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Science Fiction & FantasyScience Fiction

Review

Review by bookpagedev

Fred Pohl is one of the grand masters of science fiction and fantasy. His collaborations with Kornbluth in the ’50s, his editorship of the leading science fiction magazines in the ’60s, and his Hugo and Nebula Award-winning Gateway novels in the ’70s and ’80s are ample evidence of his high standing in the genre. With O Pioneer! (Tor, $21.95, 0312861648), Pohl once again demonstrates his special ability to evoke a sense of wonder. Evesham Giyt and his new wife are immigrants on the colony world of Tupelo, which is inhabited by five different alien species. Giyt achieves the dubious distinction of becoming the political mayor of the colony whereupon he discovers a treacherous plot by the humans that can only be stopped through Giyt’s sacrifice. Pohl has scored again with this novel.

Reviewed by Larry Woods.

Fred Pohl is one of the grand masters of science fiction and fantasy. His collaborations with Kornbluth in the '50s, his editorship of the leading science fiction magazines in the '60s, and his Hugo and Nebula Award-winning Gateway novels in the '70s and '80s are…

Science Fiction & FantasyScience Fiction

Review

Review by bookpagedev

If you enjoyed last year’s science fiction blockbuster, Men in Black, you should rush to buy A Hunger in the Soul by Mike Resnick. Medical researcher Dr. Michael Drake disappears in the wilderness of an alien world, and journalist Robert Markham sets out to find him. Markham embarks on the search because the galaxy needs Drake’s knowledge to combat a new plague. Much like Stanley seeking Dr. Livingstone in darkest Africa, Markham is determined to bring Drake back whether he wants to return or not. This is adventure on a galactic scale exotic, alien, and wondrous. As proven through his many previous novels, Mike Resnick can be counted on for high adventure and a satisfying conclusion.

Reviewed by Larry Woods.

If you enjoyed last year's science fiction blockbuster, Men in Black, you should rush to buy A Hunger in the Soul by Mike Resnick. Medical researcher Dr. Michael Drake disappears in the wilderness of an alien world, and journalist Robert Markham sets out to find…

Science Fiction & Fantasy

Review

Review by bookpagedev

King Louis XIV of France seems popular in science fiction these days. He is the subject of both a new movie, The Man in the Iron Mask, starring Leonardo DiCaprio, and Vonda McIntyre’s most recent science fiction novel, The Moon and the Sun. Now J. Gregory Keyes, author of the new classic, The Waterborn, mixes Sir Isaac Newton, King Louis XIV, King George I, and Benjamin Franklin in a philosophical, fantastical search for truth, beauty, power, and fabulous wealth. In Newton’s Cannon, it’s 1681, and scientist and mathematician Sir Isaac Newton has turned his talent to his first love the ancient art of alchemy. Newton achieves the impossible by unleashing Philosopher’s Mercury, a source of matter and a key to manipulating the four elements: Earth, Air, Fire, and Water. King Louis and King George battle for its control, and as English armies march on Paris, King Louis calls for a new weapon, a device known only as Newton’s Cannon. It is a machine whose secrets the beautiful and talented Adrienne de Montchevreuil labors to unlock before it’s too late.

Meanwhile, in Boston, a young apprentice named Benjamin Franklin discovers a deadly enigma. Pursued by his enemies, Ben furtively makes his way to England. Only Newton can save him, but Newton needs saving himself. This scintillating and brilliant new novel confirms Keyes as a rapidly rising star in the science fiction firmament.

Reviewed by Larry Woods.

King Louis XIV of France seems popular in science fiction these days. He is the subject of both a new movie, The Man in the Iron Mask, starring Leonardo DiCaprio, and Vonda McIntyre's most recent science fiction novel, The Moon and the Sun. Now J.…
Science Fiction & Fantasy

Review

Review by bookpagedev

When L.

E. Modesitt’s The Magic of Recluce hit the bookstores in 1991, Gordon R. Dickson praised it as “Fascinating! A big, exciting novel of the battle between good and evil, and the path between.” Now, seven years and seven novels later, I’m tempted to say that Dickson woefully understated the case. Modesitt’s Recluce series set in a parallel earth-like world where magic and technology conspire and conflict in a constant struggle between chaos and order is more than a story about the battle between good and evil. The saga of Recluce is as rich and complex a creation as Tolkien’s Middle-Earth. If you are just tuning in on Modesitt’s work, The White Order (eighth volume in the series, with at least one more, Colors of Chaos, upcoming) may pose a bit of a puzzle to you. Its major storyline seems painfully simple: Young Cerryl, orphaned when white mages from Fairhaven killed his amateur-magician father, discovers that he has inherited his father’s talent. But the powerful White Order of magicians keeps a close watch on those who experiment with the white magic of chaos, and when Cerryl attempts to find out more about his powers, he is apprehended and brought before Sterol, High Wizard of the Guild. Sterol decides that Cerryl deserves training rather than death although as Cerryl learns during the course of his studies, training in white magic may result in death, if the student mage is not careful. Underneath this story of initiation, however, the novel resonates with echoes of an elusive past and foreshadowings of an uncertain future. Cerryl’s education both in magic and in the art of survival offers the first-time visitor a tantalizing, but incomplete, glimpse into a world where much more is happening than appears on the surface.

However, if you are already familiar with Modesitt’s Recluce saga, then The White Order is one more fascinating piece to the jigsaw-time puzzle which Modesitt is painstakingly assembling. Indeed, as those who have read at least as far as The Magic Engineer (volume three) have already encountered, in that flashforward episode in the series, an older, more adept Cerryl is one of the council of White Magicians seeking to destroy Recluce. Up to now, both in flashbacks and flashforwards, the conflict in this parallel world has seemed to be between “good” order and “evil” chaos.

With the present novel’s focus on Cerryl’s training in White Magic, Modesitt changes this emphasis. In doing so, a brilliant new facet appears, best expressed in this passage: “All life composes itself of chaos and order. Yet too many forget that without chaos there is no life. . . . The very light of the sun is white chaos. . . . Within the very sunlight are all the colors of white, the pure chaos from which springs all life. . . . To claim that order is the staff of life. . . is not only false but folly, for the sole perfect order in life is death.” I suspect that the saga of Recluce has many more puzzles to solve not least of which is whether, in Modesitt’s parallel world, chaos and order will survive in a delicate balance or annihilate each other in one final, agonizing confrontation. Reviewed by Robert C. Jones.

When L.

E. Modesitt's The Magic of Recluce hit the bookstores in 1991, Gordon R. Dickson praised it as "Fascinating! A big, exciting novel of the battle between good and evil, and the path between." Now, seven years and seven novels later,…

Science Fiction & FantasyFantasy

Review

Review by bookpagedev

Rome in the Dark Ages: squalid, vulgar, ragged, former glory long gone. It’s a wonderful setting, rich in irony. As one raised in the seaport of Genova, in the shadow of medieval structures city gates, castle walls, ruined watchtowers I was fascinated by the tarnished splendor of a once-great empire and the intrigue within.

Alice Borchardt, Devoted, Beguiled, masterfully places the reader squarely amidst a Rome devastated by invasion, inflation, poverty, decadence, and religio-political squabbling. In this drab, open-sewer city, crass Gundabald and his stupid son Hugo have come to wine and wench away the last of their money. Amidst their decadence, they are to arrange a marriage for Regeane Gundabald’s niece, left in his “care” since the death of her mother. They hope to score big, since Regeane is distantly related to King Charlemagne.

Beautiful but coarse, given her barbarian background, Regeane is naive yet incredibly intuitive. She bears the burden of a supernatural gift that is more often a curse. Like her murdered father, Regeane is a shapeshifter woman by day and wolf by night and therefore also able to benefit from the wolf’s senses and instincts. Afraid of her lupine form, the louts Gundabald and Hugo keep Regeane collared in a cell, beating her into submission over and over. While the wolf can miraculously heal her physical injuries, her psyche is bruised and battered, and she believes herself the freak Gundabald accuses her of being.

On the few, brief occasions Regeane is able to escape the clutches of her hung-over relatives, she finds her freedom on the wooded hills of Campagna, learning about herself under the light of a sympathetic moon. It is during one such excursion that she becomes embroiled in the politics of Rome. Regeane’s subsequent betrothal to Maeniel, a barbarian lord who commands a key mountain pass, is caught up in the heart of the conflict between Pope Hadrian and the Lombards. Pope Hadrian himself sponsors the marriage, while the Lombards want Regeane dead. After a murder attempt made by a Lombard hireling, Regeane is rescued and sheltered and educated in love and sex by Lucilla, Rome’s foremost madam and procurer (whose mysterious connection to the pope becomes important to his enemies). Borchardt only falters when the narrative sags somewhat in the middle and by choosing to present several key scenes offstage. Otherwise, her tale of lycanthropy, papal politics, and romantic encounters blends as well as any of her lovingly cataloged Roman menus. High melodrama indeed, and heady reading. Reviewed by Bill Gagliani.

Rome in the Dark Ages: squalid, vulgar, ragged, former glory long gone. It's a wonderful setting, rich in irony. As one raised in the seaport of Genova, in the shadow of medieval structures city gates, castle walls, ruined watchtowers I was fascinated by the tarnished…

Science Fiction & FantasyScience Fiction

Review

Review by bookpagedev

A distinctly different alternative kind of future is depicted in The Innamorati by Midori Snyder. This fantasy novel establishes an alternative Renaissance movement centered in a fictitious Italian city called Labirinto. Four companions, the innamorati, band together in this land alive with magic and seek the great labyrinth which is at the heart of Labirinto. Their adventures are replete with mystery, comedy, and imagination as they follow their heart’s desire through the Maze. Reviewed by Larry D. Woods.

A distinctly different alternative kind of future is depicted in The Innamorati by Midori Snyder. This fantasy novel establishes an alternative Renaissance movement centered in a fictitious Italian city called Labirinto. Four companions, the innamorati, band together in this land alive with magic and seek…

Science Fiction & FantasyScience Fiction

Review

Review by bookpagedev

A fantasy world is artfully described in Otherland by Tad Williams. This is a near future thriller in virtual reality. Otherland is a multi-dimensional universe built over decades by the most agile and creative cyberspace minds of the 21st century. It is the key to a universe of possibilities for the human race, but it is controlled by The Grail Brotherhood inhibiting a group of outsiders who intervened and now seek to return. To do so, much like Philip Jose Farmer’s World of Tiers novels, they must encounter and survive a series of strange worlds inhabited by exotic creations, alien powers, and carnivorous monsters.

Reviewed by Larry D. Woods.

A fantasy world is artfully described in Otherland by Tad Williams. This is a near future thriller in virtual reality. Otherland is a multi-dimensional universe built over decades by the most agile and creative cyberspace minds of the 21st century. It is the key to…

Science Fiction & FantasyScience Fiction

Review

Review by bookpagedev

Melissa Scott’s The Shape of Their Hearts presents readers with an all too easily imagined future in which the desire for information has become the driving force at all levels of society. Power rests with those who have the ability to access and harness data, regardless of their motivations.

In a world where religious cults abound, it should be no great stretch to imagine an artificial intelligence (AI) as a deity. It is easy to envision an army of believers who accept their deity’s command to convert others to their beliefs by whatever means necessary including violence. In The Shape of Their Hearts, the will of the Deity is interpreted by its priests, and commandments are handed down to the faithful. The Deity and its followers have made the planet Idun (also called Eden) a risky place to leave unguarded, and the Territorial authority responds with a complete blockade to the planet. To complicate matters, there is a programming bug in the Deity that threatens to destroy all computer systems on Eden and anywhere else it can spread. Someone or something must purge the virus from the huge network, and only Anton Tso, blackmarketeer and software genius, has the expertise to repair the damage a task that threatens both Tso and the Deity.

Scott has created an alien world with characters that readers will recognize, and a society that is almost too familiar. The true terror comes with realizing what little separates our world from a world such as Eden. The Shape of Their Hearts is entertaining and chilling. Scott has the talent to bring her imaginings to life with insights into human nature that will surely cause her audience to examine their own lives more closely.

Reviewed by Lisa DuMond.

Melissa Scott's The Shape of Their Hearts presents readers with an all too easily imagined future in which the desire for information has become the driving force at all levels of society. Power rests with those who have the ability to access and harness data,…

Science Fiction & FantasyScience Fiction

Review

Review by bookpagedev

The science fiction genre has long been noted for themes such as exotic exploration and alternative futures. Some of the best writing in the field extrapolates today’s social, economic, and political trends into the near-term future, and examines their impact on the quality of human and alien life. Joe Haldeman in Worlds; Robert Heinlein in The Sixth Column; Arthur C. Clarke in 2001, and certainly Kim Stanley Robinson in his Gold Coast series and Mars trilogy, mastered this school of futuristic fiction. Robinson continues his recent near domination of this sub-genre in Antarctica. In Robinson’s panoramic saga, a radical environmentalist political group plots an “ecotage” their form of sabotage used to protest the corporate pillage of Antarctica as they cut off communications for explorers, scientists, and commercial interests in Antarctica, and as they destroy oil exploration encampments who are attempting to engineer the drilling and export of 50 million barrels of untapped oil. As you might anticipate, these eco-saboteurs have the best of intentions, but in this harsh environment, even organized plans may not be realized and small mistakes produce large and terminal disasters. Their illicit purposes are much like the continent that Robinson writes so eloquently about: “First you fall in love with Antarctica, and then it breaks your heart.” Robinson depicts Antarctica itself so well that it seems almost like an alien world. Intrigued by the fact that Antarctica is the part of earth most like his beloved Mars, Robinson took literary research to new heights in this book with the help of a grant from the National Science Foundation, which afforded him a six weeks adventure in Antarctica.

Reviewed by Larry D. Woods.

The science fiction genre has long been noted for themes such as exotic exploration and alternative futures. Some of the best writing in the field extrapolates today's social, economic, and political trends into the near-term future, and examines their impact on the quality of human…

Science Fiction & FantasyHorror

Two frighteningly good horror novels

Feature by Laura Hubbard

Some horror novels grab you by the throat and pull you through them, rubbing your face in the uncomfortable, terrifying things that lurk in the dark. Other horror novels can feel more sinister, slowly creeping up on you out of the banality of everyday evil. Two new novels explore these facets of fear to great effect, creating worlds that are both fantastical and terribly real. 

Black Tide

Set along Oregon’s foggy coast, Black Tide by KC Jones is the story of two strangers who are thrust together when the world comes to an end. Beth might be a disaster (even her mother says so), but her latest gig housesitting for wealthy vacationers at least keeps her from living in her car. The night before everything changes, she meets Mike, a film producer with no new projects in sight. In the early morning hours after their champagne-soaked one-night stand, they realize that something is terribly wrong. The power is out, cell phone service is down and the beach is littered with bowling ball-size meteorites that smell as if they have been pulled from a landfill in hell. Soon the unlikely pair learn a horrifying truth: Far from being an isolated incident, the meteor shower was the harbinger of an apocalyptic encounter with creatures from another world. Stranded together on an Oregonian beach, Beth and Mike must rely on each other if they are to have any chance of survival. 

Jones’ debut novel reads like a summer blockbuster stuffed with adrenaline-pumping action scenes and moments of heart-stopping suspense. Jones deftly punctuates long, tense scenes of Mike and Beth trying to avoid notice by the alien creatures with short, intense bursts of them fighting for their lives. Moments of relative calm allow for character exploration, bringing readers into Mike’s and Beth’s minds as they work through their feelings of inadequacy and guilt. Jones lets both characters take turns as first-person narrators, demonstrating the difference in how they see themselves (flawed to the point of worthlessness) and how the other person sees them (flawed but essentially good).

For readers used to tome-size horror novels, the length of Black Tide may be surprising. It’s just over 250 pages, but anything longer would have detracted from the frenetic pacing and torn attention away from Jones’ perfectly simple, extremely frightening premise: two people trapped at the end of the world, desperate to not be eaten by monsters. 

★ The Fervor

Alma Katsu’s The Fervor casts a wide net. It starts in 1944 during the waning days of World War II. Meiko Briggs is a Japanese immigrant and wife of a white American man. Even though her husband is serving in the U.S. Air Force, she’s still torn from her new home by the American government and forced to live in an internment camp in the remote reaches of Idaho with her daughter, Aiko. When a mysterious illness starts to move through the camp, rage and distrust rise, threatening the fragile corner of relative normalcy Meiko has tried to create for her daughter. 

Meanwhile, mysterious balloons have begun to appear and then explode across the West, leaving a similar illness in their wake. One of these bombs turns a preacher in Bly, Oregon, into a widower, driving him into the arms of hate movements cropping up across the country. A close encounter with another bomb leads a newspaper reporter to crisscross the region looking for answers, but she finds only closed doors and deep distrust. As the illness intensifies in both the camps and the surrounding towns, the sins of the past collide with the present to create an inescapable web of hatred, fear and desperation.

In light of the rash of anti-Asian violence of the 2020s, Katsu’s historical parable about the horrors—and the virulence—of racism and xenophobia feels particularly pressing. The Fervor gives readers a glimpse into one of the darkest moments of American history, and then gives the already-terrifying ethos of that time a new and frightening shape: As the disease spreads from person to person, it is often accompanied by mysterious, possibly supernatural spiders. The image of near-invisible spiders crawling from one person to another, over eyelids, mouths and bodies, is an indelibly creepy illustration of just how pervasive mistrust and prejudice are. 

The terror only grows from there. From visitations from a ghostly woman in a red kimono to midnight car chases through the prairie, The Fervor delivers a punch that’s equal parts psychological horror and jump scare. It will make you want to read into the wee hours of the morning, even though you may question that decision when the shadows start to move.

KC Jones’ apocalyptic debut and Alma Katsu’s latest eerie novel have one thing in common: They will absolutely terrify you.
Science Fiction & FantasyFantasy

Book of Night

Review by Chris Pickens

When you were growing up, did you play with your shadow? In her wondrous, sinister and engrossing adult debut, Book of Night, young adult fantasy veteran Holly Black presents a decidedly mature perspective on our relationships with our silhouettes. It’s a wildly entertaining, magic-filled mystery haunted by criminals with murky intentions.

Charlie Hall slings drinks at a seedy bar in the Berkshires, but it’s better (well, safer) than her previous profession as a small-time con artist and thief. She’s happy to have some stability after her long involvement in the underground world of gloamists, magicians who can manipulate shadows. In this world, shadows can be altered to look different for entertainment, but they can also be used for more nefarious purposes such as influencing someone’s thoughts or even committing murder. Charlie’s been smart about avoiding trouble, but when a bar patron is murdered and a mysterious millionaire from Charlie’s past returns, she’s forced to revisit her former life in order to find a book filled with unimaginable power.

A consistent atmosphere of dread and foreboding reinforces the core magic system, giving shadow magic a sharp, dangerous edge. Black unspools the mystery patiently and deliberately, interjecting short chapters titled “The Past” that reveal specific moments from Charlie’s memory into the present-day narrative. I couldn’t help but think of film noir while reading, not only because of the dark aesthetic and criminal elements but also because of the incredible weight of each character’s past.

Shadow magic has a multitude of metaphoric implications, and Black keeps a firm hand on the wheel as she explores them. The idea of shadows, indelibly attached to us in our world, being a means for division and deception is intriguing; Think Peter Pan and his ongoing struggle to rein in his own shadow. Though humorous, the idea of losing control of something that is part of us is also uncomfortable. That sense of discomfort and destabilization is even greater in Book of Night as shadows are used in various creative yet frightening ways. An ongoing theme of obfuscation, of truths being hidden or only half-revealed, also contributes to this feeling of unease.

Black’s plot is expertly crafted, her magic system simple yet interesting, her characters wounded and very human (well, most of them anyway). Mystery fans will find a lot to love here, but so will lovers of more traditional fantasy. Book of Night will have you looking over your shoulder, out of the corner of your eye, wondering if your shadow just moved.

Young adult fantasy veteran Holly Black’s adult debut is a sinister and wildly entertaining mystery.
Science Fiction & FantasyFantasy

Review

Review by bookpagedev

With The Great War: American Front, Harry Turtledove continues to fascinate readers with his stories of “alternate history.” From his Worldwar tetralogy (aliens invade the earth during World War II) to The Guns of the South (time travelers equip Robert E. Lee with AK-47s), the “what ifs” of war are played out on the printed page. In his newest series, Turtledove returns to a world where the South won the great conflict, but the result, while enthralling, is not very cheery.

What is “alternate history?” Simply put, it is taking a pivotal point in history and changing the outcome to see what develops. What if Joseph Kennedy, Jr., had not been shot down in WWII? For that matter, what if Glenn Miller had not been shot down? How would that have affected Jack Kennedy? Would he have become president? Or would he have joined Miller’s band? You get the idea. In the case of The Great War: American Front, the world as we know it hinges on a lost set of battle plans wrapped around some cigars during the Civil War. In Turtledove’s world, the plans weren’t lost, and the South won the War Between the States.

In How Few Remain, the first book of this series, a second, bitter war is fought in the 1880s, ending in a standoff, but the real story is how the lives and philosophies of the two countries are forever altered. In The Great War, the uneasy truce comes to a violent end with the assassination of Archduke Franz Ferdinand in Sarajevo in 1914; the first World War begins, but this time it is fought on American soil.

Picture this from Maryland to Utah, Quebec to Oklahoma, Kentucky to Hawaii, Americans are fighting Americans, on the ground, in the air, under the sea, in trenches, in tanks, with aerial bombardments, poison gas, prison camps and firing squads. Needless to say, while deeply engrossing, The Great War is not a pleasant book. Despite a plethora of interesting characters, it’s really hard to root for either side. These good men and women are doing awful things and reducing their country to cinders. That is also the strength and power of this book. Whereas in How Few Remain the main characters are Abe Lincoln, Mark Twain, George Armstrong Custer, and Teddy Roosevelt, famous Americans of history play only a peripheral role in this book.

Ultimately, the true backbone of The Great War are those that look with horror at the war. They are the poor and downtrodden, the huddled masses yearning to breathe free African-Americans, manumitted in both nations, second-class citizens in both and the poor white working class in both the north and south. They are communists.

That’s right, communists. They read works by Marx and Lenin and Lincoln(!). And, as astonishing as it might seem, the “reds” offer the only hope the two countries have the terrible hope of the fire that burns all so that life can begin anew. Whether it will remains to be seen, as Turtledove leaves us hanging at the end of The Great War. I’m sure his next book will be worth the wait.

Reviewed by Jim Webb.

With The Great War: American Front, Harry Turtledove continues to fascinate readers with his stories of "alternate history." From his Worldwar tetralogy (aliens invade the earth during World War II) to The Guns of the South (time travelers equip Robert E. Lee with AK-47s), the…

Science Fiction & FantasyFantasy

Siren Queen

Review by Stephanie Cohen-Perez

In Siren Queen, Nghi Vo presents an alternate history of golden age Hollywood that is at times dreamlike, at times nightmarish.

When Chinese American movie fan Luli Wei stumbles onto a film set as a child and snags a minor role, her career aspirations are forever altered. She decides to plunge headlong into an industry where she is not accepted or celebrated, and must constantly claw her way through adversity to gain even the smallest achievement.

Luli is no stranger to enchantments—her mother weaves intricate household spells from time to time—but her time in Hollywood reveals their darker side. In Vo’s alternate America, movie magic isn’t just makeup, costumes and special effects. Young, vulnerable actors sell their souls, bodies and identities for fame and fortune, and still, the show must go on.

Vo’s spellbinding prose captures the allure and discomfort that Hollywood holds for outspoken, witty Luli. She experiences constant prejudice and possible danger as a queer Asian woman, but the film community also provides her with an opportunity to explore her sexuality in relative, if tenuous, safety. Formidable and talented, Luli is adamant that she will be the Asian actress who breaks the mold to play more than a scorned lover or a servant. At first, she sacrifices parts of herself to achieve this goal, but she eventually reaches the limit of what she is willing to give. The more secrets she learns, the more determined she becomes to overturn the status quo and create a safe haven for other marginalized actors.

Beyond its intricate world building and incisive cultural commentary, Siren Queen is a moving exploration of romance, loss and complex family dynamics. Readers will be fully invested in Luli’s journey as she comes into her own, defies the industry’s attempts to own her and pursues her happiness.

Beyond its intricate world building and incisive cultural commentary, Siren Queen is a moving exploration of romance, loss and complex family dynamics.

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