Some things are always in style: a little black dress, a great pair of jeans, hoop earrings and rom-coms. As charming as the classic cinematic love stories of the 1980s and ’90s, The Rom-Com Agenda by Jayne Denker is a paean to the genre.
Leah Keegan was her foster mother’s caretaker for a year before the older woman died. She’s quiet by nature, a loner by circumstance and a hopeless romantic. When she witnesses the failed marriage proposal of her friend Eli Masterson to Victoria, a woman he’s only dated for four months, Leah recognizes the bereft heart of a kindred spirit.
But while Leah’s response to her situation is to put on her big girl panties and try to move forward, Eli wallows in his misery and becomes stagnate. His whole identity, it seems, was dependent on an improbable future with a woman who never loved him. But thanks to nostalgic rom-coms, his gal pals have the solution: a makeover!
This cute friends-to-lovers romance can be a bit predictable, especially when it comes to Eli, who believes he’ll only be appealing to Victoria after changing everything about himself in order to become the ideal rom-com leading man. Meanwhile, his inability (and, really, unwillingness) to move on hampers his ability to pursue his budding attraction to Leah. As he works through the regimen his friends concoct, naturally based on a cadre of classic films, he slowly discovers that the woman he truly loves is right in front of him.
It is actually Leah who is the true beneficiary of the rom-com agenda. Over the course of the project, she evolves into a more confident woman, one who overcomes the belief that she is unlovable to recognize that she deserves to be appreciated just as she is. It’s not only a lesson everybody needs to understand, but the cathartic reason people read romance in the first place.
Jayne Denker’s The Rom-Com Agenda is an adorable friends-to-lovers romance that celebrates the life lessons rom-coms provide.
Amy Bloom is known for examining the dynamics of intimacy in her fiction, but she has never gotten closer to the flame than in this memoir of her husband’s early-onset Alzheimer’s disease.
The prodigiously gifted Alexis Hall spins pathos, sex and humor into frothy yet sensitive paeans to love. His ambitious new novel, Paris Daillencourt Is About to Crumble, demonstrates the magnitude of his talents.
The second Winner Bakes All romance after 2021’s Rosaline Palmer Takes the Cake, Paris is a bittersweet play on the opposites-attract trope. The titular character, a baker with devastating anxiety and self-doubt in spite of his beauty, talent and privilege, falls for Tariq Hassan, a charismatic young Muslim with ambition and confidence to spare. Paris and Tariq meet as competitors on “Bake Expectations,” a famous television cooking competition show. (If you’re thinking “The Great British Baking Show,” you’re on the right track.)
Paris’ roommate, Morag, ropes him into joining the show, hoping that becoming a contestant would break Paris out of an unhealthy pattern of isolation and doubt. Though some good does come of the experience, it turns out you can’t shock the mental illness out of someone. The reality of what Paris is going through—the result of nature (brain chemistry) complicated by nurture (or lack thereof, i.e., years of parental abandonment)—is too messy and complex.
Hall portrays Paris’ omnipresent anxiety disorder and how it affects his relationships with intensity and an impressive attention to cognitive and emotional detail. This may make some readers uncomfortable, as peeking inside Paris’ thoughts can be pretty harrowing. But many people who have experienced this type of mental health challenge, as well as some who haven’t, will find his story deeply relatable.
Paris may crumble under the pressure of appearing on “Bake Expectations,” but he also finds a real romantic connection with a man who’s delightfully different from himself. Tariq revels in his queerness, style and religion, and he inhabits the spotlight with a confidence that sometimes borders on cockiness. Paris and Tariq’s differences add an interesting texture to their interactions, and it is meaningful to see someone go through what Paris does and be loved throughout. Hall refreshingly balances sensitivity and matter-of-factness about Paris’ challenges and how they impact his relationship with Tariq, while also exploring where Tariq needs to grow.
Hall’s sprightly irony and clever humor significantly lighten the angst. At one moment, Tariq gets impatient with Paris, as people are wont to do with him as he works his way up to an apology. “Look . . . we’ve been here before,” Tariq says. “I know how long your apologies take. I’ve got a religious obligation. I’ll come find you later.”
A dish that’s both sweet and savory, Paris Daillencourt Is About to Crumble is poignant and witty in equal proportion.
A dish that’s both sweet and savory, Paris Daillencourt Is About to Crumble is poignant and witty in equal proportion.
Love stories set during the holidays are almost always good-natured, but this year’s standouts take good cheer and good will to another level. Personal transformations and turning points abound in these empathetic and festive happily ever afters.
★ So This Is Christmas
Author Jenny Holiday takes readers on a third trip to the fictional country of Eldovia in So This Is Christmas. Management consultant Cara Delaney arrives in the small Alpine country to modernize the operations of a luxury watch company partly owned by the royal family. Matteo Benz, equerry of the king (think executive assistant), has been tasked with helping Cara but gives her a cold welcome. A traditionalist, he’s concerned her proposed changes might adversely affect his beloved country and its citizens. They parry, they clash, they kiss and find themselves consumed with thoughts of each other even as they investigate problems at the company. There’s time for hot chocolate and admiring the snowy beauty of Eldovia, but can two high-powered professionals from different countries admit to love and find a way to be together? This delightful charmer is the ultimate holiday escape.
Kiss Her Once for Me
Comics artist Ellie Oliver is at a low point in her life when she agrees to marry Andrew, a near-stranger, in Kiss Her Once for Me by Alison Cochrun. He needs a wife to secure his inheritance, and she desperately needs the money he offers her to become that wife. What could go wrong? Only that Andrew’s sister, Jack, is none other than the woman Ellie fell in love with over one magical night the year before—and now they have to spend the holidays together. To make matters even worse, Ellie and Jack’s fling didn’t end well and Ellie has promised Andrew she’ll pretend they’re marrying for love. From there, Cochrun piles on the rom-com fun: stranded at a snowy cabin with a single bed, the obligatory admiring of wood-chopping prowess, the “we better get out of these wet clothes” gambit. It’s not all holly jolly, however. Ellie’s vulnerable first-person voice gives readers intimate insight into a mind and heart prone to second-guessing, and the family drama that occurs during the merriest season is a reminder that Christmas rarely proceeds as planned. It’s a satisfying romance with a few tears to balance its fresh-baked sweetness.
A Merry Little Meet Cute
A plus-size adult film actor stars in a Christmas TV movie in A Merry Little Meet Cute by Julie Murphy and Sierra Simone. Bee Hobbes (aka Bianca Von Honey) hopes to keep her sexy alter ego secret from everyone at the decidedly PG-rated Hope Channel, including her co-star, former boy band wild child Nolan Shaw, who is trying to take his personal brand in a more straight-laced direction. Nolan was Bee’s biggest teenage crush, and unbeknownst to her, he is one of Bianca Von Honey’s biggest fans. They keep those truths from each other for a short while, but soon their mutual attraction is burning up the set. What happens next is as predictable as it is enjoyable: multiple fiery love scenes and hilarious attempts to fool their co-workers. Bee and Nolan are energetic, self-deprecating and honest narrators, and a fab cast of supporting characters add more sparkle to this spicy holiday fare.
Just Like Magic
Sarah Hogle’s Just Like Magic is the type of book the words over the top were made for. Narrator Bettie Hughes unwittingly summons the Holiday Spirit—call him Hall—just in time for a Christmas vacation with her dysfunctional extended family. Bettie is way, way down on her luck, so she’s elated when Hall tells her that he will make all her wishes come true . . . until she’s expressing sufficient holiday cheer, of course. (Bettie mischievously supposes that accomplishing that task could take just about, oh, forever.) The plot’s frenetic pace matches Hall’s feverish ideas for how to make this Christmas the best ever; as a human for the first time, he wants to experience it all. Bettie and her relatives are insufferable at first, but as Hall’s magic takes hold, their charm begins to shine through. It’s impossible to predict where this clever romance will go next. Bettie and Hall are an unlikely pair, and their unlikely story will steal hearts.
Season of Love
A Jewish artist gets a chance to save the family Christmas tree farm in Season of Love by Helena Greer. When her estranged but still beloved Great-Aunt Cass dies, Miriam Blum discovers that Cass named her part-owner of Carrigan’s, a tree farm and inn that caters to uber-fans of the holiday season. The other owners include Miriam’s childhood BFF and Noelle Northwood, the farm’s manager. Noelle sees Miriam as an interloper and is resolved to dislike her, no matter how sexy Noelle may find her. While determining what to do with the property, Miriam and Noelle are forced to face their pasts and end up intimately connecting over family, regrets and momentous mistakes. Told from both women’s perspectives, Season of Love is an emotionally driven holiday romance with definite heft. Miriam and Noelle both have baggage to unpack before they can risk falling for someone, and Greer shows how the season of snow and hope can also be a time of self-reflection. Readers will root for Miriam and Noelle to heal their hearts and begin to fully live—and love.
Whether you like your love stories merry or melancholy, these books will make the season bright.
Virginia Heath’s Never Rescue a Rogue is a sophisticated Regency gem. In this second entry in the Merriwell Sisters series, world-weary nobleman Giles Sinclair battles ennui by trading barbs with journalist Diana Merriwell, his best friend’s sister. Though their charming family and friends think they would make a perfect pair, they both disagree and are firmly entrenched in their singleness. But when Giles becomes a duke, a discomfiting lack of information on his real parentage could spell disaster. There’s no one better at uncovering the full truth than Diana, so Giles enlists her help—and subsequently loses his heart. Giles introduces the jaded Diana to passion and she steadily overcomes her fear of losing her independence, all while their slow-burn attraction blooms into steamy love scenes. The dialogue is delightful and the wordplay a pleasure to read, and the well-developed and heart-tugging backstories of both leads give this romance an authentic heft.
Better than Fiction
A woman reexamines her ideas about love in Better Than Fiction by Alexa Martin. Drew Young’s self-deprecating, humorous, first-person narration lets readers know unequivocally how she feels about her late grandmother (admiration and loyalty, which explains Drew’s determination to keep open the bookstore her grandmother left her) and about love (doesn’t trust it an inch, thanks to her deadbeat dad who left Drew and her mom for another family). When successful and sexy romance author Jasper Williams arrives for a special event at the bookstore, Drew is sure he’s too good to be true. But he’s also too attractive to resist. As they become better acquainted, Martin revels in the requisite rom-com scenes, including the delicious fan favorite that is “There’s just one bed.” Romance readers will feel vindicated by Drew’s growing appreciation of feel-good fiction, and will root for her and Jasper to get a happy ending equal to those in his novels.
Some Dukes Have All the Luck
Some Dukes Have All the Luck, the first entry in Christina Britton’s Synneful Spinsters series, stars a most unlikely pair. Ash Hawkins, Duke of Buckley, travels to the Isle of Synne to reclaim his wayward young wards after they flee London. Once there, he encounters naturalist Bronwyn Pickering, who has always been more interested in beetles than becoming a bride. The striking and sexy Ash ignites something in Bronwyn, and when he offers a marriage of convenience—promising she can continue her scientific studies, something her domineering parents have tried to prevent her from doing—she seizes her chance at greater independence. Of course, the marriage is soon complicated by feelings, Ash’s recalcitrant wards and a roaring sexual attraction. Bronwyn is easy to admire, especially as she overcomes her social awkwardness to care for the three girls entrusted to her. Ash is a classic “I’m not good enough for anyone” hero; it’s always gratifying when they’re proved wrong. With its bookish heroine, brooding hero and smoking love scenes, Some Dukes Have All the Luck is sigh-worthy fare.
Bookish meets brooding and optimist meets cynic in these opposites-attract love stories.
In The Gentleman’s Book of Vices, Jess Everlee’s soul-stirring debut, a fan obsessed with an illicit book finds true love with his favorite author.
Handsome Charlie Price is a respectable accountant by day and a “finely dressed and finely drunk” rake by night. When his exploits land him under a mountain of crushing debt, he makes a deal with his parents: If they pay what he owes, he’ll do whatever they ask.
Since that compromise, almost nothing in Charlie’s life has been of his choosing, not his comfortable London town house, not the servants who spy on him, not his bank job and not even his sweet fiancée, Alma. Until his wedding, Charlie’s committed to taking pleasure in two things: cultivating his collection of erotica and spending his free time with his gaggle of devoted friends at his hedonistic gentleman’s club, The Curious Fox.
The circumspect and cautious Miles Montague also leads two lives, albeit much more quietly than Charlie. Heartbroken and shaken by an experience that Everlee keeps mysterious at first, Miles runs a respectable bookshop but writes England’s most infamous erotica in his off hours under the nom de plume of Reginald Cox.
Cox happens to be Charlie’s favorite author, so when Charlie learns Cox is an unassuming bookseller, he visits the shop to ask him to autograph his most infamous novel (and Charlie’s most treasured possession): Immorality Plays. In 1883 London, being exposed as the author of an explicit text would mean legal and life-threatening danger, so of course, Miles assumes anyone asking for him by his pen name must be a blackmailer. It’s the queer Victorian version of a meet-disaster turned meet-cute. Miles and Charlie’s attraction is electric. Even though both know their relationship has a firm expiration date, love blooms in the blissful interregnum between their meeting and Charlie’s impending wedding.
Fans of KJ Charles, Cat Sebastian and Alexis Hall will find much to enjoy here. There are shades of Charles’ Unfit to Print (pornographer/bookseller lead) and A Seditious Affair (the well-wrought BDSM and the tightknit circle of friends centered on a private gentleman’s club) as well as Hall’s Something Fabulous (the slapstick humor, mistaken identities and genderplay). While the characters are a bit slow to develop and the plot isn’t as distinctive or refined as the best works in the subgenre, Charlie and Miles’ chemistry is sweet, and Everlee’s writing reaches its peak in their love scenes, which soar with emotional intensity. With its potent blend of queer eroticism, found family and unabashed swoon, this romance is a resonant winner.
An erotica devotee and an infamous author form an electric connection in Jess Everlee’s emotionally resonant queer Victorian romance.
A sweet and touching portrayal of friendship, heartbreak and healing, The Key to My Heart by Lia Louis is a poignant romance with astute observations about life after loss.
It’s been two years since her husband, Russ, died, and 32-year-old Natalie Fincher is still grieving. She’s lost her passion for the dreamy cottage she lives in, and she’s lost the chance to be part of the musical she wrote. She finds comfort talking to her friend Shauna, a motherly figure who owns a coffee shop at London’s St. Pancras railway station where Natalie has been playing the public piano. Although she is not interested in dating, Natalie placates her best friends, who are desperate to reignite her love life, by approaching handsome, good-natured Tom during a night out and asking him to pretend they’re starting a fling. Tom quickly becomes a friend, and when someone starts leaving Natalie sheet music in the piano bench, he attempts to help her find her anonymous music angel.
Louis (Eight Perfect Hours) portrays life transitions with tender credibility. She immerses readers in Natalie’s past with well-placed memories of her life with Russ, which are triggered in the present by constant bittersweet reminders, such as their cottage that she still lives in. Natalie is a likable protagonist, trying to balance her grief and self-doubt with the expectations of her friends and family. Some of the repartee between Natalie and her best friends, especially about her sex life, can feel overly sophomorish and superficial, especially given the depth of Natalie’s first-person narration. But it also highlights her friends’ uncertainty and discomfort with addressing Natalie’s loss—and their own eventual growth.
The Key to My Heart is an enticing and moving portrayal of the heart’s power to heal after the loss of a loved one.
The Key to My Heart by Lia Louis is a poignant romance with astute observations about life after the loss.
Kennedy Ryan’s emotional new romance honors the work that a successful relationship requires with the story of Yasmen and Josiah, a divorced couple who fight their way back to each other after the loss of their child drives them apart.
This book explores weighty themes of mental health, second chances and redemption. Was there anything challenging about tackling material like this within the romance genre? What were the benefits? I think over the years, my brand has become “explores weighty themes,” LOL. I lean into real and raw and believe that, sometimes, love shines brightest when it’s tested. In real life, we don’t fall in love in a bubble-wrapped dream. That’s not to say I don’t enjoy a good swoon and pure escape like the next girl. I do, but we also fall in love while losing jobs, facing health crises or even working through depression and grief. Love takes place in the context of real life.
Writing Yasmen, a character who is recovering from depression, was very challenging. Creating on-page resonance for those who’ve battled depression meant going to tough, dark places, but also reflecting the joy of healing. I consulted with several therapists and even employed a few as accuracy readers to ensure that this story felt real and true.
One of the benefits has been hearing from early readers that several of them are actually seeking therapy they’ve been delaying for, in some cases, years. Impact is a primary metric for success to me, so that feels like such a huge win and like the time and care it took to create this story was definitely worth it.
“I wanted to write a love story that on the surface, at first glance, feels a bit hopeless.”
How did it feel to work on a story about redemption and second chances during what has been such a difficult handful of years, both on a grand scale due to the COVID-19 pandemic and for you personally? It was incredibly challenging. Before I Let Go was the third book I wrote during the pandemic. I had my annual checkup right before COVID hit, and my doctor expressed concern that I had several early indicators for depression. I’m a special needs mom and a writer who has deadlines through 2025, so I’m used to a low hum of stress running through my life and didn’t think much of it.
Pandemic conditions, though, exacerbated those early symptoms and made my home, like so many others, part prison, part pressure cooker. I remember finishing the second book I wrote during the pandemic, Reel, and just feeling “I can’t do that again. It will be a long time before I can write again.” And it was a long time before I was capable of writing again. You hear all the time about listening to your body because it will shut down if you don’t take care of it, but I never understood how debilitating depression and neglecting your mental health could be until I couldn’t get out of bed. Until I couldn’t make it through a day, sometimes through an hour, without crying. Until I was having panic attacks regularly. There was no room for creativity because I honestly was just trying to survive.
It took finding the right therapist (tried three!) and the right medication for me to start feeling better. Once I could even approach this story, I realized I had all this personal experience to draw from. There was this intersection of my life and Yasmen’s that—though I would have skipped that whole season of my life if I could have—I hope infused the story with a certain empathy, compassion and authenticity because so much of it came from my lived experience.
How do you approach sensitive topics like the ones included in Before I Let Go, both in thinking about your readers’ experiences but also in how you take care of yourself as a writer? I’m a lot better at taking care of the reader than I am at taking care of myself. My background is in journalism, so when people ask if I’m a plotter or pantser, I say neither. I kind of go out and find the story, usually through extensive interviews and research. I’m somewhat Hippocratic in my approach to sensitive topics: First, do no harm. That means accuracy readers, whom I compensate, and beta readers whom I trust to be ruthlessly honest with me. I’m pretty exacting and exhaustive when it comes to my sources and research when writing. I try to take just as much care with the experience the reader will have reading the story as I took while writing it.
My books can be tough, and I’ve gotten a lot better about content warnings than I used to be. When I first started self-publishing years ago, no one was really doing content warnings, but it has slowly risen to the forefront and I now understand why they are essential for readers.
As far as taking care of myself . . . I’m learning to do that better. My creative process is incredibly immersive, and when you deal with tough subjects the way I do, it can take its toll. I think my creative process is almost the equivalent of method acting. I often act out dialogue, which means I’m yelling at myself alone in my office when my characters are fighting. I find myself crying after interviews with subjects who’ve lived some of the tough experiences I write about. I’ve had bald spots by the time I finished books because of how invested I become and how anxious some of it makes me.
Many of my friends dive right into the next book once they finish one. I can’t do that. I try to build in a good amount of time between projects to recover. I used to feel guilty about that, but Becca Syme, an amazing writing coach, refers to the style I use to write and recover as the phoenix: these very concentrated bouts of intense energy and output, followed by extended periods of rest and recovery where you just don’t do it. I’ve stopped comparing my content, my process and what it takes for me to do it effectively to anyone else. Not comparing yourself to other people is one of the best ways to take care of yourself, in my experience. Iyanla Vanzant calls comparison an act of violence against the self. That’s a guiding thought for me, and it frees me up to do whatever works for me, not anyone else.
“This isn’t just a second-chance romance, it is a rebuilding . . .”
Yasmen and Josiah’s relationship buckles under grief, but the nature of their dual romantic and business partnership doesn’t allow them space to work through their shared trauma. What drew you to this topic as an author? What is it about “public grief” that can make it especially difficult to navigate? I wanted to write a love story that on the surface, at first glance, feels a bit hopeless. They’ve already divorced. They’re both in the process of moving on. They’ve settled into new rhythms for running their business and raising their children together. Yet, there is a lot left unsaid and unresolved between them. Their love is still so palpable, and other people see it. The first time, neither of them created space to work through their hurt and loss together. There were missed opportunities and mishandled issues that destroyed their relationship. This isn’t just a second-chance romance, it is a rebuilding; sorting through rubble to figure out what’s salvageable but also finding new materials, sturdier stuff discovered through therapy and transparency and renewed commitment.
As far as public grief, at one point in the book when Yasmen is breaking down a bit in a drugstore, she refers to it as a “violent vulnerability.” I think that’s accurate for some of us when our control slips. It’s happened to me before; holding on by a thread that snaps at the worst possible time. And you feel assaulted by all these emotions against which there is suddenly no defense. I’ve had some people be very kind when that has happened. I think because we walk around with our public masks and our armor, no one wants those to fall away in front of others. So when you encounter someone falling apart, you recognize just how many layers of control those tears had to break through to surface for everyone to see. And hopefully, we empathize when it happens.
What were some of the impacts of mental health on a marriage that you wanted to depict through Yasmen and Josiah’s relationship? What was important to you to convey as you wrote? I always resist the idea that love conquers all, that it fixes everything. That may sound funny coming from a romance writer, but the romance I write leans into the realities of life and really makes no attempt to escape them. This story, as much as anything I’ve ever written, embraces that. These two people, who loved each other so very much, had a lot to work through on their own. I’m not saying they or anyone else has to divorce to do that, but for this story and the decisions this couple made, time apart reformed them into people who could be happy and healthy together.
With Yasmen’s journey, I wanted to convey the importance of putting yourself first. Women—moms and wives especially—often put everyone before themselves. I wanted this to be about a woman who esteems her personal, emotional and mental well-being above all else. For her, choosing herself becomes a matter of survival. As she and her partner mature, heal and discover what they need as individuals, they come back together. I’m glad in my story, the love was still there waiting for them.
What was the original germ of this story for you, and did any parts of the finished product surprise you? It depends on what provokes me to tell the story. The story often starts with indignation, feminine rage—ya know, the usual. 🙂 I was watching a pipeline protest while writing the All the King’s Men series, which is about two best friends, one Yavapai-Apache and one Black, who start a political consulting firm to elect leaders who will support their beliefs. And they fall in love with the most amazing guys along the way, who respect and cherish them for who they are.
Most of my books are story first: I start thinking about who is the most natural fit for a scenario, or maybe contrarily, who would be the worst fit for this scenario to make it even more interesting, and the character begins to form. The original germ of Before I Let Go was just a happily ever after gone wrong. We rarely see what happens after The End. This was an HEA that didn’t hold up, and I wanted to restore it against all odds.
What surprised me about the story was how very complex Josiah’s journey was. He’s a Black man who desperately needs a safe space to unpack grief and trauma from his past but has been culturally conditioned to not admit it. I wanted to address how stigmatized mental illness/difficulties are for everyone, but especially in the Black community and especially for Black men. I didn’t even realize how much depth was in his character at first. There is quite a bit of on-page therapy in this romance, and it felt like the therapist was uncovering things I didn’t know about Josiah before we got into each session. Almost like there were things the character was hiding from me until we were in a safe space.
You started out as a traditionally published author, then self-published your last several titles and are now back in traditional publishing. What has that journey been like? What led you to start self-publishing your work, and why did you decide the time was right to return to traditional publishing? I’m a control freak. I enjoy the process of creating not just the story but the whole experience: the cover, the marketing, the audiobook. I enjoy influencing it all. I started traditionally publishing years ago because I honestly didn’t know another way. Self-publishing was just taking off. Not that many were doing it at the time. I wrote a story and pitched my first finished novel to an agent and an editor at a writer’s conference “for practice.” Go figure, they both signed me. It happened really fast for me, and I don’t regret my path. I learned a lot about myself from those early releases.
I soon realized I wanted to stretch my wings, test my creativity, my judgment and my business instincts in a way that self-publishing afforded me. I’ve built my career primarily through self-publishing but want to expand it through diverse distribution. I released Queen Move, which became an instant USA Today bestseller and has been optioned for television, though a small press, and now I’m partnering with a large publisher to send Before I Let Go out into the world. I’m a hybrid author who is always looking for new pockets of readers. Some of those places I can reach on my own, and some I’ll reach partnering with someone else. I’ve embraced that as part of my business strategy. It’s all my brand. It’s all my name and my integrity as a storyteller. I want readers to know that no matter where they find my work, it will be consistently mine.
We are writing in a time when you never know what will happen for a story. If it resonates with the right people at the right time and in the right way, it may not matter who is distributing it; it can go further than you ever imagined. So I focus on writing great stories I’m proud of and seeing who finds them.
What’s your favorite trope to read? To write? I love a good widow book. That sounds morbid, but I do love reading widows. And if the husband’s best friend was secretly pining for her all this time, even better. That sounds bad, huh?
To write . . . second chance, for sure. I think most of my books are second chance. I like love stories that stretch over time; to see how these people change and grow through the years. How they are “ready” for each other in a way that maybe they weren’t the first time around.
What are you reading and loving right now? I recently read Honey and Spice by Bolu Babalola, and all I want is to be a Black Brit on a college campus now. It was brilliant and modern and heartfelt and slow-burny. 10 out of 10 recommend. Already thirsty for the sequel. I also loved The Perfect Crimes of Marian Hayes by Cat Sebastian and A Lady for a Duke by Alexis Hall. Half-Blown Rose by Leesa Cross-Smith is fantastic, but brace your heart for a bit of a nonconventional HEA. It puts you in the mind of Robinne Lee’s The Idea of You (which is essential reading to me), but it’s more of a love story, not a typical HEA romance.
Photo of Kennedy Ryan by Perrywinkle Photography.
The author shows the work required for a happily ever after in Before I Let Go, an emotional second-chance romance.
Author Olivia Dade returns with the highly anticipated third installment in her Spoiler Alert series, Ship Wrecked, an opposites-attract romance that begins with a one-night stand.
Sociable, lively Swedish actor Maria Ivarsson and reserved Wisconsinite Peter Reedton share a steamy night together, after which Maria sneaks out while Peter is asleep. Neither thought they’d ever see each other again, but they’re abruptly reunited when they both land a role on “Gods of the Gates,” an epic fantasy TV show. Their chemistry in the bedroom definitely translates on screen, but old baggage also bubbles up during their scenes together. Maria’s actions tapped into Peter’s long-held insecurities, and even though she regrets leaving the way she did, he would rather just move on. Peter’s not about to ruin both of their acting careers by airing out their dirty laundry on set, so they work together as amicably as possible—for six whole years. But as the show approaches its final episode, their pent-up feelings begin to resurface. Can Peter and Maria walk away a second time?
Ship Wrecked is quite the slow-burn romance, given that its central couple keep each other at a professional arm’s length for over half a decade. Maria wants to make things up to Peter but worries that doing so will reveal the depths of her attraction to him, which never fades. As they settle into a cordial working relationship that slowly evolves into a friendship, they realize how well they complement each other. The affable and brash Maria gets Peter out of his shell, and Peter, who is an absolute sweetheart and a true cinnamon roll, provides a calm shelter where Maria can rest. It’s particularly lovely to see Dade’s passion for promoting body diversity in romance extend to a male character, an area in which the genre still has a lot of room for improvement.
This rom-com definitely emphasizes the “com,” with Dade’s trademark blend of nerdy love, sexy banter and comedic shenanigans, but there’s still space for more serious notes, such as Peter’s and Maria’s individual struggles with the mental and emotional toll of being in the spotlight. Ship Wrecked is a charming, tender exploration of acceptance, celebrity and getting a second chance to make a lasting and loving impression.
In Olivia Dade’s charming, sexy Ship Wrecked, a one-night stand leads to a six-year slow-burn romance.
Love is hard. And when trauma is added to the mix, the partner you adore can struggle to be the partner you need.
Kennedy Ryan’s latest contemporary romance, Before I Let Go, is dedicated to the “strong girls . . . hustlers . . . [and] superwomen,” all of which could be used to describe heroine Yasmen Wade. Yasmen built a charmed and idyllic life with Josiah, her college sweetheart-turned-husband. Partners in life and in business, the two ran a successful restaurant together. But their happiness came to a screeching halt when their third child was stillborn, which was only the start of a series of heartbreaks. In the emotional aftermath, Yasmen’s grief became paralyzing. She sought mental health counseling, but Josiah was unwilling to seek therapy with her. Yasmen had to battle the darkness alone, which created a rift between her and her husband. Rather than taking refuge in each other, as “Team Wade” had done for nearly two decades, they divorced. However, their hearts never truly let go.
This is a story of resilience, redemption and second chances; it’s heavy but hopeful. With meticulously detailed prose, Ryan creates characters who are deeply relatable, so compelling and lushly drawn that they feel like old friends. Yasmen and Josiah’s story serves as a reminder that the best things in life are worth fighting for, and that a successful relationship requires more than simply loving each other. Before I Let Go is an ode to supporting the emotional needs of your partner and learning to be gentle with yourself.
Kennedy Ryan’s Before I Let Go is a heavy but hopeful second-chance romance that follows a divorced couple who find their way back to each other.
Who doesn’t love a good renovation story? Whether it’s the experts of “Queer Eye” making lifestyle improvements, Marie Kondo organizing clutter, the beloved hosts of “What Not to Wear” upgrading a wardrobe (still waiting on that reboot, TLC) or the “Property Brothers” giving a home a much-needed tuneup, we all like to watch professionals take a mess and rework, renew and restore it into something beautiful. There’s a hopefulness to renovations, too, in the idea that everything has hidden potential just waiting to be brought to light. And the main couple of Ashley Herring Blake’s Astrid Parker Doesn’t Fail? Well, let’s just say they could use some touch-ups.
Carpenter Jordan Everwood has been spiraling since the abrupt, heartbreaking end of her marriage. On top of that, the place she loves most—her beloved grandmother’s historic Everwood Inn—is on the verge of closing. Their only hope is a renovation covered by “Innside America,” a popular TV show. But filming the show means working with glamorous, ice-cold designer Astrid Parker, with whom Jordan has a disastrous meet-ugly. Astrid is beautiful, composed, organized, efficient—and also desperately unhappy, locked in a life that doesn’t bring her any joy. And now, to save her stalled career, she’ll have to work with the exasperating, sarcastic, gorgeous, immensely talented Jordan, who thwarts and upstages her at every turn.
Far from being a match made in heaven, Astrid and Jordan seem more like a lit match and a fuse. It takes time for them to let down their walls, reveal their vulnerabilities and allow themselves to be seen and valued for who they really are. While Astrid is the eponymous character, Jordan’s journey actually proves the most moving. Practically from page one, it’s clear that Astrid’s relationship with her mother is toxic and that she’ll only find happiness when she learns to stand on her own. Her discovery of what truly brings her joy is sweet and satisfying (satisfying in every way—this is a romance novel, after all), but the plot threads feel fairly familiar. On the other hand, the lessons Jordan has to learn are not as immediately clear. I felt like I discovered along with her what she needed to hear someone say to her, what she needed to uncover about herself and, ultimately, what she deserved from life.
Why do we like renovation stories so much? Maybe because all of us are works in progress, too. There’s always the hope that, like Astrid and Jordan, we might end up renovated and restored into exactly who we’re meant to be—with exactly the partner we’re meant to have.
Ashley Herring Blake’s follow-up to Delilah Green Doesn’t Care is a hot and hopeful renovation romance.
Even if you’ve read all the bestsellers and BookTok faves, the world of fantasy romance is still wide and wonderful. Here are 21 sweeping love stories to get lost in.
The Honey Witch will satisfy readers of sapphic romances who love the alternate historical world of “Bridgerton” and grew up rewatching Halloweentown and Practical Magic.
The Honey Witch will satisfy readers of sapphic romances who love the alternate historical world of “Bridgerton” and grew up rewatching Halloweentown and Practical Magic.
Even if you've read all the bestsellers and BookTok faves, the world of fantasy romance is still wide and wonderful. Here are 21 sweeping love stories to get lost in.
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Three heroines weather tremendously difficult circumstances, uncovering and navigating unsettling details about their families’ histories with admirable grace.
