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Dee Moreno’s way out from the confines of her miserable home life is a full academic scholarship to a prestigious Portland boarding school. When the scholarship funds are cut, Dee gets desperate enough to cut a deal with a demon. Or, daemon, as he prefers to be called. The general terms are one wish fulfilled in exchange for one body part, which, in Dee’s case, turns out to be her heart.

Actually, the agreement is a lease on her heart, to be returned after two years of service to the daemon. Thus Dee becomes the fourth member of the Deamon’s Portland Troop of Heartless, already comprised of no-nonsense Cora, physics genius Cal and James, a scruffily cute artist. Dee is quickly introduced to the drill: The deamon summons the heartless to enter “voids,” where their mission is to set off explosives and then race for the exit before the void implodes. Ironically, now that Dee is officially heartless, she begins having romantic feelings for James, who is patient and sweet with her reticence.

Emily Lloyd-Jones conjures a just-right balance of creepiness and pathos in her imaginative construct of demons and their interactions with human beings. The depiction of Dee’s family life could use more substance so that readers are able to empathize with her drastic decision. The characters, while diverse in terms of ethnicity and sexual orientation, are functional rather than fully developed. But readers looking for an interesting paranormal twist will enjoy this inventive story.

 

Diane Colson is the Library Director at City College in Gainesville, Florida.

Dee Moreno’s way out from the confines of her miserable home life is a full academic scholarship to a prestigious Portland boarding school. When the scholarship funds are cut, Dee gets desperate enough to cut a deal with a demon. Or, daemon, as he prefers to be called. The general terms are one wish fulfilled in exchange for one body part, which, in Dee’s case, turns out to be her heart.
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Twins Iris and Malina have a special gift, or “gleam,” but it must be hidden from the world. In their small town on the coast of Montenegro, this means the sisters had to stop using their witchy gifts when they became too strong. Iris is naturally aware of people’s scents and shapes—gleaning important information from her observations. Malina’s gift for hearing emotions as music allows the sisters to evaluate who is to be trusted, and who to fear. Over the years, Iris’ skills have deteriorated with lack of practice, and unfortunately, so has her relationship with the twins’ secretive mother, Jasmina. But when a vicious attack leaves their mother technically dead—yet mysteriously alive—the sisters must unearth the wild truth of their heritage.

Though the revelations about the twins’ background are somewhat murky, the power of their love—for themselves, their mother and their respective love interests—is movingly portrayed. A cliffhanger ending and layered, likable characters will leave readers eager for what’s next in this unique new series from debut author Lana Popović.

 

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Twins Iris and Malina have a special gift, or “gleam,” but it must be hidden from the world. In their small town on the coast of Montenegro, this means the sisters had to stop using their witchy gifts when they became too strong.

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When ruthless Emperor Sikander announces his impending visit to Shalingar, Princess Amrita knows she’ll be required to marry him. Though her heart breaks to give up her family, her home and her first love, she knows it is a worthy sacrifice to protect her people. However, when the visit takes a tragic turn and Amrita finds herself losing much more than she’d bargained for, she sets out on a desperate journey to save what is left—and maybe undo the past.

Aditi Khorana’s second novel, The Library of Fates, is a lovely coming-of-age story rooted in Indian folklore and infused with romance. The primary strength of the novel is the deep, lush world Khorana has built, vividly painting the beauty of Shalingar and juxtaposing it against the political turmoil of the empire.

Princess Amrita is admirable in her utter selflessness, yet still relatable in her teenage ideologies and naiveté, as she seeks out her destiny and shoulders the safety of her entire empire in the face of devastating loss. Though not quite fully developed, the mystical characters who guide Amrita—an oracle, a vetala and members of the cave-dwelling Sybillines—are colorful additions to the rich tapestry of the novel.

The Library of Fates is a perfect read for the lazy days of late summer. Khorana will take readers on a page-turning journey with a surprising yet wholly satisfying resolution.

 

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

The Library of Fates is a perfect read for the lazy days of late summer. Khorana will take readers on a page-turning journey with a surprising yet wholly satisfying resolution.

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June is a modern-day anthropologist who repairs centuries-old automatons—mechanized dolls that come to life. Upon her repair of a Russian writing doll that scribbles, “All who breathe do not live; all who touch do not feel, and all who see do not judge. Behold the avtomat,” June is faced with a brutal reality. There is a world running parallel to her own, in which the avtomat have been fighting for their survival for centuries. Her grandfather encountered an “angel” during World War II that demonstrated superhuman strength and left behind a metal relic. June now wears the relic around her neck, and she soon discovers that it connects her to the world of the avtomat—and she may be the only living human who can help them.

Peter is an avtomat created in the likeness of Czar Peter the Great. His tale begins in a workshop in Russia in 1709 and spans centuries as he lives his nearly immortal life among humans. The avtomat have existed for thousands of years, and much of their technology is lost. A war has broken out among them as they seek the technology to save themselves.

Daniel H. Wilson, a seasoned writer of fiction, nonfiction and comics, also possesses a Ph.D. in robotics. The Clockwork Dynasty is bravely imagined and satisfyingly executed. Wilson has woven a brilliant fictional world into history, making this book a great read for lovers of historical fiction as well as fantasy and sci-fi.

 

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Wilson has woven a brilliant fictional world into history, making this book a great read for lovers of historical fiction as well as fantasy and sci-fi.

Crippled while working as an opium smuggler for his own government, Merrick Tremayne’s infirmity has become his excuse to retreat from life and retire to his crumbling home in Victorian-era Cornwall. Disabled and destitute, Merrick is perplexed when his former employers approach him with a mission to locate the source of another drug: a malarial cure found in the bark of Peruvian trees. Although previous expeditions failed to return, Merrick has nothing left to lose and so accepts the job.

Under the guise of botanist explorers, Merrick and his partner embark on a dangerous mission to locate the hidden trees and steal cuttings for the crown. They are assigned a local guide, Raphael, but as they climb into the Peruvian highlands, Raphael begins to reveal his own deeper connections to their destination.

Raphael leads them to the remote mountain enclave of Bedlam, where luminous pollen powers clockwork lamps, rare woods have explosive potential, and a salt line is literally the border between life and death. Adding to the exotic mysteries of Bedlam are lifelike statues posted along the forest boundary. These ancient figures move in eerie response to villagers who regard them with religious reverence. Navigating not only his own physical limitations but also Raphael’s mysterious connection to the statues, Merrick races to reconcile the mystical aspects of his quest before he reaches the point of no return.

Natasha Pulley’s captivating landscape unfolds slowly, her exquisitely crafted prose illuminating magical elements moving just at the edge of perception. The pace allows readers to probe Bedlam’s secrets and carefully pierce the boundaries between safety and savagery. Loosely connected to the world of her bestselling The Watchmaker of Filigree Street, The Bedlam Stacks is a lyrical paean to the power of transformation, faith and friendship.

 

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Loosely connected to the world of her bestselling The Watchmaker of Filigree Street, The Bedlam Stacks is a lyrical paean to the power of transformation, faith and friendship.

Readers who devoured Ink and Bone and Paper and Fire, the first two titles in bestselling author Rachel Caine’s Great Library series, have a summer reading treat in store. Ash and Quill continues this ingenious saga of an alternate world in which the Great Library of Alexandria has not only survived but also become immensely powerful, controlling all knowledge and even the ownership of books.

Jess Brightwell is a likable, compelling hero. He has been raised to love books, despite the fact that his family has “smuggled them, sold them, and profited from them.” As the story opens, Jess and his friends have been transported from London by the Translation Chamber, which can destroy a person and then recreate him or her far away. Jess has landed in the rebellious colonies of America (Philadelphia, to be exact) where “Burners” refuse to submit to the Library’s rule.

There, in a half-ruined sports stadium, Jess is forced to witness books being burned before he is jailed. But, as he reflects, “Prisons—like locks—were made to be broken.”

Ash and Quill is a page-turning adventure, full of danger and intrigue. There’s romance, too, as Jess and the courageous Morgan take on the challenge of trying to save the true core of the Library from evil plotters within.

While Ash and Quill is perfect for teen readers, parents intrigued by the alternate future depicted in Philip K. Dick’s The Man in the High Castle might want to borrow this one to stick in a beach bag.

 

Deborah Hopkinson lives near Portland, Oregon. Her most recent book for young readers is Independence Cake.

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Readers who devoured Ink and Bone and Paper and Fire, the first two titles in bestselling author Rachel Caine’s Great Library series, have a summer reading treat in store. Ash and Quill continues this ingenious saga of an alternate world in which the Great Library of Alexandria has not only survived but also become immensely powerful, controlling all knowledge and even the ownership of books.

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Ten teenagers. One soundstage made to look like a spacecraft. Plus a questionable scientific agency, a maniacal producer and a dozen or so corporate sponsors. What could possibly go wrong?

Told in transcripts of audio and video recordings, blog posts and other documents obtained by a disgruntled intern, Waste of Space follows an eponymous reality show. Documents show the daily power struggles, challenges and romantic trysts of the “Space­tronauts,” along with the personal confessions they’re encouraged to record, the highly edited results that appear on TV and the increasingly frantic conversations that occur among various behind-the-scenes partners.

Discerning readers might initially get frustrated by the clichés, including the show’s instant and intense social media popularity and the overt product placement. But as these elements fall away or twist in on themselves, the characters are revealed to be more than they seem. Readers will come to see that Waste of Space is a satire skewering every element it seemed at first to glorify.

Author Gina Damico, best known for her humor/horror hybrids like the recent Wax, taps into a cultural zeitgeist of advertising saturation, Hunger Games spin-offs and self-mocking tales like Joss Whedon’s movie The Cabin in the Woods. A bit of real emotional power sneaks in with the mockery, leading readers to question the lines between realistic fiction, science fiction, magical realism and parody.

 

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Ten teenagers. One soundstage made to look like a spacecraft. Plus a questionable scientific agency, a maniacal producer and a dozen or so corporate sponsors. What could possibly go wrong?

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An unexpected turn of events places an unlikely pair—a slave and an enemy soldier—on a treacherous journey in Megan Whalen Turner’s newest adventure-filled novel, Thick as Thieves, part of her acclaimed Queen’s Thief series.

Highly esteemed among the palace household, Kamet oversees local and outlying estate finances for his Mede master, Nahuseresh. Although he is happy to hold such authority, the intelligent, brown-skinned slave also has to endure his temperamental master’s unexpected beatings. To Kamet, this suffering is worth the chance to become “one of the wealthiest and most powerful men in all the empire” as the next emperor’s personal slave. But Kamet’s hopes for a somewhat brighter future fizzle when he hears news of his master’s demise. The last thing Kamet expects is to run off with an Attolian soldier who promises his freedom. What follows is an unforgettable motley-duo adventure.

Aficionados of this creative series will be thrilled to follow Kamet’s character development as Turner places him front and center in her epic tale. Brimming with a host of pertinent foils, as well as a clever thief named Eugenides, Turner’s plot takes mature teen readers along on Kamet’s death-defying journey. With a well-defined cast and a captivating writing style, Thick as Thieves is a brilliant combination of artful storytelling, imaginative history (with maps) and a flurry of twists and turns—up to the very end.

An unexpected turn of events places an unlikely pair—a slave and an enemy soldier—on a treacherous journey in Megan Whalen Turner’s newest adventure-filled novel, Thick as Thieves, part of her acclaimed Queen’s Thief series.

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Hubert Vernon Rudolph Clayton Irving Alva Anton Jeff Harley Timothy Curtis Cleveland Cecil Ollie Edmund Eli Wiley Marvin Ellis Nicholas Espinoza—better known as Hubert, Etc, and later still as Etcetera—is something of a head fake in Boing Boing co-editor Cory Doctorow’s utopian futurist novel, Walkaway. With a name like that, it’s not a wild bet that he’d be the axis around which the novel spins.

But it’s a sucker’s bet. The novel rotates around twin axes, one being a dissection and critique of capitalism in a world that has an excess of unequally distributed resources, the other being Natalie Redwater (aka “Iceweasel”), the daughter of a “zottarich” mover and shaker.

Though Doctorow cites Thomas Piketty’s Capital in the Twenty-First Century as an influence, Walkaway’s paternal grandparents are Brave New World and A Clockwork Orange; on its mom’s side, they’re Stranger from a Strange Land and Walden Two. Like all of those (and the rather less admirable Atlas Shrugged), it can get a little mansplainy as it trots out philosophy.

To wit: Hubert, Etc, dismissively appraises meritocracy by arguing, “‘We’re the best people we know, we’re on top, therefore we have a meritocracy. How do we know we’re the best? Because we’re on top. QED.’ The most amazing thing about ‘meritocracy’ is that so many brilliant captains of industry haven’t noticed that it’s made of such radioactively obvious bullshit you could spot it in orbit.”

The bohemian dropouts in this society, the “walkaways,” (of which Hubert, Etc, and Natalie are two) march off the grid into abandoned hinterlands in search of their own new world order, and when it appears that they may have solved the riddle of death, the stakes for flipping the bird at the establishment rise dramatically.

It may take a beat or two for the non-Wired reader to spool up to speed, but Doctorow has crafted the sexiest egalitarian radical hacktivist squatter-culture philosophical techno-thriller of the year, if not the decade.

 

Thane Tierney lives in Inglewood, California, and has a mere two middle names.

Hubert Vernon Rudolph Clayton Irving Alva Anton Jeff Harley Timothy Curtis Cleveland Cecil Ollie Edmund Eli Wiley Marvin Ellis Nicholas Espinoza—better known as Hubert, Etc, and later still as Etcetera—is something of a head fake in Boing Boing co-editor Cory Doctorow’s utopian futurist novel, Walkaway. With a name like that, it’s not a wild bet that he’d be the axis around which the novel spins.

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Preacher’s daughter (dresses modestly, doesn’t date, never goes to parties) is the only identity Leah Roberts has—in public, anyway. But when she sneaks out to the woods behind her house, she can be her true self: a girl who’s grieving over a tragedy that splintered her family 10 years ago. And in these woods, she watches a family of fantastic creatures who officially don’t exist. They’re large, vaguely humanoid, covered in hair and known in legend as Bigfoot or Sasquatch.

One night a newcomer arrives with the Bigfoot family—a young man who’s surprisingly close to being human. As Leah finds herself drawn to this mysterious stranger, the outside world shifts, too: Her brother’s best friend starts making romantic overtures toward her, and her mother’s perpetually odd behavior becomes stranger than usual. As details of her family’s dark history are slowly revealed, Leah finds herself in a place where the past and the present, humans and non-humans, love and loss coexist . . . and sometimes violently clash.

Part supernatural romance, part mystery and part contemporary realism, The Shadows We Know by Heart blends the psychological suspense of Stephanie Kuehn’s Charm & Strange with traditional legends of Bigfoot, adding a flavor of “Beauty and the Beast” along the way.

 

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Preacher’s daughter (dresses modestly, doesn’t date, never goes to parties) is the only identity Leah Roberts has—in public, anyway. But when she sneaks out to the woods behind her house, she can be her true self: a girl who’s grieving over a tragedy that splintered her family 10 years ago. And in these woods, she watches a family of fantastic creatures who officially don’t exist. They’re large, vaguely humanoid, covered in hair and known in legend as Bigfoot or Sasquatch.

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Princess Anya has problems: Her sister, Morven, is devastated by the transformation of handsome Prince Denholm into a frog; her evil stepstepfather (yes, you read that right), Duke Rikard, is becoming a more evil and powerful sorcerer by the day; and it’s recently become quite clear that Rikard wants Anya dead. All Anya wants is to stay in her library and read about magic, but her unbreakable sister-promise to restore Prince Denholm to human form leads to an increasingly complicated Quest. 

Through the woods surrounding Trallonia, farther than she has ever traveled, Anya journeys with Ardent, a faithful royal dog; Shrub, a would-be thief transformed into a newt; and Smoothie, a river otter transformed into a girl. Anya’s list of tasks—and people to un-transform—grows, and Rikard is hot on their trail. Anya started out wanting to return to her solitary library as soon as possible, but the Quest opens her eyes to the deeper responsibilities of being a princess and, more importantly, a leader.

A master of creating beloved fantasy worlds, Garth Nix turns to the funny, whimsical and self-aware style less common in recent children’s fantasy. Shot through with the tone of adventurous fairy-tale riffs such as The Princess Bride, this novel is a rollicking breath of fresh air and a return to fantasy with room for fun and mischief.

 

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Princess Anya has problems: Her sister, Morven, is devastated by the transformation of handsome Prince Denholm into a frog; her evil stepstepfather (yes, you read that right), Duke Rikard, is becoming a more evil and powerful sorcerer by the day; and it’s recently become quite clear that Rikard wants Anya dead. All Anya wants is to stay in her library and read about magic, but her unbreakable sister-promise to restore Prince Denholm to human form leads to an increasingly complicated Quest. 

Review by

When a comet drive-by leaves a cloud of purple dust in space, altering the familiar view from Earth, the collective response of the nations, of course, is to reach it: to explore, collect, research. The Czechs rocket a man to the Chopra cloud first, sending professor of astrophysics Jakub Procházka as their first astronaut. Thus Spaceman of Bohemia begins with a proud achievement for a country so battered by the machinations of others, now making momentous history of its own. 

Several weeks after Jakub’s solitary launch, a (possibly imaginary) memory-probing space spider appears aboard the JanHus1 space shuttle. The spider, whom Jakub names Hanuš after a medieval astronomical clock maker from Prague, probes his thoughts and eats his Nutella in his own scientific exploration to learn about “humanry.” Jakub unearths his childhood fears surrounding the fall of the Communist Party, who his father informed for, and memories: his move to Prague with his grandparents to start anew, his chance first meeting with wife Lenka over whiskey and sausages, their consuming love affair. Now, however, they are estranged, literally, by space and time, and maybe something more permanent. As Jakub travels farther into the depths of space, he reminisces and philosophizes with Hanuš. Themes of freedom, death, the fleetingness of life, violence, oppression, lust and love, revenge, legacy and fear link together the memories along his life’s path, from his youth through his university years and the now fateful decision to become the Spaceman of Bohemia.

Set in a not-so-distant 2018, the first novel by Czech-American author Jaroslav Kalfař defies neat categorization. It is both an adoring ode to and an insider’s critique of the land of Bohemia, chronicling its past subjugations and future possibilities. It’s irreverent and thoughtful, tragic and comic, deadpan and poignant. Writing outside his native tongue, the author creates vivid, occasionally disturbing vignettes. Spaceman Jakub’s rhetorical questions do become tedious at points in the novel; at times, his wonderings overwhelm, making it hard for the reader to digest one round before Kalfař moves on to other musings. Though the narrative seems to come full circle, it felt slightly unfinished, abruptly truncated. These caveats, and my personal arachnophobia aside, Spaceman of Bohemia entertains and enlightens.

 

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

When a comet drive-by leaves a cloud of purple dust in space, altering the familiar view from Earth, the collective response of the nations, of course, is to reach it: to explore, collect, research. The Czechs rocket a man to the Chopra cloud first, sending professor of astrophysics Jakub Procházka as their first astronaut. Thus Spaceman of Bohemia begins with a proud achievement for a country so battered by the machinations of others, now making momentous history of its own. 

Isaac Marion is building his first zombie novel Warm Bodies (2010, adapted into a 2013 film) into a bona fide epic. He has surrounded it with both a prequel (the novella The New Hunger, 2013) and this superb sequel, and there’s more to come.

Marion’s original Shakespearean twist is just good enough to be true. In a zombie apocalypse, it makes so much sense for “Romeo and Juliet” to get reduced to “R. and Julie,” and for a petty family feud to get enlarged into a global battle between living humans (Julie’s beleaguered tribe) and the Undead (R.’s hapless, brain-eating kind).

In the first novel, R. and a few of his zombie friends begin to feel human warmth coursing through their dead veins. All hell breaks loose between survivors of the zombies’ hunger too afraid to believe in this “resurrection,” and those who believe it but don’t know what to do about it, let alone what it means. In The Burning World, this conflict grows into a comprehensive political nightmare, a brilliant satire on current events.

R. and Julie are the only ones who keep their heads. That’s because they love each other. In the sequel, their love is tested to the breaking point, barely held together by the friendly presence of another zombie-human couple, characters we recognize with a wink from the prequel.

R.’s slow return to humanity brings with it unbearable memories of his first life, before he died and turned Undead. This tripartite identity—pre-zombie, zombie, post-zombie—is Marion’s master stroke. When a former zombie realizes he was worse as a human being, the spiritual toll is shattering. From time to time in the new novel, an uncanny chorus called “WE” addresses the reader with an omniscience and detachment that can only be called sublime. Who are “WE”? Well, we’ll have to wait and see. I can hardly.

Marion’s original Shakespearean twist is just good enough to be true. In a zombie apocalypse, it makes so much sense for “Romeo and Juliet” to get reduced to “R. and Julie,” and for a petty family feud to get enlarged into a global battle between living humans (Julie’s beleaguered tribe) and the Undead (R.’s hapless, brain-eating kind).

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