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All Science Fiction Coverage

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In Normal, Warren Ellis’ exceptional new thriller, foresight strategist Adam Dearborn has just been admitted to a compound called Normal, located on the U.S. west coast. It’s where those who were previously hired to monitor Earth’s degrading civilization are sent when they’re so burned out they can no longer function, well, normally.

The word itself loses much of its meaning in a near-future world where surveillance is constant, and the Normal Head Research Station itself hardly seems a place of safety. One inmate describes the outside world as “a permanent condition of pervasive low-level warfare,” and explains, “We’ve all been sent mad by grief.” The patients at Normal have, they frequently say, spent too much time “gazing into the abyss.”

The compound is abuzz when there’s a bizarre murder the morning after Adam’s arrival. He noticed the strange figure of Mr. Mansfield the previous afternoon, lurking about the edges of Normal’s forest. But Mansfield is missing the next morning, gone from his room and seemingly replaced by a mound of hundreds of crawling insects.

Adam—no model of stability himself—begins a low-key quest to discover what exactly has happened, and whether there’s anyone in Normal who can be trusted. The compound’s inhabitants beguile each other with lies, hysteria or reclusive behavior, as they search for ways to cope with the loss of the normal society they remember. The search leads Adam to an area called Staging, the only place in the compound with access, through the Internet, to the outside. Staging could give access to some answers—or to something much worse.

It’s clear that things have gone badly wrong out in the wider world, where people are now constantly watched by interfering “microdrones.” Ellis excels by inference, offering a chilling picture of the emotional turmoil in a human society that’s come unhinged. More unsettling, at the end of the book, there’s a shocking description of the event that led Adam to untether from his own sanity. 

This slim sci-fi mystery will puzzle, engage your senses and stick with you, maybe popping up days later when one of its passages resonates uncomfortably in the real world outside the book’s pages. Normal chills not by overt action or gory effects, but by slyly transporting readers outside their comfort zone, offering a look into a future that seems increasingly plausible after all.

In Normal, Warren Ellis’ exceptional new thriller, foresight strategist Adam Dearborn has just been admitted to a compound called Normal, located on the U.S. west coast. It’s where those who were previously hired to monitor Earth’s degrading civilization are sent when they’re so burned out they can no longer function, well, normally.

Set in distant space in a galactic empire, The Diabolic is narrated by Nemesis, a humanoid teenage girl born and bred to be a weapon. Her only job is to protect Sidonia, a senator’s daughter, which she will do at any cost. When Sidonia’s father is suspected of treason, the Emperor orders Sidonia to the capital as a hostage, but Nemesis goes in her place. Upon arrival, Nemesis quickly makes enemies, but she also forms a shaky alliance with the enigmatic Tyrus, who is playing his own dangerous political game. After a tragedy, Nemesis must put her life—and the fate of the empire—into the hands of people she doesn’t fully comprehend.

Nemesis isn’t the most compelling character here. That distinction goes to Tyrus, who has been brought up in a royal household lorded over by a ruthless grandmother akin to King Richard III. His methods of survival and his ability to strategize are impressive, leaving readers to wonder if he can really be trusted.

Like a Primanti Brothers sandwich, there’s a lot stuffed inside the covers of this book: political sabotage, intergalactic travel, planetary negotiations, chemical warfare, feminism, murder, romance and religion. This isn’t science fiction with an emphasis on science, even though a major theme of the book is how the empire manipulates religion and withholds technology in order to subjugate its people. It’s an ambitious page-turner fueled by plot twists, character deaths and high-stakes action.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Set in distant space in a galactic empire, The Diabolic is narrated by Nemesis, a humanoid teenage girl born and bred to be a weapon. Her only job is to protect Sidonia, a senator’s daughter, which she will do at any cost. When Sidonia’s father is suspected of treason, the Emperor orders Sidonia to the capital as a hostage, but Nemesis goes in her place. Upon arrival, Nemesis quickly makes enemies, but she also forms a shaky alliance with the enigmatic Tyrus, who is playing his own dangerous political game. After a tragedy, Nemesis must put her life—and the fate of the empire—into the hands of people she doesn’t fully comprehend.
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Lyra is a replica, one of thousands of clones bred as research subjects at Haven, a top-secret medical research facility on an island off the coast of Florida. Gemma, once a sickly child but now a curious teen, longs to know about Haven and the secrets that her wealthy father might be hiding there. Both Lyra and Gemma are sure that these are the only lives they’ve ever known. And yet both have snippets of memories—a decorated cup, an unusual statue—that don’t quite fit. When an explosion destroys Haven, Lyra and another replica escape, and they soon connect with Gemma and her new friend Jake. As the four teens learn more about Haven and its terrible purpose, they find themselves chased across Florida by secret agents determined to silence them—and revisiting what they thought they knew about their own identities.

The ethics of biotechnology would be enough to make Replica a compelling read, but what truly makes it stand out is its narrative format: The book is arranged so that readers read one girl’s story and then must physically flip the book over to read the other’s. (In an author’s note, Lauren Oliver writes that each story can be read independently, or both can be read together in alternating chapters.) The two stories intersect, with mysteries in one solved by information in the other. Part adventure story, part narrative experiment and part reflection on what it means to be human, Replica forms a cohesive and satisfying whole.

 

Jill Ratzan matches readers with books in a small library in southeastern Pennsylvania.

This article was originally published in the October 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Lyra is a replica, one of thousands of clones bred as research subjects at Haven, a top-secret medical research facility on an island off the coast of Florida. Gemma, once a sickly child but now a curious teen, longs to know about Haven and the secrets that her wealthy father might be hiding there. Both Lyra and Gemma are sure that these are the only lives they’ve ever known. And yet both have snippets of memories—a decorated cup, an unusual statue—that don’t quite fit.

Briddey has it all: a loving family, a great job and a boyfriend, Trent, who wants to get serious. She and Trent plan to take advantage of a scientific breakthrough, the EED: a medical procedure that connects the brains of two romantic partners so they sense each other’s feelings. No more dating guesswork, no more games, no more drama. 

Of course, there are naysayers who think rigging the game of love is a bad idea. Briddey’s family is opposed to the procedure and overwhelms her with constant busybody texts trying to change her mind. Briddey’s weird, genius coworker warns of mysterious EED hazards that he won’t fully describe. And there’s the pesky fact that the EED only works if a couple is truly in love, so if the connection doesn’t form, you’re not soul mates.

Despite the risks, Briddey is eager to take the leap. In the whirlwind of surprises that follow, she battles not only her own demons, but also those of a few others. She becomes the target of a corporate giant, learns more about genetics than ever before, takes refuge in zombie fortresses and secret libraries, reconnects with her heritage and is surprised by her family’s love in a way she never thought possible. 

Crosstalk is a fun technological fairy tale. It’s also a fable that asks us to question the nature of love and the ethics of technology. How much connectivity is too much? Are we too tangled together by social media and constant texting? Connie Willis, an award-winning science fiction writer (To Say Nothing of the Dog), addresses these questions and more with humor and wit. Crosstalk not only asks whether it’s possible to know and connect with another person completely, but also makes us reexamine whether it’s even healthy to try.

 

This article was originally published in the October 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Briddey has it all: a loving family, a great job and a boyfriend, Trent, who wants to get serious. She and Trent plan to take advantage of a scientific breakthrough, the EED: a medical procedure that connects the brains of two romantic partners so they sense each other’s feelings. No more dating guesswork, no more games, no more drama.
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BookPage Teen Top Pick, September 2016

Set in the fictional land of Canaan, The Forgetting follows one young woman’s journey to discover why all her neighbors forget who they are every 12 years—and how all their hard truths can be so easily bent.

In Canaan, if you don’t write down your memories in your book, you’re destined to forget them and lose all sense of identity. Nadia was just a toddler for her first Forgetting—when her father scratched himself out of her family’s books and abandoned them all. But Nadia knows what he did. While everyone else loses all memories after each Forgetting, Nadia secretly remembers everything, and she’s the only one who’s trying to make sense of their shared truth. 

The next Forgetting is looming just weeks away, and Nadia has grown careless in her race against the clock to learn how to stop it. Gray, the glassblower’s son, catches her breaking the law as she hops the high walls of Canaan, and he demands to see the other side as well. As the two explore the world outside the walls together, their friendship morphs into a romance. But their true love may soon become fiction if they can’t solve the mysteries of Canaan before the next Forgetting. 

The Forgetting is Sharon Cameron’s fourth young adult novel, and she’s grown adept at blurring the lines between fantasy, dystopian and science-fiction genres. Cameron reminds us, through Nadia’s documented memories, that we must learn to appreciate the truth as much as question it, exploring the morality tucked within the fallacy of memory.

 

Justin Barisich is a freelancer, satirist, poet and performer living in Atlanta. More of his writing can be found at littlewritingman.com.

This article was originally published in the September 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Set in the fictional land of Canaan, The Forgetting follows one young woman’s journey to discover why all her neighbors forget who they are every 12 years—and how all their hard truths can be so easily bent.

Physics professor Jason Dessen is content with the life he’s created for himself. Married 15 years to his first true love, he is a proud father to a teenage son and is teaching a subject he adores. But as he toasts the achievement of a fellow scientist on a night out, Jason can’t help but wonder what might have been had he focused on work instead of family. His reflections on the choices that led him to this moment blind him to the approach of an assailant, a stranger who is about to insert him into territory unknown in every sense of the word.

He later awakens in a world where Jason Dessen is a foremost authority in quantum physics, celebrated for his innovation in the exploration of alternate timelines. It’s also a world in which he never married his wife, a place where his son never existed and a reality where his life is threatened by those who want to control his work. Jason knows the odds of finding a way back to his true home, to the singular life that his personal choices generated, are dangerously small. But driven by love, Jason embarks on a terrifying journey to return to the place and the people he belongs with. And he must fight the worst of himself to get there.

Author of the trilogy that inspired the “Wayward Pines” television series, Blake Crouch is a proven master of crafting surreal “what-if” stories set against a landscape of normalcy. In Dark Matter, Crouch draws back the curtain that divides our day-to-day lives from frightening companion timelines, worlds that are just a single choice away from being our own reality.

With a finale that satisfies while leaving the reader with much to reflect on, Dark Matter is a brilliant beacon in the landscape of speculative thrillers.

 

This article was originally published in the August 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Physics professor Jason Dessen is content with the life he’s created for himself. Married 15 years to his first true love, he is a proud father to a teenage son and is teaching a subject he adores. But as he toasts the achievement of a fellow scientist on a night out, Jason can’t help but wonder what might have been had he focused on work instead of family. His reflections on the choices that led him to this moment blind him to the approach of an assailant, a stranger who is about to insert him into territory unknown in every sense of the word.
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BookPage Fiction Top Pick, May 2016

An inventive tale inventively told, Sleeping Giants is designed for people who like to take things apart and put them back together. Its jigsaw-puzzle narrative style works as a mirror for the project at the story’s center: the gathering and assembly of the scattered pieces of a huge and mysterious robot. But the real appeal of the book—the debut novel of Sylvain Neuvel, a Canadian linguist and software engineer—is the way in which putting together the robot tears apart the lives of the people involved. The book, like its namesake, is an elegant blend of technology and biology.

Sleeping Giants has been compared to The Martian and World War Z, but the story has more in common with the 2013 robot film Pacific Rim. The novel begins when a little girl riding her bicycle falls into a pit and lands on what turns out to be an enormous metal hand. Years later, that same little girl—Rose Franklin—is a scientist working on a top-secret project involving the study of that hand and the as-yet-theoretical body it belongs to.

We don’t spend much time with Rose, though. The story is told through transcribed interviews and journal entries, memos and the occasional news report. The interviews are conducted by a shadowy figure who seems to be orchestrating multinational backroom deals; he’s powerful enough to throw his weight around with the president’s closest advisors, but we don’t know much else about him, or even whether he’s bluffing. 

Most of the interviews are with two pilots responsible for finding the huge robot’s missing body parts, and then later, for figuring out how to drive it. The lead pilot is the feisty, unruly Kara Resnick, who, as seen through snippets, becomes the emotional heart of the book. There are also interviews with high-level government officials, techs and linguists, disillusioned soldiers and rogue scientists, not to mention oblique conversations about the world the robot came from originally. Put together, these puzzle pieces form a story about the way in which individual agendas can drive international decisions, for good or ill. 

Sleeping Giants is the first in a series called the Themis Files, which makes the book itself just a piece of a much larger puzzle—one readers will surely enjoy solving.

RELATED CONTENT: Read a Q&A with Sylvain Neuvel.

This article was originally published in the May 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

An inventive tale inventively told, Sleeping Giants is designed for people who like to take things apart and put them back together. Its jigsaw-puzzle narrative style works as a mirror for the project at the story’s center: the gathering and assembly of the scattered pieces of a huge and mysterious robot. But the real appeal of the book—the debut novel of Sylvain Neuvel, a Canadian linguist and software engineer—is the way in which putting together the robot tears apart the lives of the people involved. The book, like its namesake, is an elegant blend of technology and biology.

When the starship Galileo makes orbit above the colony Volhynia, the ship's crew is more than ready to take a brief but long overdue shore leave. Galileo's chief engineer Elena Shaw, still stinging from a lover's betrayal, is especially eager to find time away from the ship. Once she and her shipmates are settled in a colony bar, the normally reserved Elena meets Treiko Zajec, a former captain in a rogue military counterpart to the Central Corps. Their connection is immediate and soon evolves into a enthusiastic one-night stand.

But upon returning to her ship, Elena is rocked by the news that her crew mate and former lover, Danny, was killed during their overnight leave in the colony below. In that instant, she becomes both a person of interest and an alibi—because the suspect the authorities have arrested is none other than Captain Treiko Zajec.

When the local authorities resist her efforts to have Treiko dismissed as a suspect and and make no move to seek Danny's true killer, Elena launches her own investigation. Soon, she's tugging on the strands of a much larger web of conspiracy and corruption: a web that becomes a deadly snare for anyone wandering too close to the truth.

Ignited by romance and driven by a powerful blend of military sci-fi and vintage crime noir, Elizabeth Bonesteel's debut novel is the first of a planned Central Corps trilogy. Here, she has crafted a shifting stellar landscape that finds humanity stretching its limbs into a frontier still full of risk and mystery. Her on-point exploration of human dynamics in close quarters and masterful manipulation of a layered mystery offer a firm foundation for this exciting new trilogy. The Cold Between navigates the dangerous paths between the stars, the blind spots between friends and lovers and the distance that comrades will go to save one of their own.

Elizabeth Bonesteel's electric debut novel blends romance, science fiction and noir to launch an exciting new trilogy.
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“Eleanor has been ripped out of time . . .”

Without that one little sentence on the cover, it would be easy, initially at least, to lose one’s genre bearings in the opening 70 pages or so of Jason Gurley’s Eleanor. The prologue and subsequent sections each present the reader with an efficient, though not rushed, snapshot of consecutive tragedies in one family. Connected by more than just the bloodline, each of these episodes is the sort of material from which weepy, sweeping family sagas are made. That Eleanor is, ultimately, exactly that—a sweeping family saga—should not detract from the fact it is also much, much more. These opening blows grant an intimate knowledge of the damage done by the past to the title character in the present, even as it primes the reader to desperately hope the events that follow will allow, somehow, mortal wounds to be redressed.

These opening sequences are worth lingering on for a few reasons. Beyond the need to establish reader trust, they also capture the often hard-to-grasp dilemmas of depression and motherly ambivalence with an ease and economy that pretty much “pay the toll” a reader demands from a writer to keep turning the page, no matter the genre. One could stop at the end of these alone—granted, that would be a pretty depressing place to halt—and deem this a novel worth the time.

Fortunately, there remains the whole “Eleanor being ripped out of time” thing. With past literally as prologue, Gurley turns the reader’s attention to his protagonist, a mostly isolated teenager and, in ways she cannot fully comprehend just yet, a devastated vestige of past parental mishaps and mistakes. Eleanor makes do, serving as caretaker for a mother whose anger has long since chased her father away, until one stressful day she walks through a door and . . . is somewhere else.

Eleanor (and the reader) will spend the rest of the book trying to figure out exactly what is happening, and who might be involved in causing it, but this story is not a Calgon-take-me-away escape to Narnia, the Land or Wonderland. If Eleanor wants a new world, she may have to make it herself. As for the reader, Gurley has crafted an appealing little puzzle. Whether that solution is metaphysical, spiritual, magical or scientific in nature, I’m not saying. Read it for yourself.

“Eleanor has been ripped out of time . . .” Without that one little sentence on the cover, it would be easy, initially at least, to lose one’s genre bearings in the opening 70 pages or so of Jason Gurley’s Eleanor.
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If you could press a button to stop the upcoming destruction of the world, would you? Henry’s been abducted by aliens and offered this choice, and he has 144 days to decide. On one hand, the world as Henry sees it doesn’t particularly seem worth saving. He’s haunted by his boyfriend Jesse’s suicide and estranged from their mutual friend Audrey. A purely physical relationship with the class bully ultimately leaves him hollow. And at home, his mother has put her dreams on hold, his father hasn’t been in touch in years, his grandmother is slowly losing her mind to Alzheimer’s and his older brother’s girlfriend is pregnant. But then Henry meets Diego, a teen with secrets of his own. With Diego’s perspective and those of his teachers, family and friends, Henry starts to wonder if maybe he should press that button and save the world after all.

At first, We Are the Ants seems to be magical realism with a slightly silly premise and a theme of resilience in the face of tragedy. And it might be that, or it might be a meditation on the power of storytelling. Or an experiment in a blended style of realistic and fantastical fiction. Or all of these combined. Either way, it promises to be one of the most talked-about YA books of 2016.

 

Jill Ratzan matches readers with books in a small library in southeastern Pennsylvania.

This article was originally published in the February 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

If you could press a button to stop the upcoming destruction of the world, would you? Henry’s been abducted by aliens and offered this choice, and he has 144 days to decide.
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It’s best to get the main conceit of Jessica Chiarella’s debut novel, And Again, out of the way: four people with terminal conditions win a lottery that entitles them to participate in what’s called the SUB program. This is a program where their bodies are cloned and when they reach the biological age of the participants—which happens after a few months—their memories are transplanted wholesale into the new bodies. Think of Jake in Avatar getting his consciousness uploaded into his Na'vi body, except for these people, the body is wholly theirs, made from their own cells. Yet, the new body, bereft of the dings, dents and scars that even healthy people accumulate, is not quite theirs at all. 

The transplants—Connie, Linda, Hannah and David—wake up to a world where sounds, smells, tastes and colors are almost unbearably intense, for their senses are as acute as those of young children. They have to be taught to coordinate their arms and legs, to walk, to write again. For some, the reprieve from mortality makes them humble; for others, it makes them cruel and reckless. The loved ones who expected them to die are as confounded as if they had indeed come back, whole and impossibly healthy, from the dead.

Chiarella doesn’t linger over the technical details of the SUB program, even though the reader is curious. These folks remember absolutely everything about their lives—you can’t even really call them past lives, since the transfer from the old body to the new clone seems to be as easy as putting on a new suit. What sort of gruesome research went into this medical procedure? As for the old, damaged bodies—is there nothing left of the person? Do the patients, even for a moment, have the ghastly feeling of being two places at once? It is actually to the author’s credit that she doesn’t answer these questions; they’d only gum up the narrative.

It’s Chiarella’s laser-like focus on her characters as they fight to pick up the threads of their old lives that makes And Again the unsettling, thought-provoking book that it is.

It’s best to get the main conceit of Jessica Chiarella’s debut novel, And Again, out of the way: four people with terminal conditions win a lottery that entitles them to participate in what’s called the SUB program. This is a program where their bodies are cloned and when they reach the biological age of the participants—which happens after a few months—their memories are transplanted wholesale into the new bodies.
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Several years ago, after researching his true crime book The Serial Killer’s Apprentice, James Renner was diagnosed with PTSD. It’s not uncommon for journalists to suffer such effects after witnessing trauma for a story, and Renner’s 10 years of hunting serial killers and writing about unsolved murders caught up with him. Fiction provided an unexpected safe haven, and his genre-bending time-travel thriller, The Man from Primrose Lane (2012), was a crime he could finally solve. His latest thriller, The Great Forgetting, digs at a much larger mystery, one with more questions, no generic answers and therefore plenty of room for an imaginative author to play. The result is a mix of conspiracy theorist paranoia, alternate history and cross-country adventure.

The story begins with an epilogue—our first clue that nothing is as it should be—which provides several bizarre nuggets of information: Fourteen years after 9/11, the coroner who oversaw and organized the remains of Flight 93 returns to the crash site, where he finds a severed monkey’s paw, clasping a man’s watch that reads, “RIP, Tony Sanders. 1978 to 2012.” And on the monkey’s palm is tattooed a bright red swastika.

In 2015, Jack Felter has returned home to Franklin Mills, Ohio, to help care for his father, who suffers from dementia. Franklin Mills is a place Jack would like to forget—especially his former love interest Sam, who immediately enlists Jack’s help in finding her husband (once Jack’s best friend), Tony Sanders, who has been missing for three years. Tony’s trail leads Jack to an institutionalized teen named Cole, who promises to reveal Tony’s whereabouts if Jack listens to Cole’s story—and begins boiling his water to counteract the pacifying effects of Fluoride. Jack soon learns about the Great Forgetting, a vast conspiracy that conceals the true events of World War II, contradicting everything he knows about history, science, the government and even time itself.

The Great Forgetting explores humanity’s desperation to forget the worst things that happen to us and the worst things we do to each other. It never loses speed as it reveals large-scale histrionics and builds to a zealous reveal. However, in Renner’s attempt to exorcise our prejudices and transform history, he risks alienating his audience, as many readers may find themselves defensive of their living memory, holding tighter to their real history. Perhaps some things can’t be rewritten, even for fiction’s sake.

Several years ago, after researching his true crime book The Serial Killer’s Apprentice, James Renner was diagnosed with PTSD. It’s not uncommon for journalists to suffer such effects after witnessing trauma for a story, and Renner’s 10 years of hunting serial killers and writing about…
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Kady barely has time to register how awful her breakup with Ezra feels—these things still hurt, even in year 2575—when, later that same day, her home planet is attacked. Kady and Ezra fight their way onto an evacuating fleet, but they’re separated onto two different ships in the process. With the enemy on their tails, bad turns to worse for the survivors: A plague on one of the ships is leading to quarantines, and the artificial intelligence known as AIDAN is becoming increasingly difficult to trust. 

At more than 600 pages and presented as a dossier containing emails, ship schematics, private journals and the transcribed “thoughts” of AIDAN, Illuminae is a bit of a doorstopper, but one readers will be hard-pressed to set down after page one. Part of the fun is piecing together these sometimes funny, often scary fragments to discover the story within. Gory scenes of plague victims are especially chilling when juxtaposed against clinical tallies of the infected and dead. Many of the survivors have been conscripted into the military, and the subsequent male bonding and raunchy humor lighten the mood while also adding an element of realism.

Illuminae is a smart, sad, funny, philosophical, action-packed futuristic love story. It’s also part one of a planned trilogy, so start here and prepare to be impatient for the arrival of the next installment.

 

This article was originally published in the November 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Kady barely has time to register how awful her breakup with Ezra feels—these things still hurt, even in year 2575—when, later that same day, her home planet is attacked. Kady and Ezra fight their way onto an evacuating fleet, but they’re separated onto two different ships in the process. With the enemy on their tails, bad turns to worse for the survivors: A plague on one of the ships is leading to quarantines, and the artificial intelligence known as AIDAN is becoming increasingly difficult to trust.

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