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Fourteen years has been far too long to wait for another collection of novellas and short stories from Stephen Donaldson, who first came to our attention with his startling and epic anti-hero trilogies about Thomas Covenant the Unbeliever. With Reave the Just and Other Tales, Donaldson proves once again that he is the quintessential fantasist and the true successor and heir to J.

R.

R. Tolkien. In this volume of eight tales, three of which have never before been published, Donaldson seems to be expunging some demons from his personal life (check his comments in the introduction), but does so in a strange and wondrous manner.

As we have come to expect in Donaldson stories, the design and plots are flavored with an Eastern philosophical, mystical bent, usually communicated with liberal amounts of gore, sex, and violence. Though it sounds contradictory, Donaldson, with the wisdom and style of a Zen master, succeeds in dazzling us on both intellectual and gut-wrenching levels, simultaneously.

Donaldson’s writing is particularly outstanding in developing the mythic dimensions of various cultural perceptions and their role in personal morality; this is best demonstrated in the story The Woman Who Loved Pigs. In The Djinn Who Watches over the Accursed, we view the perspective of both the victim whom a mage caught in flagrante delicto and the djinn the mage called down an adventure story that illustrates Ghandian principles of non-violent resistance. In Reave the Just, similar themes dominate as a brutal and sadistic bully encounters the force of an ideal embodied in a national hero, who understands personal honor in a tale of love, magic, lust, greed and deadly sins. This tale is a first cousin to the classic Princess Bride.

Don’t miss this truly outstanding book.

Larry Woods is an avid reader of science fiction.

Fourteen years has been far too long to wait for another collection of novellas and short stories from Stephen Donaldson, who first came to our attention with his startling and epic anti-hero trilogies about Thomas Covenant the Unbeliever. With Reave the Just and Other Tales,…

The success of Amazon Prime Video’s adaptation of the late Robert Jordan’s Wheel of Time series is enticement enough to revisit his epic fantasy novels, which debuted in 1990. But even more exciting is listening to the new audiobook of book one in the series, The Eye of the World (33 hours), narrated by Golden Globe- and Emmy Award-winning British actor Rosamund Pike. Pike stars in the series as Moiraine Damodred, whose quest is to find a hero to defeat the Dark One, and she brings a unique familiarity to the characters and storyline.

Previously recorded by narrators Michael Kramer and Kate Reading for the 2004 audiobook, The Eye of the World benefits from Pike’s smooth voice and dramatic, slower-paced rendering, which extend the length of this edition by almost three hours. She gently invites the listener into Jordan’s richly detailed world before powerfully amplifying the high stakes and tension.

Through her smooth, dramatic performance, award-winning actor Rosamund Pike amplifies the new audiobook of book one in Robert Jordan’s Wheel of Time series.
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In 1968, the World Science Fiction convention validated the New Wave movement then sweeping the genre by giving the Hugo Award for best science fiction or fantasy novel of the year to Roger Zelazny for his book Lord of Light. The book described how Earth migrants to a foreign planet assumed the roles of Hindu gods. Now new author Jan Lars Jensen describes the Hindu gods in all their magical realism as he relates the tale of a quest for revenge and recovery.

In Shiva 3000 Rakesh realizes his parents are up to something and discovers their secret they are arranging his marriage. Rakesh spies on his betrothed and is pleased until she flees and is seduced by the Baboon Warrior, the fiercest hero of India.

Rakesh swears that he will track down and slay the Baboon Warrior, because that is obviously his dharma in life. Unwillingly, he is assisted by Vasant Alamvala, the Chief Engineer for the Royals of Delhi or at least Vasant was chief engineer until he was harassed by Prince Hapi, seduced by the First Wife, and pursued by the Kama Sutrans, who pretty much live the kind of life you would expect from folks who authored the Kama Sutra.

The adventures of Rakesh and Vasant as they suffer through the destruction of the city of Sholapur, avoid the path of the monster-size god Jagannath, and seek the Baboon Warrior will inspire, delight, intrigue, and at times terrify you. There is no question that Shiva 3000 may be the best debut novel of the year, and it should be a strong contender for next year’s Hugo Award. If Roger Zelazny is looking down from writers’ heaven, he should be pleased to have inspired this creative work of fiction.

Larry Woods frequently reviews science fiction for BookPage.

In 1968, the World Science Fiction convention validated the New Wave movement then sweeping the genre by giving the Hugo Award for best science fiction or fantasy novel of the year to Roger Zelazny for his book Lord of Light. The book described how Earth…

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Good Omens (12 hours) is the most fun you’ll have at the apocalypse. Amazon adapted the 1990 novel by Neil Gaiman and Terry Pratchett into a TV series in 2019, and while fans wait for the second season, they’re rewarded with this audiobook update featuring an all-star cast, including the show’s two lead actors. David Tennant reprises his role as Crowley, a demon tasked with overseeing the end times but who is rather enjoying life on Earth. His portrayal comes off as part sardonic badass, part buffoon. Likewise, actor Michael Sheen returns as foppish and erudite Aziraphale, the angel who is happy to help Crowley thwart Armageddon despite their supposed enmity. Both actors have a long list of Shakespearean stage credits to their names, and their performances here are some of the best character work ever recorded on audiobook.

Rebecca Front, known for her BAFTA-winning role in the British comedy series “The Thick of It,” provides the perfect narration to balance the weight of the topic with the silliness of the execution. An ensemble cast rounds out the other characters.

Good Omens would make great listening for a road trip, especially for families with precocious tweens and teenagers.

An updated audiobook with an all-star cast, Good Omens is the most fun you’ll have at the apocalypse.
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George Lucas’s galaxy-spanning vision, Star Wars, has never flagged in popularity since it premiered in 1977. Star Wars video games, tapes, action figures, and books are considered staples of the Christmas season for young and old alike. This Christmas will be no exception, and with the new Star Wars movie due for release in 1999, there are some exciting new offerings available.

DK Publishing, world famous for their illustrated books on everything from aircraft to zoology, has published two Star Wars reference books. Star Wars: The Visual Dictionary ($19.95, 0789434814) and Star Wars: Incredible Cross-Sections ($19.95, 0789434806), both by David West Reynolds, treat the galaxy far, far away as a very real place.

Chronicle Books offers Star Wars Masterpiece Edition: Anakin Skywalker: The Story of Darth Vader ($75, 0811821587) by Stephen J. Sansweet with Daniel Wallace and Josh Ling. This eye-popping package includes a book and a 13 1/2-inch collector figure of Anakin Skywalker in the robes of a Jedi Knight. The book itself is a detailed look at the creation and evolution of one of cinema’s most enigmatic villains.

All three are must-haves for any Star Wars fan.

George Lucas's galaxy-spanning vision, Star Wars, has never flagged in popularity since it premiered in 1977. Star Wars video games, tapes, action figures, and books are considered staples of the Christmas season for young and old alike. This Christmas will be no exception, and with…

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ÊJames Morrow’s latest novel, The Eternal Footman, forms the final part of a trilogy that began in Towing Jehovah and continued in Blameless in Abaddon. The first book dealt with the simultaneous proof of God’s existence and his death. In the second novel, the corpse of God was placed on trial for crimes against humanity. In The Eternal Footman, Morrow examines how humans can exist in a world that has lost its moral and ethical focus, a world in which the future of faith is complex. Morrow’s novel follows two main characters, Gerard Korty, a sculptor originally hired by the Vatican to build a reliquary for God’s remains, and Nora Burkhart, an English teacher who is attempting to find treatment for her ailing son. Although the world through which they travel is an anarchic, post-apocalyptic one, Korty and Burkhart manage to retain both faith and hope.

The humor and satire in The Eternal Footman is toned down compared to the earlier works in the series; Morrow seems to have replaced them with a more philosophical examination of his subject matter. Humor does, however, still have its place in the books, and Korty’s imagined conversations between his sculptures of Desiderius Erasmus and Martin Luther are a high point of the novel, combining the theological with the satirical.

Even those characters who admit to living in the post-theistic world discover that they need to find something to believe in. If they can’t believe in the continuance of a God who has shown humanity His dead body, they will invent their own gods and imbue them with powers needed to serve the humans who created them. These beliefs range from pantheistic religions to a more secular humanist faith in knowledge and learning. With God dead, Morrow is able to turn his attention from the question of the source of evil and instead explore the formation of a human ethical system.

Morrow’s characters manage to reinforce his philosophical musings. Nora and Gerard are complex and flawed humans who are trying their best to live according to their own ethics in a world lacking spiritual guidance. ¦ More of Steven Silver’s reviews can be read on-line at http://www.sfsite. com/~silverag/reviews.html.

ÊJames Morrow's latest novel, The Eternal Footman, forms the final part of a trilogy that began in Towing Jehovah and continued in Blameless in Abaddon. The first book dealt with the simultaneous proof of God's existence and his death. In the second novel, the corpse…

Review by

George Lucas’s galaxy-spanning vision, Star Wars, has never flagged in popularity since it premiered in 1977. Star Wars video games, tapes, action figures, and books are considered staples of the Christmas season for young and old alike. This Christmas will be no exception, and with the new Star Wars movie due for release in 1999, there are some exciting new offerings available.

DK Publishing, world famous for their illustrated books on everything from aircraft to zoology, has published two Star Wars reference books. Star Wars: The Visual Dictionary ($19.95, 0789434814) and Star Wars: Incredible Cross-Sections ($19.95, 0789434806), both by David West Reynolds, treat the galaxy far, far away as a very real place.

Chronicle Books offers Star Wars Masterpiece Edition: Anakin Skywalker: The Story of Darth Vader ($75, 0811821587) by Stephen J. Sansweet with Daniel Wallace and Josh Ling. This eye-popping package includes a book and a 13 1/2-inch collector figure of Anakin Skywalker in the robes of a Jedi Knight. The book itself is a detailed look at the creation and evolution of one of cinema’s most enigmatic villains.

All three are must-haves for any Star Wars fan.

George Lucas's galaxy-spanning vision, Star Wars, has never flagged in popularity since it premiered in 1977. Star Wars video games, tapes, action figures, and books are considered staples of the Christmas season for young and old alike. This Christmas will be no exception, and with…

Review by

A River Enchanted, Rebecca Ross’ adult fiction debut, is an elegant fantasy novel of homecoming and mystery. With its lyrical prose and tight world building, this story is both modern and timeless, drawing from the traditions of genre greats like Steven Lawhead and marrying them to the sensibilities of modern works like Genevieve Gornichec’s The Witch’s Heart and Tana French’s In the Woods.

The novel opens with the prodigal Jack Tamerlaine’s return to Cadence, the isle of his youth, a land where magic and spirits run free and gossip is carried on the wind as easily as smoke. He soon learns that young girls are going missing on Cadence, seemingly plucked from the air by a formless spirit, leaving no trace of them behind. Adaira, heiress to the laird and Jack’s childhood nemesis, has summoned Jack back to the island to help her find out exactly what has happened to the girls—and to get them back before it’s too late. She wants him to sing down the spirits as her mother once did so that Adaira can ask them what matter of mischief is afoot. But as Jack and Adaira delve deeper into the mystery, the spirits begin to suggest that a far darker secret lies behind the loss of the girls.

Already known for her young adult fantasy novels, Ross has created a world both rich and wonderful in Cadence. The island is full of so much magic, so many feuds and stories—enough that capturing them all in one novel, even a nearly 500-page one, seems a difficult task. But somehow Ross succeeds, guiding readers through the intricate warp and weft of the island and its traditions and creating a brilliant tapestry full of mystery and wonder. And while Ross does revel in world building, she doesn’t tell her story at a remove. The four characters that the book centers on—Jack, Adaira, guardsman Torin and healer Sidra—are vibrant and fully realized, keeping the myth-making quality of the book at bay and instead grounding the story in these characters’ heartaches and fears, their desires and attractions. A sublime mix of romance, intrigue and myth, A River Enchanted is a stunning addition to the canon of Celtic-inspired fantasy.

A sublime mix of romance, intrigue and myth, A River Enchanted is a stunning addition to the canon of Celtic-inspired fantasy.
Review by

Max Gladstone spins a story from the perspective of several unreliable narrators in Last Exit. That unreliability is the point in this standalone fantasy, which is intentionally cerebral and difficult to follow. The dynamics of alternate dimensions and conflicting viewpoints are not background to the plot: They are the plot.

Set in modern-day America, Last Exit revolves around alternate dimensions, nicknamed alts. Alts can only be visited with the help of spin: an individual’s understanding of possibility. If someone has a limited belief in what is possible, then they will only see what is currently in front of them. But if you can overcome skepticism and accept various possibilities, you can force possibilities to materialize. A door that should be locked just happens to be unlocked.

Zelda, Ish, Ramon, Sarah and Sal were once a dimension-hopping fellowship, fighting a mysterious rot that corroded worlds. The group imploded after the loss of Sal, and Last Exit begins as Zelda, convinced that Sal isn’t lost forever, tries to get everyone back together to save Sal and defeat the rot once and for all. The realistic rifts between characters, conveyed via broody monologuing from each unique perspective, allow readers to compare each person’s opinions, providing a rich depth of relationships for readers to explore despite the relatively limited core cast. Last Exit has a relentlessly oppressive atmosphere, with the rot barely giving Zelda and her companions room to recover, but the compelling protagonists keep things engaging.

Gladstone avoids in-depth detail, leaving the reader to conceptualize a scene by leaning on their imagination (their spin, you might say) to flesh out the details. For example, Gladstone uses the phrase “cracked the sky” with no description of the crack’s appearance or its effect on the rest of the skyline. He then reuses the phrase multiple times, challenging the reader to recall their own mental imagery. As a result, Last Exit is a book enriched through sharing; it’s easy to see a book club discussing their varied interpretations of this phrase.

The beginning of Last Exit feels like the start of an archeologist’s excavation: new clues are popping up in unexpected places and nothing makes sense. But that process of discovery and excavation is where Gladstone’s novel shines, as each chapter revises and adjusts the reader’s understanding. By the end of the book, their individual vision of Gladstone’s world reaches something like clarity, enough for the intrepid archeologist to piece together most of the picture. While not a light undertaking, Last Exit is a satisfying read for those with a lot of imagination—and a little spin.

While not a light undertaking, Last Exit is a satisfying fantasy read for those with a lot of imagination.
Review by

In Manhunt, author Gretchen Felker-Martin highlights the people that gender-based dystopias (think Patrick Ness’ The Knife of Never Letting Go or Naomi Alderman’s The Power) generally gloss over. When a new plague washes over the globe, it specifically targets those with high levels of testosterone, turning them into uncontrollable creatures who only live for sexual violence and murder.

Fran and Beth are trans women who’ve been surviving by mutilating these creatures and eating their organs, which are valuable sources of estrogen that keep the deadly testosterone at bay. This way of life is risky business, and if not for Robbie, a trans man who Beth quips is “the last man on earth,” they would have met certain death at the hands of a ravaging pack of feral men. Together, the three of them find a sanctuary from the apocalypse that looks a little too good to be true: an underground bunker ruled by an eccentric billionaire with ulterior motives. If only a militant and well-armed group of TERFs (trans-exclusionary radical feminists) would stop trying to gun them—and everyone else who doesn’t fit into a biologically essentialist narrative—down.

Felker-Martin’s prose thrives in this world of intense bodily preoccupation. She describes everything from the DIY removal of a character’s broken tooth to an enthusiastic sex scene with a character on their period. Consider this description of the feral creatures at the book’s center: “Seams of [raw flesh] glistened like meaty lava flows between the shifting tectonic plates of their hides.” Felker-Martin revels in both the disturbing and the erotic, crafting a picture of a dangerous world where one’s own body can either kill you at any moment or give you intense catharsis in the midst of a crumbling society. Manhunt explicitly depicts harrowing scenes of rape and bodily harm, but it is also at times incredibly tender, as in this line where Robbie contemplates the fate of other trans men in this dystopia: “They were out there, making their own manhood in the wreckage of the world.”

Original and unabashed, Manhunt is unafraid to be messy as it cultivates a flawed and intriguing cast of characters, centering voices that have been previously unheard in dystopian fiction.

Original and unabashed, Manhunt is unafraid to be messy as it highlights the people that gender-based dystopias generally gloss over.
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Every 10 years, the secretive Alexandrian Society, inheritors of the lost knowledge from its namesake library, recruits six of the most powerful young magic users, or medeians, to join their ranks. The half-dozen potential initiates are brought to the Society’s headquarters, where they study and learn from the greatest compendium of magical knowledge that has ever existed. This year, Caretaker Atlas Blakely has selected a sextet of particularly ambitious young medeians: three physical mediums, who specialize in manipulating external forces and energies for purposes as varied as deflecting bullets and obtaining midnight snacks; and three nascent masters of the mental, emotional and perceptual magics of reading minds and concealing acne. But these newest residents are confronted with even darker secrets than the arcane knowledge they all covet, for they are the linchpins in a conspiracy that could either save the world or utterly destroy it.

For a book with such a melodramatic premise (think “Big Brother,” but half the cast can read their companions’ minds and the other half can conjure actual black holes), Olivie Blake’s The Atlas Six is curiously matter-of-fact, dispensing with on-page relationship drama and coasting through tense fight scenes with brevity. Likewise, instead of providing flowing backstory, Blake communicates personalities through lighthearted conversations and depicts the world outside the Library’s magically warded walls entirely through the scars it left on her protagonists. The Atlas Six is stingy with its exposition, with the lengthiest passages being debates between characters on topics such as the nature of time and the conservation of magical energy. But in Blake’s hands, these tracts are engaging and often very, very funny. This duality—an extremely pulpy plot married with smart and nimble writing—is the core of The Atlas Six’s appeal.

This macabre romp of a magical reality show nevertheless revolves around one weighty question: Is there knowledge that should not be shared? Blake draws heavily on the structures and practices of academia, which in our world is in the midst of a push for greater transparency and democratization of knowledge. Analyzing the costs and benefits of advanced technology or abilities has been central to speculative fiction since its inception. That Blake is using academia as a vehicle for it, adding her agile and cutting voice to the likes of Neal Stephenson and Cixin Liu, feels particularly relevant to the present moment. And if she happens to suggest some legitimately wholesome uses for small wormholes along the way, all the better.

Olivie Blake marries an extremely pulpy plot with smart and nimble writing in her debut fantasy, The Atlas Six.
Review by

When writing a novel set in our own world, authors can use shorthand to set the scene. Big Ben, San Marco, or the Arc d’Triomphe all conjure images regarding the architecture, food, language, and attitude of a place. Science fiction authors, however, must spend more time creating their setting and shaping their worlds. Author and editor Robert Silverberg has invited ten other science fiction authors to write new stories in some of the worlds they have already created. The result is Far Horizons, an anthology of 11 new stories set in some of the most popular science fictional worlds of the past 30 years. In addition to providing new readers with an introduction to these fictitious worlds and longtime readers a return ticket to their favorite universes, Far Horizons demonstrates the breadth of the science fiction genre.

More than just rocket ships and aliens, science fiction includes the soft sciences, as ably demonstrated by Ursula K. Le Guin’s story, Old Music and the Slave Woman, which tackles the issues of slavery and rebellion in very human terms. Orson Scott Card’s Investment Counselor leaves even the softer sciences behind as he sets up the relationship between his hero, Ender Wiggin, and Jane, the artificial intelligence which plays such a large role in the later books of his Ender saga.

Rocket ships and aliens, however, aren’t left behind. David Brin’s Uplift universe has always been filled with exotic creatures, and Temptation, his contribution, continues this tradition, telling his story through the eyes of enhanced dolphins. Brin’s colleague, Gregory Benford, looks at even stranger aliens in A Hunger for the Infinite. Benford’s aliens are mechanical creatures intent on destroying all biological-based life in the galaxy. More altruistic aliens and their spaceships may be found in Frederik Pohl’s The Boy Who Would Live Forever, a novella set among his Heechee novels. In this story, Pohl shows the boredom aboard a starship, as well as introduces creatures with almost godlike powers.

These stories, and the other six tales, provide an overview of what science fiction has become in the 1990s. While all of the authors have moved beyond the space operatic roots which spawned the genre, those roots can still be seen in several of the stories.

Steven Silver is a freelance book reviewer in Northbrook, Illinois.

When writing a novel set in our own world, authors can use shorthand to set the scene. Big Ben, San Marco, or the Arc d'Triomphe all conjure images regarding the architecture, food, language, and attitude of a place. Science fiction authors, however, must spend more…

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Lord Acton first noted that power tends to corrupt, and absolute power corrupts absolutely. Brenda Clough takes a much more optimistic view of human nature in her novel The Doors of Death and Life. Her heroes, Rob Lewis and Edwin Barbarossa, hold powers unequaled in human history. Lewis can sense the emotions and thoughts of others, while Barbarossa has the gift of immortality. Despite these awesome powers, the men have chosen to live in anonymity until an accident reveals Barbarossa’s immortality.

Even after their powers come to light and put them in peril, Lewis is concerned about using his extra-sensory ability for fear that it will set him apart from the human race. Lewis eventually comes up against a man who lacks his powers, but has very specific ideas about how such powers should be used; the demarcation between human and superhuman becomes quite important, and Clough resolves the issue in a surprising and satisfying manner.

Clough’s characters are fully realized, despite their comic book superpowers. Lewis’s 14-year marriage must face the strains of his wife’s discovery that he has strange powers. Barbarossa’s more recent marriage has the strain of separation, in addition to the knowledge that he will long out-live his wife. Clough deals with these, and other domestic issues, in a serious and introspective manner.

All of Clough’s characters have faults, but theirs are the faults of normal men and women rather than the hubris of the exceptionally gifted. Aside from their amazing powers, Lewis and Barbarossa could easily be next-door neighbors whose lives hit the usual occasional difficulty. This allows the reader to relate to them and come to care about their rather unique problems.

The Doors of Death and Life demonstrates that good science fiction can be philosophical while still providing moments of drama. The characters deal equally with life and death situations and moral dilemmas. Anyone who thinks that science fiction only refers to that Buck Rogers stuff would be pleasantly surprised to discover Brenda Clough’s writing. ¦ Steven Silver is a freelance writer from Northbrook, Illinois, who will appear June 13 as contestant on Jeopardy!

Lord Acton first noted that power tends to corrupt, and absolute power corrupts absolutely. Brenda Clough takes a much more optimistic view of human nature in her novel The Doors of Death and Life. Her heroes, Rob Lewis and Edwin Barbarossa, hold powers unequaled in…

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