with an aristocrat who moonlights as a spy. 

Collin Morgan, Earl of Penderdale, has been suspended from his sensitive position at the War Office because someone has assumed his identity and is using it to commit crimes. However, Collin subscribes to the notion that if you want a job done right, you have to do it yourself. He embarks on his own investigation, following the trail to Cambridge and reuniting with an old friend who is now a professor. What he doesn’t expect is to immediately clash with his friend’s tenacious daughter. 

Like many women who dreamed of academic pursuits during the Regency, Elizabeth Essex is limited by her gender. Her father’s status means she’s tolerated in academic spaces, but her studies are rarely taken seriously. Elizabeth secretly teaches a small, close-knit group of women, and Collin’s presence jeopardizes what she’s worked so hard to protect. She offers to help Collin, despite their clashing personalities, as it will allow her to keep tabs on him and prevent him from uncovering her scandalous activities.

Collin and Elizabeth are a well-matched couple who clearly appreciate each other’s independence, wit and intelligence, and Collin’s spycraft experience pairs perfectly with Elizabeth’s love of analysis and research. As they banter their way through the investigation, they share thrilling deductions as a form of foreplay, lending a sprightly quality to the romance that balances the serious nature of Collin’s predicament. 

In the Eyes of the Earl is an exemplary entry point to the Cambridge Brotherhood series and may be the best installment thus far. Vayden sets a rollicking pace as she combines an engaging romance with a perplexing whodunit, resulting in a love story that’s fresh, fun and full of secrets.

Kristin Vayden’s fresh, fun In the Eyes of the Earl combines an engaging Regency romance with a perplexing whodunit.
Pride 2023 reading list
STARRED REVIEW

June 6, 2023

Your big, gay reading list for Pride 2023

Celebrate Pride Month with 28 queer stories by pioneering novelists, memoirists and journalists.

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Leg

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When Greg Marshall and his childhood friend, Gretchen, ran for president and vice president of their high school class, they were something of an unconventional pair. Both were non-Mormons, making them a minority in Salt Lake City, Utah. Marshall had a pronounced limp and had yet to tell anyone he was gay, while Gretchen had a pacemaker “and a bone spur hanging off one foot like a sixth toe.” Marshall writes that their winning campaign strategy “was simple, and that was to make fun of ourselves.” Marshall takes that same winning approach in his stunning debut, Leg: The Story of a Limb and the Boy Who Grew From It

Marshall’s limp in his right leg caused weakness and spasms throughout his life and required surgeries from time to time. He had actually been diagnosed with cerebral palsy at 18 months—but his parents never disclosed this fact, telling him instead that he had “tight tendons” and encouraging their son and other four children to simply rely on the mantra, “NEVER, NEVER, NEVER GIVE UP.” Marshall didn’t discover the true origin of his mobility limitations until 2014, by accident, when applying for health insurance. “Every day growing up was like an ABC Afterschool Special in which no lessons were learned, no wisdom gleaned,” he writes.

In different hands, this memoir might have become a tragic family story, overshadowed by a mother who was diagnosed with cancer and required decades of treatment for that and other conditions, and a kindhearted, dad-joking father who died from Lou Gehrig’s disease when Marshall was 22. Instead, Marshall has written a riotously funny book that will grab your attention and steal your heart from the very first page. His writing brings to mind early David Sedaris, with its bitingly funny caricatures and descriptions, bathed in blistering commentary, deep-seated opinions, wit, intellect and, above all else, fierce family love. Additionally, Marshall details several of his sexual experiences—not to be salacious but to illuminate his ongoing quest for identity and relationships, despite his long-standing fear of contracting HIV. “As a gay man and a person with a disability, I come out every day,” he writes.

The Marshalls’ lives are full of twists, turns and surprises that will leave readers yearning for more, and this memoir serves as a love letter to all of them, especially Marshall’s late father. Rare is the book that makes me both laugh out loud and shed actual tears, but Leg made me do both.

Bitingly funny and full of blistering commentary and fierce familial love, Greg Marshall's memoir is a winning debut.
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Christian Cooper has been bird-watching in Central Park for decades, but a spring migratory excursion took a dramatic turn on May 25, 2020, when a woman refused his request to leash her wandering dog, per park regulations. He was hoping to spy a ground-dwelling bird called a mourning warbler and knew that her unleashed pet would make his quest impossible. After she refused and Cooper began filming with his phone, Amy Cooper—a white woman of no relation—announced that she was about to call the police, adding, “I’m going to tell them that there’s an African American man threatening my life.” Her blatant use of “weaponized racism” went viral. As Cooper aptly sums up the incident in Better Living Through Birding, “Fourteen words, captured amid sixty-nine seconds of video, that would alter the trajectory of two lives.” This encounter happened on the same day George Floyd was murdered. 

A year later, Cooper was invited to attend a birding festival in Alabama. As he walked across Selma’s infamous Edmund Pettus Bridge, he reflected on the day that bridge became a bloodbath in 1965 and on the travails his ancestors must have endured. “In that context, my incident in Central Park is just an asterisk,” he writes. “More than a year later, it remains exceedingly strange for me—the notoriety, that I’d even be mentioned in the annals of the nation’s racial strife.” 

Throughout his wide-ranging memoir, Cooper is a thoughtful, enthusiastic narrator. Growing up as a Black kid on Long Island, New York, in the 1970s, “I was rarer than an Ivory-Billed Woodpecker in the very white world of birding,” he writes. “As I simultaneously struggled with being queer, birds took me away from my woes suffocating in the closet.” Cooper gradually came out to family and friends, beginning while studying at Harvard in the 1980s. He went on to become one of Marvel’s first openly gay writers and editors—aside from birds, his other passions include superhero comics and sci-fi and fantasy—and introduced the first gay male Star Trek character in the Starfleet Academy series. In entertaining prose, Cooper reminisces about his life, writing especially poignantly about his often-difficult relationship with his father.

Tying these multifaceted strands together is no easy feat, but Cooper does it well. He peppers the text with helpful tips for beginning birders while recounting vivid excursions through Nepal, the Galapagos, Australia and, of course, his beloved Central Park. Generous soul that he is, Cooper writes that outrage shouldn’t be focused on Amy Cooper. Instead, he concludes, “Focusing on her is a distraction and lets too many people off the hook from the hard, ongoing examination of themselves and their own racial biases. . . . If you’re looking for Amy Cooper to yell at, look in the mirror.”

In thoughtful prose, birder Christian Cooper reminisces about his life before and after the day a white woman threatened to call the police on him in Central Park.

Early in his freshman year at Yale in 1973, Nate Reminger encounters his classmate Farrell Covington: “Farrell wasn’t simply my cultural opposite, a blinding sun god to counter my pale, Jewish, brown-haired, generous-nosed eagerness. He was a genetic accident, a green-eyed, six-foot-three-inch, broad-shouldered gift, and yes, there were dimples when he smiled.” Farrell, also a freshman, lives in a swanky townhouse with a butler, and he speaks as if he’s in a Cole Porter production, with a voice like a person who’s “been raised by a bottle of good whiskey and a crystal chandelier.” 

Farrell happens to be the scion of the very conservative, very Catholic, immeasurably wealthy Covington family of Wichita, Kansas. And narrator Nate, who knows he’s gay but never had so much as a kiss, is shocked when Farrell declares that he may be in love with Nate. This opening section of Paul Rudnick’s novel Farrell Covington and the Limits of Style is especially strong, offering a mini coming-of-age story that’s filled with new friends and well-grounded in both place (the Yale campus and New Haven, Connecticut) and time (the early 1970s).

After a whirlwind freshman-year romance, Nate and Farrell are separated when Farrell’s flinty homophobic father blackmails his son into leaving Yale and promising to never see Nate again. It’s no spoiler to say that Nate and Farrell do indeed see each other again; the novel follows them for almost 50 years. Nate narrates the forces that keep the two apart and Farrell’s ingenious measures to bring them together, along with the ups and downs of late 20th-century gay life—the vibrant downtown club and disco scene of the ’70s, and the AIDS crisis and its effect on both Hollywood and New York’s theater world. But while Farrell Covington and the Limits of Style is heartfelt, it’s rarely somber. It’s a good-natured romp through the decades, with a large cast and plenty of clever quips and throwaway lines.

Rudnick is a novelist, playwright and screenwriter, and here he draws on his own life, sometimes to comic effect. (Rudnick wrote the play I Hate Hamlet and the screenplay for the movie Sister Act, while Nate writes the play Enter Hamlet and the screenplay Habit Forming.) Because it covers so much time and summarizes much of the action, Farrell Covington and the Limits of Style occasionally feels more like the outline for a novel than a novel itself. Still, it’s a warmhearted, funny story with unexpected twists and to-die-for settings, a sweet recounting of a 50-year romance.

Farrell Covington and the Limits of Style is a warmhearted, funny story with unexpected twists and to-die-for settings, a sweet recounting of a 50-year romance.

Are lesbian bars endangered places? Down from a high of 206 bars recorded in 1987, there are currently only 20+ of these beloved, sticky, red-painted bars left in the U.S. Moby Dyke, the chronicle of Krista Burton’s obsessive quest to visit each of these remaining bars, offers readers a hilarious and affectionate investigation into the past and future of queer gathering spots.

Traveling from San Francisco to New York City, from Oklahoma City, Oklahoma, to Mobile, Alabama, Burton visits both historic neighborhood bars and newer nightclubs, talking to owners and patrons about why they love these bars and who is welcome there. Virtually every bar Burton visited is lesbian-owned but welcomes everyone, including the full range of queer identities: trans men and women, nonbinary folks and the emerging generation of gender-diverse young queers. Burton also asks why so many gay bars for cisgender men continue to thrive as exclusive spaces, while lesbian bars thrive on inclusion.

An accomplished and very funny journalist, Burton is able to track serious issues around queer belonging in a fresh and lively voice. The personal narrative underlying her pursuit of lesbian bars—including her marriage to Davin, a trans man, and coming out to her conservative Mormon family—is as topical and good-humored as the interviews and reportage contained here. 

Burton’s road trip was also shaped by COVID-19, and her experiences reveal how the isolation of the pandemic stoked a real hunger for the joy of being with others in crowded, sweaty rooms, singing karaoke, partaking in dildo races and people-watching (after showing a vaccination card, of course). Even the details about the economics of Burton’s quest (such as how to fund a road trip on a book advance while still working a day job) offer a fascinating glimpse into the reality of a writer’s life. 

Burton’s portrait of the evolution of lesbian bars into communal spaces offers a timely and engaging snapshot of queer life in America.

Krista Burton’s obsessive quest to visit each lesbian bar in the U.S. offers a hilarious and affectionate investigation into the past and future of queer gathering spots.
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New York City-based book publicist-turned-writer Amelia Possanza dedicates her book “to all the queers, ordinary and extraordinary, whose names have been destroyed by history, and to the rosy-fingered custodians of the queer archive.” Possanza is one such rosy-fingered custodian, a queer person attracted to the archives not just to understand history but also to understand her own story. “I was certain that if I uncovered enough lesbians in history, they would reveal a message or a lesson, a blueprint of how I might build my own life,” she writes.

Possanza’s debut book, Lesbian Love Story, is part archival research and part memoir. It includes seven chapters, each of which historicizes a lesbian love story. While the chapter on Sappho harkens back to antiquity, the other six span the 1890s through the 1990s, offering a lively lesbian mix: golf star Babe Didrikson Zaharias, groundbreaking memoirist Mary Casal, Chicana activist and writer Gloria Anzaldua and others. Possanza digs into the details of their lives with passionate engagement, frequently turning the narrative from the archival subject back to herself and exploring personal topics vis-a-vis these historical women: gender identity, the vagaries and politics of cross-dressing, the insidious narrowness of second-wave feminism, friendship, power dynamics in relationships and, most of all, obsessive love.

“In case it isn’t obvious yet,” Possanza writes in a late chapter, “I am an unforgivable romantic. I love love. Not as a means to an end, a steppingstone on the path to marriage and children, but as a surrender to passion, even when it’s surely doomed. Obsessive, selfish love that feasts on its own ruin.” As she unearths these romantic stories, Possanza also identifies the gaps within them, the moments when she wants to know more. To fill these silences, she imagines the scenes she longs to see, engaging with history not as a disembodied historian but as a young lesbian who wants answers, who wants to find her people. Though a blueprint does not, and cannot, neatly emerge from this sea of stories, Possanza does find the space, movement and complexity provided by a multifaceted past to buoy her ongoing becoming.

Amelia Possanza weaves her own memories through seven moving lesbian love stories from the archives in her debut book.
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Much like his first novel, Real Life, Brandon Taylor’s The Late Americans follows a loosely knit circle of lovers and friends in and around a university in Iowa as they badger, seduce and provoke one another over the span of an academic year. Financial, class and racial divisions are at the core of many of their interactions, as are disputes over the value of art rooted in trauma and concerns about selling out.

The Late Americans lacks a central character; instead, the story flows from one character or pair to the next, leaving the reader to make connections and hold onto each person’s secrets and dreams. The novel opens with a blistering portrayal of a poetry workshop where Seamus is verbally attacked for critiquing a peer’s work, then later he has sex with an older Iowan visiting the hospice facility where Seamus is a cook. From there, the novel switches focus to Goran, Timo and Ivan, all of whom gave up music or dance to pursue business or finance degrees. Noah, who is still studying dance, befriends another dancer in the program, Fatima, who supports herself by working in a cafe and contemplates leaving school after she is assaulted by another student. The novel ends in early summer, when the cast gathers at a cabin in the Adirondack Mountains to bid their former lives goodbye and move into the unknown.  

Taylor has previously written stories about ballet, and his plotting and style mirror the art form. In dance, our focus moves from performer to performer, now watching a pas de deux, now a solo. His novel functions similarly, seamlessly shifting our gaze from the individual to the duo, to the group and back again until, almost magically, the story is told and the piece comes to a close. A thought-provoking and lyrical novel about a group of people on the precipice of change, The Late Americans is a perceptive look at passion, sacrifice and intimacy among friends. 

A thought-provoking and lyrical story about a group of people on the precipice of change, The Late Americans is a perceptive look at passion, sacrifice and intimacy among friends.

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Celebrate Pride Month with 28 queer stories by pioneering novelists, memoirists and journalists.
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Julie Anne Long’s How to Tame a Wild Rogue is a joyful, sexy and stylishly written Regency romance that reunites readers with the quirky found family of the Grand Palace on the Thames boarding house.

The sixth installment of Long’s Palace of Rogues series introduces its main couple, infamous  privateer Lorcan St. Leger and Lady Daphne Worth, in what is possibly the single greatest meet-cute this reviewer has ever read. After her father gambled away the family wealth and her fiancé left her for a governess, Daphne was forced to find work as a lady’s companion. But when her employer’s husband makes a pass at her, Daphne ties together her bedsheets and hoists herself out the window to escape him—only to find that the barrel she was relying on to help her reach the ground has been moved. Lorcan, curious as to why a beautiful woman is dangling out a window, decides to offer a hand. When the weather takes a turn for the worse, the pair take shelter at the Grand Palace on the Thames. In order to share the only remaining suite at the boarding house, the two must pretend to be husband and wife, but real feelings soon begin to take hold. As the tension between her and Lorcan escalates, Daphne must decide if she is willing to take a risk for love.

This excellent book will be best understood by those who are already familiar with the wonderful inhabitants of the Grand Palace on the Thames; newcomers will most likely want to start at the beginning of the series. The Grand Palace itself is a key part of what makes How to Tame a Wild Rogue so enjoyable, as Long is able to revisit a place that has already been the setting of so many love stories. She tells the story not only from Lorcan’s and Daphne’s perspectives, but also from the points of view of Angelique and Delilah, the owners of the Grand Palace who have starred in previous books in the series. Fans of these characters and their dashing husbands will be delighted by the insight Long provides into their lives post-happily ever after. They and their regular residents all feel like family, providing equal parts comedic relief and suspense. However, the strength of the supporting cast doesn’t draw attention from the compelling two main characters. Lorcan and Daphne are both desperate to be chosen and loved, and they respond with such tenderness to the possibility of healing from their pasts and building a new life with each other.

Long proves once again that she’s one of the queens of Regency romance in the wonderful How to Tame a Wild Rogue.

Julie Anne Long returns to the Grand Palace on the Thames with the utterly romantic How to Tame a Wild Rogue.
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Cruel Seduction

Think you know your Greek myths? Think again, and keep thinking, because Katee Robert’s Dark Olympus series is a twisted web that keeps getting twistier. Cruel Seduction, the fifth entry in the series, starts with a wedding, a shaky alliance . . . and a rabid populace that has just learned that they could potentially become powerful beyond measure if they’re willing to get their hands a little bloody.

The gods are here, but not quite in the way you might expect them: The modern city of Olympus is ruled by the Thirteen, who are headed by Zeus, but that’s not actually his name; it’s his title. All of the Thirteen are titles, and some of them were won fairly recently. The new Aphrodite, Eris Kasios, has only been in the position for about a year, but she’s been heavily involved in politics all her life as the daughter of the former Zeus and the sister of the current one. And the new Hephaestus, Theseus Vitalis, is an even more recent arrival who won the title by taking advantage of an obscure rule and killing his predecessor. The rest of the Thirteen have agreed not to end his life in retaliation, but only if he marries Aphrodite so they can gain some control over him.

Longtime fans of the series will appreciate the way Robert keeps raising the stakes. Tensions are cresting, and multiple assassination attempts, complex plots to undermine the city’s stability and hints of a dangerous new adversary lurking in the shadows create a palpable sense of impending doom. Mixed in with all of that is a heady, barbed romance full of lush encounters and sharp edges. Hephaestus and Aphrodite try to use sex to one-up and control each other, and things get heated in a hurry, especially when extra players join the game. Aphrodite seduces Hephaestus’ foster sister, Pandora, a calculated move that leads to a startlingly genuine connection. Meanwhile, Hephaestus is stunned to find himself bonding with—and falling for—Aphrodite’s ex, Adonis. The four characters come together in sensual detail in many permutations, and Robert contrasts the growing tenderness between them with the building chaos outside the bedroom.

If you like easy, escapist romances, this series may not be for you. In just about every way, Dark Olympus is a lot: a lot of varied, explicit sex, often with light BDSM elements; a lot of tense, violent conflict; and a whole lot of story to keep up with. Readers who haven’t read the first four books in the series will come in feeling like they’ve transferred schools as a high school senior, with three previous years of relationship sagas, messy in-group fighting, complex hookups and breakups, and gnarled family trees to sort through. But for those looking to experience something heated and dangerous, Cruel Seduction will be just right.

Marry Me by Midnight

The Cinderella story has been tackled from dozens of different angles. The Brothers Grimm took a crack at it, Rossini based an opera on it, the first film version dates back to 1899 and various remakes include multiple Disney versions, Jerry Lewis’ Cinderfella and plenty more besides. It’s a testament to the enduring strength of the story that there always seems to be another way to put a fresh spin on it. The latest is Felicia Grossman’s Marry Me by Midnight, a Jewish, genderswapped Cinderella set in 1832 London.

Grossman’s “prince” is Isabelle Lira, a Jewish heiress with marriage on her mind. Her father has recently died, and she aspires to honor his legacy by taking his position in his surety company. The problem is that the Berabs, her father’s partners, are threatening to upend the business if she does not agree to marry one of them. To get a better position at the bargaining table, she needs a husband who’s a force to be reckoned with. So Isabelle goes all out to find him, holding a series of three festivals and inviting all the eligible Jewish men in the community. To stack the deck in her favor, she decides to dig up some dirt on her potential suitors and hires Aaron Ellenberg to assist. This Cinderfella’s plight isn’t due to an evil stepmother, but rather a lack of family and resources. A poor orphan, Aaron works as a custodian at the synagogue, leading a quiet life until Isabelle sweeps in and changes everything.

It’s remarkable how genderswapping a story can totally shift the balance of power. Isabelle is as elite as any fairy-tale prince, and yet simply because she’s a woman, her husband hunt takes on a new and far more urgent tone. Likewise, Aaron, as a man, has much more agency than your typical Cinderella. He’s able to live independently, chart his own course, even contemplate the idea of starting over in America. But he faces a different kind of judgment, too, with his low social status treated as a personal failure rather than a result of his circumstances. Meanwhile, Grossman’s choice to set Aaron and Isabelle’s romance at a particularly delicate time for the Jewish community in the U.K.—when legislation was being debated that would eventually guarantee Jewish men the same rights as all English men—adds a special poignancy. For all the wealth and privilege that most of these characters possess, there’s still a sense of otherness, of striving for acceptance that might be coming . . . or might be delayed yet again. In this troubled atmosphere, Aaron and Isabelle’s decision to choose love, courage and kindness over everything else resonates that much louder and feels that much sweeter.

The messy relationships of Greek mythology get messier and the fairy-tale love story of Cinderella gets genderswapped in these two books.
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The Blonde Identity

Ally Carter will keep readers laughing with The Blonde Identity. A woman awakens in Paris, unable to remember her name or why she’s there. Soon she encounters a mysterious hot guy who claims she’s an operative named “Alex” being pursued by international spies. When bullets start flying, it seems he’s right, and as they make a run for it, they learn a thing or two about each other. Her name is actually Zoe, she must be Alex’s identical twin and the hot guy, Jake Sawyer, is a spy in his own right. The pace never lets up and neither does the fun in this sexy fluff of a story. To truly enjoy it, readers will need to suspend disbelief and a few of the laws of physics, but who cares when the characters are so charming, the antics so entertaining and the plot so cinematic? Known for her young adult titles, Carter seamlessly makes her adult debut with this highly enjoyable romantic suspense novel. Don’t miss it!

Give the Devil His Duke

Wrongs are righted, arrogance is humbled and good deeds are rewarded in Anna Bradley’s Give the Devil His Duke. Penniless Lady Francesca “Franny” Stanhope has worked up the courage to confront her greedy uncle in hopes of securing financial help for her ailing mother. But at her uncle’s home, Franny encounters Giles Drew, the Duke of Basingstoke and her cousin’s new fiancé. Franny distrusts Giles—his father caused her own family’s ruin—but he’s undeniably handsome and more than a little suave. As they encounter each other at society events, Giles can’t help his preoccupation with his bride-to-be’s relative, which does not go unnoticed by the ton’s gossips. Then scandal forces Giles to go all out to save his reputation and hers—by marrying Franny. Balls, gowns and friends destined for their own installments in this new series contribute to the charming ambiance of this sweet and sexy Regency romance. 

Someone Just Like You

Childhood frenemies unite for their parents’ joint anniversary party in Meredith Schorr’s Someone Just Like You, set amid New York City’s vibrant restaurant and bar scene. Molly Blum grew up hating and pranking Jude Stark, who gave as good as he got. But surely they can team up to organize a celebration without reverting to old ways. Except . . . no. Jude is more irritating than ever. Family and friends point out that every woman he dates looks just like Molly, and she’s been dating a series of guys who look just like Jude. Can they settle past grievances and figure out why the sparks between them now seem sexy rather than angry? The first-person narration hums with Molly’s energy and honesty in this pitch-perfect enemies-to-lovers rom-com.

Plus, a charming Regency love story and a pitch-perfect enemies-to-lovers rom-com in this month’s romance column.
STARRED REVIEW

Our top 10 books of August 2023

Our top 10 books for August 2023 include Colson Whitehead's riotous sequel to Harlem Shuffle, Silvia Moreno-Garcia's latest horror novel and an engrossing look at race in Shakespeare’s works.
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Ghost Book

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Recent Reviews

Our top 10 books for August 2023 include Colson Whitehead's riotous sequel to Harlem Shuffle, Silvia Moreno-Garcia's latest horror novel and an engrossing look at race in Shakespeare’s works.

A Nobleman’s Guide to Seducing a Scoundrel by KJ Charles

Sourcebooks Casablanca | September 19

KJ Charles will conclude her Doomsday Books duology with A Nobleman’s Guide to Seducing a Scoundrel, which takes place 13 years after The Secret Lives of Country Gentleman. Nobleman’s Guide will follow Luke Doomsday, all grown up after the traumatic events of Secret Lives, as he becomes the secretary to Major Rufus d’Aumesty, the new Earl of Oxney. Luke has an ulterior motive for working at the earl’s seat at Stone Manor, a motive that makes his growing feelings for Rufus highly inconvenient . . .


The Wake-Up Call by Beth O’Leary

Berkley | September 26

And now the holiday portion of this list begins, as a whole host of romance’s biggest stars are taking a swing at the seasonal rom-com this year. First up, The Flatshare and The No-Show author Beth O’Leary, whose latest novel will follow dueling receptionists as they try to stop their hotel from shutting down.


Three Holidays and a Wedding by Uzma Jalaluddin and Marissa Stapley

Putnam | September 26 

Uzma Jalaluddin and Marissa Stapley’s first collaboration may be the most ambitious undertaking on this list. The duo will be attempting the always tricky “two love stories in one romance” plot in a book that will also depict three beloved winter celebrations: Christmas, Hanukkah and Eid. It’s all set in an adorable Canadian town where a movie is being filmed and a bridal party has been snowed in for the holidays, so if you’re looking to play holiday romance bingo, this will be the book for you! 


Wreck the Halls by Tessa Bailey

Avon | October 3

Tessa Bailey, one of BookTok’s favorite authors, will be giving a gift to fans of musician and celebrity romances this holiday season. Wreck the Halls follows Melody and Beat, the adult children of two legendary rock stars who team up to convince their estranged mothers to perform a concert together on Christmas Eve. 


A Winter in New York by Josie Silver

Dell | October 3

Josie Silver’s One Day in December has been a perennial favorite on holiday reading lists ever since its release in 2018, and fans of her emotional romances will be thrilled to know that she’s returning with another wintry love story. As will people who defiantly eat frozen treats in colder months, as this story follows a chef who discovers that her secret family gelato recipe is, somehow, exactly the same as the one used by an adorable New York City gelateria. 


A Holly Jolly Ever After by Julie Murphy and Sierra Simone

Avon | October 10

Julie Murphy and Sierra Simone’s A Merry Little Meet Cute was a delightfully bawdy entry in the holiday rom-com canon, so we’re thrilled they’re returning with a new book in the Christmas Notch series. Kallum Lieberman, who was once “the funny one” in popular boy band INK (the same group to which a Merry Little’s Nolan once belonged), finds himself falling for former child star turned squeaky-clean actor Winnie Baker on the set of their new movie, which the book’s marketing copy describes as “a sexy Santa biopic.” We have so many questions, and we cannot wait to have them answered.


Stars in Your Eyes by Kacen Callender

Forever | October 10

Kacen Callender seems to be on a mission to prove that there is no genre or category they can’t conquer. From YA fiction and romance to adult fantasy, their work is consistently thoughtful and idiosyncratic. Now, Callender will bring their unique voice to the world of adult romance for the first time with Stars in Your Eyes, a celebrity romance between two actors who embark on a fake-dating scheme to change the publicity narrative surrounding their film after one of them says the other has no talent.  


10 Things That Never Happened by Alexis Hall

Sourcebooks Casablanca | October 17

With his London Calling and Winner Bakes All series, Alexis Hall has established himself as the romance connoisseur’s go-to pick for witty, sexy rom-coms. 10 Things That Never Happened will thrill fans of Hall’s London Calling novels, as it’s set in the same universe, while also presenting an intriguing challenge for the talented author: Can he make a character who lies about having amnesia sympathetic?


Iris Kelly Doesn’t Date by Ashley Herring Blake

Berkley | October 24

The titular character of Ashley Herring Blake’s Iris Kelly Doesn’t Date has been a scene-stealing supporting character in the two previous Bright Falls romances, so it’s high time that Iris gets a happily ever after of her very own! She meets her match in Stevie, a subpar one-night stand who is cast alongside Iris in a local production of A Midsummer Night’s Dream.


Hunt on Dark Waters by Katee Robert

Berkley | November 7

Katee Robert, of Greek myth reimaginings and monster romance fame, has turned her attention to a once wildly popular but now sadly neglected corner of the genre: the pirate romance. Never afraid of bucking tradition, Robert has added a fantasy spin by sparking romance between a witch on the run and a telekinetic pirate captain.


Silver Lady by Mary Jo Putney

Kensington | November 28

Mary Jo Putney is one of historical romance’s most acclaimed and beloved authors, and her new duology will take place at what seems to be the subgenre’s current hot location: Cornwall. (Thank you, “Poldark”!) The first book, Silver Lady, will follow dutiful Bran Tremayne, who reluctantly travels to the region to survey his new inheritance. But once he’s there, he feels bound to protect Merryn, a mysterious woman with amnesia who seems to be at the center of a web of political intrigue.


Housebroke by Jaci Burton

Berkley | December 12

Jaci Burton is the latest author to make the switch from series to standalone rom-coms, and the summary for her new novel, Housebroke, sounds like trope heaven. A secret millionaire! House-flipping! Rescue dogs! Forced proximity! Burton may make herself a whole host of new fans with the tale of Hazel Bristow, who’s staying in her friend’s home after getting dumped, only to find that her friend has just sold the house to millionaire Linc Kennedy. When Linc arrives at his new property, he’s shocked to find Hazel and her crew of rescue dogs already present, but he lets her stay while he renovates the place.


Discover all of BookPage’s most anticipated books of fall 2023.


This fall, we’ll be cozying up to Katee Robert’s pirate romance, Alexis Hall’s most ambitious love story yet and an entire sleigh’s worth of holiday rom-coms.
STARRED REVIEW
August 7, 2023

Four impossibly fun celebrity romance novels

Calling all pop culture aficionados—these delightful love stories are ripped straight from the tabloid headlines.
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Calling all pop culture aficionados—these delightful love stories are ripped straight from the tabloid headlines.
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Recently divorced Gillian Armstead-Bancroft has returned to Freedom, Kansas, with two kids, no money, seriously dented self-respect—and a curse that’s robbed her of her magical powers. Nothing in life has turned out as this always-good girl (and secret bruja) thought it would. And when a good girl is under a curse that turns all her good intentions to ash, the obvious fix is to try out being bad. Preferably with her childhood friend, Nicky Mendoza, who is now a successful artist and still the only man who has ever satisfied her in bed. Meanwhile, things are changing in the town of Freedom. The run-down East Side is getting a boost, and Gillian’s noisy, nosy family is leading the charge. There’s a role there for Gillian, if she’s willing to take it . . . and if she can let go of the idea that success looks like the life she left behind, which was all big-city sparkle, name-brand luxury and soul-crushing emptiness.

Angelina M. Lopez’s Full Moon Over Freedom, her sequel to After Hours on Milagro Street, delivers on all expectations. It’s both powerful and sweet to see Gillian and Nicky rekindle their romance. They’ve lived separate lives for the past 13 years, but from the moment they reunite, Nicky is once again the only person Gillian lets herself be truly honest with. And when it comes to her sexuality—her needs, her desires—their compatibility is off the charts. If you’re a reader who enjoys the “healed by the magic of great sex” trope, you will absolutely love this book. Mixing in with all of the classic plot elements is actual magic, which in Lopez’s hands is tangible, present and beautifully imperfect. Refreshingly, it doesn’t solve all of Gillian and Nicky’s problems and it also results in contact with the spirit realm, moments that are alternately unsettling and enchanting—sometimes both at once.

Gillian’s Mexican American identity, which Lopez shares, radiates throughout the book. Full Moon Over Freedom unpacks the Latinx history of Kansas, showing how the struggles of women in the past trickle down into the prejudices of today through an infuriating heartbreaker of a historical story based on a real court case. This is the work of a writer who knows and celebrates her community and her culture. It’s also a love story that embraces the unusual, celebrates the unsung and makes you believe the words of another famous Kansan: There’s no place like home.

Full Moon Over Freedom celebrates the unsung Latinx history of Kansas while telling a second-chance love story that’s powerful, sexy and sweet.

The second book in Lucy Parker’s Palace Insiders series, Codename Charming, is a light-hearted rom-com that perfectly deploys the grumpy-sunshine and fake dating tropes. Unbelievably fun on every page, it’s another all-around winner from Parker.

Petunia “Pet” De Vere is the personal assistant of Johnny Marchmont, a goofy, lovable British royal who stops just shy of being a himbo. He’s the perfect boss for Pet, who is very proficient at her job and happy to adapt to whatever Johnny throws at her. But when a blundering moment between them goes public, the tabloids assume there’s more to their relationship than duty. Johnny is a happily married man, so the palace higher-ups ask Pet to fake a relationship with Johnny’s stoic bodyguard, Matthias Vaughn, in order to immediately quash rumors of an affair.

Matthias is the opposite of his charge. Johnny goes with the flow, affably making his way through life and duty, and Matthias is there to pick up the pieces and provide a stalwart wall of support. He grew up in the foster system, and always felt like he was merely tolerated in the places he lived, rather than accepted. His history, however painful, has made him well-suited for his profession, where his serious reserve is a major asset. Having proved his indispensability time and again, Matthias agrees to the fake relationship with the very perky Petunia.

Matthias and Pet are enjoyable characters with rich backstories. They’re refreshingly mature, understanding how they fit into the narrative of the royal institution and Johnny’s life. When they gamble on a real relationship, they not only have to face the normal fears that come when you let love in, but also balance them with their individual duties. No matter what happens between them, they must maintain their professional focus given that their lives unfold, at least partially, in the public eye. 

As usual, Parker surrounds her couple with a robust cast of fun supporting characters who never overshadow the two central figures. Even if you aren’t a professed Anglophile, Codename Charming is a breezy read that’ll have you smiling and dreaming of fish and chips—and maybe a quiet bodyguard who’s over the moon for you.

Lucy Parker’s breezy and winning new rom-com, Codename Charming, follows a reserved royal bodyguard and the perky personal assistant of the prince he protects.
Review by

If every story has already been told, then writers have the supreme challenge of telling old tales in new ways. Kate Goldbeck’s debut novel, You, Again, is the perfect example of how to do this successfully. A fresh take on the iconic rom-com When Harry Met Sally, You, Again is funny, deliciously awkward and uniquely romantic. 

What happens when Ari, a struggling comedian who doesn’t believe in love, meets Josh, a hopelessly romantic chef? Well, naturally, they find out they are sleeping with the same woman. While both figured that they’d never meet again, New York City has other ideas, and a series of maddeningly funny run-ins ensues. Until one day, five years after their initial meeting, when heartbreak has them both reeling and they form an unexpected friendship. But over time, the lines start to blur and Ari and Josh’s commitment to being “friends without benefits” slowly crumbles.

You, Again provides a clever and highly satisfying rendition of enemies-to-lovers, especially because it isn’t a solitary disappointing encounter that makes Ari and Josh enemies, as is often the case. Oh no. These two consistently enrage each other for years before life delivers them both humbling heartaches, allowing them to extend a bit of grace. This progression from mounting hostility to a weary truce makes their friendship and its inevitable romantic turn all the more satisfying in the end.

Josh and Ari are both flawed and funny messes who can’t seem to get out of their own way. And it’s very fun to watch them be messy. The magnetic push and pull that Goldbeck constructs between the two makes it obvious that keeping their relationship purely platonic won’t last. Ari, with her unapologetic and hilarious goading, and Josh, with his stubborn and oftentimes infuriating sense of righteousness, are perfectly crafted to first infuriate, then delight each other.

In one of the novel’s best scenes, Ari, riffing on the title of Brené Brown’s Daring Greatly, asks, “Is it possible to wallow greatly? Somebody write that book.” Well, congratulations, Goldbeck: You did it. You, Again wallows in fantastic, funny and romantic fashion.

You, Again is a fantastic, funny and uniquely romantic update of When Harry Met Sally.
Review by

Poet and young adult author Raquel Vasquez Gilliland’s adult debut, Witch of Wild Things, is a story of family legacies and complicated sisterhood, told with romantic and lush magical realism. 

For the entirety of Sage Flores’ life, she’s known three things. First, the old gods have no love for Flores women and have thus cursed them. Second, she feels anything but lucky to have inherited one of her family’s many “gifts,” which in Sage’s case is the ability to identify plants and commune with their spirits. Finally, she wants no part of either her inherited abilities or retribution from meddling gods. The death of her younger sister, Sky, only solidified Sage’s decision to escape her hometown of Cranberry, Virginia, and never look back. But eight years after Sky’s death, Sage finds herself back amongst her old childhood haunts and slowly starting to accept her uncanny talents. 

Returning to her old job at the Cranberry Rose Company, Sage, accompanied by Sky’s ghost, uses her powers to discover new and rare flora in the area. One of her coworkers is a familiar face: Tennessee Reyes, the boy who left her heartbroken in high school. While Tennessee and Sage are workplace rivals at first, their competitiveness is easily quelled as they nerd out on plants and bloom as friends (and then possibly more) while out in nature.Their romance is sweet and subtle, something Gilliland unfolds carefully while Sage deals with the larger obstacles in her life, namely her family. 

Sage is the beautiful heart of Witch of Wild Things, with her herculean efforts to both protect herself but still allow for vulnerability. She’s delightfully funny and heartbreakingly flawed; rooting for her comes easily. There are magical family secrets to uncover, cultural identities to reckon with and relationships to mend, most notably with her other sister, Teal, whose ability to summon thunderstorms and lightning have stirred up plenty of trouble in town. Even when the plot momentum ebbs, Gilliland keeps readers enthralled with her luxurious prose. Sage’s work with plants gives Gilliland plenty of opportunities to create gorgeous imagery for readers to lose themselves in. And the sexy Tennessee’s knowing smirks will make readers weak in the knees right along with Sage. 

Transportive and bursting with heart, Witch of Wild Things is a tender masterpiece of magical realism.

Transportive and bursting with heart, Witch of Wild Things is a tender masterpiece of magical realism and a sexy love story to boot.
Review by

Vampires of El Norte by Isabel Cañas is 90% love story and 10% mild-to-severe supernatural interruptions of said love story.

Magdalena “Nena” Narváez and Néstor Duarte are star-crossed sweethearts. Nena is the daughter of a powerful ranchero, Don Feliciano, while Néstor is the poor son of a vaquero, destined to forever work for people like Nena’s family. The story opens with a tragedy when Nena is attacked and nearly killed by a mysterious creature and Néstor, believing her to have actually died, flees the rancho. But the pair is reunited in 1846, when Nena is a healer, Néstor is a soldier and the United States is about to begin its invasion of Mexico.

Nena and Néstor wrestle with their need for each other, the societal strictures keeping them apart and their years of separation, resentment and grief—all while dealing with ongoing attacks from either vampires or United States soldiers. Nena and Néstor suffer from a classic case of poor communication; they step on each others’ feet with bitter retorts and clumsy attempts at small talk. Cañas writes from each character’s perspective, illustrating Nena and Néstor’s warped views of each other in brooding vignettes. As the war rolls on, Cañas inserts quiet moments where Nena and Néstor explore their disaffection with each other, draw out their pain and knead their emotional scars into renewed bonds. It’s a painful process, but thanks to Cañas’ skill, there are moments of joy and tear-inducing sweetness.

While the romance is an unquestionable centerpiece, Cañas does a fantastic job bringing the setting to life. She sketches out the life of a vaquero in small details, such as how Néstor loosens saddle cinches at the end of the day and checks boots for scorpions, and takes time to note the styling of characters’ clothes and hair, immersing the story in the beauty of mid-19th century Mexico.

Now a reader might, at this point, be wondering about the elephant in the room, the one with fangs and a taste for blood. And the reviewer will answer: Vampires are definitely in the book. They are moderately frightening. They are primarily a plot device to move the story forward. Readers looking for a scary horror novel will not find it in Vampires of El Norte, but they will find a dramatic and well-rendered setting, a drizzle of animalistic vampires and an engaging story about two young lovers who want nothing more than the freedom and strength to be together in a world determined to rip them apart (sometimes literally).

Vampires of El Norte by Isabel Cañas is a well-rendered and moving love story—punctuated with occasional attacks by the titular creatures.

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