In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
A terrifying monster is both a real entity and a manifestation of taboo desires in Mikaella Clements and Onjuli Datta’s Feast While You Can.
A terrifying monster is both a real entity and a manifestation of taboo desires in Mikaella Clements and Onjuli Datta’s Feast While You Can.
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We sat down with Jennifer Ryan more than two years ago at the 2014 RWA Conference in San Antonio, back when she was looking forward to her print debut, and this month, her latest novel, Her Renegade Rancher, is our Romance Top Pick. In this interview, we talk to Ryan about what's changed in the years since our first chat, why she prefers cowboys and more. 

Describe your latest novel in one sentence.
A sexy Montana rancher rekindles a once-thought forbidden romance and puts his life on the line to be her renegade rancher.

When we met up with you in 2014, you were looking forward to your debut print novel. What’s changed in your romance world since then?
So many wonderful things have happened. Since my debut Saved by the Rancher came out, I’ve become a New York Times and USA Today bestselling author and published The Hunted, McBride and Montana Men series for a total of 17 novels and novellas once His Cowboy Heart comes out in February 2017. I’ve met so many of my goals and written the books that excited and challenged me. I love what I do and wouldn’t want to do anything else. Which is why I’m always dreaming up new ideas for the next series. The success I’ve achieved has proven to me—and been a great example for my kids—that if you work hard, stick with it through the ups and downs and learn all you can about what you want to do, you will achieve what you set your mind to do.

A cowboy, a billionaire businessman and a pirate walk into a bar. Who do you choose?
Hands down, I’ll take the cowboy! Any guy who works hard, plays harder, loves their woman and thinks that home and family is everything is the one for me.

Your series is called Montana Men. Have you ever travelled to Montana?
No. Believe it or not, I live in Northern California where we have a lot of farming and ranching. As a young girl, I got to go to my friend’s small ranch and ride horses. I loved it. A lot of people who hear the word “cowboy” don’t think of California, so I set the series in the one place that I would love to visit. I love the great outdoors, and you can’t beat the Montana landscape. Big Sky country is an amazing backdrop for romance—and a little suspense.

What’s your favorite thing about your heroine, Luna Hill?
Her heart. She’s dedicated to her friends and preserving the legacy she unexpectedly inherits and loves with her whole heart. She’s got an inner strength that shines through and helps her cope when times are tough—two things Colt loves about her.

If you were to write a historical romance novel, what time period would it be set in and why?
I have a serious addiction to reading historical novels. I love getting lost in another time and place. Scottish laird books are my favorite, so if I ever wrote a historical, it would probably be a big, strapping laird—they’re kind of like Scottish cowboys, right?

What’s next for you?
After Her Renegade Rancher, I’ve got the last two Montana Men books. Luna’s sexy lawyer gets an unexpected surprise in Snowbound at Christmas, and Colt’s brother Ford gets a second chance at love when Jamie returns from the military to claim His Cowboy Heart.

 

We talked to Jennifer Ryan over two years ago at the 2014 RWA Conference in San Antonio, back when she was looking forward to her print debut, and this month, her latest novel, Her Renegade Rancher, is our Romance Top Pick.
Interview by

What happens when a history professor writes romance? You get well-researched, engrossing novels like our November Romance Top Pick, Katharine Ashe's The Earl. We asked Ashe a few questions about her new novel and history's greatest love stories. 

Describe your latest novel in one sentence.
He’s sworn to expose her; she’s determined to bring him down: It must be love.

What’s the most appealing trait of The Earl’s hero, Colin Gray?
His vulnerability. We know that romance heroes are spectacularly handsome, and they’re always successful—through their wealth, status, profession or proficiency as lovers. The heroes I adore the most, though, have really vulnerable inner cores, and of all the heroes I’ve written, Colin is the most vulnerable, so he’s built his walls high for protection. He has a pretty serious reason to feel vulnerable, and to him it’s always been a curse. Ultimately, though, it’s what allows him to surrender his pride to real, honest love. It smashes through all the heroine’s walls too. She’s a strong woman, but guarded, with a goal in life she won’t compromise for anything or anyone. But when his walls come down, and his heart is thoroughly on exhibit for her to accept or discard, she can’t resist. It’s raw emotion, and I love it.

Have you ever considered writing a contemporary novel? Why or why not?
Yes, indeed. I’ve written a contemporary novella in the anthology At the Billionaire’s Wedding, a time-travel novella with a modern heroine in the anthology At the Duke’s Wedding, and I’m writing a contemporary romance series now (albeit in the very rare spare moments between contracted book deadlines) that has big historical tie-ins. Writing in a modern voice is super fun, and experimenting with different types of prose keeps my writing fresh and sharp, whatever the project.

You’ve written about pirates, dukes and Highlanders. Which is the most fun to write?
All of them! I know: that’s not an answer. But it’s true. I simply love writing heroes, whoever or whatever they are. Each character is a unique adventure for me, and I enjoy writing really different characters with each book. That said, several of my heroes are sailors, and that’s mostly because I love the research. Britain at the time was a vast empire, a thrilling expanse of many cultures and worlds, controlled through the power of its extraordinary navy and British merchant fleets. I’m totally addicted to reading about that history, and I love the ocean. I also adore writing common-man heroes. Sometimes they’re both: the hero of How To Be a Proper Lady is a former slave and pirate, now a privateer for England, atoning for the violence of his past by going after bad guys on the ocean. With a historical hero like this, there are no limits to the story. With a noble, titled hero I can play with all the delicious power, wealth, estates and social rules of the Regency era. Whichever I choose for a particular novel—commoner or nobleman—it’s win-win.

You’re a professor of European history. How does this inform your writing? Do your studies inspire your romances?
Yes, always. The history I read inspires every novel I write, plots and characters and settings and all. My comfort with archives, historical literature, and travel to historical sites gives me rich material with which to fashion my stories. And I find that teaching history, or simply sitting in a scholarly colloquium or workshop on campus, feeds my imagination—whatever the specific topic. My academic life nourishes me and I think it makes me a better novelist.

What’s the greatest love story in history, in your professorial opinion?
Romeo and Juliet. A tragedy! But it’s not so much the ending as the profound intensity of the love that pummels my heart (in a good way!). I’m also very fond of the incredibly romantic tale of Tristan and Iseult; I used it prominently in my novel I Loved a Rogue and my novella A Lady’s Wish. Now, if you’re asking about the greatest love story in real history—Maria Skłodowska and Pierre Curie. She was a physicist and chemist, studying in France but dreaming of returning to her native Poland to teach. She was so brilliant and he respected that brilliance so much, and was so enamored of her, that he was willing to give up his own successful career in science and settle for teaching French in Poland if she would marry him. Ultimately, the university in Poland wouldn’t allow a woman to teach, so the couple remained in France where she became “Marie” Curie. She was the first woman ever to receive a Nobel Prize. It’s real heroines like her, and the men who loved, respected and supported them—in eras that didn’t typically respect women’s brilliance and accomplishments—that inspired the The Earl.

What’s next for you?
A dark Scottish duke is hiding a scandalous secret in his Highland castle. I’m currently in the process of helping a whip-smart English lady make it very hard for him to hide it for much longer. The Duke is the follow up to The Earl, the next in my Devil’s Duke series. 

What happens when a history professor writes romance? You get well-researched, engrossing novels like our November Romance Top Pick, Katharine Ashe's The Earl. We asked Ashe a few questions about her new novel and history's greatest love stories.
Interview by

Debbie Macomber is a many-times-over New York Times bestselling author known for her compelling and multifaceted contemporary romances and her annual Christmas novels. Her holiday offering this year, Twelve Days of Christmas, is our Top Pick in Romance for December. We asked Macomber a few questions about the idyllic town in Washington where she lives, her favorite holiday traditions and more. 

Describe your latest novel in one sentence.
Twelve Days of Christmas is a story about a woman’s experiment of killing someone with kindness and learning that she is the one who is affected most. 

How long have you been writing your annual Christmas romances, and what sparked the idea?
I believe I started writing a Christmas story as early as the mid-1990s. In other words, a long time. 

As for what sparked the idea for Twelve Days of Christmas . . . It came about from an incident I had while Christmas shopping. A woman stole my parking spot just as I was about to park. I didn’t exactly have Christian thoughts at the time, and wished I’d handled the situation differently. 

When we meet Cain, he’s quite the rude Scrooge. Were there any challenges to writing such an initially unlikable hero?
My heroine’s dislike of Cain is initially sparked by another incident that happened to me. Wayne and I lived in a condo and someone took our newspaper. Again, the Christian side of me was absent that day. It was interesting to explore why someone might lift another person’s newspaper and why they would be grumpy in the morning, aside from not being a morning person.

Christmas doesn’t mean much to Cain, but to me, it means a great deal. I find it valuable to write characters that aren’t like me because they help me to understand another person’s point of view or motivation.

What turned out to be your favorite trait of Cain’s?
I needed something that would show his tender side, and that became apparent in the way he cared for his grandfather. No one is all good or all bad. There needs to be a balance. 

Tell us about your two businesses in Port Orchard, Washington, a place that has inspired many of your romance novels.
The Grey House Café has recently been renovated with new carpeting, tables and chairs, and a fresh coat of paint inside and out. They also carry my books and many are autographed, plus we’re fortunate to have a Hallmark store within that features gift and tea items. The café still serves the same great menu with a few new items to stimulate the appetite.

My yarn store, A Good Yarn Shop, closed in November after eight wonderful years of friendship and community. I hope to encourage knitters and crocheters to continue with community and a sense of giving by contributing to Knit One, Bless Two or World Vision’s Knit for Kids

What’s your favorite holiday tradition?
Oh my, that’s difficult to answer because I enjoy them all. I look forward to baking cookies with the grandkids, shopping with them for other children who are less fortunate, family Bingo. I love our family buffet feast on Christmas Day, lighting the candles on the Advent wreath and hosting Christmas Teas for my author, knitting and swimming friends. Christmas Eve church service is so meaningful to me. All those add up to a beautiful holiday season.

What’s next for you?
My husband and I are taking an extended cruise in which I plan to empty my mind and gather new ideas for more books to come. Publishing wise, my next book is titled If Not For You, which is a story of healing and hope. 

(Author photo by Deborah Feingold.)

Debbie Macomber is a number one bestselling author known for her compelling and multifaceted contemporary romances and her annual Christmas novels. Her holiday offering this year, Twelve Days of Christmas, was chosen as our Top Pick in Romance for December. We asked Macomber a few questions about the idyllic town in Washington where she lives, her favorite holiday traditions and more.
Interview by

We talk to Catherine Anderson about her new novel, Mulberry Moon, her great love of animals and her [avoidance of] New Year's resolutions.

Describe your latest novel in one sentence. 
Mulberry Moon features people at their best and worst, their triumphs over the hard knocks of life and the beautiful transformation that love can bring about, both between a man and a woman and an estranged mother and daughter.

Ben is a big animal lover. Is this a trait you share? 
I love all kinds of animals, large or small. I adore my son’s horses, our dogs, our cats, the deer and elk on our field and my appreciation extends to fowl, wild or domestic. I do prefer to admire bears, cougars and moose from a safe distance though . . . We have a great horned owl on our new land in Montana. He has decided that the peaks of our new home, which are higher than all the trees on our land, are a far better roost than the old snag he always used. And tonight, to my delight, I discovered that he has a mate. I am looking forward to spring and great horned owl babies! So, yes, I am definitely an animal enthusiast, and that comes across in my work.

Sissy has had a difficult life. What do you admire most about her? 
I admire Sissy’s determination and success at being a woman who can stand on her own two feet without needing a male counterpart. Though she may yearn for a relationship with a good man, she is committed to her independence, which, in the end, allows her to fall in love without any actual need, but rather a realization that Ben can enrich her life, and vice versa, in ways she never contemplated. She grows as the book unfolds and comes to understand that loving someone doesn’t mean she is a possession or a person who can’t survive alone. I think this is an empowering message to all women, including me.

Does your 160-acre home in the Central Oregon forest inspire your work? 
Oh, yes. Cinnamon Ridge is incredibly beautiful. But I recently moved to Montana and now enjoy vistas that are equally, if not more, inspiring.  I’m having a huge adventure here and coming to love this awesome state.

What does a romantic evening for you look like? 
For me, a romantic evening isn’t necessarily about the stage props. The setting itself isn’t as important to me as the person I’m with. An evening walk almost anywhere can be romantic. Eating take-out pizza can be romantic with the right man. Meaningful conversation, holding hands and kissing beneath a night sky is enough for me to set the mood.

Do you have any New Year’s resolutions? 
I tend to avoid making resolutions on New Year’s. I’ve learned that doing so sets me up for failure. I prefer to really think about making a challenging change at some other time of the year when I’m focused on the realities that I will face. Then I plan my battle strategy. 

What’s next for you? 
Right now, I’m writing a Christmas love story. The working title is The Christmas Room.

We talk to Catherine Anderson about her new novel, Mulberry Moon, her great love of animals and her [avoidance of] New Year's resolutions.
Interview by

A member of Parliament, Crispin Burke, takes a strange path to love in our Romance Top Pick for March, the captivating and clever Regency love story A Lady’s Code of Misconduct. Meredith Duran, who has always been fascinated by English history, was kind enough to answer a few questions about love, amnesia and more!

Describe your latest novel in one sentence.
When a dark-hearted politician is stripped of all his defenses, he must turn to a sheltered idealist for his salvation—a woman who has every reason to hate him, and with whom he’s about to fall helplessly in love.

Memory loss and head injuries are unusual fare for a romance novel! I have to ask you where you found inspiration for this novel.
You’re right, amnesia is pretty uncommon in recent romance, but I came of age on historical romances in the ’90s, when amnesia was a relatively common trope. There’s so much that can be done with a character who is suddenly rendered a stranger to himself! I always hoped to write a book that served as a tribute to those classics, but I had to wait until I found a story that could exploit the trope to its fullest potential. I think (hope!) that Crispin’s arc qualifies as such.

You’re big fan of British history. Do you have a favorite love-struck couple from English days of yore?
Out of respect for the romance genre’s devotion to happy-ever-afters, I’ll pick Edward IV and Elizabeth Woodville. He defied every one of his friends, as well as his Privy Council, in choosing to marry a widow who brought no political advantages or real wealth. However, if you asked me to name a star-crossed romance, I’d pick Anne Boleyn and Henry Percy. I contend that she truly loved him, and had Cromwell not interfered (at the behest of Percy’s father’s petition to Henry VIII—so I believe), she would have lived a long and happy life as the sixth Countess of Northumberland.

Crispin Burke is a pretty complex man. What’s your favorite trait of his?
I find his ambition both fascinating and fearsome. Paired with his perseverance, it makes him just as likely to be a force for evil as for immense and lasting good. Thank goodness he’s got Jane to steer him straight!

What’s your favorite part about being a romance author?
I love the history of everyday life, and historical romance allows me to dwell in and on those mundane details that shaped people’s daily lives: how they talked, shopped, ate, dressed, socialized, fell in love and so on. Politics, battles, economies, monarchies—these were always the structural backdrop for daily experience. Historical romance allows me to foreground the same emotions and rituals and hopes and fears that still govern our modern lives. It draws the past close, and I love that.  

What do you do to unwind after a day of writing?
I read! I’ve always been a voracious and omnivorous reader. The only kind of fiction I tend to avoid is mystery (although I do like a good psychological thriller a la Laura Lippman), largely because I cannot stop myself from flipping to the end to find out who did it—and that makes me feel guilty, like I’ve wronged the author.

What’s next for you?
Later this year, I have a short story coming out in an anthology that features five romance writers who were tasked to pen a short story in a different subgenre than they typically write. The gimmick for the anthology is actually borrowed from a Victorian anthology that kept the authorship of each story a secret for a time. Likewise, with this anthology, we won’t reveal which author wrote each story until a few months have passed.

2018 sees the publication of my next historical romance, which tells the tale of a gentleman whom readers have been asking about since the publication of my debut novel back in 2008. It took me quite a few years to work my way around to his story, but I hope readers will decide that the wait was worth it!

ALSO IN BOOKPAGE: Read our review of A Lady’s Code of Misconduct.

A member of Parliament takes a strange path to love in our Romance Top Pick for March, the captivating and clever Regency love story A Lady’s Code of Misconduct. Duran, who has always been a fascinated by English history, was kind enough to answer a few questions about love, amnesia and more!
Interview by

Two Union spies fall in love during a dangerous mission to thwart the Confederacy in our Romance Top Pick for April, An Extraordinary Union. Author Alyssa Cole has written a number of historical romances in other eras, but had determined to never set a novel in the Civil War. She talked to us about what made her change her mind, what it's like to switch between writing historical and contemporary romance and more! 

Describe your latest novel in one sentence.
A freed black woman with a photographic memory goes undercover as a slave in a Confederate senator’s home, where she meets a rakish fellow Union spy who grates her nerves, aides her cause and steals her heart. TL;DR version: Nevertheless, she persisted.

Because Elle has an eidetic memory, she frequently quotes or remembers passages from books she’s read. How did you pick out these quotations and determine which authors would be Elle’s favorites? Is there any overlap between what she enjoys and literature you like?
Although I do enjoy some of the literature Elle references, I looked through books that would have been available and/or popular during her lifetime, and searched for passages I thought would have resonated with the character. Because she remembers everything, there was a lot of material to work with!

You write in so many genres! Do you find there’s a difference in how you write depending on which genre you’re working in?
I think the biggest difference is, of course, the vocabulary and setting of the book, which I try to fit to the era in which the book is set. Sometimes when I’m bouncing between contemporary and historical, I’ll realize my contemporary characters are speaking like my historical characters, and then I have to recalibrate. I think no matter the subgenre, I try to focus on characters I find compelling and the romance that drives their stories.

You’ve written several other historical romances but had determined to not write a book set in the Civil War. What changed your mind?
Actually, and I had totally forgotten this, but An Extraordinary Union was the first historical romance I ever completed! I’ve always been a history buff and loved historical romance, but I had been resisting writing historicals because I didn’t want to deal with all of the horrible aspects of America’s past (this is a very typical American trait, you may have noticed). But I became a regular reader of Ta-Nehisi Coates’ blog at The Atlantic and fell in love with American history—particularly the untold stories.

In mid-2013, I had the idea to pull together an anthology of Revolutionary War romances featuring Americans whose stories are often neglected in history books, which eventually became For Love and Liberty (and my novella Be Not Afraid). I also wrote the first two chapters of a story that would eventually become my Civil Rights activist romance, Let It Shine. But I was definitely not going to set anything in the Civil War period . . . and then NaNoWriMo 2013 rolled around. The month before, I saw a call for a historical novella and 1960s America, the setting of Let It Shine, was beyond the cut-off point. Then I remembered Mary Bowser, the Civil War spy who Elle is based on, and “Definitely no Civil War” seemed a bit too hasty. Elle and Malcolm’s story took off from there.

Elle is an incredible heroine. What do you admire most about her?
I admire her bravery. One of the things that struck me the most in the accounts I read of Black-American Civil War spies was the bravery it must have taken to risk everything for a country that had done so wrong by them. Espionage and the situations it entails are harrowing, but I think it takes a special kind of bravery to believe fiercely in a country that has given you every reason not to.

Elle and Malcolm are both based on real historical figures. Where did you first hear about them and what about these people inspired you?
I’m pretty sure I first heard about Mary Bowser on Coates’ blog. I believe I came across Timothy Webster, who meshed well with the idea I already had for Malcolm, while researching Pinkertons. While Elle and Malcolm are fictional, the inspiration I drew from Mary and Timothy was their bravery, ingenuity and dedication to the American ideal.

You split your time between the Caribbean and NYC, and love to travel. What is your favorite place you’ve discovered recently?
Lately, because I live in the Caribbean for the most part, I’ve actually discovered some new places in America while visiting family and attending conventions. My most recent place that I really enjoyed was San Diego, which was warm and lovely. My impression of the city was probably aided by the fact that I rented an amazing tiny house while I was there!

What’s next for you?
Right now I’m finishing up Book 2 of The Loyal League series, A Hope Divided, which follows Malcolm’s brother Ewan. I’m also working on the second book of my Reluctant Royals series with Avon, which is launching in 2018. I’m really excited about this series, which is fun contemporary romance. And I’m also shining up my novella for Hamilton’s Battalion, an anthology I’m working on with Rose Lerner and Courtney Milan that will be out later this year.

ALSO IN BOOKPAGE: Read our review of An Extraordinary Union.

Author photo credit Katana Photography.

Two Union spies fall in love during a dangerous mission to thwart the Confederacy in our Romance Top Pick for April, An Extraordinary Union. Author Alyssa Cole has written a number of historical romances in other eras, but had determined to never set a novel in the Civil War. She talked to us about what made her change her mind, what it's like to switch between writing historical and contemporary romance, and more! 
Interview by

When rookie reporter Irene Glasson stumbles onto the scene of a grisly murder at Oliver Ward's glamorous hotel, the pair find themselves thrown together in a race to catch a vicious killer in our May Top Pick in Romance, The Girl Who Knew Too Much. Irene and Oliver's suspects include Old Hollywood hearthrobs and East Coast hitmen, and Irene is hiding some secrets of her own that could spoil her and Oliver's growing attraction for good. We talked to Jayne Ann Krentz, the bestselling romance author who writes historical mysteries under the name Amanda Quick, about leaving the Victorian era, plotting out a web of killer twists and more! 

Describe your latest book in one sentence.
A failed magician, a gossip magazine reporter and a hired killer walk into a 1930s Hollywood bar.

As Amanda Quick, you’ve written a number of historical mysteries set in Victorian England. What made you decide to set The Girl Who Knew Too Much in 1930s Hollywood instead?
I was looking for a fresh fictional landscape. Talked it over with my editor and she said those fatal words: “Well, what about the 1930s?” I had never even considered that particular decade. But the minute I sat down to write the first sentence I got that wonderful jolt of recognition that zaps an author when she knows she has found a world that is ideal for her kinds of characters, plots and voice.

There are so many intriguing aspects and angles to The Girl Who Knew Too Much’s mystery. How do you plot all of them out? Do you make an initial, detailed outline and stick to it, or were there some elements that sprang up midprocess and made you change your plans?
I began with a rough outline, but as soon as I started writing, everything started to change. That’s how it always goes with me. It would be great to know exactly where I’m headed when I go into a book, but sadly, I don’t get my best ideas until I actually start writing. Something about the creative process drives the creative process.

I’m a huge Old Hollywood fan, and I had a great time trying to draw comparisons between the characters of The Girl Who Knew Too Much and real celebrities. Were there any specific figures or scandals that inspired you?
So many scandals, so little time! Those Hollywood fixers could cover up just about anything, including murder, if the star was worth it. That means the plot potential is unlimited.

What is your favorite thing about your reporter heroine, Irene?
I love to write about characters who are in the process of reinventing themselves. That takes grit and determination. Irene’s got plenty of both. I like that about her. I like it a lot.

Irene and Oliver make a great team, and they’re surrounded by intriguing side characters. Would you ever write a sequel and give them another case?
Amazing that you ask! I’m not doing a sequel, exactly, but I am writing another book set in the Burning Cove world. Readers will definitely meet Irene and Oliver again as well as many of the side characters. I love this new world, and I’m hoping to hang around here for a while.

What books do you find yourself turning to for escapism or comfort after a bad day?
I’m always up for escaping into a good book. On good days or bad I’ll read anything by Christina Dodd or Susan Elizabeth Phillips, and I’m a huge fan of Deanna Raybourn’s new Veronica Speedwell mysteries.

What’s next for you?
I just finished my new novel of contemporary romantic-suspense, Promise Not to Tell. It will be out January 2nd under my Jayne Ann Krentz name. I’m really excited about this one. It’s a sequel to When All the Girls Have Gone. For those who read that book, this is Cabot’s story.

 

ALSO IN BOOKPAGE: Read our review of The Girl Who Knew Too Much.

Author photo copyright Marc von Borstel.

When rookie reporter Irene Glasson stumbles onto the scene of a grisly murder at Oliver Ward's glamorous hotel, the pair find themselves thrown together in a race to catch a vicious killer in our May Top Pick in Romance, The Girl Who Knew Too Much. Irene and Oliver's suspects include Old Hollywood hearthrobs and East Coast hitmen, and Irene is hiding some secrets of her own that could spoil her and Oliver's growing attraction for good. We talked to Jayne Ann Krentz, the best-selling romance author who uses the name Amanda Quick for her historical mysteries, about leaving the Victorian era, plotting out a web of killer twists and more! 

Fans of romantic comedies love a meet cute, and in her young adult debut, Sandhya Menon adds an Indian tradition to this time-tested trope: Her characters’ parents have arranged their marriage.

As When Dimple Met Rishi opens, 18-year-old Dimple Shah has graduated from high school and been accepted to Stanford. She loves iced coffee and coding, but not her mother’s incessant harping about her appearance and future wifehood. She’s thrilled when her parents send her to Insomnia Con, a summer program for budding coders at San Francisco State University. On the first day, Dimple sits on the SFSU campus, eyes closed, sipping iced coffee and feeling hopeful that maybe, just maybe, her parents were “finally beginning to realize she was her own person, with a divergent, more modern belief system.”

But her tranquility is shattered when she hears a friendly male voice say, “Hello, future wife.” A horrified shriek and an iced-coffee-flying-through-the-air later, Rishi Patel is left dripping, and Dimple (fleeing at a dead sprint) is worried she has a stalker.

“There is a magic to true love and finding the perfect person. Even if your parents preordain it—that still helps you find love.”

This doesn’t seem like an auspicious beginning to a beautiful relationship, but—thanks to Menon’s warm, funny characters and a story that sensitively and evenhandedly explores what happens when traditional values and modern ideas collide—readers know better.

At first, though, Dimple doesn’t. She’s spent so many years defending herself against her relentlessly overbearing mother that’s she’s understandably twitchy about dating. Besides, she’s at Insomnia Con to code! Rishi, who’s been accepted to MIT, is there to code, too—but also because his and Dimple’s parents plotted to throw them together and nudge them toward marriage.

“I think arranged marriage is still fairly misunderstood in America,” Menon says from Colorado, where she lives with her husband and two children. “On TV, you usually see really old guys marrying helpless, vulnerable women, but that’s not what it’s like in my family and the families I knew growing up. I wanted to portray arranged marriage as it’s more commonly found in middle-class India.”

Menon grew up in India and came to America at age 15. While her marriage wasn’t arranged, she says, “Pretty much all of my relatives’ were, so it’s pretty normal for me to think about it.”

In Dimple and Rishi’s case, the two have more in common than they realize: Just as Dimple always feels like she’s not good enough for her parents, Rishi feels distant from his own. His dad urges him toward a practical business education, despite Rishi’s love for drawing comics.

However, Rishi is more in tune with his parents when it comes to marriage: He trusts them and believes in the importance of tradition. Of course, because he’s male, he hasn’t experienced a lifetime of being told to wear more makeup and to stop caring about school so he can focus on becoming marriage material.

Menon notes that in Indian culture, especially for daughters, it can be “hard to see past your mother constantly telling you how you should be, how things should be, what you should change. It’s hard to see that as coming from a place of love, or that it’s the only way they know how to communicate [that] they want you to end up in a good place in life.”

For Menon, this divide was a crucial addition to the story. “It’s a very universal experience for anyone with a controlling parent,” she says. “In the end, Dimple’s mom was really proud of her and wanted what was best for her, even if that was communicated in a convoluted way.”

As in any good rom-com, time passes and the two get to know each other, allowing perspectives to shift and defenses to weaken. Dimple realizes that Rishi is a good, talented person who stands up for her when it matters. (It doesn’t hurt that he’s handsome, too.) And Rishi acknowledges that fierce, lovely Dimple has been experiencing arranged-marriage pressure in a very different, demoralizing way—and that perhaps it’s OK to pursue something he’s passionate about.

Menon’s own experience of feeling torn between Indian traditions and American social mores is one of the main reasons why she loved writing this book. “I know what it’s like to grapple with the question, how much Indian am I?”

She explains that it got easier in college. “People came to assume I’d been born here . . . and I started to find my place a bit more. I started writing more and expressing myself through art. It was a really freeing thing for me to do—to feel like there’s this thing I can share with people, and they can accept that, even if they can’t accept every part of me just yet.”

When asked if she’s more like practical Dimple or romantic Rishi, Menon laughs and denies being a romantic. “I love to write [romance] and read it and watch it in Bollywood movies, but in my personal life I’m much more practical,” she says.

“I do think there’s a kind of magic to love. My super-logical brain says it’s all chemistry . . . but there is a magic to true love and finding the perfect person. Even if your parents preordain it—that still helps you find love.”

 

This article was originally published in the June 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Fans of romantic comedies love a meet cute, and in her young adult debut, Sandhya Menon adds an Indian tradition to this time-tested trope: Her characters’ parents have arranged their marriage.

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The first book in Madeline Hunter’s The Decadent Dukes Society series (and our June Top Pick in Romance!), The Most Dangerous Duke in London is the story of a complicated courtship between two stubborn individuals on either side of a family feud. Lady Clara Cheswick, wealthy in her own right, editor and founder of a magazine by women and for women, has every reason to reject any marriage proposal, let alone one from her family’s sworn enemy. For his part Adam Penrose, Duke of Stratton, is confused by his instant attraction to Clara, and torn between pursuing her honorably or using her to avenge his father’s death. Hunter embraces the complexities of Adam and Clara’s feelings, resulting in a nuanced and emotional portrayal of two people coming together against their better judgment. We talked to Hunter about her favorite romantic movie, the best cure for writer’s block and more! 

Describe your latest book in a sentence.
A handsome, brooding duke reconsiders his quest for vengeance when he meets the desirable, headstrong daughter of his enemy.

What is the strangest thing you’ve learned in your research about the Regency period?
With few exceptions people had very little privacy, which is something we take for granted today. If they were not wealthy, they lived in close, cramped quarters together. If they were wealthy, there were servants all around. No wonder going out into nature held such appeal—a person could actually be alone. Also, one wonders how anyone kept any secrets with all those nosey noses right there.

What is your favorite thing about Adam?
His quest for vengeance is based on principle and duty, but he is willing to rethink his motives in the name of love.

If you could have a column in Lady Clara’s magazine, what would you want to write about?
I would write a column that reveals how most women lived hard lives of hard work, so aristocratic women would perhaps soften their views of the lower classes. It would be a series of profiles that are "A Day in the Life of A _____" with various occupations and roles filling in the blank over time. Later historians would love me for doing this.

What is your favorite romantic movie and why?
Moonstruck. I loved how it mixed a contemporary story with strong allusions to both opera, and historical times and behavior. That house is right out of the ’40s, even the stove in the kitchen. The combination gives it a touch of magical realism. I enjoyed how the full moon became a metaphor throughout the film and showed up in various ways, like egg yolks in a frying pan. And I loved the casting, down to the bit players like the beauticians in the salon. I am Italian American, so this movie really resonated with me.

What books do you find yourself reaching for when you need an escape?
I read historical fiction from all periods, and also British mysteries from the Golden Age, like Dorothy Sayers and Ngaio Marsh (although she was born and lived in New Zealand, she also lived in London).

Best cure for writer’s block?
The only cure is the hardest one. Sit down and start typing new material. Anything at all. Your imagination will help you along after that.

Is there an era you would like to set a book in that you haven’t yet?
The Italian Renaissance.

What’s next for you?
I am hard at work on book two of The Decadent Dukes Society. It is the Duke of Langford's story and will be titled A Devil of a Duke.

 

 

ALSO IN BOOKPAGE: Read our review of The Most Dangerous Duke in London.

Author photo by Studio 8.

We talked to Madeline Hunter, author of The Most Dangerous Duke in London, about her favorite romantic movie, the best cure for writer's block and more!
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In the first pages of Sarah MacLean's The Rogue Not Taken, Sophie Talbot shoves Malcolm, the Duke of Haven and the man who cheated on her older sister, into a fish pond. In MacLean's The Day of the Duchess, that same nobleman must face something even more daunting than a very angry sister-in-law. His wife, the infamous Seraphina Talbot, has returned to London with only one goal in mind—divorce. Desperate for chance to make things right, Malcolm proposes a deal every character realizes is a ridiculous delaying tactic. He will grant Seraphina a divorce, but only if she selects a woman to be his new wife.  

We talked to Sarah MacLean about underwater ballrooms, what kinds of grand gestures are effective and the relevance of romance in the current political climate. 

Describe your latest novel in a sentence.
Scandalous celebrity divorce meets the 1830s, with a summer house party and more meddling sisters than anyone should have.

Malcolm and Seraphina made their first appearance in The Rogue Not Taken. How much did you know about their story at that point, and was there any significant change that happened while you were writing this book?
​I knew the first scene of the series would be the setup for the final book before I put pen to paper. The moment I envisioned Sophie (the heroine of the first book) pushing her brother-in-law into a fishpond, I knew the story of her sister and brother-in-law would have to be told, and that it would be the last in the series. The only challenge was letting myself really push the plots in both books—refusing to temper Malcolm's anger and actions in book one, and refusing to erase them in book three. This is the story of people who make devastating mistakes and overcome them. And who among us hasn't had to do that in our own life?

Do you blame Malcolm or Seraphina more for the state of their marriage, or is it impossible for you to pick a side?
Marriages are complicated relationships that rarely fail because of singular actions. While it was certainly Malcolm's action that destroyed the early days of their marriage, Sera isn't exactly without flaw. With this book, I wanted to explore the give and take of marriage. The frustration, the flaw, the forgiveness—it's so easy for us to point at broken marriages around us and say, "If I were her, I would never have. . ." or "If he were my husband, I'd leave him." But things are different when we are at the center of the relationship. I wanted to explore those emotions, and to do that, everyone has to bear a little blame.

You've always been vocal about the political and feminist relevance of the romance genre, and in recent speaking engagements you've discuss the idea of romance as resistance. Tell me more about that concept.
As a romance columnist and advocate, ​I rewrite the speech I give at conferences and events every year, evolving it alongside the ever-changing genre. My 2017 speech is all about Romance as Resistance. I've been thinking a lot about reading as a political act, about pleasure (sexual and otherwise) as a political act and about happily ever after as the best way to resist the pervasive hate rhetoric and othering that is happening in the U.S. and around the globe. After all, how better to speak truth to power than to choose our own happiness? Romance has always been a political genre—centering women (who are rarely centered in other media), honoring the female gaze, valuing female pleasure. Now, we're seeing the genre move toward intersectionality, with more and more books centering characters too often left out of literature: people of color, LGBTQ+ characters, characters with disabilities, etc. When we place these characters at the center of the story, not to die or to suffer, but to live and to triumph, that's the best resistance of all.

Where do you think romance could improve as a genre in terms of representation?
As I said earlier, the last few years have opened the door to many diverse authors: authors of color, queer authors, authors with disabilities and more. These women (and some men) are writing diverse, brilliant romances that center characters and readers who deserve more representation, and deliver delicious happily ever afters. There is immense work to be done, however. Publishers, agents, reviewers and distributors must acknowledge the value of diverse romance (a problem that we suffer from as much as any other segment of publishing). Authors must acknowledge the diverse world around us—both in contemporary romance and in historical (people of color were a significant percentage of working, merchant and servant classes in the Regency, for example)—and we can all do better work when it comes to representation in our books. But most of all, we can do our best to make space for writers who are doing the work of representation well by amplifying their voices and, most importantly, reading and recommending their books.

I was fascinated by the underwater ballroom that makes an appearance in The Day of the Duchess and was absolutely delighted to find out that it is inspired by an actual structure. When did you discover the existence of it, and what was it about Malcolm and Seraphina’s story that made you incorporate it into the book?
​I've known about the ballroom ​at Witley Park for years. I stumbled across reference to it in a long out of print history book that told the story of the eccentric criminal Whittaker Wright, who it seems had more money than sense, building a massive house on a massive estate that was the epitome of modern convenience and construction—including a completely ridiculous underground ballroom. He eventually died a criminal, taking a cyanide pill in a courthouse to get out of what would certainly have been a life-long prison sentence. But once you see pictures of that ballroom, you can't ever unsee them, and I'd been waiting for years to include it in a book. Which meant I needed a reason for such an outrageous thing to exist. . . a labor of love for a lost wife who might never be found seemed like a fitting one.

There are several grand gestures in The Day of the Duchess, and characters are often commenting on whether they are effective or not. What do you think makes a fantastic romantic gesture? Do you have a favorite from pop culture or your own life?
Grand gestures are a favorite trope of romance readers, and when I was writing The Day of the Duchess, I knew Mal would only ever be forgiven if his was an immense one. After all, he's been a villain since page two of The Rogue Not Taken, so how would readers ever forgive him if he didn't prove his regret and his ability to change? In this case, grand gesture: required. Romantic gestures don't have to be big and elaborate, however. They have to be personal. And important. And relevant to two people for a reason. Anyone can fly to Paris for a romantic proposal, but if it's the same, pat proposal that everyone else gets, then it's not really a grand gesture (though, of course, it's lovely). Grand gestures require risk and faith. As for my favorite? I'm pretty partial to this one. My husband packed up and moved from California to New York—without a job or an apartment or anything else—because he believed in us. Sixteen years later, he still gets points for that!

I was really pleased that the suitesses, as you call the women who compete to be Malcolm's new wife, were charming characters in their own right instead one-dimensional antagonists. How did you balance developing them as characters in addition to Malcolm, Seraphina and Seraphina’s sisters?
I never wanted them to be competition for Sera—largely because I knew Mal would never be really interested in winning any of them. But I don't have much patience for unlikeable female caricatures, so they had to be their own people, each with a different reason for allowing themselves to be thrust into a battle for a duke's heart, and each with a happy future of her own. As for Seraphina's sisters, whom most of society judge to be a scandalous pack of feral females, I think four of them were more than enough. . . so the suitesses had to be strong enough to stand up to the sisters, but different enough to temper them.

What’s next for you?
A new series! I'm currently working on the first book in The Bareknuckle Bastard series—which follows three half brothers, two of whom run an underground crime ring in Covent Garden, and one who is the starchiest duke you've ever met. At least, until circumstances require him to show his true colors. I've always loved the dark corners of the 1800s, and I think readers who loved The Rules of Scoundrels series will be very happy with how this is turning out.

 

ALSO IN BOOKPAGE: Read our review of The Day of the Duchess.

We talked to Sarah MacLean about underwater ballrooms, what kinds of grand gestures are effective and the relevance of romance in the current political climate. 

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BookPage IcebreakerThis BookPage Icebreaker is sponsored by Thomas Nelson.


Indiana-based author Colleen Coble is the author of several bestselling Christian romantic suspense series, all set in unforgettable locations. But the Rock Harbor books, which began with her breakout novel, Without a Trace, might be her most beloved work. 

In Beneath Copper Falls, Coble's long-awaited return to the small town in the Upper Peninsula of Michigan, Dana Newell tries to start over after fleeing an abusive relationship. Here, she reunites with series heroine Bree Matthews as Dana tentatively explores a relationship with a new friend, Boone. But there's a murderer on the loose who preys on vulnerable women—romancing them, proposing marriage and then murdering them. When Dana's ex-boyfriend follows her to Rock Harbor and begins threatening to destroy her new life, she and Bree will have to sort through Dana's past and the dangers of the present to unmask the killer.  

Bree has been the heroine in several of the Rock Harbor books—when did you make the decision to split the focus between her and Dana?
I made that flip before in a previous book, Abomination, that’s been re-released as Haven of Swans, and readers loved that. Because I write romantic mysteries, not that you can’t have romance with married characters, but you have to have a problem usually! So I decided to have Dana return to Rock Harbor, looking for help from Bree, and that worked out pretty well, I think. I think readers are going to enjoy Dana’s story, but they’re also going to get to see what’s going on with Bree, Kade and the kids.

Did you find yourself approaching chapters from Dana and Bree’s perspective differently? Was it useful to have two viewpoints?
One of the things I typically do when I’m writing is decide who has the most to lose, because that ups your stakes. I brought Bree in for the scenes where she’s really afraid for Dana, and I felt that really helped the reader realize just how much danger Dana is in. Sometimes it helps to have another perspective, and as Bree’s had some experience with dangerous people, she was able to carry that. And I was able to show their friendship and bring in the search dog angle that my readers love so well.

When did you first visit the Upper Peninsula and what was it that captured your attention and made you set a series there?
My husband and I love to vacation up there, so we knew about it before I wrote the series. When I read a magazine article about search and rescue in Yellowstone, I thought I wanted a wilderness area, but I wanted somewhere that isn’t as well known. Then all of a sudden I thought, “Oh, the UP!” I could have put it anywhere in the UP, but as I was researching I stumbled across the fact that the Keweenaw region was settled by Finns. My best friend in high school was a Finnish foreign exchange student, I’ve been to Finland, we hosted her daughter as a Finnish foreign exchange student—it was like it was meant to be. I was led to a perfect spot!

I always try to make sure that I go wherever I’m setting a series, because you never really know exactly what that culture is like and what it’s like in that area unless you are actually visiting there. So I hit small local cafes and coffee shops and just sit around, listen to people talk and try to immerse myself in that. And the UP is almost like stepping back in time. It’s a very low population and the people are lovely!

“I look around and there’s no justice in the world, but by golly, I can make sure it happens in my books!”

Have you done any of the ice-climbing and other outdoor activities the characters do in the series?
I have done some of that! Not the ice-climbing [laughs]. When I was writing the second book in the Rock Harbor series, Beyond a Doubt, I wanted to experience what a winter was like up there, so we went up in February. It was the coldest winter they had had in 10 or 15 years. It was unbelievably cold! My husband looked at me and said, “Maybe you ought to think about writing a series someplace warm next time” [laughs]. But it is really something up there. It is just an amazing wonderland during the winter.

Did you have to decompress after spending so much time writing from the perspective of a serial killer and a domestic abuser in Beneath Copper Falls? Does it get to you at all?
It doesn’t really get to me because I know they’re going to get their just desserts! People sometimes ask me, “Why do you write this stuff?” and I think it’s because I have a really strong sense of justice. I look around and there’s no justice in the world, but by golly, I can make sure it happens in my books!

Was the Groom Reaper, the serial murderer in Beneath Copper Falls, inspired by any real-life killers?
It really wasn’t. I got to thinking how to tie the hero to the heroine, by having his sister being previously killed. So then I got to thinking, “How would that play out?” I thought it was an intriguing premise, that these women never measure up [for the killer], and so he has to dispose of them and move on the next one. In fact, my critique partner, the romance writer Denise Hunter, came up with the name, which was just perfect!

You’re already balancing mystery and romance in your books. As a Christian writer, how do you mix in your faith while making sure all three elements are balanced?
You know, I have always said that it doesn’t matter who the writer is, you will always pick up their worldview. I could no more write a story that didn’t have a faith element than I could breathe, because that’s who I am. And so it comes out in the story in a very natural way. The thing is, it’s usually not planned. And early on in my career I would think, “OK, I’m going to have this spiritual element.” Well, my characters never obeyed or followed through with what I had planned! They always had their own issues that they were dealing with.

In my books, it’s not a salvation message usually. It’s more people like me, dealing with things I deal with. If I’m dealing with an issue with forgiveness, for example. Maybe there’s somebody I’ve had to come to grips with who doesn’t like me, and I’ve got to go through that. Or loss, or figuring out how I fit in the world. I never want to write a character who comes across as having it all together, because I sure don’t have it all together! In the first book, Without a Trace, Bree is searching for a plane that went down while carrying her husband and her little boy.  She’s dealing with a lot of guilt about what she could have done better, and whether it was her fault because [she and her husband had] had an argument. I deal with guilt sometimes, too, that I didn’t do enough or I don’t do enough. I think we as women deal with that in particular—we feel like we should be able to do it all, and the reality is, no one can.

And yes the romance has to balance in there too, along with the mystery. We did a survey about one or two years ago to see why readers pick up my books. It came out that they really loved the mystery and they loved the emotional relationship stuff going on. So I try to keep that balance. A lot of people who write romance have the hero and heroine hating one another. I’m not that way. My romance is more where they’re having to work together and they have some conflicts because of personalities and who they are, but they’re attracted to one another. I don’t write your traditional romance where you have a black moment and they’re going to break up. That’s just not my thing. I write more of a women’s fiction—relationships and how they can be broken and how they can be fixed.

Are there any books in the Rock Harbor series that you look back on now and see something that was going on your life that made it into the book without you realizing it?
Oh, yes. And that’s another thing that a lot of people have asked, whether I plot my books. And I don’t. I start off with an interesting premise, and I usually do not know who the villain is. I lay down rabbit trails and see where it and the characters take me. The character decides, and I know that sounds crazy [laughs]! “You’re the writer, don’t you know what your characters are going to do?” and by golly, I don’t! I’ll be writing along and those characters will go off in a direction I didn’t even know they knew how to do.

And so those themes that come out in the novel, I usually don’t know what direction they are going in. I start off with an interesting premise, and I see how it plays out in the character’s life. And they tell me the theme and the theme develops. When I reach the end of the novel, I see it, and then I can go back and strengthen that in the editing process.

So how does that work, not knowing who the villain is in the first draft? You must have to go back and fix or omit a lot of things in the subsequent drafts!
Exactly. And I’ve written a couple of books where I plotted it out. I tell you what, it was so not fun! Because I knew what was going to happen. If I knew what was going to happen, then why write the book? I might as well just forget it, because I want to be on a journey too!

There are so many plot elements to put together while writing a mystery. Does not knowing who the killer is in your first draft make the process easier for you? By not having that pressure to make it all fit together?
It does for me. But what I always tell aspiring writers, is that there’s no one right way to write. Everybody comes at a story differently. There are some people who must have it plotted out. They’re paralyzed and they can’t write it otherwise. My process is not like that. Anyone who says, “You must write this way,” turn around and walk away, because they don’t understand writing! We are not all wired the same, we just aren’t.

I found the character of Lori, who is younger and less settled in her life than the other characters, very interesting and sympathetic. You nailed how some people develop in fits and starts. Will we see her take center stage in a Rock Harbor novel eventually?
I do want to have her center stage. I’ve waited a while, because she’s still pretty young and my characters tend to be more in their late 20s. I almost did [write a book about] her this time, but I thought, “No, I’m going to wait one more book.” She’s always been a very interesting character to me. I’ve always loved her even when she was really a brat at the beginning of the series! But she’s progressed further than I even thought she was going to. She’s getting there! I think we all see ourselves in her a lot, because we all mess up.

Do you know what the premise of Lori’s story is going to be yet, or are you going to let it surprise you?
I don’t know yet, but it will definitely involve murder [laughs].

 

Author photo credit Amber Zimmerman, Clik Chick Photography.

Colleen Coble returns to her beloved Rock Harbor series with Beneath Copper Falls. Sponsored by Thomas Nelson.

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Alisha Rai’s Hate to Want You was easily the most sought-after galley at this year’s RT Booklovers Convention. Rai’s reputation for absorbing interpersonal drama coupled with unforgettably hot love scenes (and that stunning cover!) guaranteed intense interest, and the word-of-mouth buzz has been growing for months. Now that her first book with romance giant Avon has finally been released to glowing reviews, we talked to Rai about her biggest Twitter pet peeve, how she wove family issues and mental health into Hate to Want You’s love story and her past as a romance novel-obsessed teenager.

Describe your latest novel in one sentence.
It's grown-up Romeo and Juliet plus mature adult communication minus the sad ending stuff plus secret annual hookups.

I’ve seen a lot of comments online comparing this book to Romeo and Juliet. Did you have that play in mind while writing, or was it only after the book was finished that you saw the similarities?
When I first got the idea for the book, I jotted down "their only love sprang from their only hate," so yes! But ultimately, I think the Romeo and Juliet comparison is only really applicable in that the two main characters have a bit of a family feud to contend with.

I was riveted by how realistically Nicolas and Livvy’s internal issues and traumas complicate the relationship between them, and also their relationships with other characters. How did you develop such emotionally nuanced conflict in Hate to Want You?
I think a lot of developing nuanced characters is being utterly charmed by how messy humans are. People are complex, imperfect, convoluted creatures. Love (any kind of love) is funny, because it's often like working through a grab bag of puzzle pieces from a million different puzzles that don't and shouldn't really go together. Getting those pieces together in a way where the end result makes the characters happier together than without each other is difficult without conflict.

Sometimes that conflict feels like it's insurmountable, but I think maturity and communication can alter perspectives and help ease those puzzle pieces into place. People can fit, even if it seems like their issues might keep them apart.

You’ve loved romance since sneaking a romance novel out of the library when you were a teenager. Do you remember which book it was? What sort of books introduced you to romance?
Yes! It was a Shirley Busbee, though I don't remember the actual book. The cover caught my attention, because I was thirteen, and almost naked people were what I was really into at the time (this was pre-Tumblr).

After that, I read every single romance that the library had in it. Historicals at first, because they were the easiest to identify, but romance is vast, so I quickly graduated to suspense and contemporaries and paranormals and sci-fi. Nothing was safe from me.

What is your biggest Twitter pet peeve?
That the gif function doesn't have every single gif of Jason Momoa as Aquaman yet.

Did Livvy or Nicholas change a lot throughout the writing process? Or were their personalities fairly clear to you from the beginning?
My heroines are almost always very clear to me from the beginning, and Livvy was a smart, sassy, wild-haired artist from the first page.

Nicholas took a lot more work. In fact, in early drafts, I struggled a lot with the opening, and I finally realized it was because it started in Nicholas's point of view. A hero not given to emotional displays of emotion is a difficult place to start a romance. He finally gelled for me, but he was a tough nut to crack.

Both characters come to epiphanies about their relationships with their parents that drastically change their view of them. How did you approach writing the early scenes between Livvy and her mother, and Nicholas and his father? Did you want to imply the emotional truth of those relationships early on, or have readers go on a journey alongside the characters?
Definitely the latter. Relationships with parents are ongoing, never-ending journeys that rarely have perfect tidy endings. Nicholas and Livvy's relationships with all of their family members will continue to evolve past the end of this book (and will be explored in the other books in the series as well).

One of the most moving aspects of this book for me was your insight into Livvy’s mental health and the mindfulness techniques she relies on. Have you found these helpful in your own life? Or did they come from research you did into coping strategies?
A little bit of both. I think there's some coping mechanisms that are pretty widespread because they're almost instinctive. Specific techniques mostly came from research and consultants (@TGStoneButch on Twitter has many invaluable resources on coping with trauma and anxiety, for example).

What’s next for you?
Nicholas and Livvy each have a sibling and I can't leave them hanging! Wrong to Need You will be out in November, and Hurts to Love You will be out in the spring of 2018.

 

ALSO IN BOOKPAGE: Read our review of Hate to Want You.

We talked to Alisha Rai about her biggest Twitter pet peeve, how she wove family issues and mental health into Hate to Want You's love story and her past as a romance novel-obsessed teenager.

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Monica McCarty is something of an expert in alpha males, given that she’s written an entire series starring medieval Scottish warriors. Her latest novel, Going Dark, takes the modern version of that archetype—a veteran Navy SEAL—and pairs him with a brilliant environmental activist. We talked to McCarty about writing a couple on opposite sides of the political spectrum, creating a cover to die for and the never-fading allure of Scotland. 

Describe your latest book in a sentence.
SEAL Team Six meets Rome’s Lost Legion.

This is your first contemporary book—what made you make the switch from historicals? And why contemporary suspense specifically?
I think, like most writers, I want to write the books I love to read. I’ve always read both historical and contemporary romance, and my favorite contemporary subgenre is suspense—especially with sexy military guys. I’m still planning to write more Scottish historical romances, but after completing a long series of 12 books (The Highland Guard), I was looking to do something a little different.

In terms of action and survival scenes, what was the biggest change from writing about a group of Highland soldiers to a group of Navy SEALS?
Not as much as you might think! These type of scenes always take a bit of research whether the technology and weaponry are 21st century or 14th century. It seems as if I’m always trying to figure out what they would have available to use either way.

The main characters in Going Dark disagree politically on a lot of subjects. That's not something I see a lot in literature, especially in romance, even though that is an issue a lot of couples have to deal with. What was your impetus for making that a key element of Dean and Annie’s relationship?
I think it’s not typical because it’s tricky to navigate without being preachy. I tried really hard to avoid that and to present both sides fairly without any kind of authorial slant. I was a lawyer so taking both sides is fun for me—I like to play the devil’s advocate! I also liked the challenge, particularly in today’s politically heated climate. I wanted to take some stereotypes and shake them up a little (bleeding heart liberal activist versus conservative military guy). I think it’s easy to put people in a category and jump to conclusions about how they think—I had fun playing with that. It also certainly provided lots of conflict! 

Who is your favorite couple in classic literature?
I hate to be unimaginative or predictable, but I love Darcy and Lizzie from Pride & Prejudice. A close second would be Farmer Gabriel Oak and Bathsheba from Thomas Hardy’s Far from the Madding Crowd.

What is it about Scotland and the Scottish culture that you think makes romance fans and authors gravitate to it so much?
I think it’s both familiar and accessible to American culture, yet different enough to make it interesting with the clans, tartans, great accents and the rich war-torn history that lends itself to great storytelling. For me, there was also the ancestral connection. My grandmother was Scottish. Some of the coolest emails and posts I received about my Highland Guard books were from descendants of people I wrote about—including Robert the Bruce! There is also a romantic element with the beautiful countryside, windswept moors and castles on rocky bluffs. And then there are those sexy guys in kilts. . . .

Going Dark has such a gorgeous cover, and you’ve said in prerelease materials that you were pretty hands-on in deciding what it would look like. What is the cover art process like for the author, and does your level of involvement change based on the book?
I was absolutely thrilled with how the cover came out. I was a little more involved with this one simply because it was the first book of a series, and we really wanted to get the feel of it right. Once the general look of the first cover is established, it’s usually easier for later books. For Going Dark, we discussed a general look at first, and then Berkley did all the hard work from there. I knew I wanted a guy on the cover, and that it was important that he reflect the guy in the pages. In other words, he had to be a hot, sexy badass! Which isn’t always as easy as it sounds, but the art department at Berkley came through with flying stars in that regard. I was thrilled with the model they picked. It was a rare case where the guy actually looked like the character I pictured. From there, it came down to poses. I loved the action shots because they felt a little different than the typical male-torso covers. But even though I’d seen the initial cover shot, I was amazed when they came back with the final cover. The Berkley cover gods worked some serious magic.

What is your favorite genre outside of romance?
I love nonfiction survival or adventure stories (think Jon Krakauer). I’m a sucker for anything about Mt. Everest, and one of my all-time favorite books is about recovering a lost treasure on a sunken ship (Ship of Gold in the Deep Blue Sea).

What’s next for you?
Right now I’m finishing up the second book in the Lost Platoon series, Off the Grid. It will be out next summer!

 

ALSO IN BOOKPAGE: Read our review of Going Dark.

Author photo by Alex Abercrombie.

Monica McCarty is something of an expert in alpha males, given that she's written an entire series starring medieval Scottish warriors. Her latest novel, Going Dark, takes the modern version of that archetype—a veteran Navy SEAL—and pairs him with a brilliant environmental activist. We talked to McCarty about writing a couple on opposite sides of the political spectrum, creating a cover to die for and the never-fading allure of Scotland. 

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