In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
Children’s and young adult author Ashley Herring Blake makes her adult debut with Delilah Green Doesn’t Care, a queer small-town romance between—let’s be frank—two total babes who are most certainly worthy of their swoony whirlwind of a love story.
Delilah Green has no desire to return home to Bright Falls, Oregon; the tiny town is full of painful memories of a childhood spent feeling abandoned and isolated by her stepfamily. But when her estranged stepsister, Astrid, offers Delilah a large paycheck to photograph her wedding, Delilah finds herself back in Bright Falls for the first time in years. She hopes to get the trip over as soon as possible, but then she reunites with Claire Sutherland, a single mom who runs the local bookstore. Delilah recalls Claire being one of Astrid’s pretentious, “mean girl” friends, but she’s matured into a warm, kind and all-too-alluring woman.
This tender story of growth and change is about becoming a person your younger self can be proud of. Delilah and Claire’s connection starts as a sexy sort of antagonism, an attraction they just can’t get out from under their skin, but it soon blossoms into a wild vulnerability neither expected. Blake’s impressive talent is on display on every page, especially when it comes to tracking the evolution of her central couple’s relationship. Romance readers are sure to welcome her (and Delilah) with open arms.
Love at First Spite
An interior designer and an architect work together to build the perfect revenge in Anna E. Collins’ Love at First Spite.
Dani Porter’s already gotten mad about her cheating fiancé. Now, she wants to get even. When a vacant lot opens up next to her ex’s house, the place where they were supposed to live happily ever after, she quickly snatches it up. Her plan? Build an Airbnb right next door to block his beautiful view. To help with the project, she hires Wyatt Montego, a grumpy architect who works at her design firm. Their personalities immediately clash, but they soon find their groove within the large-scale project, moving from strangers to friends to something more.
Given how much time and emotion she invested in her last relationship, only to then have her trust completely shattered, Dani is wary of love. And Wyatt is hiding his own sensitivities beneath his terse, stuffy exterior. The renovation and design elements provide the story’s foundation, giving Dani and Wyatt’s slow-burning chemistry plenty of opportunities to sizzle. This is a sweet story of healing after heartbreak, finding your person and debating the wrong and right ways to eat a sandwich.
If You Love Something
Some romances aren’t about finding something new, but rebuilding and reclaiming something you’ve lost. DeShawn and Malik Franklin haven’t seen each other in years and, as far as they know, they’ve been divorced for just as long.
DeShawn is a successful executive chef in the Washington, D.C., area, but his comfortable lifestyle gets shaken up by one phone call from his dear grandmother. She reveals that she has cancer, she won’t be seeking treatment and she’s finalizing her will and plans to leave half of her estate to Malik, with whom she is still very close. But, there was a mix-up with DeShawn and Malik’s divorce paperwork: They’re still married.
When DeShawn’s uncle contests the will, DeShawn agrees to pretend that he and Malik are back together, hoping the ruse plus the fact that they are still technically married will make it easier for Malik to fight for his rightful share. But once they reunite, old problems and even older attractions emerge.
Fans who love a bit of family drama in their romances, as well as some fake dating (between spouses!), will tear through Jayce Ellis’ endearing If You Love Something. DeShawn and Malik are clearly the right person for each other—they just met at the wrong time. Ellis shows how both men have worked on themselves and grown in order to become better romantic partners. If You Love Something will give you all the warm and fuzzy feelings.
Perfecting the rom-com is no easy feat. But these authors have cracked the code. Their satisfying romances boast heaping doses of lightness and humor, as well as some perfectly deployed and fan-friendly genre tropes.
Two delightful people find both themselves and true love in Tessa Bailey’s sequel to It Happened One Summer, Hook, Line, and Sinker. Film production assistant Hannah Bellinger’s latest project is being shot in her late father’s small hometown of Westport, Washington, where she met fisherman Fox Thornton the summer before. They’ve been texting buddies ever since, and she bunks at his place during the shoot. Fox is funny and incredibly handsome but a self-avowed shallow player, so she’s certain she’d never fall in love with him. Except there is so much about Fox to love: his humor, his self-deprecation, the way he believes in her (not to mention his unending sex appeal). Fox is constantly there for Hannah, and the evolution of their relationship from pals to passionate lovers feels authentic at every step of the way. Bailey is a master at articulating emotion through both narrative prose and dialogue, and readers will feel everything going through the hearts of this charming yet imperfect couple. Every page in this fabulous novel is pure romance gold.
Kamila Knows Best
Farah Heron retells one of Jane Austen’s classic in Kamila Knows Best. Accountant Kamila Hussain lives a busy life taking care of her father, her dog and her many friends. But is she paying enough attention to her own needs and what she might really want . . . such as Rohan Nasser, a man she’s known forever? Heron’s prose completely captures the breezy, confident tone of her modern Emma. Like Austen’s protagonist, Kamila is a devoted daughter, inveterate matchmaker and she’s just a bit self-centered. But she’s as vivacious and fun to read about as Heron’s descriptions of clothing, decor and mouthwatering meals. A warm, wisecracking set of secondary characters and contemporary concerns fortify the rom-com plotline. A very good groveling scene (a trope beloved by many romance readers in which a character humbles themselves for love) is included, along with a recipe for biryani in this all-around delicious love story.
The Lady Tempts an Heir
Harper St. George’s lush Victorian romance, The Lady Tempts an Heir, sees a brash American fall at the feet of an English lady. Maxwell Crenshaw, the heir and manager of a prosperous ironworks, leaves New York City to check on his ailing father in London, which means he’s right back in the world of Lady Helena March. She’s oh-so proper and oh-so beautiful, and when they are both pressured by their families to marry . . . well, why not give themselves some breathing room by faking an engagement? In the way of these things, of course, Max and Helena find passion and then love, falling for each other as they discover they share similar stances regarding the rights of women and the plight of factory workers. But they live on separate continents and they’d agreed this wasn’t to last, right? Max and Helena’s sensuous, engaging and entertaining love story is deepened by St. George’s pitch-perfect evocation of the tender yearning of lovers separated by distance and circumstance.
Tessa Bailey strikes rom-com gold and Jane Austen’s Emma gets a delightful modern makeover in this month’s romance column.
Co-authors and former friends become lovers when forced to return to the beautiful Key Largo, Florida, beach house where they first struck literary gold in young adult fiction duo Emily Wibberley and Austin Siegemund-Broka’s debut book for adults, The Roughest Draft.
From the moment they met, aspiring novelists Nathan Van Huysen and Katrina Freeling had brilliant, intense chemistry. Nathan was already engaged, so romance was off the table. But their combustible blend of friendship, banter and trust was undeniable. Together, they won a two-book contract, and their excellent first novel became a runaway hit.
Three years later, Katrina and Nathan aren’t speaking. She got engaged to their once-shared agent and he has married his fiancée. Nothing has gone quite as well for either of them since the break. Nathan’s solo book was dead on arrival, and no one wants another. Katrina is even more stuck: She’s not writing or even venturing into bookstores in person for fear of being recognized or connected to her formerly lustrous career.
In the midst of this limbo, they get a call. Their publisher wants them to fulfill their two-book contract, and time is running out. The solution: Recapture the magic by returning to Key Largo. This section of The Roughest Draft unfolds like a mystery with the central relationship as the corpse. But who or what killed it. And is it really dead, or just in cold storage? This is also where Wibberley and Siegemund-Broka cleverly employ a popular romance trope by forcing Nathan and Katrina into close proximity. The Roughest Draft demonstrates why that plot device is so effective: An isolated closeness allows for greater freedom. Being separated from their daily lives while writing a romantic novel together means they can flirt and dance and call it research, even though there’s obviously more to it because of their history.
Katrina and Nathan are easy to care about, both as individuals and as a potential couple. But some structural and stylistic aspects prevent The Roughest Draft from reaching its full potential. The flashbacks are well done, but the slow-drip reveal of what caused past hurts and hostilities keeps the reader from understanding the couple’s present-day motivations. And the often self-conscious and metaphor-stuffed prose, plus abundant reflections on the nature of reality versus fiction, creates distance where there should be intimacy. However, this romance is a joy to read once Nathan and Katrina let go of the past, at least temporarily. As they give their natural connection free rein, The Roughest Draft truly sparkles.
Fans of the friends-to-lovers and forced proximity tropes won’t want to miss The Roughest Draft.
As a contestant on the reality cooking competition show “Chef’s Special,” Dahlia Woodson is looking to reinvent herself and find a new path forward. London Parker, the show’s first nonbinary contestant, has figured out who they are and wants to show the world what they can do. Dahlia and London’s chemistry is dynamic, and their cooking is delicious . . . but the course of love and reality TV never runs smoothly. We asked Anita Kelly, author of Love & Other Disasters, to share the secret sauce of their storytelling.
At multiple points in the book, Dahlia focuses on the building blocks of cooking—starting with something simple. Do you have an equivalent of that for writing? When you start with the basics of a story, what does that look like for you? For me, stories always begin with characters. I usually think of one main character and a problem they’re struggling with, and then it’s like, all right, who are they going to meet who’s going to help them keep moving? Who’s going to tell them they’re OK? I can never start a story until I know my people.
Both London’s sister, Julie, and Dahlia’s brother, Hank, are fantastic characters. Was that close sibling dynamic something you wanted to explore? Do you have a sibling or friend who fits in that category? I have always been so drawn to siblings as important parts of stories. I grew up with two older siblings of my own, along with a ton of cousins who were all very close in their own sibling dynamics. I also watched how close my parents were with their siblings. So it probably has been ingrained in me from personal experience. But it’s also just this idea of someone who is literally with you your entire life (if you’re lucky), who has to love you through every single one of your embarrassing, confusing stages.
It was also important to me, since both Dahlia and London have struggles with their parents, that they still had a solid family foundation through their siblings. Someone who would still have their backs, like you said, no matter what. Someone who could remind them they were loved and had a soft place to land back home, even when their Los Angeles lives got complicated.
“I think love should feel a lot like comfort food.”
While filming “Chef’s Special” in LA, Dahlia spends a lot of time thinking about “LA Dahlia” and how she’s different from the person she’s been at home. Was that something you wanted to tap into, how coming to a new place and breaking out of our routines can open us up to new things? LA Dahlia was probably the most personal part of this book, when I think about it. I grew up in a small town on the East Coast, and as an angsty teen, I used to fantasize about breaking out and escaping to California, which seemed like the epitome of romance and adventure and freedom. I was that weirdo who spent a disproportionate amount of time listening to “California Dreamin’” by the Mamas and the Papas instead of . . . anything else I should have been listening to as a ’90s kid. Anyway, I have been able to travel quite a bit since my teenage years and will always have wanderlust in my bones, but LA still seems particularly magical to me. I think the idea of LA Dahlia was probably me manifesting my deepest teenage desires.
LA Dahlia is, of course, the same person as Maryland Dahlia, the same person as Massachusetts Dahlia. They all matter, and they are all her. But allowing ourselves to dream big, to live out untold versions of ourselves, is something that traveling to a new place can absolutely help unlock.
Dahlia and London compare notes on their chosen comfort foods. Is your own favorite comfort food hidden in their answers? Funnily enough, not really. For London, I have to give credit to my brother-in-law, who really knows food. I am, in fact, not much of a foodie at all, and when I was just starting to draft this book, I asked him what he would consider a great meal. I can’t remember what his full answer was, but he was super enthusiastic about how much he loves just browning up a bunch of Brussels sprouts with a ton of butter, and I was like, now there’s something I would never do. But London Parker would.
For me, anything involving cheese or ice cream is my comfort spot. If it’s covered in cheese, I will eat it. And especially during the pandemic, I have gone through, like, multiple cartons of Ben & Jerry’s a week and am not ashamed. If I ever develop an intolerance to lactose, I will need a lot of emotional support.
In all seriousness, though, I think love should feel a lot like comfort food, which is probably why I put such emphasis on it in this story. A healthy relationship and our favorite foods are both deeply personal and full of reliable joy.
“Sex can be all of those things—messy and funny and imperfect—and it can be sensual and serious and hot.”
Often in romance novels, the sex is idealized—perfect bodies, perfect synchronicity, sweeping waves of passion with nothing messy or awkward or unsure. But in one of their very first sexual encounters, Dahlia argues for the importance of recognizing her and London’s individual imperfections. What went into making that choice? I could talk about this topic for a long time, but painting sex—and bodies—as imperfect and messy and funny is one of the most important parts of writing romance to me. Because that’s what sex is! Bodies and sex are so freaking weird! Sex can be all of those things—messy and funny and imperfect—and it can be sensual and serious and hot.
Of course, I am as much of a sucker in my own romance reading life for toned bodies, hunky muscles and magically perfect sex as anyone. And I’ve written some of that, too. Seriously, I am always down for beautiful people really knowing how to please their partners. But I think it’s not only more honest but also simply more interesting to write about the more diverse realities of bodies and sex. The more we normalize talking through sex, laughing through sex and doing whatever the hell wewant during sex (with consent), the better our relationships with our bodies, our partners and our sexualities will be. I do think there’s more imperfect sex these days in romance, along with more inclusion of characters on the asexual spectrum as well, which is great.
It was really important to me to get the sex in this book right. I wanted to have on-page sex with a nonbinary character to show that even people with complicated relationships with their bodies and identities can still have great sex, while still being respectful of London’s autonomy. I can’t profess to have gotten it perfect, and if any other nonbinary or trans folks out there have feedback about how I could do it better next time, my ears are always open.
Cooking is a lifeline for Dahlia, and it’s something she leaned into during a difficult period in her life. Does cooking have that same significance for you? For sure. I am only physically able to cook when I am doing mentally OK. Like, to have the energy and the focus to make a full-ass meal for myself? Whenever it happens (and during the pandemic, it has not been often), I know I’m doing OK. And I always feel really, really proud of myself. Even if it’s only something simple.
Dahlia needs that feeling, of feeling proud of herself, of feeling in control of something. And she can only find that, in the beginning of the book, through cooking. I am not actually a great chef, but I do deeply understand that feeling. Writing is similar; I can only do it when my brain is working right. Each meal, each page written, is an accomplishment to be proud of.
I love how Dahlia and her brother use top 10 lists to combat the sads, such as Top 10 “Lizzie McGuire” episodes and Top 10 cheeses. I’m going to boldly assume that this is a personal tradition of yours, and if so, what is the craziest top 10 list you’ve ever come up with? OK, I am sad to say top 10 lists are not a regular part of my life these days, but I am a staunch supporter of a good list, and once upon a time, I did have a journal that I dedicated solely to list-making. I lived in Boston at the time, and “Favorite Things I’ve Seen While Riding the T” was probably my favorite list in it. If you’ve ever ridden the T, you get it.
There’s a deeply personal and moving scene in which London sees messages of support and thanks on their social media accounts for the representation they offer. Does that mirror your own experience with readers’ responses to your stories? Readers have mentioned that section as being particularly moving, and when I read it now, I agree. But it’s funny because writing those messages was so hard when I first drafted this book. I was cringing the whole time I typed them out, like oh my god, this is so cheesy, help. There’s something difficult about accepting simple, genuine kindness and support. We have all been so hardened. But I’m glad I forced myself to write them. Because you can find simple, genuine kindness and support, even on the internet. You just have to force yourself past all the trash fires to let yourself accept it.
I’m no London Parker—I would never survive on reality television—but I have been incredibly humbled and moved by the response to this book. People have mentioned it being the first book they read with a nonbinary character, and I actually love when people mention that it took them a while to get used to reading they/them pronouns for London, but that by the end, they got the hang of it. Because for a lot of people, that’s an honest experience! And the only way to normalize something is to have access to it. I am by no means the first romance author to write a nonbinary character, but it still feels like a privilege to be able to provide that first experience on the page for some people, to show the importance of getting even more gender-diverse stories out there.
Something else I’ve heard that’s made me think a lot is gratitude from people who might be cisgender but are in relationships with nonbinary or trans or gender-nonconforming people. That it’s comforting to see a relationship similar to their own in a romance, to see both themselves and the people they love depicted on the page. Whoever you are, it means something to actually see your own experiences, or even something close to them, in the medium that you love.
I also love, of course, when Dahlia’s storyline hits with people—that desire to want something different and meaningful for yourself but not knowing quite how to find it—because I think that’s a part of so many of us. Overall, I was so anxious to put this book out there—you often only imagine the very worst criticisms that you know you could receive—and the response so far has meant more than I could ever possibly express.
Author photo by Anita Kelly.
Anita Kelly, author of Love & Other Disasters, shares the secret sauce of their storytelling.
The authors of four acclaimed young adult novels, Emily Wibberley and Austin Siegemund-Broka enjoy a friends-to-lovers romance that is better than fiction. Long before they even thought of writing romance, they were childhood rivals-turned-friends who fell in love. But the characters in their adult debut, The Roughest Draft, have a far thornier path to happily ever after.
Nathan Van Huysen and Katrina Freeling were once close friends and writing partners. Their relationship fell apart shortly after releasing a bestselling novel, and the pair haven’t spoken in three years. But unfortunately for them, they signed a two-book deal, and the deadline for their second novel is looming. Nathan and Katrina return to Key Largo, Florida, where they wrote their first book, to fulfill the requirements of their contract and write one final love story together. But the line between a polite peace and real affection proves slippery and hard to maintain.
In a call to their home in Los Angeles, Wibberley and Siegemund-Broka readily admit that they’ve known each other so long that it’s hard for them to pinpoint when they first met. Their literary doppelgängers in The Roughest Draft, on the other hand, had a far more turbulent start to their relationship. Nathan and Katrina had amazing innate chemistry at first, but they met at a complicated stage of life and never enjoyed good timing. Whatever pining bubbled up as they wrote during intense, secluded periods was suppressed in real life, only to be expressed through their fiction.
“Writing is putting yourself on the page . . .”
You can see the imprint of Wibberley’s and Siegemund-Broka’s personalities, palpable chemistry and, most of all, interests stamped onto these characters. That’s very much intentional, and both authors describe the metafictional commentary on narrative in The Roughest Draft as an essential part of the book’s premise. “We liked the idea from the beginning that writing is putting yourself on the page,” Wibberley explains. “So you’re sharing . . . a layer of yourself there that you wouldn’t normally.”
That, Siegemund-Broka says, is “the thematic wellspring of this book. . . . You are creating professionally, and you’re doing it to write for an audience and to craft stories that you think people will engage with. But at the same time, there’s no avoiding the degree to which it also springs from your own passions, your own preferences, the things that you think are exciting and lovable.”
Wibberley and Siegemund-Broka’s collaborative, reflective and intellectually curious sensibility comes through loud and clear on the page, especially in their approach to tropes. Both authors are very conscious of storytelling traditions and structures, and The Roughest Draft leans on beloved conventions such as estranged friends, friends to lovers and a second chance at love.
Nathan and Katrina’s relationship at the beginning of The Roughest Draft is similar to fake dating, but rather than performing a relationship for others, they’re performing a friendship for themselves. To diffuse tensions at the start of their time in Key Largo, Katrina suggests that they should, in essence, fake it till they make it: “You and I will be creating fiction together. So let’s embrace it. Let’s live a fiction.” This creates a safe space to enjoy each other’s company without having to address the tensions that broke up their partnership in the first place.
“It’s a very ‘us’ preoccupation . . . how, in life, we are often telling stories.”
The Roughest Draft explores this dynamic in extremely effective ways. Here, it’s not simply about getting the characters into close proximity or forcing them to go through the motions. It’s about giving them permission to do things that they wouldn’t feel they had license to do otherwise. Siegemund-Broka points to a scene in which Katrina acts out choreography for a love scene in front of Nathan. “She’s performing for a very logistical, clear reason,” he says. “But the actions are what they are, and [so are] the feelings.”
Speaking of love scenes, what is it like writing them with your life partner? “It was the hardest part of the book for us,” Wibberley says.
Siegemund-Broka agrees. “It’s too [much] like you’re being watched while you’re trying to channel those feelings,” he says. “It makes it difficult to write and difficult to edit and difficult to negotiate.” These are the only parts of the book they wrote separately from each other, and this potential for awkwardness when writing about sex with another person carries over for the characters in The Roughest Draft. “We wanted to include those moments in the book, both for the obvious character tension but also for the humor, because of course, you have them sitting on the couch being incredibly awkward together,” says Siegemund-Broka.
These sorts of layered interactions between fiction, the craft of storytelling and real life are at the heart of The Roughest Draft, and it’s a cerebral yet swoony way to depict a love story.
“It’s a very ‘us’ preoccupation, these kinds of meta questions of how stories resemble life, but also how, in life, we are often telling stories,” says Siegemund-Broka. “They are spinning a fiction within their own lives, pretending that they are co-workers who are completely fine with each other.”
As Wibberley points out, we all tell stories, smoothing out the rough parts or blowing up the things we find significant. Even “people who don’t write novels . . . might see themselves [in the book] and be like, OK, yeah, sometimes you [do] tell yourself a story to get through the day.”
Wibberley and Siegemund-Broka plan to continue writing adult romance that explores long-term relationships. As Wibberley points out, they certainly have a lot of experience to draw from, having been together since they were 17.
The idea of characters who have seen many different versions of each other is creatively inspiring, Siegemund-Broka says. “We are very attracted right now to writing characters who’ve been in each other’s lives a long time . . . whether it creates tension or longing or, alternatively, stasis, and figuring out how you deal with that weight of time.”
After reading The Roughest Draft, many readers will make a similarly long-term commitment to having Wibberley and Siegemund-Broka’s work on their shelves for years to come.
Author photo by Sue Grubman.
The YA author duo's adult debut is a cerebral yet swoony love story.
A lot of people think writing a romance novel is easy. A pair of attractive, charismatic characters meet, they have reasons why they can’t fall in love, they fall in love anyway, troubles intrude and then all the loose strings are tied together in a happily ever after. Easy, right? But knowing all the ingredients is no guarantee of producing a perfect dish. The secret is in the sauce, as every chef knows. What’s the secret sauce for writing a perfectly delicious romance novel? I have no idea, but I do know that Love & Other Disasters, Anita Kelly’s culinary whirl of a love story, has got it.
We begin with Dahlia Woodson, a rebel in desperate need of a cause who has grabbed onto cooking with both hands. After years of drifting along without a clear direction, while also being stuck in a souring marriage that eventually ended in a painful divorce, she found solace in creating perfectly flavored soups and delicately crafted pasta. And then the lifeline of cooking led her in a new direction: all the way to Los Angeles as one of 13 contestants on “Chef’s Special,”a cooking competition show.
Also in the lineup is London Parker, the show’s first nonbinary contestant. Where Dahlia is seeking purpose, London is focused and direct. Where Dahlia is spontaneous, London is structured. Where Dahlia is beautifully chaotic, London is intricately precise. And where Dahlia is lonely . . . London is lonely, too. Like salty and sweet, they’re two great tastes that bring out the best in each other. In London, Dahlia has someone she can trust, someone who cherishes her in a way that no one ever has. And in Dahlia, London finds someone who opens up their world. Coming out has not been easy for London—and that’s before going on television for the world to see. Dahlia’s open acceptance and affection help them settle into truly accepting themself in every way.
Love & Other Disasters is a delicious confection of a story: savory, succulent and also a bit salty in spots, thanks to certain difficult personalities that come into play. The characters, from our protagonists to the other contestants to the crew on the show, feel vibrant and real in their virtues and most especially their flaws. But while the plot is rich and surprising, the central romance is sweet, right from the start. London and Dahlia discover love together in a way that is charming and genuinely moving. It’s easy not only to fall in love with them as they fall for each other but also to root for them all the way to their sumptuous happy ending. The only bad thing about this book is that even after you’ve gorged on the whole thing, it’ll leave you wanting more.
The only bad thing about Love & Other Disasters is that even after you’ve gorged on the whole thing, it’ll leave you wanting more.
Stories that chronicle the discovery and cementing of a soulmate are unfailingly popular, whether they spring from mythic origins or feature a dramatically foiled kidnapping. The endings are no surprise, but it’s the endless ways to reach that happy moment that make romance fans come back again and again and again.
★ Electric Idol
Neon Godsauthor Katee Robert returns with another contemporary take on Greek mythology in Electric Idol. Psyche, the daughter of Demeter, is being groomed to take her place in the city of Olympus’ hierarchy when she encounters Aphrodite’s son, Eros. He’s as deadly as he is beautiful, and his work as his mother’s ruthless fixer has made him a legend. But when Psyche does him a good turn, she attracts not only Eros but also the lethal intentions of his mother. Robert employs one of the most beloved romance tropes, the marriage of convenience, when Eros offers to marry Psyche in order to protect her. Two strangers becoming quickly but intimately acquainted, then falling in love and finally committing to each other, is not only delicious, it’s practically a microcosm of the entire romance genre. Electric Idol has danger, a clever heroine and just enough world building to not weigh down its best feature: the emotional metamorphosis of the seemingly monstrous Eros into a kind and adoring lover. Don’t miss this sexy and sensational book.
★ Seoulmates
Seoulmates completes Jen Frederick’s lovely and lyrical duology about Hara Wilson and her journey to Seoul, South Korea, to find her roots. In the first book, Heart and Seoul, Hara found her birth mother and fell in love with the charming and rich Yujun—only to learn that he is her stepbrother. (In Korean culture, a romantic relationship between stepsiblings is completely taboo.) As Seoulmates begins, the pair are trying to decide if being together is worth becoming outcasts from both their family and society. Hara feels conflicted, but not about her love for Yujun or her fascination with the culture and food of Seoul, which Frederick describes in lavish (and delicious) detail. The intimate first-person perspective allows readers’ hearts to ache and soar along with Hara’s as she experiences both disaster and triumph. Learning to navigate a different culture and language as well as new relationships is a hard road, but Hara is stronger than her doubts. Even though a happily ever after looks out of reach, Hara learns to trust herself and the people she’s let into her life in this highly enjoyable read.
Highland Wolf
Love blossoms for a laird’s daughter after she’s saved from an unwanted marriage in Highland Wolf by Lynsay Sands. On the verge of being forced to marry one of her uncle’s friends, Lady Claray MacFarlane considers leaping to her death, but she’s rescued by a mercenary known as the Wolf. He plans to return her to her father, but he also has a secret—he’s her betrothed, Bryson MacDonald, who was thought to have perished years ago. Though Claray initially befuddles her no-nonsense husband-to-be with her soft spot for wounded animals, she ultimately proves herself to be the stalwart partner he needs. Danger lurks, but that doesn’t stop the lusty pair from finding time for each other in smoking-hot scenes. Sands keeps the action moving, and readers will fall head-over-heels for the ferocious Wolf and his growing tenderness for his lady. The detailed descriptions of medieval life and well-drawn characters make Highland Wolf a standout historical romance.
On a Night Like This
There’s something enchanting going on in Lindsey Kelk’s On a Night Like This. Told in a breezy first-person voice, this charming British rom-com finds personal assistant Fran Cooper taking on a temporary assignment that involves spending the night on an Italian island that is playing host to an over-the-top celebrity- and billionaire-studded event known as the Crystal Ball. Tired of stewing over her cheating fiancé and stalled life, Fran decides to sneak into the party. Once there, she meets Evan, who seems to have stepped out of her most romantic daydreams. Their eyes meet and it’s magic, but Evan insists they have this one night of friendly fun without thoughts of the future. This is sigh-worthy, entertaining escapism, all dressed up in sequins. The exotic locale and Cinderella touches add to the kisses-only fun.
Count Your Lucky Stars
Old friends find good fortune in Count Your Lucky Stars by Alexandria Bellefleur. Olivia Grant is still recovering from the end of her relationship with her high school sweetheart when she gets a golden opportunity for career advancement: planning a last-minute wedding between local VIPs. Color her shocked when the best woman is none other than her childhood BFF Margot Cooper, with whom she had a spring break fling during her senior year. The two avoided discussing their feelings when they parted, but 11 years later, sparks still fly between them. This extremely sexy rom-com is full of lingering glances and fiery love scenes, and there’s an awesome circle of found family helping the old friends and sort of new lovers sort through their feelings. While there are obligatory scenes played for laughs, Bellefleur also makes the sincere observation that the person who sees you the clearest is often the person who scares you the most. Thoughtful conversations about relationships balance the comedy in this ultra-satisfying read.
The details may change, but one thing in romance remains guaranteed: a happily ever after.
Despite a disastrous first meeting, sparks eventually fly between a grumpy duke and a scandalous opera singer in Julie Anne Long’s After Dark with the Duke.
When Miss Mariana Wylde meets James Duncan Blackmore, the Duke of Valkirk, it’s disdain at first sight. Mariana’s bad reputation precedes her: A disastrous duel was fought over her favor, and she was lambasted in the press as the “Harlot of Haywood Street.” Although Mariana didn’t encourage the duel or welcome the media attention that followed, this is 19th century England, and women are usually blamed for men’s bad behavior. James, an upright former general who places a great deal of importance on reputation, needs no further information to judge her harshly.
The Grand Palace on the Thames, a somewhat pretentiously named but very cozy boarding house, is a safe haven for Mariana, but her presence there doesn’t sit well with the duke, a fellow boarder. He cannot abide Mariana’s supposed recklessness, having lost too many men to foolish actions during the Napoleonic wars. The dislike between them is instant, but the duke takes it too far by lording his education over Mariana and making her the object of ridicule. Having violated the house rules of harmony among guests, James is in danger of being kicked off the premises entirely, until the house’s proprietors strike a deal: He can stay if he apologizes and helps Mariana learn Italian so she can understand the words she sings.
Long has a gift for language and razor-sharp descriptions that pinpoint a character’s essence. In After Dark with the Duke, she offers a master class in characterization, even by her high standards. Mariana’s vibrance and sparkle contrast strongly with James’ uncompromising virtue, which Long describes as being “as stark and strange as if an obelisk had been dropped into the sitting room.” But Long takes care to make sure that readers know exactly why James’ respectability means so much to him. He rose from humble beginnings to the aristocracy on his own merit and is thus painfully aware of all the rules he must follow to keep his reputation intact.
Mariana and James should make no sense together, but their interactions are delightfully chaotic and charged with an explosive sexual chemistry that shakes them to their bones. The more time they spend together, the more they see past each other’s outward appearances. The combustible chemistry of opposites breaks down their defenses, leading to mutual respect, support and love in this sublime and steamy historical romance.
Julie Anne Long’s sublime and steamy historical romance is a master class in characterization and the combustible chemistry of opposites.
Foodie-friendly rom-coms, literary love stories and some very hot takes on Greek myths—all these things and more await romance fans in 2022.
The Roughest Draftby Emily Wibberley and Austin Siegemund-Broka Berkley | January 25
The powerhouse YA romance duo (and real-life married couple!) will make their adult debut in a very meta fashion. Two writers who found great success with a co-written novel owe one more book to their publisher. The only problem? They now hate each other, and haven’t spoken in three years.
Lockdown on London Laneby Beth Reekles Wattpad Books | February 1
And lo, the romances inspired by the COVID-19 pandemic hath begun. This kaleidoscopic romance by the author of The Kissing Booth follows various couples in the same London apartment building during a seven-day lockdown.
Out of the Blueby Alison Bliss Forever | February 1
The wonderful Bliss was writing rom-coms before they were cool—check out her underrated A Perfect Fit series. She now returns after a few years away (an eternity for a romance writer) with this rom-com about a woman who falls for her personal trainer.
Ramón and Julietaby Alana Quintana Albertson Berkley | February 1
A retelling of Romeo and Juliet set in San Diego, California, Ramón and Julieta will swap out Renaissance aristocratic families for contemporary fast-food and taqueria dynasties.
Not the Witch You Wedby April Asher Griffin | February 8
The witchy rom-coms that were everywhere last fall are back in 2022! Asher’s stands out from the pack with its urban setting (New York City) and by including other supernatural beings—chiefly a wolf shifter as a love interest.
Delilah Green Doesn’t Careby Ashley Herring Blake Berkley | February 22
Anticipation is high for Blake’s opposites-attract love story, which is a sapphic spin on the small-town romance.
Kamila Knows Bestby Farah Heron Forever | March 8
Heron’s Accidentally Engaged was an utterly adorable treat (with truly scrumptious descriptions of food), and she’s upping the ante with this follow-up by adding another favorite romance trope: a Jane Austen adaptation. Kamila Knows Best will be a modern take on Emma (the cool kid’s choice for best Austen novel to adapt? Discuss.).
How to Be a Wallflowerby Eloisa James Avon | March 29
James is heading back to the Regency period after wrapping up her Georgian-era Wildes of Lindow Castle series. In this start to a new series, a British heiress and an American businessman go to war over a London clothing emporium.
Going Publicby Hudson Lin Carina Adores | March 29
Romances set in various high-stakes businesses were all the rage a few years ago, and Lin’s 2021 release Hard Sell was both a throwback and a breath of fresh air. All the corporate complications and power dynamics were present, but Lin’s diverse characters and soulful, deeply felt love story updated the subgenre while also bringing it down to earth. So readers will be in good hands for her next book in the Jade Harbour Capital series, which will venture into the tricky territory of a relationship between a devoted assistant and his boss.
The Wedding Crasherby Mia Sosa Avon | April 5
Another frothy, wedding-centered treat from the author of The Worst Best Man, Sosa’s new rom-com pairs a diehard romantic with a cynical man in search of a modern-day marriage of convenience.
Part of Your Worldby Abby Jimenez Forever | April 19
This romance between a sophisticated, city-dwelling ER doctor and a small-town carpenter seemingly has rom-com written all over it. But given that this is Jimenez we’re talking about, it’ll probably also be sneakingly profound and tear-inducing in both happy and sad ways.
The No-Showby Beth O’Leary Berkley | April 26
The author of The Flatshare and The Road Trip returns with another satisfyingly messy, refreshingly human rom-com. Her third novel sounds a bit like a less vengeful version of John Tucker Must Die: Three women get stood up by the same man, but then they all forgive him and are all still in danger of falling in love with him. (Who is this paragon to inspire such devotion??? We’ll find out this spring.)
Book Boyfriendby Kris Ripper Carina Adores | April 26
After wrapping up zir wonderful Love Study series last year, Ripper returns with another brainy but heartfelt contemporary romance. One of many recent romances that star either authors or people who work in publishing, this book will follow Preston Kingsley, an editorial assistant who’s in love with his best friend and expresses his love via a thinly veiled fictional version of himself.
By the Bookby Jasmine Guillory Hyperion Avenue | May 3
YA superstar Julie Murphy kicked off the Disney Princess-inspired Meant to Be series last year with If the Shoe Fits, her reality TV-set, rom-com spin on Cinderella. This year, the baton passes to Guillory, who will take her cues from Beauty and the Beast in the series’ second installment.
Book Loversby Emily Henry Berkley | May 3
Beach Read author Henry returns to the world of publishing for her third novel, an enemies-to-lovers romance between a literary agent and a book editor.
From Bad to Cursedby Lana Harper Berkley | May 17
From Bad to Cursed brings fans back to the cozy, perfectly spooky town of Thistle Grove, the extremely enviable setting of Harper’s first romance, Payback’s a Witch. In this sequel, thrill-seeking sorceress Isidora Avramov has to team up with her buttoned-up archnemesis to clear her family’s name after someone starts sabotaging the town’s Beltane festival.
You Made a Fool of Death With Your Beauty by Akwaeke Emezi Atria | May 24
It’ll be a huge year for National Book Award finalist and bestselling author Emezi, who in February publishes Bitter, a sequel to their YA novel Pet, and then in late May releases their first romance novel, You Made a Fool of Death With Your Beauty, about a woman’s healing after loss and her second chance at love. Upon announcing the book deal, Emezi tweeted that they started writing the novel in 2019, “one of the worst years of [their] life,” and attributed the title’s inspiration to Florence + The Machine’s song “Hunger.” Each of Emezi’s books has been more powerful and groundbreaking than the last, with some of the essays in their 2021 memoir, Dear Senthuran, providing a closer look into their experiences and processes as such a wide-ranging storyteller.
A Lady for a Dukeby Alexis Hall Forever | May 24
After carving out a niche for himself as the Richard Curtis of contemporary romance, Hall is finally bringing his signature wit and lovable, idiosyncratic characters to the world of historical romance! A friends-to-lovers tale set in the aftermath of the Napoleonic Wars, A Lady for a Duke follows Violet Carroll, a trans woman who is reunited with her oldest friend after making a new life for herself after being presumed dead at Waterloo.
Wicked Beautyby Katee Robert Sourcebooks Casablanca | June 7
We truly do not deserve Robert. Not only is she giving us two Dark Olympus romances in 2022, but the second (after January’s Electric Idol) will be her own delicious spin on the figure of Helen of Troy. In Robert’s version, Helen is gunning for the title of Ares, placing her in direct competition with Achilles and his partner, Patroclus. But all three soon realize they might be better together than on opposite sides—both professionally and personally.
Husband Materialby Alexis Hall Sourcebooks Casablanca | August 2
If you read the entry for A Lady for a Duke and wondered wistfully when Hall would gift us with another contemporary rom-com, do not fear! Not only will Hall be releasing a modern-day romance in 2022, it will be a sequel to Boyfriend Material! Luc and Oliver are happily together, but everyone around them is getting married . . . are wedding bells in their future?
A self-described wastrel gets a chance to change in The Redemption of Philip Thane by Lisa Berne. In exchange for a hefty sum, the low-on-funds titular character agrees to deliver a speech on his wealthy aunt’s behalf during Plough Day, a local holiday in the small village of Whittlesey. On the journey there, he picks up the beautiful and brainy Margaret Allen. She needs a ride due to a broken carriage; he needs distraction from the boring task ahead. Margaret doesn’t succumb to his wiles, and after giving his speech, Philip can’t wait to leave town . . . but then he wakes up the next morning and discovers that it’s Plough Day all over again. And again. And again. In this Groundhog Day-style story, Philip realizes he’s fated to repeat both the speech and his attempts to woo Margaret, all without success unless he can mend his selfish and arrogant ways—and maybe also fall in love. Berne has penned an extremely clever and entertaining addition to the canon of “rake redemption” romances, and readers are bound to find it smart, tender and surprisingly sweet.
★ Weather Girl
Matchmaking goes awry in Weather Girl by Rachel Lynn Solomon. Meteorologist Ari Abrams teams up with sports reporter Russell Barringer to bring together their feuding bosses, who are also ex-spouses. But as they work to spark a do-over for the pair, they find themselves also feeling a little amorous—toward each other. The gun-shy Ari, who’s recently broken off an engagement and is unsure how to share her experiences with depression, begins to take a chance on single dad Russell, but can they stay the course and really commit? This is mainly Ari’s story, and it’s told in her engaging first-person voice, with Russell filling the role of the wonderful guy who hopefully isn’t too good to be true. Secondary characters add sparkle and fun, and there are brief but deeply enjoyable glimpses of newsroom life in this delightful romance.
The Rebel and the Rake
An aristocrat and a well-educated lady’s companion try to maintain their distance—and their disguises—in Emily Sullivan’s Victorian romance The Rebel and the Rake. Rafe Davies, the second son of an earl, plays the role of charming dilettante while actually spying for the Crown. His latest mission is to discover the source of anonymous threats made to John Wardale, a very wealthy self-made man, while attending a house party at Wardale’s Castle Blackwood in the Scottish Lowlands. Posing as a callow rogue has never bothered Rafe before, but then he meets Sylvia Sparrow, a quiet bluestocking whom he wishes to impress with more than his good looks and facile conversation. While Sylvia is similarly attracted to Rafe, she knows nothing can come of a relationship. She’s hiding aspects of herself, the most damning of which is that she was once imprisoned on suspicion of being an anarchist. But hearts cannot be denied, and the pair are soon sharing steamy love scenes while their true natures are gradually revealed. Danger and desire intertwine in this tale of deception and injustice, an engrossing read that follows two characters who deserve their happily ever after.
Two historical romances twist tropes to their own clever ends in this month’s romance column.
In romance, the teaching occupation transcends time and subgenres. Reasoning with a kid, whether it’s a toddler or a teen, can require some unshakeable persistence, and the teacher heroines of these two romances are patient, empathetic and just a bit stubborn. It’s no wonder that when faced with these determined women, two guarded heroes finally take a chance on love.
The latest installment in Marie Harte’s Turn Up the Heat series, Hot for You, finds multiple meanings in the phrase “hot for teacher” as a love-shy firefighter meets a charming teacher and her daughter amid disastrous circumstances.
Firefighter Reggie Morgan first encounters Maggie Swanson when she’s lying unconscious on the side of the road. Minutes earlier, Maggie and her 6-year-old daughter, Emily, had stopped to rescue a stray puppy, and the young teacher was clipped by a passing car. When Reggie responds to the hit-and-run call, he finds a distraught girl, one ugly dog and a woman in need of medical attention.
Maggie’s injuries aren’t serious, but thanks to a fracture, her dominant arm has to be in a sling for several weeks. Reggie can’t help but check up on her, which puts him at risk of breaking his personal rules about avoiding serious romantic relationships. Maggie, on the other hand, is quickly and uncomplicatedly attracted to Reggie. After all, he made quite an impressive knight in shining armor, and Emily and Reggie get on like a house on fire. But Maggie senses there is something beneath the affable firefighter’s exterior that holds him back.
Reggie is an attentive and kind hero whose previous relationship with another single mother ended with him nursing a seriously broken heart. Maggie slowly coaxes him to trust her and their feelings for each other, giving this tender love story an emotionally resonant arc as Reggie learns to be vulnerable again. As an added bonus, Harte throws some wonderful puppy hijinks into the mix of this sizzling and sweet contemporary romance.
Author Anna Bennett offers a Regency take on the teacher heroine and kicks off a new series with Girls Before Earls, an angsty historical romance between a headmistress and a slightly curmudgeonly earl.
Gabriel “Blade” Beckett, Earl of Bladenton, has had it with his teenage niece and ward, Kitty, who has been kicked out of several schools. His attention is firmly set on making an advantageous match in London, and Kitty’s scandalous behaviour is driving him to distraction. He hopes to find her another school, far away from his life and London, and sets his sights on the seaside Bellehaven Academy.
Hazel Lively, the headmistress of Bellehaven, has settled into her spinsterhood (she’s practically ancient, having reached her late 20s) and dreams of turning her struggling school into a success. Hazel and Blade immediately lock horns when he arrives to enroll Kitty in Bellehaven, as Hazel correctly senses that Kitty is acting out because of her distant relationship with her uncle. Hazel declares that she’ll agree to admit Kitty on one condition: Blade must visit every two weeks.
That two-week space between encounters places Girls Before Earls firmly in the delicious slow burn category. Readers who love a bit of banter and antagonism between the leads will especially love this romance, as Hazel and Blade are natural opposites with diametrically different approaches to life. Hazel is a dreamer who wants to nurture the minds of young women and help them on their paths to greatness. Meanwhile, Blade is pragmatic and dry, with a mind for business and structure. Bennett keeps the relational momentum going with each new scene Hazel and Blade share and with every obstacle they need to overcome. It’s quite the uphill battle to happily ever after, but despite her lofty ideals, Hazel is a tenacious force to be reckoned with. Blade may be stubborn, but he never stood a chance against a headmistress who dedicates her time to teenage girls.
Bennett knocks it out of the park while also setting up plenty of opportunities for side characters to get their own love story in future installments. The entertaining Girls Before Earls is an utter delight until the very last page.
Two teacher heroines give their respective heroes lessons in love.
Kenya Davenport is the ideal contestant for “Cosplay or No Way,” a reality competition show that follows cosplayers as they construct elaborate ensembles based on their favorite fictional characters. She’s smart and funny, with pop culture savvy, a passion for anime and quips for every situation. Her nerdy interests may not overlap much with those of her engineer parents, but she’s fine with that. So is her BFF, Cameron Lassiter. Cam’s her ride or die, her partner in crime. He’s not into cosplay like Kenya, but he still agrees to pose as her boyfriend r in the final round of the show, where the contestants enlist their real-life partners in the construction of their final costumes. It’s both more and less awkward than it should be, because Cam’s secretly been in love with Kenya for years.
Author Seressia Glass displays a talent for natural dialogue and effortless humor, which shine in the interactions between Cam and Kenya. Cam is particularly lovable: He seamlessly integrates into his role of fake boyfriend and proves time and time again, even outside of the demands of the show, that he’s there for Kenya. His steady, unerring support bolsters her inner strength, and he always lets her know that she’s remarkable, with or without a costume or mask.
Glass touches on a handful of real-world issues without slowing the forward momentum of the central love story. Yes, Kenya is fat. Yes, Kenya and Cam are an interracial couple. Yes, her parents whittle down her confidence. But Kenya dances to the beat of her own drummer and knows that she’s all the better for it. She doesn’t expect or want Cam to protect her when the show’s judges make snide comments about her weight and physical appearance; she’s more than capable of either doing that herself or choosing to ignore these types of slights. Glass constantly strikes the right balance in these moments, acknowledging the problems Kenya would face on reality TV or in her relationship with her parents while maintaining The Love Con’s exuberant, hopeful tone.
Kenya and Cam’s partnership proves that while plenty of things in life are a con, their love isn’t one of them. The Love Con is a unique glimpse into the world of cosplay that will lighten your heart and make you smile uncontrollably.
Seressia Glass’ The Love Con is a unique glimpse into the world of cosplay that will lighten your heart and make you smile uncontrollably.
Think about the way you feel after a delicious meal. Although you know there are dishes to wash and leftovers to put away and perhaps a long drive home or work in the morning, as you look around the table at the faces of the people you love, and for that one moment, your spirit feels full, safe, happy, loving and loved.
If that’s how you’d like to feel after your next read, the BookPage editors suggest one of these 2021 releases.
The latest novel from Pulitzer Prize winner Doerr is a vast undertaking, spanning centuries and incorporating multiple storylines. Amid this tangle of events, each character must face what feels like the end of their world, and it feels like a gift to the reader that Doerr’s response to each of these characters, even those who commit potentially unforgivable deeds, is mercy and hope and compassion. We have seen dark times before, and we’ll see them again—and maybe, if we trust in each other, it will all work out in the end.
If possible, this mystery is even better than the Osman’s charmer of a debut, The Thursday Murder Club. It’s a load of fun and an ode to how important the power of friendship is throughout one’s life but especially during the final stretch.
As BookPage reviewer Kelly Blewett put it, “These Precious Days reinforces what many longtime fans like best about Ann Patchett: her levelheaded appraisal of what is good in the world.” Indeed, this essay collection overflows with goodness: good writing, good stories, good people. (One essay is literally about a priest whose work with unhoused people in his community caused Patchett to label him a “living saint.”) This is a companionable book, full of warmhearted reflections on how to love what we love—books, dogs, family—a little better.
Today’s young readers are so lucky to have a writer like Renée Watson creating books for them, and Love Is a Revolution is a perfect example of why. This YA novel is a master class in characterization, from its grounded yet swoony central couple, to the family and friends who surround them, to Harlem itself, which Watson evokes vividly. Her respect for and belief in the power of young people comes through on every page, but what sets Watson apart are her words. Watson is a poet who writes novels, and that means every few pages, you will encounter a sentence so beautifully phrased that your eyes will brim with tears and your heart will be quietly filled.
A sweet and lighthearted rom-com that will appeal to readers who prefer stories that focus more on character than conflict, Very Sincerely Yours centers on the epistolary relationship between Teddy, a young woman who feels somewhat adrift in life, and Everett, the beloved host of a local children’s show. Both characters are lovingly and carefully drawn by Winfrey, who also creates a cozy, friendship-filled environment around her central pair.
On the one hand, reading Goodbye, Again feels like sharing a warm cup of tea with author and illustrator Jonny Sun. On the other hand, your pal Jonny might be a little depressed, or at least deeply introspective, and so your time together, while enriching, might make you cry. They’re good tears though—an overflow of feeling understood, of relief after hearing from someone else who feels as lonely, burnt out and hopeful as you do. Each short essay touches on an aspect of modern life that makes true connection, with yourself and others, harder. Together, they form a kaleidoscopic declaration that it’s worth the effort to nurture yourself and see what grows.
In her author’s note, Mary Lee Donovan writes that this deceptively simple picture book is her “love song to our shared humanity.” In multilingual rhyming couplets, A Hundred Thousand Welcomes offers a benediction for the sacredness of gathering together. Lines such as “The door is wide open— / come in from the storm. / We’ll shelter in peace, / break bread where it’s warm” have a plainspoken power, and Lian Cho’s friendly, colorful illustrations capture the joy of greetings and the happiness to be found around a shared table.
During the last months of Congressman John Lewis’ life, he put pen to paper to collect some parting thoughts after 80 years of remarkable activism and service. Carry On captures Lewis’ memories of growing up as the son of a sharecropper in Alabama, shopping for comic books at the flea market, joining the Freedom Riders movement and more. Interspersed are snippets of advice for the next generation who will carry on the justice work Lewis and others began during the civil rights movement. After his death in 2020, Lewis’ last book reads as an even more precious labor of love, laced through with the congressman’s trademark wisdom, patience, determination and hope.
The type of book that the word heartwarming was made for, Chambers’ sci-fi novella follows a monk who is literally devoted to small comforts as they brew tea, explore the wild edges of the world and try to offer solace and warmth wherever they can. There are some heady philosophical themes at play, but just enough to engage and not overwhelm your brain as you happily sink into this small, perfectly wrought gem of a story.
“Two lost souls find each other and the way forward” is a story I will read as if it’s the first time every time. In Dayna Lorentz’ middle grade novel Of a Feather, the lost souls are a young girl named Reenie who’s been sent to live with an aunt she’s never met and a 6-month-old owl named Rufus who has also found himself alone and unprotected in the wide, wild world. Watching these two slowly drop their defenses and open themselves up to healing, love and hope has tremendous appeal and power: It reminds us that no one is ever truly so lost that they cannot be found.
—Stephanie Appell, Associate Editor
If you’d like your next read to leave you feeling uplifted and filled with love, we recommend picking up one of these books.
Three heroines weather tremendously difficult circumstances, uncovering and navigating unsettling details about their families’ histories with admirable grace.
