In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
A terrifying monster is both a real entity and a manifestation of taboo desires in Mikaella Clements and Onjuli Datta’s Feast While You Can.
A terrifying monster is both a real entity and a manifestation of taboo desires in Mikaella Clements and Onjuli Datta’s Feast While You Can.
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Two rival TV presenters band together to combat low ratings in Headliners, a triumphant achievement for contemporary romance phenom Lucy Parker.

Sabrina Carlton and Nick Davenport have a history. They’ve been sniping at each other via their respective TV shows for years, and fans of Parker’s London Celebrities series will already know about the colossal way Nick messed up in the previous installment, The Austen Playbook. To save both of their tarnished reputations, Nick and Sabrina have to co-host a struggling morning show and bring its ratings up by Christmas Eve.

Though Headliners wouldn’t be labeled as romantic suspense, there is also a whodunit subplot in the midst of Sabrina and Nick’s romance. Someone is out to sabotage the two presenters, Sabrina especially. The anchor, who is protective of her sister and career, already has to deal with a litany of misogynistic microaggressions from being a woman in entertainment. But soon it becomes very clear that someone is out for her job and to get her off TV entirely.

Nick is . . . everything. He has a cute dog, loves his family and job, is respectful of his budding relationship with Sabrina and the list truly goes on. If you’re worried whether Nick grovels sufficiently, I will spare you the hemming and hawing and say yes, he definitely does. His redemption arc has been worth waiting for. He does a superb grovel, but it’s the acknowledgement that his actions have consequences, the introspection he does to examine why he did what he did and how it doesn’t align with the man he wants to be that exalt him to the top ranks of swoony romantic heroes. He’s truly apologetic about his actions (which I won’t spoil for those who are in the midst of marathoning through the previous books) and aims to be a better person by fully examining his actions. Sabrina, in turn, wrestles with what she can forgive while still honoring her own pain, which is a wonderful example of strength and autonomy. What can we allow as people for the sake of growth and living a healthier life, while also respecting our own boundaries?

Headliners’ wintry London setting makes this an even more magical romance; there is just something so romantic and whimsical about falling in love amid the falling snow. (This is purely fantasy, of course, because as a glasses-wearer, snowflakes are an irritant.) But this is just another addition to the list of what makes Headliners so charming. In fact, there is one thing to make abundantly clear to readers that isn’t obvious from the cover copy. Both Nick and Sabrina are childfree by choice, a decision that may romance fans will enjoy. Epilogues in which the main couple become parents are common in the genre, so Parker’s decision to forgo showing her central couple having kids is a deliberate one.

Headliners is a superb contemporary romance. Parker’s readers, new and returning, are sure to find this one hard to put down.

 

ALSO IN BOOKPAGE: Read our interview with Lucy Parker.

Two rival TV presenters band together to combat low ratings in Headliners, a triumphant achievement for contemporary romance phenom Lucy Parker.

Jill Shalvis is back with the fourth installment of her contemporary Wildstone series, Almost Just Friends. Just like every other book she’s written, you can count on this one to make you feel good. Shalvis has a knack for creating charming characters who are vulnerable yet strong. They’re likable, relatable and possess the ability to face any challenge head-on.

On her 30th birthday, at a celebration she neither asked for nor wanted, the reality of Piper Manning’s life rings true: She is responsible for “gathering and keeping all us misfits together and sane.” That’s her friends talking, but the same goes for her family—Piper is the glue that holds them together. She’s raised her siblings, built a career as an EMT and has started refurbishing her grandparents’ lake house. Once she sells the valuable property, she’ll finally have the money to pursue her dreams of becoming a physician’s assistant.

But change is scary. Despite the responsibilities Piper has had for over half her life and now her yearning for the next chapter, taking the first step is harder than she thought. And despite all the planning, hoping and wishing she holds close in her heart, falling in love doesn’t factor into the chaos of her life.

Then she meets Camden Reid, a secretive DEA agent and Coast Guard reservist. Camden, a man in search of an anchor but with no interest in romance or love, finds Piper to be both a conundrum and irresistible. He’s drawn to her strength and vulnerability (which we’ll call the “Shalvis specialty”), and Piper challenges him more than anything he’s ever experienced.

I know it’s only January, but Almost Just Friends is my favorite book of the year so far. It’s the message we need for this new decade: Everybody struggles with change and challenge and hardship, but if you’re brave and take a leap of faith, you can be happy.

Jill Shalvis is back with the fourth installment of her contemporary Wildstone series, Almost Just Friends. Just like every other book she’s written, you can count on this one to make you feel good.

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Roni Loren brings her emotional The Ones Who Got Away series to a close with The One for You, a rollercoaster friends-to-lovers romance between two childhood best friends whose lives were forever changed by a traumatic event.

Kincaid Breslin and Ashton Isaacs were best friends until their prom night turned to tragedy when Graham, Kincaid’s boyfriend and Ashton’s friend, was killed in a school shooting. Consumed by their shared grief, Kincaid and Ash shared a single night together, a mistake that fractured their relationship for years. Over a decade later, they are unexpectedly reunited in their hometown, haunted by memories of that night.

In the years since, Ash moved away and became a successful author. Kincaid stayed in her hometown, putting on a brave face as she pursued a career in real estate. When Graham’s parents begin planning to sell their much-loved bookstore, both Kincaid and Ash find themselves fighting for the same cause with a metric ton of baggage waiting to be addressed.

Ash and Kincaid’s road to romance is fraught with tension, unaddressed feelings and PTSD. The story switches between past and present, showing readers how the attack created a fragmented before and after for the survivors. Loren ably handles every emotional, heartbreaking layer of The One for You. Ash and Kincaid have built walls upon walls around themselves to avoid addressing their trauma and the guilt they feel for sleeping together while in mourning. Kincaid is a woman who denies her own fragility in the most heartbreaking ways, a master of plastering on a smile, denying herself chances to grieve. Meanwhile, Ash adopts the persona of an affable nerd, and his world travels make it easier for him to forget the terrible events of his past. Reunited by the memory of Graham and wanting to help out his parents, they quickly hand-wave away their years of silence. But as the time they spend together becomes more frequent, simply ignoring what happened between them, as well as the death of Graham, becomes unavoidable.

There is truly something special about Loren’s writing and the way she handles the all-too-real realities of gun violence. Devoted fans of the series will find this finale bittersweet; it packs an emotional punch with a hard-won happy ending, but the realization that there are no more books for us to enjoy is a hard pill to swallow. Though Loren most likely has something fantastic on the horizon, The One for You and its predecessors aren’t romances readers will soon forget. Loren has easily created one of the most memorable contemporary romance series of the last decade.

Roni Loren brings her emotional The Ones Who Got Away series to a close with The One for You, a rollercoaster friends to lovers romance between two childhood best friends whose lives were forever changed by a traumatic event.

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Lady Georgina Kirkpatrick would love a reason to not marry the loathsome Lord Travers as her father has decreed. She just wasn’t expecting to be kidnapped mere weeks before the planned wedding day. And she certainly wasn’t expecting to be kidnapped twice. After escaping her captors—er, her first (and worst) set of captors—she’s swept away against her will again, but this time into the custody of Robin Kerr, Marquess of St. Just, her brother’s best friend. His intentions are chivalrous, even if his methods are infuriating. As a woman alone, traveling with only her maid and temperamental spaniel, Rob knows that Georgie needs his protection to keep from falling back into her (original) kidnappers’ clutches, whether she’ll admit it or not. And if protecting her means locking her into a cabin on his ship and sailing her to his castle in Cornwall, that’s what he’ll do. What he doesn’t expect is to find her company shifting from an aggravation to a torment of quite a different sort as the fiery-haired, fiery-hearted widow sparks a desire in him like nothing he’s ever known.

Unfortunately, Rob isn’t the only man that Georgie has driven into a state of madness. As their journey progresses, they’ll be chased by her irate father, her bewildered but indignant brother, a slew of hired hands deputized into capturing her and—most sinisterly of all—Lord Travers, who orchestrated the first kidnapping himself to compromise Georgie so thoroughly that she’d never be able to escape him. No pirate could ever be more hounded than Rob for this treasure he’s stolen, but as the passion between them strengthens and grows, his love for her becomes something he’ll defy any authority to protect. And Georgie herself, who starts out the story so listless and resigned, bowing to her father’s authority and certain she’s buried any hope of love with her late husband, finds a new, maverick drive to seize this second chance at happiness. She even proves willing to fight—with kicks, curses, flying chamber pots and a feisty dog—against anyone who tries to take it away.

There’s a delightful cheekiness to Jenna Jaxon’s playful Regency adventure, a refusal to take the rules and dictates of family and high society all that seriously. Jaxon doesn’t shy away from displaying how very vulnerable a woman was in that time and place—an undesirable suitor could manipulate her into an unwanted match, or her family could have her committed to Bedlam for being contrary. But while the dangers are real, Georgie’s response to them is charmingly cathartic as she shows that even a woman with precious little autonomy over her courtships or her fortune can still have her own mind and make her own choices. With humor and heart, Jaxon shows that love—and a liberated woman—will always find a way.

Lady Georgina Kirkpatrick would love a reason to not marry the loathsome Lord Travers as her father has decreed. She just wasn’t expecting a kidnapping mere weeks before the planned wedding day.

HelenKay Dimon takes readers back to the intriguing world of remote Whitaker Island, Washington in The Secret She Keeps. The same nosy group of colorful islanders also returns, evidence of the fact that even in a small community, away from the rush of a big city, there’s no such thing as down (or quiet) time. But it’s the killer lurking in the bushes, so to speak, that serves as a swift reminder that no matter how far you run, the past always catches up.

Nearly two years after the death of his sister Alexis, Connor Rye finally relocates to Whitaker Island from Washington, D.C., to be closer to his brother and remaining family. Although the beautiful island seems serene on the surface, he’s no stranger to its shadows. Not only was Alexis murdered; someone breaks into his cabin and attacks him on his first night, giving fair warning that he needs to leave. Maddie Rhine has her own secrets—chief among them the fact that she’s on the run and living under a false identity. With the attack on Connor, it’s obvious Whitaker Island once again faces a dangerous interloper, and since Maddie’s a suspicious element, she may be in danger too.

Dimon is a master at world building, and often writes heroic characters who find greatness within, rather than individuals who are weighed down with chests and walls full of medals. Everyday heroics are just as important as strong men and women who can leap single bounds—everyday heroics keep the world going. And something is definitely amiss on Whitaker Island. That much was clear from the first book in the series, Her Other Secret, and readers get an immersion course in murder and mayhem with this second installment.

In the end, The Secret She Keeps is a complex story of love and grief, forgiveness and fresh starts. It’s a perfect story with which to wrap up the decade and forge a new path in the New Year. HelenKay Dimon is definitely on my keeper shelf.

HelenKay Dimon takes readers back to the intriguing world of remote Whitaker Island, Washington in The Secret She Keeps.

Alexa Martin is back with the third installment of her Playbook series, Blitzed. As the real-life wife of a former NFL player, Martin brings insight and experience to a fun, enjoyable series about the fictional Denver Mustangs. Reader, she knows her football! Martin captures the reality of the sexy, exciting and volatile culture of professional sports.

So far in the series we’ve seen a Hail Mary, a second-chance romance and now we’re in for a slow burn with defensive back Maxwell Lewis and local bar owner Brynn Larson. Readers of the previous two books will know that Brynn is Max’s dream woman. But while on their first date, he gets a phone call from his brother Theo, a police officer, that changes the trajectory of their still-new relationship. And rather than opening up and telling Brynn about it, he admits to not trusting Theo and acknowledges that his brother’s “little bit of power makes it easier for him to be the worst kind of person.” Theo soon catches Brynn alone to let her know what he told Max: that the rape allegations from the Lewis brothers’ past are coming back into the spotlight. And rather than listening to Maxwell’s explanation, she sides with Theo and ends her relationship with Max.

The stakes are high in dating nowadays. And when you’re with someone who’s twice your size, and a professional athlete in a sport rife with scandal from violence and spousal abuse, it’s smart to stay skeptical. But do you trust your heart and your intuition, or gossip and hearsay? Brynn poses the question best to herself: “Either I believe the man I love or I believe a woman who had no reason to lie.”

Brynn works through her relationship frustrations with her tight circle of friends (known jovially as the Lady Mustangs), and so I would’ve enjoyed a more open glimpse into Max as he worked through his issues. He’s a fun character and I rooted for him from the start. But despite all of his great qualities, he kept a very big piece of his past a secret. When it comes to light in the worst of ways, Brynn has no depth of information from which to help draw her conclusion. Sure, Maxwell is a wonderful guy. He’s handsome and kind and caring and, Brynn thought, a marvelous boyfriend—but that’s probably what Ted Bundy’s dates thought, right?

The rape allegations that come to light are obviously very serious, so tread lightly with this book if you have triggers. But if you can look forward to truth prevailing and characters who eventually find their way to better communication with one another, Blitzed is worth it.

Alexa Martin is back with the third installment of her Playbook series, Blitzed. As the real-life wife of a former NFL player, Martin brings insight and experience to a fun, enjoyable series about the fictional Denver Mustangs.

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Eva Leigh puts inspiring, forthright female characters at the forefront of her delectable romances, and Lady Grace Wyatt is no exception in My Fake Rake, the first of a new series.

But first, Leigh introduces us to a disparate group of boys who, while in a Regency version of detention, form a lifelong bond and will eventually call themselves the Union of the Rakes. One of their number is Sebastian Holloway, a bookish and handsome anthropologist who becomes a close friend of Lady Grace.

Grace could care less what others think of her fascination with amphibians. With scholarly friends like Sebastian by her side, she doesn’t need the approval of the ton. However, things change when she’s suddenly faced with the task of finding a husband. Enlisting Sebastian to play the part of her suitor, she hopes to catch the attention of Mason Fredericks, a dreamboat fellow scholar.

Like many stories with this plotline, you’re left on the edge of your seat as you wait for Sebastian and Grace to discover their feelings for one another. With a keen eye for pacing, Leigh takes the reader along for the sensual ride, immersing them into Grace and Sebastian’s intimate friendship as they discover feelings that simmer just below the surface.

Leigh excels at giving appropriate modern and relatable touches in a historical romance. Grace’s deep intelligence and Sebastian’s social anxiety hook you in and transport you to their time with ease. And the other rakes, such as the scene-stealing Duke of Rotherby, possess sensitive qualities that humanize each man and complement the passionate and engaging female characters. Another benefit of Leigh’s subtle modernity? The sensual scenes are all the steamier.

With down-to-earth characters and an enthralling friends-to-lovers storyline, My Fake Rake is a hard one to put down.

Eva Leigh puts inspiring, forthright female characters at the forefront of her delectable romances, and Lady Grace Wyatt is no exception in My Fake Rake, the first of a new series.

Andie J. Christopher’s latest contemporary romance, Not the Girl You Marry, is a gender-swapped, millennial revamp of rom-com classic How to Lose a Guy in 10 Days. But in this modern era of enlightened and equitable partners, the lovers’ tactics of sabotage  stem from heavy personal baggage. Their ruse nearly gets away from them before they can get their hearts back on track.

Jack Nolan is a journalist at an internet media company who’s trying to get into harder hitting assignments, and Hannah Mayfield is an event planner at a prestigious firm who’s trying to prove she’s got the chops to move into the major leagues—weddings. Jack’s niche is How-To articles, and because he’s handsome, he has become the pretty face of the company. His boss is of the opinion that political reporters are a dime a dozen, so he encourages Jack to write a How-To article on how to get a girl—by showing readers the things that would make you lose her. But the problem is, Jack genuinely likes Hannah. And when Hannah has an opportunity to climb her corporate ladder by proving she could date someone for more than two weeks and thus understand the wedding market, she sweeps Jack along for the ride.

I enjoyed the portrayal of the struggles Hannah faces as a biracial woman, and many readers will see themselves in Christopher’s heroine. But I did find myself wishing that Jack and Hannah had struggled a little more in the beginning of their relationship rather than jumping into an instant attraction and regard for one another. Despite this flaw in believability, Christopher’s story comes full-circle and hits home when the truth is unveiled, because no healthy or lasting relationship can be built on lies.

There’s a lot of angst in this story about 20-something-year-old professionals, and if Cher had been either of their bosses she would’ve told them to just “snap out of it,” but don’t let the relative immaturity of the main couple turn you away from a promising new voice in romance.

Andie J. Christopher’s latest contemporary romance, Not the Girl You Marry, is a gender-swapped, millennial revamp of rom-com classic How to Lose a Guy in 10 Days.

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Lyssa Kay Adams hits a home run with The Bromance Book Club, a contemporary romance about a husband and wife who learn to reconnect using the power of romance novels.

Due to an unexpected pregnancy and their subsequent marriage, Gavin and Thea Scott never had a chance to enjoy being newlyweds. After each lackluster intimate encounter between them, it becomes clear to Thea that something needs to change. At home with twin toddlers and a husband whose MLB career took off like a rocket, Thea very much feels like a single mom. When Gavin is home, he’s a man she doesn’t really recognize. When she brings up divorce, Gavin realizes he’s had his head in the sand for too long. He’s determined to save his marriage and make Thea feel loved and appreciated.

Enter the Bromance Book Club, a romance book club made up of Gavin’s fellow athletes who see romance novels as a way of understanding and improving their communication with women. The setup may seem farfetched, but it’s too charming to resist. The men think their current book club pick, Courting the Countess, may hold the secret to Gavin and Thea getting their groove back.

Readers who enjoy a heartfelt second-chance romance, especially between a married couple, should get their hands on this book immediately. There’s nothing wrong with beautiful, single and unattached twenty-somethings finding love, but the added stress of running a household with troublesome twins fully and truly embodies the romantic complacency that can happen in long term relationships. A first love is a beautiful thing, but how do we make that love last when life dishes out so many curveballs?

Adams creates a cringe-worthy look at modern romance with Gavin being too busy and Thea being too exhausted to do more than just go through the motions. It feels a little too real in the best way possible. Gavin is a likable hero whose cluelessness gets called out by not only his wife, but by his fellow book club bros too. There are some wonderful scenes of introspection as the men break down romantic scenes in romance like “the grovel” or “the big misunderstanding,” comparing where they’ve messed up in life and how romance can teach them to be better communicators. And as Thea regains control of her life and finds her voice, her arc becomes a wonderful and empowering lesson that it’s never too late to change course and make adjustments for the sake of your own happiness.

The Bromance Book Club is truly a novel for dedicated romance fans. Readers will be delighted at all of the meta winks and nudges to the genre we love so much. I can’t wait to see what the Bromance Book Club will read next and how it’ll help shape their next happily ever after.

Lyssa Kay Adams hits a home run with The Bromance Book Club, a contemporary romance where a husband and wife learn to reconnect using the power of romance novels.

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Talia Hibbert knows how to pack a book full of fun, sexy and whip-smart characters, and Get a Life, Chloe Brown is a pitch-perfect example of her talents. The first in the Brown Sisters series, this book introduces us to Chloe Brown, a well-to-do black woman with fibromyalgia. After a close call with death, Chloe decides it’s time to get her life together and makes a list that she hopes will bring some excitement to her life. Enlisting the help of her dreamy, tattooed landlord, Redford Morgan, Chloe sets out to check all of her boxes on her list.

Hibbert’s books are a master class in inclusivity. Not only does she often include black women as the romantic lead, she also portrays mental illness with the utmost care. Her characters’ experiences with depression or bipolar disorder are believably and respectfully depicted. She works to make sure that the characters have more than a story that solely focuses on their illnesses, showing that romance and passion are for everyone.

Hibbert peppers in witty and incredibly sultry banter between her characters. Chloe and Red’s interactions are delectably sweet and will leave you smiling to yourself as they verbally spar with each other. Their conversations are effortless and believable, and flow with increasing ease as they get to know each other.

The natural development of Chloe and Red’s relationship is a testament to Hibbert’s character work and excellent plotting. She excels in the slow build of intimacy between the two as they discover that despite their differences, like Red’s tattoos and Chloe’s fondness for prim cardigans, they can’t get enough of each other. When sparks fly, readers will want to cheer out loud. Hibbert’s stunning dialogue and stupendous prose are on full display in this powerhouse of a romance.

 

ALSO IN BOOKPAGE: Read our Q&A with Talia Hibbert.

Talia Hibbert knows how to pack a book full of fun, sexy and whip-smart characters, and Get a Life, Chloe Brown is a pitch-perfect example of her talents.

Review by

Boy meets girl. Boy woos girl. Boy wins girl. Boy . . . sells girl out, and then flees the country, never to see her again—until 14 years later, when their paths cross once more.

Twice in a Blue Moon starts off simply enough: small-town California girl Tate Jones visits London with her grandmother. Vermont farm boy Sam Brandis is in London with his grandfather, and in a meet-cute lovingly borrowed from E.M. Forster and an acclaimed Merchant Ivory film adaptation, the pairs swap rooms so the ladies can have “a room with a view.” The view includes the hotel’s garden, where Tate and Sam meet nightly to stargaze and flirt, and to share their dreams and secrets.

Tate’s secret is a doozy. She’s the daughter of Ian Butler, the world’s most idolized actor. As a little girl, her red carpet images were recognized around the world. But when she was 8, her mother—heartsick about her husband’s blatant, unrelenting infidelity—took Tate and left the spotlight behind. Back in her tiny hometown, they buried their pasts, adopting the last name Jones. Only a handful of people know Tate’s true identity, and Tate shares it with Sam with all the overflowing trust of a girl in love for the very first time. But when she steps out of the hotel to find a waiting mob of paparazzi—tipped off by a well-paid “trusted confidante”—she gets her first broken heart, and resolves to be more careful about ever loving again.

Fast-forward 14 years. Tate, having used that unwanted reveal to launch an acting career, is about to start filming a role that could push her onto the A-list. The pressure has doubled, since a supporting role will be filled by her superficially doting, micro-aggressive father. Worst of all, she’s totally blindsided to show up on location and meet the screenwriter: Sam Brandis, writing under the pen name S.B. Hill. Pulling it together to give the screen performance of a lifetime will be hard enough, but when the cameras stop rolling and she has to write her own life’s dialogue, Tate grapples to find answers, inner strength and possibly forgiveness.

The best-friend writing team known as Christina Lauren never fails to delight. Twice in a Blue Moon is funny and engaging, whether Tate is bantering with her badass bestie, or navigating an awkward love scene with her adorable co-star. It also rings true on the low notes. Tate’s genuine heartbreak over her secret’s exposure comes both from being betrayed by Sam, and her personal sense of having betrayed her mother and grandmother’s trust. Her lack of faith in her own judgment—and in men, in general—requires Tate to reach deep to find the strength and conviction she thinks she lacks. It's a strikingly poignant note, and makes her journey toward trusting herself, and determining who else is worthy of her trust, all the more meaningful.

Some—including me—might quibble that Tate gives her trust back to Sam a little too quickly. (I’m the Old Testament type who thinks betraying men should get struck with lightning bolts from on high—preferably aimed at their crotches.) But it’s hard to argue with a character who has fought this hard to figure out what she wants, and who finally finds the courage to go and get it.

Boy meets girl. Boy woos girl. Boy wins girl. Boy . . . sells girl out, and then flees the country, never to see her again—until 14 years later, when their paths cross once more.

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Lynsay Sands immerses readers in the complex and exciting world of bloodsucking vampires in Immortal Born and leaves them breathless for more.

The 30th book in the Argeneau series, Immortal Born introduces us to Allie Chambers, who is in a predicament. Allie has promised to raise and protect her friend’s son who has an insatiable appetite for blood. As Liam grows, so does his hunger, and Allie decides to take a desperate chance to give him what he needs. When her plan to rob a blood bank to feed her growing son goes awry, Allie is suddenly introduced to one of the most handsome men she has ever met: Magnus Bjarnesen. As Allie may be Magnus’ potential lifemate, he’s not sure what surprises him more—the amount of danger Allie and Liam are in, or how badly he wants her.

Sands’ effortless character creation leaves no stone unturned as she spells out the sprawling world of the immortals and their history. With this modern take on vampire lore, Allie and Magnus become as believable and relatable as any other romantic leads. Allie is a modern-day heroine thrown into the confusing world of immortals. Readers will have no trouble identifying with Allie as she faces difficult choices and displays a refreshing, no-nonsense attitude toward survival. When faced with the ultimate choice to protect Liam, and put her heart on the line in more ways than one, Allie weighs the options with a clarity and relatability that comes from thorough character building.

Magnus and his family of vampires, who prefer to be called immortals, are warm and inviting when his and Allie’s worlds are thrown together. Readers will revel in Sands’ expert, slow build of the couple’s chemistry as Allie finds herself more curious about Magnus with each passing day, and as Magnus struggles with his own desire.

The intimate moments between these two characters make this book shine and romantic sparks fly. Immortal Born is a take on the vampire genre grounded in emotional realism that allows readers to imagine themselves in the characters’ shoes with ease.

Lynsay Sands immerses readers in the complex and exciting world of blood-sucking vampires in Immortal Born, leaving them breathless for more.

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In the latest installment of the Outcasts series, author Miranda Spencer shows that she has by no means lost her taste for juicy, refreshingly shocking characters that throw proper London society into a tizzy.

Martin Bouchard, captain of the Golden Scythe will be familiar to her readers. The New Orleans–born privateer has been a recurring character in the first two books of the series, and the story opens with him seizing a Dutch slave ship and finding, among the human cargo, someone he never could have expected. Sarah Fisher was born and raised in Africa and seized by the slavers along with the rest of the villagers, despite being the Caucasian daughter of British missionaries. When she’s freed by Martin—or rather, when her freedom is confirmed, since she starts the process herself through the audacious theft of the slaving captain’s gun—arrangements are made for her to be transported to England, courtesy of the Golden Scythe. While Sarah thinks of herself as plain (and tall, for that matter) and therefore entirely unlikely to entice the gorgeous, notorious, sin-poured-into-breeches captain, it doesn’t take long for her to fascinate, irritate, educate and enflame him. They clash—a lot. They say the wrong things and hurt each other—a lot. Their attraction is palpable (and very, very obvious to everyone around them) but at times it truly does seem like they’ll never be able to overcome the obstacles they keep putting in their own way.

Sarah is self-conscious about her looks and wounded by a lifetime of feeling undesired and out of place, and so she struggles to accept or even recognize Martin’s fascination with her. And Martin, wounded by secrets from his past and his own feelings of unworthiness, bristles with jealousy and what seems to be a deep streak of self-loathing that leads him to not just push but actively hurl everyone away from him. They’re complicated characters, and their journey to love and happiness is far from easy.

It would be clichéd to say that in the end, love sets them free. It also wouldn’t be quite true. Love actually comes early on, even if neither of them wants to admit it. Freedom comes later—and it’s something they have to embrace before they can truly let love in. Spencer enjoys poking at the delicate scales of power in Regency society. While her characters move in the highest echelons, they’ve all struggled with powerlessness and disdain in various forms. Sarah’s struggles would seem at first to be the most challenging—after all, she begins the story in the hold of a slave ship. But it’s Martin, a former slave himself, who carries the weight of his bondage, even years after gaining his liberty. When he lets go of that burden and finally accepts that his past doesn’t have to control his future, he’s truly set free. Free to love and accept love in return—and free to live happily ever after.

In the latest installment of the Outcasts series, author Miranda Spencer shows that she has by no means lost her taste for juicy, refreshingly shocking characters that throw proper London society into a tizzy.

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