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At first glance, it would be easy to write off The Tethered Mage as another coming-of-age novel with an interesting magic system. To do so would mean missing a breathtaking book. Equal parts fantasy and political intrigue, The Tethered Mage pulls readers relentlessly through labyrinthine turns of conspiracy, adventure and romance.

The Raverran Empire’s complete control over magic users has allowed it to expand through threat of violence. Warlocks, referred to as Falcons, are controlled by conscription into the Raverran army at a young age. Falconers have complete control over when Falcons can use their powers, which are only unleashed for the good of the Empire. But the balance of power within Raverra is a tenuous one. When Amalia Cornaro, heir to one of the most powerful houses in the realm, captures a powerful fire warlock who threatens to burn the city of Raverra, she endangers that balance. Amalia is pulled into the life of a Falconer, a role previously forbidden to her because of her noble blood. Her Falcon, the street-hardened Zaira, has avoided conscription long enough to recognize that “the good of the Empire” and her own interests do not necessarily overlap. As Zaira and Amalia come to terms with their new relationship, they are pulled into a conspiracy that puts the Empire—and everyone they love—in danger.

While most of her characters are young adults, Caruso avoids some of the pitfalls of writing about that age group. Her characters are nuanced and thoughtful, driven by duty to country and family. That isn’t to say that Caruso neglects relationships within her novel. Rather, she doesn’t limit herself to romance or allow it to absorb Amalia or Zaira, and it’s refreshing to have those entanglements take a back seat in service of the plot. Instead, Caruso’s characters’ nonromantic relationships drive the action, pulling each away from duty and forcing them to make difficult decisions.

Although the political machinations surrounding the young women are complex, the story never drags. Instead, it sends the reader digging into each sentence to find the key that will make the conspiracy surrounding Amalia and Zaira’s adventure fall into place. This first entry into the Swords and Fire trilogy is worth every moment and every page, and it should make anyone paying attention excited about what Caruso will write next.

At first glance, it would be easy to write off The Tethered Mage as another coming-of-age novel with an interesting magic system. To do so would mean missing a breathtaking book. Equal parts fantasy and political intrigue, The Tethered Mage pulls readers relentlessly through labyrinthine turns of conspiracy, adventure and romance.

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Years ago, when society was overrun by bands of anarchists and supervillains, the Renegades—a group of prodigies with superhuman abilities—emerged to reclaim peace and justice. But by then, their broken promises had cost Nova her family, and she’s spent her entire life training to exact revenge. But when Nova gets to know her enemies (in particular, Adrian, a Renegade boy her own age), she begins to suspect that justice isn’t as black and white as it once seemed.

Marissa Meyer, bestselling author of the fairy tale-inspired Lunar Chronicles series, is sure to please both her die-hard fans and newcomers alike with Renegades. Borrowing heavily from established superhero lore, Meyer has created a society that is utterly reliant on the Renegades to keep them safe from harm—of the everyday and prodigious varieties. Though some of her supporting characters feel a bit derivative, Meyer has done a remarkable job flipping the hero-versus-villain trope on its head and blurring the lines between good and evil. Nova and Adrian should be mortal enemies, but through their seamlessly alternating points of view, Meyer lets readers watch as they form an unlikely friendship and begin to question everything they’ve grown up believing.

The twists and turns in this supercharged story will keep readers on their toes as they try to untangle the complex lines between hero and villain, friend and foe, right and wrong.

 

This article was originally published in the November 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Marissa Meyer, bestselling author of the fairy tale-inspired Lunar Chronicles series, is sure to please both her die-hard fans and newcomers alike with Renegades.

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Tchaikovsky’s famous ­Nutcracker ballet, heart of the holidays for audiences worldwide, has its roots in “The Nutcracker and the Mouse King” by E.T.A. Hoffmann, a German writer in the early 1800s whose characters often move between real and fantasy worlds. Hoffmann’s tale of a nutcracker presented to a young girl on Christmas Eve has been sweetened in retellings through the years (most notably by Alexandre Dumas), yet not one of the renditions of sugar plum fairies and battling mice has explained the origin of the titular Nutcracker . . . until now.

Gregory Maguire unlocks the secrets of the Nutcracker in an enchanting origin story.

Bestselling author Gregory Maguire drops readers behind the scenes of common childhood stories in such novels as Wicked, Mirror Mirror and After Alice, and in Hiddensee: A Tale of the Once and Future Nutcracker, Maguire sweeps his readers deep into the forests of 19th-century Germany while linking his story to mythology and folklore. Paying homage to Hoffmann’s original tale, Maguire keeps us enchanted with the life of Drosselmeier, called Dirk, a boy of desperate beginnings who will later become a toymaker and the godfather to Klara (the girl who will receive the Nutcracker) and whose interactions with the natural world make us long for the innocence and imagination of our own childhoods.

Dirk, raised in the forest as a foundling, leaves his miserable upbringing after a harrowing life-after-death experience, the catalyst for his connection to another dimension. His wide-eyed innocence serves him well as he traverses the bridge to manhood and the real world, yet in his heart he knows there is more in the trees and streams and animals than what he encounters. He just has so few people with whom he can share his secrets.

For those who are willing to hear and believe, Maguire unlocks the toymaker’s secrets—without sugar plum fairies but with plenty of mesmerizing mysteries and the magic of childhood.

 

This article was originally published in the November 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

For those who are willing to hear and believe, Maguire unlocks the toymaker’s secrets—without sugar plum fairies but with plenty of mesmerizing mysteries and the magic of childhood.

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Can two young adults maintain their own ideals amid a swirl of politics and age-old family feuds?

In 18th-century Cairo, Nahri is on the verge of saving enough to study real medicine, but for now she ekes out an existence as a con artist, healing with powers she doesn’t quite understand nor can she control. When an exorcism goes awry, she accidentally summons a djinn warrior. The djinn, Dara, introduces Nahri to a world she never thought existed, and the two begin an adventure that will lead them to the mythical city of Daevabad, where Nahri will be well-received—but Dara may not be. While Nahri and Dara fight ifrit (ghouls) and other enemies on their way, Daevabad is on the verge of crisis. Within the city, Prince Ali funds a fundamentalist djinn faction without his father’s approval. These two strands converge when Nahri enters the city and Ali’s royal family and their enemies attempt to use Nahri’s miraculous arrival to their advantage.

With this rich and layered novel, S.A. Chakraborty builds a fantasy world as intricate and intriguing as its Middle Eastern setting. Following the various subplots is like pondering vibrant Arabic design; readers will lose themselves in the wonder and complexity. A helpful glossary in the back of the book defines djinn terms and helps readers keep track of six djinn kingdoms that were divided and set at odds by a long-ago ruler.

Chakraborty ends the novel without a simple resolution, which will no doubt lead deftly into the next book in this planned trilogy about a marvelous civilization built on strategy and tenuous allegiances, at the helm of which stand courageous and cunning heroines such as Nahri and brilliant, fierce heroes like Dara and Ali.

 

This article was originally published in the November 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

With this rich and layered novel, S.A. Chakraborty builds a fantasy world as intricate and intriguing as its Middle Eastern setting. Following the various subplots is like pondering vibrant Arabic design; readers will lose themselves in the wonder and complexity.

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Farway Gaius McCarthy is on the verge of becoming a Recorder like his mother—a time traveler who records history in digital data streams—when something goes wrong. His final simulated test is sabotaged, and he’s expelled from the Academy. Becoming a time traveler means even more to Far since his mother, Empra McCarthy, and her mission team disappeared years ago: He’s determined to find Empra somewhere in time. So when the opportunity arises to time travel outside of the law, smuggling historic objects for a wealthy dealer, Far doesn’t think twice.

A year later, Far and his team have pulled off multiple heists in their time machine, the Invictus. But on their latest mission to retrieve an invaluable book that sank with the Titanic, they’re waylaid by a girl who already has the book, and she's demanding a place on the squad. Far immediately recognizes her as Eliot—the saboteur from his simulated test—but he’s forced to agree to her terms. With the mysterious and determined Eliot on board, Far and his crew are pulled into a literal race against time that could change—or even erase—their past, present and future.

Invictus is a meld of historical fiction, sci-fi and heist story rolled into one thrilling tale. Graudin (The Walled City) brings readers into the heads of all five members of the Invictus’ crew, revealing sweetness and insecurity in the face of epic events. While the novel at first appears to be the story of one exceptional boy, much of the action is carried out by the female crew: Imogen, Eliot and Priya. Perfect for teen readers eagerly awaiting the next season of “Doctor Who,” Invictus is a head-scratching, fast-paced adventure with surprising emotional heft.

Farway Gaius McCarthy is on the verge of becoming a Recorder like his mother—a time traveler who records history in digital data streams—when something goes wrong. His final simulated test is sabotaged, and he’s expelled from the Academy. Becoming a time traveler means even more to Far since his mother, Empra McCarthy, and her mission team disappeared years ago: He’s determined to find Empra somewhere in time. So when the opportunity arises to time travel outside of the law, smuggling historic objects for a wealthy dealer, Far doesn’t think twice.
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One moment in Quillifer, Walter Jon Williams’ lavish fantasy novel, stands apart from the grand opulence, banquet hall intrigue and humming action that sweep the reader along in the rest of the book. Fresh out of jail and caked in blood, the narrator and namesake of the book surveys his apartment. It’s full of trinkets, trophies, keepsakes and memories of a young life lived to the extreme thanks to a wild sense of ambition that’s taken him clear across the world. But instead of glory, he sees meaningless things, cluttering a life he fears has barely been lived at all. It’s these imperfections in Quillifer that make him so fun to follow.

The first book in a planned series, Quillifer overflows with richness and enchantment. There’s a lot to build on for future books, but it’s Quillifer himself that’s the star of the show. In a genre dominated by ensemble casts like that of George R. R. Martin's A Song of Ice and Fire, it’s refreshing to rely on just one voice.

When we first join Quillifer, he’s using every bit of his good looks, innate charm and abundant self-regard to strut and preen through his well-appointed life as a lawyer in Ethelbight, an ocean port in the country of Duisland. When sea raiders sack the town and kill his family, Quillifer’s life is upended as he finds himself riding to the capital of Selford to ask the monarch for help (and build a career for himself).

Williams, known for a long catalogue of Nebula Award-nominated science fiction, dives headlong into epic fantasy with high-spirited gusto. He renders each scene of court life in Selford with ever-increasing visual detail, giving each castle and royal courtier their own decadently fashioned identity. The colorful friends and enemies Quillifer meets along his way enter and leave his life like guests at a party rather than tools in a save-the-world quest. And at the center of it all is Williams' wonderful protagonist—a flawed man, learning to live with his faults in a world destined to reinforce them.

The first book in a planned series, Quillifer overflows with richness and enchantment. There’s a lot to build on for future books, but it’s Quillifer himself that’s the star of the show. In a genre dominated by ensemble casts like that of George R. R. Martin's A Song of Ice and Fire, it’s refreshing to rely on just one voice.

A scion of a political dynasty, Ingray will do anything to gain her mother’s favor, best her unscrupulous brother and secure the inheritance that only of them can receive. In a desperate move, she invests everything she has in a shady plan to secure and revive a convict from stasis, in the hope that they have access to venerated cultural documents called vestiges. If successful, her discovery could take down her family’s greatest rival. But the moment her prisoner awakens, they claim a different identity. Left with no clear allies, depleted resources and saddled with crippling self-doubt, Ingray’s bold strategy to become her mother’s heir unravels as her actions inadvertently pluck apart the threads barely binding a fragile peace between civilizations.

Returning to the universe of her bestselling Imperial Radch trilogy, Ann Leckie shifts her storytelling vista from a galactic scale to an individual’s journey to find their place on the grand stage. Leckie’s use of alternative pronouns for gender (“e”, in addition to “he” and “she”) creates an honest space for characters to reveal who they are, unburdened by preconceptions of identity. Leckie’s rendering of Ingray is especially compelling—riddled with misjudgments and tearful vulnerability, she nevertheless embarks on criminal actions, sparking an planetary crisis in the process.

Provenance is defined as “the history of the ownership of an object, especially when documented or authenticated.” From Ingray’s mission to prove herself worthy of the family birthright, to the questionable documents and vestiges that her entire culture is built upon, the search for individual authenticity and societal validation is at the heart of this novel. In this gripping new tale from the Imperial Radch worlds, Leckie’s Provenance perfectly combines the mercurial foundations of planetary politics with the personal journey of a woman navigating familial conflict as she creates a distinct provenance that gives her sole ownership of her path forward.

Returning to the universe of her bestselling Imperial Radch trilogy, Ann Leckie shifts her storytelling vista from a galactic scale to an individual's journey to find their place on the grand stage.

Maggie Stiefvater returns with her matchless style in a standalone novel set in the Colorado Desert in 1962. Bicho Raro is a mystical ranch where the Soria family has resided for generations, performing miracles for pilgrims who seek help in banishing their darkness. At the center are three cousins—Beatriz, Joaquin and Daniel. When Daniel, the eldest cousin and saint, breaks the cardinal rule (you can help the pilgrims once, but not twice), he runs off into the desert to await his dismal fate. But generations of curses and darkness will not keep the Soria cousins from saving one of their own.

While reminiscent of Isabel Allende’s The House of the Spirits, a classic of magical realism, there are elements of storytelling here that feel unique to Stiefvater: unusual metaphors, sharp prose, unexpected humor and a deft ability to mesh the eerie and fanciful into one seamless description. Thoughtfully paced with intriguing characters, ill-fated romance and complicated family relationships, All the Crooked Saints will satiate fans who are always eager for new Stiefvater work, while bringing new ones into the fold.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the October 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Thoughtfully paced with intriguing characters, ill-fated romance and complicated family relationships, All the Crooked Saints will satiate fans who are always eager for new Stiefvater work, while bringing new ones into the fold.

When H.G. Wells published The War of the Worlds in 1897, the story of a Martian invasion lodged in the cultural imagination as a possible chronicle of catastrophic things to come. Sci-fi master Stephen Baxter faces a formidable challenge in writing an authorized sequel: How might he turn the original readership’s plausible belief in a war between sister planets into a necessary suspension of disbelief for 2017 readers?

As author of collaborative multinovel epics with Terry Pratchett and Arthur C. Clarke, Baxter has the credentials for the task. The thrill of reading The Massacre of Mankind arises from the monumental scope and wild literary conceit of Baxter’s continuation of the story. I would blasphemously suggest an analogy between Scripture (Wells) and Talmud (Baxter): For every scene, every character, every theme in Wells’ account, Baxter provides copious commentary, filling in Wells’ narrative gaps, inventing an entire alternative history for Europe and the world at large, proposing what must have happened after the trauma of a first interplanetary invasion and during the onslaught of a second. (Spoiler alert! In Baxter’s sequel, there’s no World War I, but there remains an uncanny shadow effect of that indelible disaster.) It’s a family affair, too: The ingenious narrator is the sister-in-law of Wells’ original narrator, Walter Jenkins. The feminist edge is delightful and profound. Julie Elphinstone not only tells a broader tale than the hapless and unreliable Jenkins; she actually helps save the world.

There was another reason why Wells’ original story hit a nerve. The tale of a superior technological power (Mars) overwhelming a more primitive civilization (Earth) was a barely disguised allegory for the depredations of the British Empire. The essential truth of The War of the Worlds is that it is not only a possible history; it is the inevitable, tragic fate of all civilizations. Baxter hits the same nerve, and then some.

When H.G. Wells published The War of the Worlds in 1897, the story of a Martian invasion lodged in the cultural imagination as a possible chronicle of catastrophic things to come. Sci-fi master Stephen Baxter faces a formidable challenge in writing an authorized sequel: How might he turn the original readership’s plausible belief in a war between sister planets into a necessary suspension of disbelief for 2017 readers?

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Ever since Lynet’s mother, the last queen, hanged herself, the kingdom of Whitespring has been covered year-round in snow. Teenage Lynet, next in line for the throne, has never been cold; her Southern stepmother, Mina, has never felt warm. Lynet and Mina have always cared for each other, but when Lynet befriends Whitespring’s new surgeon, Nadia, secrets are revealed and relationships begin to unravel. Why does Lynet look exactly like her dead mother? Why does Mina believe no one can truly love her? What is this connection that Lynet and Nadia seem to share? At first, King Nicholas and Mina’s magician father make all the decisions. But the female characters triumph, not by playing by the male characters’ rules but by rewriting them.

This is “Snow White” as it’s never been told before. Fans of “Game of Thrones” will relish the loyalties and betrayals, but author Melissa Bashardoust sidesteps most of the violence that characterizes George R.R. Martin’s work. With elements of the medieval legend of the golem, echoes of the movie Frozen and plenty of magic, Girls Made of Snow and Glass is a feminist fantasy not to be missed.

 

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

This is “Snow White” as it’s never been told before. Fans of “Game of Thrones” will relish the loyalties and betrayals, but author Melissa Bashardoust sidesteps most of the violence that characterizes George R.R. Martin’s work. With elements of the medieval legend of the golem, echoes of the movie Frozen and plenty of magic, Girls Made of Snow and Glass is a feminist fantasy not to be missed.

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Things are not going well for Emika Chen. A bounty hunter in an obsessively digital world, Emika is days away from being evicted from her run-down apartment with no hope of making enough money. Desperate, she decides to hack into Warcross, the immersive virtual reality game that has overtaken the world. Emika’s hack works, to a point. Unfortunately, during the heist, she also glitches into the International Warcross Championship in front of billions of viewers. Emika is convinced she’s going to spend the rest of her life in jail, but then she receives a call from the mysterious (and ridiculously wealthy) creator of Warcross, Hideo Tanaka. He offers Emika a chance to erase her debts and snag the biggest bounty of her life by chasing down a security threat to Warcross. But what Emika uncovers goes beyond the security of an online game.

Taking obvious cues from Ernest Cline’s Ready Player One and postmodern tech thrillers, Marie Lu presents an exciting, immersive world with interesting and developed characters the reader will care about. While definitely a can’t-miss for fans of Lu’s Young Elites series, Warcross offers something for readers across all genres.

 

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Taking obvious cues from Ernest Cline’s Ready Player One and postmodern tech thrillers, Marie Lu presents an exciting, immersive world with interesting and developed characters the reader will care about. While definitely a can’t-miss for fans of Lu’s Young Elites series, Warcross offers something for readers across all genres.

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The eternal beauty of science fiction is this: It takes readers to sometime or someplace else to show them the harsh truths of their own world. In Landscape with Invisible Hand, the vuvv—aliens who’ve come to Earth as benevolent colonizers—make way for humanity to destroy itself by the hand of its own greed.

High school junior Adam Costello enjoys painting landscapes of his deteriorating small town when he’s not on the clock earning his family’s sole income. For cash, he records his saccharine, 1950s-inspired dates with a girlfriend he can barely tolerate just to entertain aliens fascinated with “classic” earth culture. Because the vuvv have descended upon Earth, offering free advanced technology and medicine to the earthlings, the human economy has collapsed as a result. Now the rich hoard wealth behind massive pay walls, leaving regular people to suffer. However, when Adam’s teacher enters his paintings into an intergalactic art competition, he sees a way out. As Adam and his family flounder, he must decide what’s more important: painting pleasantries for profit or making art that captures the truth of humanity’s darkest hour.

In this novella, National Book Award winner M.T. Anderson writes a multilayered and scathing satire of callous economics, wealth disparity and the invisible hand of the market, as well as a metacritical discussion on the worth and value of art. It’s a bleak but necessary lesson in trying to find the beauty in the disastrous, all while learning to recognize when it’s time to dream a new dream.

 

Justin Barisich is a freelancer, satirist, poet and performer living in Atlanta. More of his writing can be found at littlewritingman.com.

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

The eternal beauty of science fiction is this: It takes readers to sometime or someplace else to show them the harsh truths of their own world. In Landscape with Invisible Hand, the vuvv—aliens who’ve come to Earth as benevolent colonizers—make way for humanity to destroy itself by the hand of its own greed.

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The idea at the heart of Gregory Scott Katsoulis’ dystopia in All Rights Reserved is a horrifying one. All citizens age 15 and over must pay for every single word and gesture they use to communicate.

Katsoulis explores the implications of this system with all the bleak panache of an episode of “Black Mirror.” His young protagonist is named Speth Jime because those sounds are cheaper than more conventional names. She has to cut her hair in a certain way so that it stays in the public domain and doesn’t grow into a copyrighted style. Lawsuits over the illegal use of copyrighted words are rampant, and families risk going into crippling debt for generations if they run afoul of the draconian rules that govern their society. If they say a word they can’t afford, their eyes are shocked by corneal implants.

Speth has grown up in this system, and her rebellion against it is not a calculated protest. After witnessing a classmate kill himself rather than spend his entire life working to pay off what his family owes, Speth refuses to speak beginning on her 15th birthday and upholds a vow of silence throughout most of the novel. A decision prompted by anger but also fear due to her family’s already precarious economic situation, Speth’s silence begins to spawn similar protests, and she finds herself the center of a growing controversy.

Katsoulis remains deeply invested in his protagonist’s emotional journey throughout All Rights Reserved. Speth is not a natural revolutionary, and her reactions to her imitators range from pleased confusion to embarrassed horror. Her primary focus is to protect and help provide for her family—a brother and sister at home, and parents sent away to work off the family’s debt. When she stumbles into an opportunity with the mysterious Product Placers—the rarely-seen figures who leave targeted gifts in citizens’ homes—Speth begins to make a living perpetuating the very system she’s rebelling against. The push and pull between Speth’s resistance and conformity, while at times frustrating, is nonetheless emotionally realistic given that she has lived her entire life under this repressive system.

It’s a bit disappointing when the story bends itself back into the rebellion template, rather than just following Speth as she does her best to survive in this Dickensian dystopia, where abject poverty is only one wrong move away. But with his excellent establishment of the world of All Rights Reserved, hopefully Katsoulis will give himself the freedom do so in the sequel.

The idea at the heart of Gregory Scott Katsoulis’ dystopia in All Rights Reserved is a horrifying one. All citizens age 15 and over must pay for every single word and gesture they use to communicate.

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