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In the latest installment of the Outcasts series, author Miranda Spencer shows that she has by no means lost her taste for juicy, refreshingly shocking characters that throw proper London society into a tizzy.

Martin Bouchard, captain of the Golden Scythe will be familiar to her readers. The New Orleans–born privateer has been a recurring character in the first two books of the series, and the story opens with him seizing a Dutch slave ship and finding, among the human cargo, someone he never could have expected. Sarah Fisher was born and raised in Africa and seized by the slavers along with the rest of the villagers, despite being the Caucasian daughter of British missionaries. When she’s freed by Martin—or rather, when her freedom is confirmed, since she starts the process herself through the audacious theft of the slaving captain’s gun—arrangements are made for her to be transported to England, courtesy of the Golden Scythe. While Sarah thinks of herself as plain (and tall, for that matter) and therefore entirely unlikely to entice the gorgeous, notorious, sin-poured-into-breeches captain, it doesn’t take long for her to fascinate, irritate, educate and enflame him. They clash—a lot. They say the wrong things and hurt each other—a lot. Their attraction is palpable (and very, very obvious to everyone around them) but at times it truly does seem like they’ll never be able to overcome the obstacles they keep putting in their own way.

Sarah is self-conscious about her looks and wounded by a lifetime of feeling undesired and out of place, and so she struggles to accept or even recognize Martin’s fascination with her. And Martin, wounded by secrets from his past and his own feelings of unworthiness, bristles with jealousy and what seems to be a deep streak of self-loathing that leads him to not just push but actively hurl everyone away from him. They’re complicated characters, and their journey to love and happiness is far from easy.

It would be clichéd to say that in the end, love sets them free. It also wouldn’t be quite true. Love actually comes early on, even if neither of them wants to admit it. Freedom comes later—and it’s something they have to embrace before they can truly let love in. Spencer enjoys poking at the delicate scales of power in Regency society. While her characters move in the highest echelons, they’ve all struggled with powerlessness and disdain in various forms. Sarah’s struggles would seem at first to be the most challenging—after all, she begins the story in the hold of a slave ship. But it’s Martin, a former slave himself, who carries the weight of his bondage, even years after gaining his liberty. When he lets go of that burden and finally accepts that his past doesn’t have to control his future, he’s truly set free. Free to love and accept love in return—and free to live happily ever after.

In the latest installment of the Outcasts series, author Miranda Spencer shows that she has by no means lost her taste for juicy, refreshingly shocking characters that throw proper London society into a tizzy.

Simon Cowell used to tell singers he loved on “American Idol” that they could “sing the phone book” to him and he’d be happy. I feel the same way about Rebecca Zanetti—she could regale me with a trip to the grocery store and I’m sure it would be spectacular.

Zanetti's books span the gamut of subgenres in romance, vacillating primarily between paranormal and (my favorite) romantic suspense. With Fallen, she brings us back to the Deep Ops world for another installment of awesomeness. By now, two and a half books into the series, we’ve seen Raider Tanaka a couple of times. He’s a good guy, really, but he’s got a dark, sexy, implacable core that calls out to his teammate Brigid Banaghan. They’re both part of the secret deep operations unit HDD, and while they’re total opposites in most things, neither are there because the division was their ultimate goal. Raider slept with the wife of his former supervisor and Brigid’s a world-class hacker avoiding jail time. Now they’re working together, posing as a real-life betrothed couple to get an “in“ with the Irish mob that Brigid's father used to run with.

All the hallmarks of a Zanetti book (which cause a Pavlovian response in me any time I see her books on the shelves) are present: richly developed characters, robust plots, exciting suspense and hot, sexy times. She is, quite simply, one of my favorite authors and the world is all the better for having her in it.

Simon Cowell used to tell singers he loved on “American Idol” that they could “sing the phone book” to him and he’d be happy. I feel the same way about Rebecca Zanetti—she could regale me with a trip to the grocery store and I’m sure it would be spectacular.

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A picture may be worth a thousand words, but sometimes a song can capture a whole era—a slice of your life recreated whenever you hear that opening riff. The movie The Breakfast Club made the song “Don’t You (Forget About Me)" so indelibly iconic as the theme song for high school archetypes that when I saw the title of this book—and immediately got the song in my head—I wondered if it would be able to live up to the nostalgia it would trigger. Rest assured, it does.

Like The Breakfast Club, Mhairi McFarlane’s glorious, hilarious heartbreaker of a story begins with high school students pushed together by circumstances out of their control, vividly aware of their places in the social hierarchy, baffled and delighted by their mutual attraction. Their strictly-in-secret love story is sweet, innocent and almost breathless in its sweaty-palmed elation.

And then the film reel cuts out and the story picks up twelve years later.

Our heroine, Georgina Horspool, never left her native Sheffield. Never achieved her dream of becoming an important writer. Never quite found her niche at all, in fact, and has the rug of her unsatisfying life doubly pulled out from under her in just one night. First, she’s fired from her (miserable) waitressing job. Then she finds her (egocentric cad of a) boyfriend in bed with his assistant. Desperate for any opportunity that’ll keep her from being the object of pity (again) at the family’s weekly brunch, she jumps at the chance to tend bar for a private event at a new pub. It goes well, she’s offered a job and she’s eager to accept—but then she learns that the job means working with Lucas McCarthy who is, of course, the boy she loved a decade-plus ago and lost somewhere along the way.

So far, so expected. McFarlane’s writing is funny and charming enough to keep her readers engaged, but the beats in the first part will feel familiar as the story shifts from The Breakfast Club to Bridget Jones’s Diary. Still, as the story progresses, the madcap humor starts to mingle with deeper emotions. Georgina is self-aware in a way that Bridget never managed. Her relationships with her friends and family delve below the surface, uncovering real emotions and deep-seated issues. When she talks about discovering a beloved parent’s infidelity, there’s no punch line payoff. It feels real and visceral. When her dreadful ex tries to win her back, it’s not funny—it’s an awful ordeal that Georgina correctly identifies as manipulative and bullying. And readers should be aware that this novel contains a graphic description of sexual assault that could be triggering to some individuals. It is devastating and unflinchingly honest, but it is not gratuitous. Understanding the details of what occurred is pivotal to understanding the plot and characters.

Any romance reader will be able to peg that Lucas and Georgina are made for each other, but they have to put in some real work—on both sides—before they’re emotionally ready for happily ever after. McFarlane doesn’t skimp on sly humor or wacky characters, but no plot point has an easy fix and no character feels two-dimensional. Even the broadest personalities are loving, or loyal or cruel in tactile and vivid ways. And as the book progresses, you realize how much depth and truth there was to the characters and the story all along.

A picture may be worth a thousand words, but sometimes a song can capture a whole era—a slice of your life recreated whenever you hear that opening riff. The movie The Breakfast Club made the song “Don’t You (Forget About Me)" so indelibly iconic as…

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Ilona Andrews draws the reader seamlessly into the depths of a highly detailed, endlessly fascinating world in Sapphire Flames.

The first in a new trilogy in Andrews' Hidden Legacy series begins with Catalina Baylor as the newly minted Head of her House. Even though she’s a Prime mage with intense, unique abilities, she and her family work small investigation jobs. As a Siren, Catalina can persuade someone to do just about anything. But the longer she uses her magic on them, the more extreme their love for her will become—to the point that they will try to rip her apart to have pieces of her for their very own.

When Catalina’s friend asks her for help discovering who killed her mother and sister, Catalina is faced with one of her most difficult challenges yet. To make matters worse, her teenage crush, the mysterious Italian Prime Alessandro Sagredo, is somehow involved. Readers will enjoy the lively banter and simmering attraction that Andrews adds to each of their scenes.

Husband-and-wife team Andrews are known for their bold world building, and their originality shines as mages, magical creatures and assassins come alive in modern-day Houston. Andrews paints a clear path for the reader’s imagination to follow, describing the details of everything from government structures to the choreography of a fight scene.

Alessandro and Catalina's interactions, both steamy and confrontational, are full of witty dialogue and relatable inner musings. Catalina navigates the obstacles of her role and the dangers of her magic with a frankness that allows the reader to imagine themselves in her very shoes, magic aside. And her reactions to Alessandro’s cheeky commentary showcase the potential couple’s snappy chemistry.

Andrews makes space for new readers, ensuring they don’t lose their way as they follow the mystery and romance that dazzles on every page, all the way to Sapphire Flames’ gripping conclusion.

Ilona Andrews seamlessly draws the reader into the depths of a highly detailed, endlessly fascinating world in Sapphire Flames.

Zoey Castile is back with the third installment of her Happy Endings series, Flashed. It begins as just another sexy story about a hot male model and stripper (who’s a player on the soccer pitch and off). But it evolves into so much more. Once Patrick Halloran is disfigured from a life-altering accident, his inner beauty is able to shine through, giving this romance a hint of Beauty and the Beast with some reverse ugly duckling thrown in.

The woman who finally breaks through Pat's self-imposed isolation is Lena Martel, an aspiring artist working her way through college by keeping house. As you can imagine, it is unusual to work for a grumpy hermit of a man who has zero communication skills. Until they begin messaging each other. Sexily. Without the benefit of face-to-face interaction, Pat and Lena are forced to wade through getting to know each other with no posturing, allowing them to focus more on who they are, deep inside where the vulnerable bits are safely hidden.

For a man whose livelihood has always been his body—his strength, speed and beauty—Pat finds relying on his wits is new. But for Lena, an artist used to experiencing and touching and feeling life around her, relying on digital communication tests her, too. Patrick and Lena are incredibly likeable characters, and they defy the odds by sticking with one another. Great romances remind us that the heart wants what the heart wants, and it knows when it’s time to move forward. Even if you’re a man who wonders if his is the face the woman of his dreams can love forever.

This is a story for all the less than perfect people out there who have relied on being nice, funny and kind; who are often overlooked at first pass because they’re not shiny and sparkly and perfect. Those who know the truth about love and relationships because at the end of the day (and when it really, truly counts), substance trumps shine any day.

Zoey Castile is back with the third installment of her Happy Endings series, Flashed. It may begin as just another sexy story about a hot male model and stripper (who’s a player on the soccer pitch and off). But it evolves into so much more.

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A marriage of convenience gives way to acceptance and love between two characters marked by trauma in Kerrigan Byrne’s suspenseful historical romance How to Love a Duke in Ten Days.

Piers Atherton needs to solidify his claim as the Duke of Redmayne and the quickest way to do that is to take a wife and produce an heir. Lady Alexandra Lane is low on funds and in desperate need of money to pay off a blackmailer. Piers and Alexandra are upfront in what they expect from their marriage, though the true nature of why Alexandra requires money isn’t revealed to Piers.

A decade earlier, Alexandra was raped by the headmaster at her school. (Content warning for readers: the scene is graphic, and very much on the page.) She took her revenge by killing him, and her two best friends helped her cover up the murder. The three women are certain there are no loose ends, until a blackmailer reaches out to Alexandra for money in exchange for keeping their secret.

Strong, resilient Alexandra is a wonderful heroine and her friends, Cecelia and Francesca (who are obviously sequel-bait for the next books), are unconditionally supportive. The sense of girl power and female solidarity is infectious, and some of the best scenes are when all three have the opportunity to get into some mischief.

Piers has a whole closet full of baggage—he was raised by a philandering mother, was jilted by his former betrothed and survived a jaguar attack that nearly took his life. He’s slow to trust and his scarred face has caused the locals to dub him the “Terror of Thorcliff.” The tenderness and respect he displays when faced with Alexandra’s avoidance of intimacy makes him a worthy hero, and he learns to let go of deep-seated grudges as the story progresses.

As Alexandra and Piers travel for their honeymoon, a series of bizarre events make it obvious to that pair that someone is after their lives. Piers assumes it’s his cousin trying to kill him off for the title of Duke of Redmayne. Alexandra thinks her blackmailer is no longer satisfied with money. The reveal of the unseen villain is surprising and will undoubtedly keep readers guessing to the very end.

Byrne’s writing harkens back to classic romance superstars like Judith McNaught and Bertrice Small: There’s a grand complexity to the plot, an alpha hero and a headstrong heroine who has overcome great emotional turmoil. Alexandra’s trauma and PTSD were respectfully portrayed and, as a fellow survivor, reached me on a personal level. Her dedication to rebuilding her life and allowing herself to take joy in even the smallest things is a heady mix of heartbreaking and inspirational.

How to Love a Duke in Ten Days is an intense journey from start to finish, but Byrne delivers. Readers will be left breathless, and with a few tears shed along the way.

 

ALSO IN BOOKPAGE: Read our Q&A with Kerrigan Byrne about How to Love a Duke in Ten Days.

A marriage of convenience gives way to acceptance and love between two characters marked by trauma in Kerrigan Byrne’s suspenseful historical romance How to Love a Duke in Ten Days.

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In this charmingly sweet romance from Kerry Winfrey, a lovable aspiring screenwriter named Annie Cassidy is obsessed with Nora Ephron movies and finding her own Tom Hanks. To Annie, Tom Hanks—the star of several of Ephron’s most beloved romantic comedies—represents her dream man. He’s an everyman who believes in love at first sight and maybe even lives on a houseboat à la Sleepless in Seattle. In contrast, Annie lives with her Dungeons & Dragons-loving uncle, and her dating prospects are looking grim. When a movie production takes over her neighborhood, it brings with it several men who vie for her attention. Will she end up with the grip who checks all her boxes, or with the handsome movie star she keeps bumping into but couldn’t possibly have a chance with? With fun, engaging narration from Rachel L. Jacobs, Waiting for Tom Hanks is a pure delight from beginning to end.

In this charmingly sweet romance from Kerry Winfrey, a lovable aspiring screenwriter named Annie Cassidy is obsessed with Nora Ephron movies and finding her own Tom Hanks. To Annie, Tom Hanks—the star of several of Ephron’s most beloved romantic comedies—represents her dream man. He’s an…
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Two opposites find love amid a madcap adventure and a coterie of troublemaking rescue animals in The Wallflower Wager by Tessa Dare.

Lady Penelope Campion has an undeniable weakness for the wounded, especially animals. Known as an eccentric spinster, Penny cares for creatures that have nowhere else to go. There are lewd parrots, a bevy of kittens and even a goat among her little homegrown refuge, a Dr. Doolittle’s paradise. Unfortunately, her next pet project takes the form of her rather grouchy neighbor, Gabriel Duke.

A self-made real estate mogul, Gabe is known as the Duke of Ruin. There is no love lost between him and the aristocracy, and he takes immense pleasure in tying them up in all sorts of costly red tape. His current mission is to sell the recently renovated home that rests next to Penny’s, but her nosy menagerie is making the task quite difficult. Gabe hopes to strike a bargain with Penny, playing upon her deep insecurities of never being taken seriously as a lady of society. He will aid her in re-homing her animals to restore her good name, and as a result, he’ll be able to sell the home he’s dying to get off his hands.

Gabe is a prickly hero who doesn’t take kindly to his breeches being coated in several layers of animal hair. But behind all his scowls and sneers rests a delicious, ooey-gooey marshmallow center. Penny, a walking ray of sunshine, is the perfect foil. Kind to a fault, all she truly wants to do is help living things and make the world a better place. At times, Gabe struggles with ripping off Penny’s rose-colored glasses if it means changing the sweet, caring woman she really is—and that he comes to love.

Like many of Dare’s romances, The Wallflower Wager will have you in tears from both laughter and the pure, unfiltered emotion of Gabe and Penny’s path to love. Having long since adopted the shell of a ruthless businessman, Gabe fears he no longer knows what it means to be vulnerable. Penny treats him with the gentle hesitation she would give to a frightened, caged animal, and earns his trust and affection over time.

There’s a reason why Dare’s historical romances are beloved by so many readers: She truly captures the heart and soul of a happily ever after. The respect and affection Penny displays for the animals and the people she loves will remind you of all that is good in the world (and we really need that right now). Fans of any of Dare’s books will be reminded why they keep reading her astounding, swoony romances, and as for newer readers—welcome to the club.

Two opposites find love amid a madcap adventure and a coterie of troublemaking rescue animals in The Wallflower Wager by Tessa Dare.

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It’s always delightful to find a paranormal romance that embraces the tropes of historicals rather than the gritty noir of urban fantasy. M.A. Grant’s The Marked Prince tells an affecting, old-fashioned tale of love and redemption, taking place in the modern day but set in the immortal world of Faerie.

Grant cleverly reimagines Scottish folklore’s distinction between Seelie (light, friendly) and Unseelie (dark, violent) faeries as two separate courts. The Seelie court is ruled by Shakespeare’s Oberon and Titania and is a more traditionally stratified but supposedly less violent realm. The Unseelie faeries are ruled by the more openly authoritarian Queen Mab, whose realm is more egalitarian despite its Machiavellian leader.

Sebastian is half-Seelie and half-Unseelie, unwelcome and distrusted by the people of both courts. But as Oberon’s nephew, Sebastian can infiltrate his court on behalf of the Unseelie royal family and kidnap Sláine, the eldest son, and take him back to his homeland.

Sláine supposedly defected to the Seelie court before the events of The Marked Prince, but Grant’s prologue reveals what truly happened. While taking part in negotiations between the two courts, Sláine was captured by the Seelie Princess, Aoife, and placed under a curse. He can’t tell anyone who he is or what happened to him, and one of Aoife’s henchmen has been magically transformed to look like him. Trapped under the spell and a magical mask that hides his face, Sláine is seemingly doomed to live out the rest of his days as Aoife’s slave, Duine.

Kind-hearted Sebastian is not a natural spy, having been emotionally blackmailed into undertaking his quest. But his impulsive mercy when he witnesses Aoife punishing Duine results in Oberon gifting the masked slave to him. It’s a tenuous chance at freedom for Sláine, but Sebastian has now unwittingly made both himself and Sláine targets of the vicious Aoife.

With all that external conflict already present, Grant wisely allows Sláine and Sebastian’s relationship to develop at a realistically slow pace. They evolve from master and servant, to uneasy allies, to friends, and finally to lovers, all while navigating the treacherous Seelie court. Sláine was taught to be ruthless and manipulative as the heir to his mother’s throne, and while he offers those skills in service of Sebastian, he also begins to see their limitations. Sebastian is able to gain influence simply by advocating for the lower classes and promoting peace, defying the lessons Mab drilled into Sláine from a young age. As the pair grow closer, Sláine is forced to come to terms with the fact that his previous cruelty was not the necessity he believed it was. And by following Sláine’s canny advice, Sebastian is able to see the benefit of his high status and the ways he can use it for good.

One would expect The Marked Prince to end with a showdown in a ballroom or council chamber, given all the political intrigue that takes up the majority of the story. But Grant goes to wilder, more primal places by the story’s end, tapping into the fairy tale roots of her world to give her deserving pair a suitably mythic happy ending.

M.A. Grant’s The Marked Prince tells an affecting, old-fashioned tale of love and redemption.

Nancy Campbell Allen gives Rapunzel a steampunk twist in The Lady in the Coppergate Tower. Medical assistant Hazel Hughes knows she has some minor healing powers, but her world changes overnight when a stranger arrives in London claiming to be her uncle and that her previously unknown twin sister needs Hazel’s special talents in Romania. Doctor Sam MacInnes isn’t willing to let his lovely employee stray far from his sight, as he suspects her “uncle” might have malevolent intent. Their journey via submarine engenders a new closeness between Hazel and Sam, and Allen creates a fun and fantastical world to visit in this kisses-only romance.

Nancy Campbell Allen gives Rapunzel a steampunk twist in The Lady in the Coppergate Tower.

A naval officer presumed dead crashes his wife’s second wedding in Marry in Secret by Anne Gracie. Lady Rose Rutherford is shocked to discover her husband lives, and her family is shocked to learn she secretly married years ago. Commander Thomas Beresford longed to reclaim his wife, but now that he’s face-to-face with her and her protective family, he’s not so sure marriage is best for either of them. Rose remembers the man who stole her heart, and she’s ready to recommit, but Thomas’ harrowing experiences have changed him. Nothing is more delicious than a heroine determined to overcome a noble hero’s scruples, and watching Rose win Thomas over is a true pleasure. A charming supporting cast and witty banter are paired with emotion and a dash of suspense to make Marry in Secret a deeply enjoyable historical romance.

A naval officer presumed dead crashes his wife’s second wedding in Marry in Secret by Anne Gracie.

Toni Blake tells the perfect story for a summer afternoon in The One Who Stays. Cancer survivor Meg Sloan runs her late grandmother’s inn on small, quaint Summer Island. She’s content with her world and her relationship with Zack Sheppard, a local fisherman who casually drops in and out of her life. But while anticipating a momentous birthday, she wonders if she’s been settling instead of fully living life. The arrival of charming younger handyman Seth Darden emboldens her to consider what she really wants—perhaps something and someone different altogether? Blake’s leisurely pace provides a sense of slowed “island time” in this lovely, heartwarming romance with a little sadness to balance out the sweet.

Toni Blake tells the perfect story for a summer afternoon in The One Who Stays.

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Mary Balogh returns to her Westcott historical romance series with Someone to Honor, an emotional and sweetly indulgent romance in which first impressions aren’t always indicative of a person’s true character.

Abigail Westcott and Gilbert Bennington truly get off on the wrong foot after she chastises him for working shirtless on the Westcott estate. It’s not proper, especially when there are young, unwed ladies in his midst. And this single interaction leads to a host of misunderstandings. Abigail makes the assumption that Gil is just a servant on the grounds and not the officer who helped her brother return home from the Napoleonic Wars. Meanwhile, Gil reduces Abigail’s comments to her being a spoiled and rich woman, something that deeply taps into his feelings of inadequacy given their class differences.

Despite their disastrous first meeting, Abigail and Gil begin spending more and more time together, often enjoying walks around the grounds, where they have rather insightful and illuminating conversations. Gil realizes he was wrong about his assessment of Abigail. She’s a wealthy and independent woman whose life was upturned by a family scandal. Meanwhile, Abigail learns of Gil’s heroic treatment of her brother, and when he reveals a personal, heartbreaking predicament, Abigail and her brother offer to help. But that help comes in the form of marriage.

Self-assured and practical, Abigail has grown accustomed to being a pariah since her father’s bigamy scandal. What she never expected was how much it would give her in the ways of freedom. With no man wanting to attach his name to her, Abigail has settled into a lovely, quiet country life in which she can do as she pleases. Gil carries lingering trauma from his military service, and while he may have earned the respect of many, he can’t shake the insecurity he feels from being an illegitimate child and growing up in poverty. A bit broody, Gil is a hero who prefers to observe and be on the sidelines, harboring an understandable distrust for upper-crust society.

Balogh writes with an inescapable tenderness, in which each conversation furthers Gil and Abigail’s affection ever so slightly. There is always a softness and subtlety to Balogh’s romances, serving as a lasting reminder that love is patient and kind. Previous fans of the Westcott series will love seeing familiar faces integrated into Gil and Abigail’s romance. Though well-meaning, the Westcott family isn’t afraid to meddle and can’t leave well enough alone.

With a relationship built on trust that slowly blooms with understanding, Someone to Honor is another fantastic novel by Balogh, who expertly navigates all the highs and lows that come before a happily ever after.

Mary Balogh returns to her Westcott historical romance series with Someone to Honor, an emotional and sweetly indulgent romance in which first impressions aren’t always indicative of a person’s true character.

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