In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
A terrifying monster is both a real entity and a manifestation of taboo desires in Mikaella Clements and Onjuli Datta’s Feast While You Can.
A terrifying monster is both a real entity and a manifestation of taboo desires in Mikaella Clements and Onjuli Datta’s Feast While You Can.
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Five years after the car crash that stole the love of her life, Nigerian American artist Feyi Adekola finally wants to start living again. Her grief over her husband’s death is still sharp, but she is determined to try. So Feyi and her roommate, Joy, go to a grand party in Brooklyn, and their night out is an unqualified success. Feyi drinks, dances and meets a handsome man, Nasir Blake, who wants to sweep her right off her feet.

Nasir is a patient, kind and determined (slightly) younger man with the resources of a minor prince. He invites Feyi to visit his Caribbean island home, where he’ll introduce her to his art collector father and the curator of a group exhibition of artists of the Black diaspora. It’s just the break Feyi needs, but five minutes after their plane touches down, she knows that the man she’s drawn to isn’t Nasir. It’s his elegant, gorgeous father, celebrity chef Alim Blake. Like Feyi, Alim is an artist who lost a spouse too soon, and while their connection is enriched by this common ground, their attraction is elemental.

In You Made a Fool of Death With Your Beauty, National Book Award finalist and Stonewall Award winner Akwaeke Emezi has written a lush, high-stakes romance novel that diehard romance loyalists and genre newcomers alike will appreciate. Emezi’s literary range is legendary, having succeeded in memoir, poetry and literary fiction for both adult and young adult readers, but it’s still a wonder that they’ve pulled off one of the most sensational and taboo tropes in the romance genre: falling in love with the parent of your romantic partner—in this case, the hot dad or “DILF.” For me, as for many readers, family boundaries are sacred—or, from another perspective, radioactive. Emezi conquers these reservations with palpable chemistry and gorgeous prose, offering an indelibly poignant portrait of a second chance at love for two people who have suffered searing loss.

Emezi’s novel is notable for respecting the conventions of the romance genre while imbuing Feyi and Alim’s story with a distinctly progressive sensibility. The lovers are finely drawn, modern and specific. Both are Black, queer and sexy, and descriptions of their beauty are worth the price of admission alone. Feyi’s artwork is experimental and edgy, with a secret ingredient I won’t spoil.

Another lovely element of the novel is Emezi’s departure from the implicit rule that a romance protagonist can’t hook up with anyone but their one true love. Feyi experiments sexually, makes a risky choice or two and isn’t punished for it. Her freedom and sex positivity shouldn’t be rare in romance novels, but it is.

The list of admirable qualities of You Made a Fool of Death With Your Beauty is long, but I’ll end with this: Emezi executes their first romance with creativity and deep respect. Come for the swoon; stay for the passion.

With You Made a Fool of Death With Your Beauty, Akwaeke Emezi executes their first romance with creativity and deep respect. Come for the swoon; stay for the passion.
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Think of the traditional, often toxically masculine, romance hero. Now think about his polar opposite. Gentle rather than domineering, warm rather than arrogant male characters have grown increasingly popular in the genre. While cinnamon roll-sweet guys aren’t everyone’s drug of choice in Romancelandia, sometimes unconditional love and support is exactly what the doctor ordered. 

Part of Your World

In a few short years, Abby Jimenez has become one of romance’s most acclaimed and popular authors. Her fairy tale-esque, opposites-attract fourth novel, Part of Your World, will only elevate her standing. 

Alexis Montgomery is a 38-year-old emergency room doctor who comes from a long line of Midwestern medical royalty. When her car lands in a ditch at dusk in the middle of nowhere, a tattooed, hunky mystery man in a pickup truck comes to her aid. Daniel Grant rescues her and then drives away, thinking he’ll never see her again. But thanks to the extremely limited dining options of Wakan, Minnesota, Alexis and Daniel reunite and decide to give in to their attraction and spend the night together. 

Alexis soon finds that there’s more to her hot rescuer than his looks. Gentle and kind, Daniel is something of a small-town renaissance man: He’s the mayor of Wakan, an artist and a bed-and-breakfast proprietor who caters patiently to his rescue dog and nurses his friend’s baby goat in his spare time. There’s also more to Alexis than meets the eye, but since Wakan is a two-hour drive from her work and home in Minneapolis, it’s easy to keep her weekend escapes and real life separate. The adorable town of Wakan and Daniel’s warm, accepting company provide a respite from Alexis’ struggles with a condescending ex-boyfriend who won’t accept that their relationship is over and a father who thinks she’s a slacker for not living up to the family name. 

Jimenez is an excellent storyteller, and her special blend of humor and angst is polished to perfection in Part of Your World. Despite Alexis’ accomplishments, it’s not easy for her to push back on all the expectations placed upon her, especially since her elite family, ex-boyfriend and friends wield them like a cudgel. Those tensions and their age gap of 10 years provide plenty for Daniel and Alexis to overcome. But those stark differences also lend an almost Cinderella-like feel to Part of Your World. The hospital where Alexis works is called Royaume, and she even loses a fancy slipper (high heel) on their first night together. Daniel makes a worthy modern prince in this love story, which will enchant romance veterans and newbies alike.

A Brush With Love

In Mazey Eddings’ debut, A Brush With Love, Dan Craige and Harper Horowitz have the kind of natural spark Harper’s only heard of in the movies, even though their first meeting is an absolute disaster: Harper crashes into Dan at the dental school they both attend and smashes his class project. She offers to help him remake it, and their immediate connection only gets stronger from there. 

But their romance is complicated by two distinct issues: Harper’s chronic anxiety and Dan’s ambivalence about graduate school. Full of passion and aptitude, Harper is at the top of her class and on the cusp of securing a challenging oral surgery residency. But Dan is struggling to get through his first year of dentistry school and is only attending out of familial obligation. 

As their friendship and attraction grows, so does Harper’s anxiety. Maintaining laserlike focus on school is one of Harper’s primary coping mechanisms, along with strict adherence to habits and rituals. Eddings effectively communicates that for Harper, rules are a “life preserver in the choppy storm of anxiety.” A romantic relationship would undermine many of her adaptations and strategies, but holding the line against her attraction to Dan becomes increasingly difficult. For someone so in need of control, love is both exciting and dangerous, and the result is a spiral of anxious thoughts. 

Despite the serious nature of Harper’s situation, Eddings’ characters and their relationship feel well balanced at virtually every stage. Both leads are lovably flawed; both have vulnerabilities and strengths. Anxiety doesn’t negate Harper’s talents or her competence either. When they’re working together early on in the novel, Dan is the one who’s adorably tongue-tied in Harper’s presence. It’s clear that he gets and respects Harper for who she is, even as he realizes the challenge that her anxiety presents, and their sweet connection is bolstered by meaningful conversations. 

Harper’s mental health difficulties escalate to a more harrowing point than many may expect in the context of a romantic comedy. But even though what’s on the page feels heavier than what the illustrated cover indicates, Dan and Harper’s romance is well worth the journey.

In two contemporary romances, sweet and sensitive heroes help heal ailing hearts.
Behind the Book by

She wears impractically high heels, no matter where she goes. 

She’s always on a treadmill or a stationary bike, barking orders at her long-suffering assistant via her AirPods. 

When she gets off the elevator, she hurls her jacket out and expects someone to materialize and catch it—and place a perfectly heated latte in her hand at the same time.

She’s the archetypical Big City Woman, and I love her. Perhaps more importantly, I’m curious about her. Every time some new iteration of her shows up in a show or movie or book, I find myself wondering where she’s coming from, and when the last page ends or the credits roll, I wonder where she’s headed. 

That’s where Book Lovers—in its earliest draft, titled City Person—came from: my fascination not only with this kind of character and her potential origins but also with the way that stories tend to treat her. Like she’s someone else’s cautionary tale, a villain to be defeated, the foil to the small-town sweetheart the hero actually belongs with. 

“It takes all types, and no one type is any more or less worthy of love.”

In this last scenario, she’s often a symbol of the life the hero needs to leave behind. She’s an addendum to the high-pressure job that keeps him from answering his parents’ phone calls. The one calling to check on how his business trip is going and to hound him for taking so long when the mass firing he was supposed to conduct at the local toy factory should have been an in-and-out job.

She’s representative of the shallow, empty life he needs to break free from to take hold of his happy ending.

Don’t get me wrong: I love these kinds of transformational fish-out-of-water stories. 

I’m also a big believer in not taking one particular character’s journey as an indictment of a different kind of journey. Just because one guy decides to give up his high-powered job in the city to work at his new girlfriend’s small-town bakery doesn’t mean it’s for everyone. It takes all types, and no one type is any more or less worthy of love.

But what does it say if this one character, the high-strung Big City Woman, only ever shows up to act as another woman’s foil, to prove how worthy and good that other woman is by comparison?  

Read our review of ‘Book Lovers’ by Emily Henry.

Or if, when the Big City Woman finally gets her love story, it’s the same kind as the ones she’s been making cameos in for all these years? The kind where she leaves her life in the city, meets a man who’s her polar opposite and finds the true meaning of life on a charming Christmas tree farm. 

What does it say about the way we see women like this if they’re never allowed a love story unless it hinges on them giving up everything we find so compelling about them? 

That’s why I wrote Book Lovers. Not just because I thought it would be a blast to figure out what made this kind of woman tick but because I wanted to give her a different story, one where she wasn’t a foil or a villain or a cautionary tale but just another person, deserving of life-changing love and a happy ending—her version, not somebody else’s.

Photo of Emily Henry by Devyn Glista, St. Blanc Studios.

In her latest romance, Book Lovers, Emily Henry celebrates the much-maligned archetype of the urban career woman.
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★ Never a Duke

In Never a Duke by Grace Burrowes, a determined lady teams up with an almost-gentleman to search for women who have gone missing in Regency London. Ned Wentworth, who was adopted into a wealthy ducal family as a child, is intrigued to receive a note asking for aid from Lady Rosalind Kinwood, known for her dedication to charitable causes. Instinct urges him to demur, but Rosalind’s beauty and her fear for her missing lady’s maid calls to him. As Ned and Rosalind meet to discuss his investigation, a slow-burn romance full of understated yet heart-aching yearning begins. Burrowes’ writing style evokes classic Regency romance with its witty repartee and loving attention to clothing. Tortured-yet-tender Ned is an unforgettable hero who learns to value himself as much as those around him do. This is the seventh entry in Burrowes’ Rogues to Riches series, and fans will revel in glimpses of past couples and feel delighted that the worthy Ned has found love at last.

Mad for a Mate

MaryJanice Davidson pens a furiously paced, full-of-fun shifter romance in Mad for a Mate. Magnus Berne, a brown werebear of Scottish extraction, is surprised when Verity Lane washes up on the beach of his private island. He’s fascinated by her presence, then even more fascinated to learn she’s a squib—a werecreature that cannot shift—and is part of a club that takes dangerous dares to prove their worth to the world. When fellow club members begin dying, Magnus worries about the lovely Verity, and though usually reclusive, he opens himself up to her world and heart. Nimble-minded readers will delight in Davidson’s almost stream-of-consciousness style and occasional authorial interjections. She never spoon-feeds readers the rules of her paranormal world, which keeps the pace brisk and suits Mad for a Mate’s all-around quirkiness.

When She Dreams

Amanda Quick returns to the glamorous 1930s resort town of Burning Cove, California, in When She Dreams. Intrepid Maggie Lodge resolves to discover who is trying to blackmail her employer, a popular advice columnist. As part of her investigation, she travels to a conference in Burning Cove along with her newly hired (and newly minted) PI, Sam Sage. The conference’s subject intersects with one of Maggie’s personal interests: lucid dreaming, a state in which dreams can act as a conduit to psychic abilities. After a conference attendee’s suspicious death and an encounter with a scientist who is obsessed with Maggie’s abilities as a lucid dreamer, the pair realize this might be much more than a case of simple blackmail. Maggie’s can-do attitude finds a perfect complement in ex-cop Sam’s world-weariness. Falling in love is an unexpected delight for both of them, but longtime fans will not be surprised by Quick’s imagination and mastery of storytelling, which never fail to entertain.

Tired of gloomy vampires and brooding werewolves? Two lighthearted, fizzily fun paranormals, plus a truly unforgettable Regency hero, await you in this month’s romance column.
Review by

In Gina Conkle’s sharp, brilliant Georgian romance A Scot Is Not Enough, a Scottish Jacobite forever changes the trajectory of an upright English barrister’s life.

Alexander Sloane is undersecretary to the undersecretary of the Duke of Newcastle. Precision runs in his veins, discovering the truth is his raison d’être and he’s on the cusp of getting a promotion he’s been working toward for years. His attempt to decode a ledger used by the Jacobites, a Scottish group intent on deposing the Protestant kings of England and restoring the Catholic House of Stuart to the throne, leads him to Cecelia MacDonald, a known Jacobite sympathizer. Hoping to uncover the Scottish traitors, Alexander begins to tail Cecelia through London.

After her clan was defeated and their homes were ransacked by the English during the Jacobite uprising of 1745, Cecelia came to London with a league of women on a mission to retrieve their clan’s treasures. As the league’s de facto leader, Cecelia’s job is to recover their chief’s ancient ceremonial dagger, the sgian-dubh.

Cecelia’s carmine lips, free-flowing laughter and penchant for sexual innuendo convince Alexander that she is a demirep, a historical term for a women of questionable reputation. But even as she is mired in intrigue, Cecelia helps feed poor Scottish and Irish immigrants. Alexander attempts to covertly surveil her in order to square the two sides of this free-spirited siren, but unfortunately, subterfuge does not come naturally to him: Cecelia finds him stuck in a barrel behind her house. So begins the seduction.

A Scot Is Not Enough throbs with sexual tension from the very first page. Alexander and Cecelia’s unrelenting fascination with each other, their need to uncover what drives the other person, propels their relationship. While both characters want to trust their hearts, their minds are warning them that there is no logical reason to do so. Conkle expertly employs subtle, minute emotional details that track the evolution of their relationship and individual perspectives.

A Scot Is Not Enough is a spellbinding tale of political adversaries who are beguiled with each other in spite of everything pulling them apart. The mystery of the sgian-dubh adds intrigue, but it is Conkle’s prose and character work that make this romance so compelling.

A Scot Is Not Enough is the story of a spellbinding Georgian romance between political adversaries who are completely beguiled with each other.
Review by

New York Times bestselling author Emily Henry (Beach Read, People We Meet on Vacation) returns with Book Lovers, in which an ambitious literary agent’s summer trip takes an unexpected turn when she’s stuck in a small town with her professional nemesis.

Nora Stephens is known for her cutthroat drive and the dogged devotion to her clients and their manuscripts. There’s really only one person who can get through her tough exterior, and that’s her younger sister, Libby. When Libby proposes a sisters’ trip to the small town of Sunshine Falls, North Carolina, Nora acquiesces. Once there, Nora is surprised to run into book editor Charlie Lastra, a man she’s deeply disliked ever since he ruthlessly turned down one of her books. Apparently, Charlie is a Sunshine Falls native, and he seems different than Nora remembers from their encounters in New York City. He’s not the abrupt editor that spurned her before; he’s actually charming, which Nora finds particularly infuriating.

Henry excels at writing introspective, heroine-focused romance, and she uses the character of Nora to dismantle the stereotypical “career woman” archetype: the cold, ambitious person who sacrifices relationships for the sake of her job and often stands in the way of a more conventionally “feminine” woman’s happiness. But in Book Lovers, Nora doesn’t have to change her driven nature to find a partner who appreciates her. While Charlie is a real softie at heart, he still celebrates Nora’s desire to excel. He understands her professional ambitions, because he harbors similar ones himself.

Emily Henry wants justice for the “Big City Woman.”

And while Sunshine Falls’ small-town charm does eventually win Nora over, the most significant result of her letting her guard down is not so much her relationship with Charlie so much as it’s the reaffirmation of her love for her sister. Nora deeply cares for Libby, and as the trip goes on, Nora begins to sense that something is amiss. Their sisterly affection is a sweet delight to witness, an unconditional and supportive love that Henry celebrates just as much as Nora’s romance with Charlie.

Is it possible for Henry to write a romance that doesn’t glitter with pithy banter or that isn’t filled with characters you want to root for? So far, the answer is no. As the title suggests, readers who love meta “books about books” will delight in the details of Nora’s and Charlie’s occupations and their passion for reading. But Book Lovers is also a wonderful examination of work-life balance, the intricacies of family relationships and the realization that you shouldn’t have to compromise yourself for love.

A delightful romance that both dismantles and celebrates the “career woman” archetype, Book Lovers cements Emily Henry's status as one of the best rom-com writers around.
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LA may be a city of smoke and mirrors, but this trio of romances is a friendly reminder of how important it is to delve beneath the surface and get to the heart of the matter in, well, matters of the heart.

Savvy Sheldon Feels Good as Hell

Taj McCoy’s debut romance isn’t interested in superficial Hollywood glitz; rather, it’s an exuberant story about a relatable Everywoman whose shine has lost a bit of its luster. The title may be Savvy Sheldon Feels Good as Hell, but it takes Savvy a while to bounce back after her boyfriend, Jason, breaks off their six-year relationship over dinner after announcing he needs an “upgrade.” Her tightknit group of gal pals squad up for Savvy’s sake, encouraging her plan to overhaul her life. On the docket are goals like getting a promotion, writing a cookbook, renovating her grandparents’ house in Los Feliz and losing weight. Absent are the things that really count, like bolstering her self-confidence and learning to love herself as she is. A key moment in her journey comes early on, when she epically misjudges handsome Spencer Morgan. Because of his dusty clothes, she assumes he’s experiencing homelessness and brushes off his flirting, only to learn that he’s actually a contractor. It’s the opposite of a successful meet-cute, but it does result in a profound moment of self-reflection. Savvy feels constantly judged for her weight, and she projected that sense of constant negative scrutiny onto Spencer. Moments like this drive the plot; McCoy is less focused on romance than she is on thoughtfully constructing her heroine’s journey to enlightenment. Luckily, Savvy is a particularly zeitgeisty heroine: a woman on a quest to improve both her physical and mental well-being.

Funny You Should Ask

Young adult author Elissa Sussman may be poised for a breakout hit with her first novel for adults, Funny You Should Ask. This tightly written romance follows a successful writer and a Hollywood A-lister who previously crossed paths during an interview that changed the trajectories of their lives. Chani Horowitz is now a writer of essays, profiles and commentary, but a decade ago she was just kicking off her career. She was thrilled to land a profile piece of the next James Bond, a wholesome Montana boy named Gabe Parker. He was handsome and dazzling, and Chani was totally crushing on him. They clicked immediately and then spent a momentous weekend together in LA, roaming from Gabe’s house in Laurel Canyon to a high-profile movie premiere to a gay club, reveling in the city’s culinary scene and endless supply of things to do and places to see. But afterward, Chani returned to New York City with her boyfriend, Gabe married his new co-star, and neither of them were happy. Funny You Should Ask bounces back and forth between Chani and Gabe in the present and during their lost weekend. There are a ton of details to unpack, with a lot of different characters in a lot of different times and places. But Sussman’s smart writing and firm control over the narrative steadily lead you on to the next page, and the next page, and the page after that. She also uses the dual-timeline structure to great effect in support of the eventual happy ending. 

Business Not As Usual

Dreamy Daniels, the heroine of Sharon C. Cooper’s latest contemporary romance, Business Not As Usual, truly lives up to her name and will charm the pants off readers (and off her love interest, too). Dreamy’s personal mantra is that anything is possible if you believe. She plays the lottery every week with her grandfather, confident with her whole being that she’ll be a big winner one day. A hard worker with a vision for starting a nonprofit for aspiring female entrepreneurs, Dreamy makes do in the meantime by working as a secretary for a tech guru. But then she meets venture capitalist Karter Redford who, despite being the son of acting royalty, turns out to be a kindred spirit who sees the value in a little intellectual elbow grease. He appreciates both her shiny, wild exterior and the resilient, creative thinker beneath it. To Karter, the fact that Dreamy lives in one of LA’s underprivileged neighborhoods doesn’t matter. But his mother thinks that Dreamy isn’t cultured, sophisticated or educated enough to be a good match for her son. Cooper, however, doesn’t fall back on such stereotypical characterizations. Dreamy and Karter are intelligent, mature adults who root for each other, which in turn makes the reader root all the harder for them in this flirty, fun and refreshing romance.

Los Angeles may be a city of smoke and mirrors, but this trio of romances is all about getting real.
Interview by

Romance readers fell in love with India Holton’s madcap and magical version of Victorian England in her debut, The Wisteria Society of Lady Scoundrels. Now, she’s back with more daring witches, dashing pirates and flying houses in The League of Gentlewomen Witches, which follows Charlotte Pettifer, a witch who will one day take over as leader of the titular society, as she teams up with pirate Alex O’Reilly to recover a powerful amulet. We talked to Holton about which fictional witches she would want in her coven and what the Victorian setting allowed her to say about the power of femininity.

How does this book compare to The Wisteria Society of Lady Scoundrels? There’s still a grand sense of adventure, but what else can returning readers expect?
The main thing returning readers will get from The League of Gentlewomen Witches is more. More action, more enemies-to-lovers romance, more tea and more explosions, in all senses of the word. The League takes the Wisteria Society experience up several degrees! Also, the literary allusions focus on Jane Austen this time, which seemed appropriate for my feisty Charlotte and fierce (but rather nonplussed) Alex. 

“I’ve always felt that bookish, introverted and sensitive women can be just as powerful as the warrior type . . .”

Your world is so inventive and fun! What were your inspirations? Was there anything specific you wanted to change about the Victorian period? Why did you decide to blend history and fantasy?
My inspirations for the world were honestly right out of my own head. But I was also influenced by the fun, madcap energy of old rom-com movies and TV shows. 

I chose a historical setting because the things I wanted to say about women were really emphasised by a Victorian milieu, rather than an imaginary world. For example, I’ve always felt that bookish, introverted and sensitive women can be just as powerful as the warrior type, given an opportunity. By placing my heroines in a time period in which women were constrained to be ladylike (“the angel of the house”), I could explore this more easily. So it wasn’t so much about changing the Victorian period as using what it offered for my purpose. Although the books offer light fun, at their heart is a contemplation of how we as a culture view women—and indeed men, too—and how that can harmfully influence their relationships with themselves, as well as with others.  

Do you have any tips on balancing romance with action?
An action-filled plot is a wonderful opportunity to bring two characters together in the forced proximity of a shared problem. But if they have different ideas about solving that problem, or different goals, therein lies the tension. The conflict between them reflects the conflict that incites the action. Also, tying the momentum of their personal relationship to that of the overarching plot provides continual opportunities to address the romance, even while things are exploding all around them. 

The League of Gentlewomen Witches feels a bit spicier than its predecessor. Was that a conscious decision on your part or just where Charlotte and Alex’s journey took you?
My very first glimpse of this story was a scene that included them fighting, then kissing in the rain. I became absorbed in the intensity between the characters and actually developed the entire plot around this one moment. So it didn’t really surprise me that Charlotte and Alex demanded more heat than Wisteria’s Cecilia and Ned.  

If you designed your own magical, moveable house, what details would be essential?
First and foremost, plenty of bookshelves! Also, a comfortable chair in front of the wheel, set high enough that I could see out the window, since I am very short. And a rooftop deck, with good fencing around it because I’m scared of heights! 

Read our review: “The League of Gentlewomen Witches” by India Holton

If you could cast your own League of Gentlewomen Witches, which famous witches (fictional or historical) would you include in your magical girl gang?
Sophie Hatter from Howl’s Moving Castle, Samantha Stephens from “Bewitched,” and Nanny Ogg and Agnes Nitt from Terry Pratchett’s Discworld series. (Not Granny Weatherwax—she’d take over in the worst way.)  

What can we expect next from the Dangerous Damsels series?
I don’t want to say just yet who will be featured in book three; I want to see if readers can guess. But I’m so very excited to share their story, because I fell in love at first sight with both characters. It involves one of my favorite tropes: fake marriage. It also includes rivals-to-lovers, forbidden love and only one bed, of course! 

What are you reading and loving right now?
I’m in the middle of Two Wrongs Make a Right by Chloe Liese, which is a truly delightful rom-com due out this fall. And I’ve also started If You Ask Me by Libby Hubscher, which is a charming, hilarious rom-com.

Photo of India Holton courtesy of the author.

The whimsical romance-fantasy-historical fiction mashup of your dreams returns.
Review by

In The League of Gentlewomen Witches, India Holton returns to the Dangerous Damsels, her magical romp of a series complete with flying houses, adventuring pirates and tenacious witches. In this fast-paced enemies-to-lovers romance, a witch destined to take over a secret society teams up with a roguish pirate captain to recover a stolen amulet.

Charlotte Pettifer is a descendent of the famed Beryl Black, founder of the Wicken League, which fosters the talents of both young and experienced witches. It’s Charlotte’s birthright to lead the league, just like her ancestor, and she’s always thought that her destiny was also her dream job. But a treasure-hunting pirate makes her reconsider her future. When Beryl Black’s long-lost amulet resurfaces, Captain Alex O’Riley sets out to claim it—and so does Charlotte, by stowing away on Alex’s flying house.

India Holton reveals which fictional sorceresses she’d want in her own coven.

Close quarters turn Charlotte and Alex’s rapid-fire banter into a sort of foreplay, but despite their mutual antagonism, their romance skews more toward the sweet and heartwarming end of the spectrum. The dashing, daring Alex provides the perfect foil for buttoned-up and duty-bound Charlotte. It’s not exactly a grumpy-meets-sunshine pairing—more like a stuffy character falling for a free-spirited one. Alex oozes charm; he already made a grand first impression in Holton’s debut, The Wisteria Society for Lady Scoundrels, and he will further secure his spot in readers’ hearts here. They will immediately understand why Charlotte is envious of Alex’s freedom, especially as the weight of becoming the head of the Wicken League looms over her. His very existence and infectious spontaneity make Charlotte waver on her commitment to the league. Can she really live the life she wants while also fully committing to the role of leader?

Holton takes readers on a wild ride through a fun, limitless world, where frivolity and whimsy reign supreme and skilled swordwork and grand displays of magic abound. It’s all a hodgepodge of delightful silliness, with over-the-top action, exaggerated villainy and the fact that it’s possible to fall in love with your sworn enemy while recovering an ancient amulet. Think Mel Brooks meets The Princess Bride with a dash of Austen-esque comedy of manners. And then crank that all up to 11.

It’s impossible to know where the series will go next, but after finishing The League of Gentlewomen Witches, readers will be completely on board for more of Holton’s imaginative, rollicking romances.

Mel Brooks meets The Princess Bride, with a dash of Austen-esque comedy of manners, in India Holton’s imaginative, rollicking romance.
Review by

You know that part in a wedding ceremony when the officiant asks if there are any objections? In The Wedding Crasher, that’s when the fun—and the chaos—begins. While assisting her wedding-planner cousin Lina, Solange Perreira witnesses the bride in a moment of passion with a man who clearly isn’t the groom. Despite some natural trepidation, Solange feels compelled to stop this marital train wreck.

Dean Chapman, the jilted and romance-skeptical groom, is less heartbroken by his wedding going down in flames than he is worried about his professional prospects. He works at a conservative law firm that thinks only family men are partner material. To save face, he says that Solange ruined his wedding because they’re in love. Conveniently for him, Solange is willing to play along. A temporary boyfriend would come in handy to impress her visiting family, who won’t be satisfied with her single status regardless of her meaningful and innovative career in education.

The follow-up to Sosa’s breakout rom-com The Worst Best Man, The Wedding Crasher is a winner—thoroughly delightful, modern and fun. The romance naturally flows from the close proximity that’s part and parcel of a fake relationship. And while the scenario is fun, Sosa’s novel is also thoughtful and emotionally resonant, in large part due to its two distinctive main characters and their sparky chemistry. Dean and Solange aren’t looking for true love, and both are battling other people’s restrictive ideas of what a successful life looks like. And most importantly, they’re heavily influenced by their childhoods, both spent with single moms.

When Dean was a child, his mother moved them around from place to place, chasing love and finding bad men and disappointing relationships time and again. Those formative experiences led him to conclude that love is dangerous and destabilizing. He wants a stable home, marriage and a family yet avoids romance, preferring relationships that are structured like business arrangements.

Solange, on the other hand, grew up surrounded by the love of her supportive Brazilian American family. But she’s terrified of making an important life or career choice and having it turn out to be the wrong one, and equally terrified of staying or working in one place for years like her mother did. In contrast to Dean’s story, the origins of Solange’s angst aren’t quite as clear. Why does she think that her mother has made such an enormous mistake? While the emotions come through loud and clear, the reasoning behind them is frustratingly fuzzy.

Ultimately, however, this doesn’t preclude The Wedding Crasher from delivering what readers want most in a romantic comedy. It’s laugh-out-loud funny, tartly sweet and scorching hot—a delicate balance that only a writer of Sosa’s considerable talent can strike.

The follow-up to Mia Sosa’s breakout rom-com The Worst Best Man, The Wedding Crasher is a winner—thoroughly delightful, modern and fun.
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★ Boss Witch

A witch hunter is on the prowl in the Midwest in Ann Aguirre’s delightful Boss Witch. Clementine Waterhouse, one of the owners and operators of the Fix-It Witches repair shop, vows to save her family and coven by distracting Gavin Rhys, a sexy Brit who’s arrived in town to snatch away the power of any witch in the vicinity. Gavin and Clem quickly discover a powerful spark of sexual attraction between them, and it’s enough to keep them both bewitched, bothered and bewildered until reinforcements are called in from Gavin’s team. Can they craft a solution to an age-old enmity and find a forever love? Boss Witch may be a paranormal romance, but Gavin and Clem have problems every reader can relate to: meddling family, impossible expectations and fears of intimacy. There’s plenty of amusing whimsy piled into Aguirre’s imaginative story, made all the more charming by her energetic and vivid writing style. Boss Witch will make readers believe in the unbelievable, and wish for a little magic for themselves.

To Marry and to Meddle

A couple finds their new marriage less than convenient in To Marry and to Meddle by Martha Waters. For years, Lord Julian Belfry was satisfied with his scandalous reputation as the owner of an unsavory theater. He’s only the second son of a marquess, after all, and not set to inherit any grand title. But respectability would certainly sell more tickets, and he thinks that marrying the beautiful but impoverished Lady Emily Turner will help him reach that goal. Emily agrees, as she’s more than ready for a married lady’s relative independence—and it doesn’t hurt that Julian is handsome and charming. But as the pair learns to live together, they must confront uncomfortable truths about themselves. Will these new revelations make or break their union? Waters’ prose harkens back to foundational Regency romance author Georgette Heyer, but Emily and Julian’s individual journeys of learning to like their authentic selves are timeless. A witty cast of secondary characters and glimpses of backstage theater life add to the fun.  

Going Public

A workplace romance starts slow then burns hot in Going Public, the second book in Hudson Lin’s Jade Harbour Capital series. Elvin Goh loves his job as assistant to Raymond Chao, a hotshot fixer and partner at private equity firm Jade Harbour, even if Elvin’s all-hours and hands-on assignments mean he can’t ignore the many lovers who parade in and out of Ray’s bed. Elvin and Ray are already a great team, but sorting out a thorny, potentially dangerous problem in a Jade Harbour holding brings the pair closer together—and into a new kind of intimacy. Watching sweet, innocent Elvin and jaded playboy Ray navigate new waters will melt readers’ hearts. Lin excels at revealing the inner workings of her characters’ minds, and when they wear their feelings on the sleeve of a luxury business suit . . . well, the appeal is multiplied.

Calling all fans of opposites-attract love stories! We’ve got three steamy recommendations for you in this month’s romance column.
Maud Newton

Maud Newton, author of Ancestor Trouble
Random House | March 29

Maud Newton made a name for herself back in 2002 as one of the very first book bloggers, drawing a large audience with her blend of cultural criticism and personal writing about her family tree. Now her first book, Ancestor Trouble, will develop those early musings into their fullest forms, using the lens of Newton’s family (including her Confederate heritage-obsessed father and a grandfather who got married 13 times) to examine the wider world of genetics, intergenerational trauma and family secrets, both buried and spilled. Her approach is sweeping, even exhaustive, but Newton is a master at taking a complex, far-reaching topic and making it magnificently intimate.

M.E. Hilliard

M.E. Hilliard, author of Shadow in the Glass
Crooked Lane | April 5

A working librarian who grew up on the Connecticut coast, M.E. Hilliard brings her professional and personal expertise to bear in the Greer Hogan mysteries, the rare cozy series that can be legitimately described as “edgy.” The standard elements are all there—a beautiful small-town setting in New England, a clever and resourceful heroine—but there’s a pleasing strain of darkness running through the proceedings. Hilliard’s debut, The Unkindness of Ravens, won rave reviews across the board, and Shadow in the Glass is bound to lure even more readers to her chilly, ceaselessly clever take on the classic cozy. 

Bonnie Garmus

Bonnie Garmus, author of Lessons in Chemistry
Doubleday | April 5

California-born, London-based author Bonnie Garmus’ first novel, Lessons in Chemistry, made waves when it sold in a 16-publisher auction, and now Brie Larson is set to star in and executive produce the Apple TV+ series adaptation. That’s a whole lot of hype, but the great news is that Garmus’ novel delivers on its promises in depicting the ups and downs in the life of chemist and cooking show host Elizabeth Zott. Plus, Garmus seems like someone we’d like to be friends with: copywriter, creative director, open-water swimmer, rower and mother with a background in tech and science and a real knack for naming dogs. (The dog in Lessons in Chemistry is named Six-Thirty, and the author’s own is named 99.)

Kris Ripper

Kris Ripper, author of Book Boyfriend
Carina Adores | April 26

The extremely prolific Kris Ripper became one of the genre’s rising stars with The Love Study series, a charming, nuanced look at modern love that boasted an enviable and highly entertaining friend group. Ripper’s next book, Book Boyfriend, offers a charmingly meta wrinkle to the always popular subgenre of romances set in the literary world. PK is a writer who has been in love with his best friend, Art, for years. He pours all of his feelings into his work, creating a novel in which a fictionalized version of himself is the perfect partner (aka a “book boyfriend,” a romance term used to refer to characters that readers would love to date in real life). 

Shelby Van Pelt

Shelby Van Pelt, author of Remarkably Bright Creatures
Ecco | May 3

First-time novelist and Pacific Northwest native Shelby Van Pelt arrives with the year’s most anticipated animal narrator: Marcellus, an Ove-style curmudgeon that just so happens to be a highly observant giant Pacific octopus living in an aquarium. Van Pelt has combined My Octopus Teacher with a drama involving an elderly woman’s search for her missing son, resulting in a novel that aims for the book club sweet spot.

Putsata Reang

Putsata Reang, author of Ma and Me
MCD | May 17

When journalist Putsata Reang was less than a year old, she spent 23 days on a crowded boat with her mother as refugees fleeing Cambodia. Sanctuary was eventually offered in the Philippines, where Reang’s mother rushed her sick baby to a military doctor, who saved Reang’s life. This is the debt Reang owes her mother—and this is the reason Reang felt her mother’s disappointment so acutely when Reang came out as a lesbian and her mother severed the relationship. Ma and Me is an important new entry in the growing body of American refugee and immigrant literature, shining a light on the experiences of queer people whose families have survived the trauma of war. 

Kirstin Chen

Kirstin Chen, author of Counterfeit
William Morrow | June 7

Award-winning author Kirstin Chen’s first two novels, Soy Sauce for Beginners and Bury What We Cannot Take, received several “best books” nods and plenty of critical love, but her third novel, Counterfeit, is her first from a traditional publisher, which means that a whole new section of the reading public will finally get the chance to discover her. To tell the story of two Asian American women who band together in a counterfeit handbag scheme, Chen undertook a research trip to Guangdong, China, to witness the industry of luxury brand “superfakes.” It’s a juicy premise, so of course TV rights have already been sold, with Chen set to executive produce. Born and raised in Singapore, Chen currently lives in San Francisco, and she teaches creative writing at the University of San Francisco and in Ashland University’s Low-Residency MFA Program.

Kali Fajardo-Anstine

Kali Fajardo-Anstine, author of Woman of Light
One World | June 7

No doubt about it, Colorado-based author Kali Fajardo-Anstine’s star is rising. Her 2019 short story collection, Sabrina & Corina, won an American Book Award and was a finalist for the National Book Award, the PEN/Bingham Prize and the Story Prize, which means that her first novel, Woman of Light, is really exciting in a “if you know, you know” sort of way. It’s a multigenerational epic set in the American West from 1890 to 1935, following an Indigenous Chicano family throughout five generations. Fajardo-Anstine earned her MFA from the University of Wyoming and is the 2022/2023 Endowed Chair of Creative Writing at Texas State University.

Nekesa Afia

Nekesa Afia, author of Harlem Sunset
Berkley | June 28

It’s hard to write a good historical mystery. Authors must manage all the spinning plates of a good whodunit (premise, red herrings, pacing of clues, etc.), while also wrestling with the knotty questions of historical fiction. Can they evoke the feeling of an era while still making it accessible to modern readers, and successfully highlight both the fun and glamour and the inequalities and issues of the day? In her roaring ’20s historical mystery debut, Dead Dead Girls, Nekesa Afia succeeded at all of the above and introduced a complicated, perfectly crafted sleuth to boot. No surprise the book became a word-of-mouth hit. We expect that Harlem Sunset will introduce even more readers to Afia and her fashionable heroine, Louise Lovie Lloyd.

CJ Hauser

CJ Hauser, author of The Crane Wife
Doubleday | July 12

Novelist CJ Hauser (Family of Origin, The From-Aways) struck it big in 2019 with her Paris Review essay “The Crane Wife,” which has since been read by over a million people. Now her debut work of nonfiction will take the eponymous viral essay—about traveling to Texas to study whooping cranes 10 days after calling off her wedding—and enlarge its scope with 17 additional pieces that explore how to cultivate an unconventional life, from robot conventions, to weddings, to John Belushi’s grave. As a fiction writer, Hauser’s work is smart, surprising and irresistibly weird—and now, as an essayist, perhaps doubly so.

Isaac Fitzgerald

Isaac Fitzgerald, author of Dirtbag, Massachusetts
Bloomsbury | July 19

Isaac Fitzgerald has been a man about book-town for years: He’s the founding editor of Buzzfeed Books, a bestselling children’s book author, an essayist, a co-author of art books about tattoos and a frequent “Today” show guest. Dirtbag, Massachusetts marks his grand entry into one of the few book-town neighborhoods where he hasn’t yet set up shop: prose books for adults. Fitzgerald’s memoir-in-essays will chart his rough-and-tumble upbringing in Boston and rural Massachusetts and the choppy waters of his West Coast adulthood, learning to navigate the pitfalls of masculinity, body image, class and family strife. There will be tough stops along this journey—including discussions of violence, homelessness and trauma—but we suspect Fitzgerald’s signature tenderness, humor and generosity will carry readers gently the whole way.

Alexandra Rowland

Alexandra Rowland, author of A Taste of Gold and Iron
Tordotcom | August 30

Fantasy romance is absolutely huge right now, to the point that it can be hard to stand out among the flood of gorgeously crafted tales of star-crossed lovers or rival princes. But standing out has not been a problem for Alexandra Rowland. Their Conspiracy of Truths duology was funny, moving and profound in equal measure, thematically ambitious but still deeply rooted in the personal experiences of its characters. We expect even more from A Taste of Gold and Iron, a standalone fantasy romance set in a world inspired by the Ottoman Empire. This tale of a prince and his bodyguard falling in love while untangling a plot that threatens their kingdom and promises to be a feast that satisfies both emotionally and intellectually.

Maya Phillips

Maya Phillips, author of Nerd
Atria | October 11

Poet and New York Times critic at large Maya Phillips will breathe new life into the ever-popular subject of fandom in her prose debut, Nerd: Adventures in Fandom From This Universe to the Multiverse. Growing up in the 1990s, Phillips cut her teeth on narrative greats such as Star Wars, Harry Potter, “Doctor Who” and “Buffy the Vampire Slayer.” As she teases apart how these franchises and others formed her identity, worldview and media appetites, her experiences as a Black woman and chops as a professional film and TV critic elevate each essay above the typical fandom fray. Nerd will lend weight to a sometimes-flighty sector of cultural criticism and establish Phillips as a true contender.


Newton author photo by Maximus Clarke. Garmus author photo by Serena Bolton. Van Pelt author photo by Karen Forsythe. Reang photo by Kim Oanh Nguyen. Chen photo by Sarah Deragon. Fajardo-Anstine photo by Estevan Ruiz. Afia photo by FizCo Photography. Hauser photo by Shannon Taggart. Fitzgerald photo by Maddie McGarvey. Rowland by Charles Darrel. Phillips photo by Brian Goldfarb.

From debuts to breakout books, this year promises to be a big one for these 13 authors. Keep them on your radar!

Author Alexis Hall is adored by fans and critics alike for his signature blend of witty repartee, endearing characters and warmhearted love stories. He’s already proven himself to be one of the best writers of contemporary rom-coms with books like Boyfriend Material and Rosaline Palmer Takes the Cake, and in 2022, he’s making the jump to historical romance. January saw the release of the Regency-era romp Something Fabulous, and this summer fans will finally get their hands on A Lady for a Duke, one of the most the hotly anticipated romances of the year.

Read the official summary from Hall’s publisher, Forever, and you’ll immediately understand why:

When Viola Carroll was presumed dead at Waterloo, she took the opportunity to live, at last, as herself. But freedom does not come without a price, and Viola paid for hers with the loss of her wealth, her title, and her closest companion, Justin de Vere, the Duke of Gracewood.

Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so far into grief that Viola barely recognises her old friend in the lonely, brooding man he has become.

As Viola strives to bring Gracewood back to himself, fresh desires give new names to old feelings. Feelings that would have been impossible once and may be impossible still, but which Viola cannot deny. Even if they cost her everything, all over again.

You can get A Lady for a Duke at your local bookstore or library on May 24, 2022. But in the meantime, you can sigh at the absolutely gorgeous cover below.



Cover art by Judy York. Cover design by Daniela Medina. Cover photography © David Wagner Photography; Shutterstock Images.

Read our reviews of Boyfriend Material and Rosaline Palmer Takes the Cake by Alexis Hall.

We’re delighted to reveal the cover of Alexis Hall’s new historical romance, A Lady for a Duke.

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