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FictionShort Stories

Show Don’t Tell

Review by Sarah McCraw Crow

In her second story collection, Show Don’t Tell, novelist Curtis Sittenfeld (Prep, Romantic Comedy) mines midlife—the cringey moments and also the unexpected shifts in perspective. “One of the surprises of adulthood for me has been that, as the years pass, it has become less rather than more clear to me whether I’m a good or bad person,” a character muses, in “Giraffe and Flamingo.” Many of Show Don’t Tell’s characters are similarly taking stock, in sharp portraits of mostly (though not entirely) middle-aged women and their long friendships, floundering marriages and postdivorce lives.

Some of the stories trace a brief encounter with a celebrity and the surprises that result. In “The Marriage Clock,” movie executive Heather tries to persuade a Christian marriage expert to cede his creative approval rights for a film adaptation of his mega-bestselling self-help book. And “The Richest Babysitter in the World” recounts Kit’s year of babysitting for a young Seattle family; the dad has founded a startup that, decades later, will become an Amazon-like behemoth. In “The Tomorrow Box,” Andy, a teacher, reconnects with a college classmate who’s made an unlikely fortune as an influencer peddling total honesty.

Other stories push a character and a cultural moment together. The cringe-inducing story “White Women LOL” details the aftermath of a viral video. Jill, a white Midwestern mom, is caught on camera behaving in an undeniably racist way, and in trying to get out from under the weight of the incident, digs herself into a deeper hole. In “A for Alone,” Irene, an artist, aims to create a conceptual artwork out of the Mike Pence rule (do not meet with anyone of a different sex who’s not your spouse). As Irene blunders through this project, setting up lunches with various men, often to hilarious effect, she unfortunately proves the merit of the Mike Pence rule.

Longtime Sittenfeld fans will be pleased to encounter Lee Fiora, the main character from Sittenfeld’s debut novel, Prep, in “Lost But Not Forgotten.” Lee, now 48, returns to the tony Massachusetts boarding school where she once felt so out of place for her 30th reunion. As with the collection’s other stories, “Lost But Not Forgotten” excels in its close observation of characters—a gesture that reveals a class detail, or the performative small talk of a reunion—though the story’s real strength is in revealing Lee’s shift in perspective over time. Likewise, “Show Don’t Tell” focuses on one night at the Iowa Writers Workshop, before zooming forward 20 years to reckon with the unpredictability of which writers succeed and what kind of people the classmates have become. This telescoping of time gives these stories the feel of tiny novels.

If some of Show Don’t Tell’s stories are more slice of life than big drama, that’s OK. It’s a cohesive, often dryly funny, occasionally heartbreaking set of stories, and a satisfying report from the front lines of middle age.

Curtis Sittenfeld’s stories in Show Don’t Tell are often dryly funny and occasionally heartbreaking. It’s a satisfying report from the front lines of middle age.
FictionShort StoriesLiterary Fiction

Waiting for the Long Night Moon

Review by Cat Acree

Amanda Peters’ bestselling debut novel, The Berry Pickers (2023), which received the Andrew Carnegie Medal for Excellence in Fiction, is a story of significant tragedy, about Indigenous family separation in Nova Scotia. Similar abuses appear throughout Peters’ book of short stories, Waiting for the Long Night Moon, which opens with a dedication “to all those who have shared their stories and planted the seed of imagination.” 

The 17 stories that follow are, for the most part, seeds. Many were practice exercises while Peters was working toward The Berry Pickers, and she had no intention of collecting them into a book. Because of their origins, some are little more than fables to be told around a fire, with guidance passed down from matriarchs, and simple axioms like town is a bad place, forest is good. Other stories explore plot elements, like how to deliver a shock of horror: a water cannon used by American government forces to assault the bodies of Standing Rock protesters; a girl’s tongue pierced with a steel pin at a Christian residential school; women jumping to their deaths or being murdered in the woods.

All of Peters’ first-person narrators speak similarly, as if each voice—no matter the age, era or gender—were the same storyteller. But despite this, it’s easy to appreciate her characters’ pain and hope, and in particular, their profound love for the natural world. Read individually, a few stories stand on their own. “The Virgin and the Bear” is a stunning piece about a woman learning her grandmother’s tragic history while placing it within the context of other genocides. The titular story is tender, lyrical and lovely, with forest scenes so lush that you can feel the earth underfoot, and the sharp pain of memory as an older man recalls his late sister. And the Dakota Access Pipeline story, “Tiny Birds and Terrorists,” is the freshest premise in the collection, following a young woman who heals her grief through resistance.

When it comes to contemporary Native fiction, the majority of readers—and likewise, the publishing industry—still focus on stories that whittle down the history and present life of American Indigenous people to colonization and trauma. As Terria Smith, editor of Heyday’s News From Native California, wrote in Publishers Weekly in 2023, “There is a real possibility that a lot of our own literature is unwittingly perpetuating the narrative that tribal people are tragic, but there is much more to us than this.” Peters’ best stories probe the possibility of venturing beyond those tropes.

In these 17 stories from Amanda Peters, author of The Berry Pickers, it’s easy to appreciate her characters’ pain and hope, and in particular, their profound love for the natural world.
Science Fiction & FantasyFictionSpeculative FictionShort StoriesLiterary FictionHistorical FantasyFantasy

Start the year with stories for your book club

Feature by Julie Hale

In Old Crimes and Other Stories, Jill McCorkle’s characters face moments of reckoning and work to make sense of the past. A father has trouble connecting with his daughter and adjusting to the digital era in “The Lineman.” In “Confessional,” a husband and wife buy an antique confessional for their house—a purchase that leads to surprising discoveries. “Commandments” features a trio of women dumped by the same man who meet to share stories about him. Wistful and wise, McCorkle’s fifth collection is the work of a writer at the top of her game.

Louise Kennedy explores the lives of contemporary Irish women in her bleakly beautiful collection, The End of the World Is a Cul de Sac. Kennedy’s protagonists—rendered with authenticity and compassion—contend with fraught or dangerous relationships, motherhood issues and economic woes. Sarah, the main character of the title story, pays an ugly price for her husband’s poor business decisions, while the main character in “In Silhouette” is tormented by her brother’s participation in IRA activity. Kennedy’s moving stories offer numerous discussion topics for book clubs, including female fulfillment and the human need for connection.

Salt Slow finds Julia Armfield leaning in to science fiction and the supernatural in stories that examine urban life and women’s experiences. “Mantis” focuses on the turmoil of adolescence, as a young girl’s body mutates in startling fashion. In “Formerly Feral,” two stepsisters form an extraordinary bond with a wolf. Whether she’s writing about giant bugs or a zombie ex-girlfriend, Armfield is clearly at home with the odd and the uncanny, and the end result is a captivating group of stories. Themes of sexuality, spirituality and loss will get book clubs talking.

GennaRose Nethercott’s Fifty Beasts to Break Your Heart and Other Stories is sure to delight—and disquiet—readers. Ominous, imaginative and intriguing, Nethercott’s stories probe the tension between the wild and the tame as they exist in our daily lives. In “Homebody,” a young woman undergoes a strange physical transformation after moving into a new house with her partner. “Sundown at the Eternal Staircase” chronicles the goings-on at an eerie tourist attraction. Thanks to Nethercott’s remarkable narrative skills, the impossible becomes plausible. Inspired by folklore and fairy tales, she reinvigorates the short story form.

Round up your reading group and ring in 2025 with one of these fabulous short story collections.
FictionShort StoriesDebut Fiction

The World With Its Mouth Open

Review by Eric A. Ponce

The everyday lives of people are filled with drama, no matter where they live. But in a place like the Kashmir region, wedged between the conflicting political and cultural influences of India, China and Pakistan, that everyday drama plays out under a different, more intense spotlight. In his debut short story collection, The World With Its Mouth Open, Zahid Rafiq peers into the inner lives of 11 people illuminated by that spotlight. Readers will find these characters at various points of crisis, confronted with grief or gratitude, hope or hopelessness, and always the paralyzing freedom of choice.

Writing about drama doesn’t necessitate confessions of undying love or explosions. Rafiq chooses instead to tease out tension from brief, intimate interactions. In the opening story, the protagonist, Nusrat, runs into the brother of an old friend. She engages him in small talk and, as they walk the city streets, she is reminded of the life she lived as a young girl, a life filled with possibility and without the demands of womanhood and marriage. This brief exchange cracks Nusrat open, revealing a vast and paradoxical inner world. Meanwhile, in other stories, the narrators bare their hearts in unrelenting and unashamed grief: In “Flowers From a Dog,” the narrator visits the grave of an ex-lover who left to be with a wealthier man. Over the course of the visit, we experience the speaker’s loss in a poetic, existential lament.

Though politics is never directly discussed, the history and culture of Kashmir set the stage for these poignant tales. “Crows,” finds a young boy who hates studying being beaten by a tyrannical teacher. Knowing the poverty experienced by this boy and his family, and seeing their desperate hope for a better life for him, one can’t help but feel torn: Why should the boy suffer, being abused for not wanting to learn things he doesn’t care for? His naivete and pure longing for joy are heartbreaking. All these stories are, because people are.

Zahid Rafiq peers into the inner lives of 11 people living in Kashmir in his debut short story collection, The World With Its Mouth Open.
FictionSpeculative FictionShort Stories

Ruined a Little When We Are Born

Review by Matthew Jackson

The first thing you’ll notice when you open Tara Isabel Zambrano’s Ruined a Little When We Are Born is just how many stories she’s managed to pack into this slim volume. There are more than three dozen of them, some running less than two pages as part of her continued practice of flash fiction, others running to more conventional short fiction lengths, all of them united by common themes of family, femininity and motherhood. 

Rooted in the Indian diaspora, many of the stories in Ruined a Little When We Are Born are centered on rituals of one kind or another, ranging from the mundane to the arcane. In the opening story, “Mother, False,” a girl experiences shocking physical changes upon the death of her mother. In “Shabnam Salamat,” the arrival of her father’s new young bride sparks an awakening in a daughter. In the bewitching “There Are Places That Will Fill You Up,” a girl connects with her long-lost mother in a search for new meaning, with surprising results. And in “Milky-Eyed Orgasm Swallows Me Whole,” a woman has a conversation with the physical manifestation of her sexual climaxes.

Through beautifully constructed sentences that read as much like prayers as they do like prose, Zambrano’s stories slither and grow like unpredictable, invasive vines, creeping inside your brain and refusing to leave. It doesn’t seem to matter whether she gives herself 10 pages or just one; this is an author who understands that the job of fiction is to generate empathy and genuine emotional response in the reader, and who knows how to extract those things with poise and confidence. 

There’s a swagger to this book, a sense of being in gifted hands, and yet there’s also a dramatic vulnerability that comes through, particularly in the stories about growing up, learning what adulthood means or realizing that parents are not superheroes. Whether she’s exploring Indian folklore or introducing an old woman to the strange powers of a dishwasher, Zambrano is always in command, always writing earnestly and vividly. Anyone who enjoys the careful art of the short story will find that in this case, “art” is very much the key word.

Anyone who enjoys the careful art of the short story will find that in Ruined a Little When We Are Born, "art" is very much the key word.
FictionSpeculative FictionShort Stories

The Last Dream

Review by Matthew Jackson

In a career spanning more than five decades, writer and director Pedro Almodóvar has established himself as an endlessly versatile storyteller and a true emotional explorer. Whether he’s examining wrinkles in the nature of human sexuality or probing motherhood in its many forms, Almodóvar always manages to reveal kernels of compelling, often surprising, truth.

Now, in his first work of prose published in English, Almodóvar has turned that same deeply textured, boundless talent to short stories. The Last Dream, like all his work, jumps between genres, subjects and formats, with some stories playing with elements of memoir. In the title story, Almodóvar retells the events of the day his mother died, while in “A Bad Novel” and “Memory of an Empty Day,” he examines his own nature as a writer and an aging person who’s hungry for immersion in a world that’s changing around him. In “Adiós, Volcano,” he pays tribute to the late singer Chavela Vargas, a fixture in many of his films, and in “The Visit” he reveals the groundwork for his film Bad Education.

But the stories aren’t limited to Almodóvar’s own life and career. The more fantastical include “The Life and Death of Miguel,” a story which he tells us was written when he was quite young, in which he examines a Benjamin Button-esque world where life and death happen in reverse. In “Joanna, The Beautiful Madwoman,” he tells the story of a princess driven mad by circumstance. In “Confessions of a Sex Symbol,” he dives into the mind of a porn star, while in “The Mirror Ceremony,” he examines a vampire’s strange conversion.

The sheer depth and breadth of the collection is astonishing, and it’s made more astonishing by the economy of language. A slim volume of just a dozen stories, The Last Dream is light on embellishment or lengthy description. Almodóvar’s prose is lean but evocative, elegant but grounded, and translator Frank Wynne has done a remarkable job rendering it into stylish, beautifully spare English. Almodóvar’s characters, like those in his films, are full of yearning and wonder. Both for fans of great short fiction and for fans of the director, The Last Dream is a must-read.

Renowned director Pedro Almodóvar turns his deeply textured, boundless talent to 12 short stories involving elements of autobiography and fantasy in The Last Dream.
FictionShort StoriesSatireLiterary Fiction

Rejection

Review by Thane Tierney

Rejection: Somewhere on the continuum between a casual date rebuff and a duo-destroying divorce, we’ve all experienced it. In Rejection, Whiting and O. Henry Award-winning author Tony Tulathimutte raises the experience to an art form. In seven connected stories, he chronicles several characters’ vivid responses to being turned down, or turned away. 

By vivid, I mean frequently TMI-delivering. Colorful descriptions of body parts and the multiple ways they can interact tumble off the page, and if depictions of sadism and ersatz semen (complete with a recipe) are off-putting, you might consider something more PG. On the other hand, if you can roll with the aforementioned, the book is frequently downright hilarious. 

In one story, the protagonist is a cartoonishly hyperactive tech bro, whose latest invention is living room furniture that also functions as workout equipment, allowing the user to crush out 300-pound leg presses. (Unfortunately, his team hasn’t yet worked out the “stinky/soggy upholstery” problem.) In another chapter, Tulathimutte documents a multi-hour consensus meeting in a university’s “queer-friendly vegetarian-friendly 420-friendly co-op,” weaponizing and satirizing political correctness in extremis. 

As one might expect from a graduate of both Stanford and the Iowa Writers’ Workshop, Tulathimutte has a facility with verbal stunt-piloting that at times borders on the dazzling. Not every writer can pull off a sentence like this one, describing social media as “the give-and-take of giving takes where no one could take what they’d give.” The structure of Rejection is distinctive as well, riddled with group text messages, acronyms and the jargon of those raised with the internet. Pro tip; Boomers and Gen Xers might want to keep a browser tab open to Urban Dictionary for easy reference.  

Right at the end, Tulathimutte throws one last curveball reminiscent of Jorge Luis Borges, a little literary Ouroboros that may cause the reader to question the legitimacy of the entire narrative that precedes it. Clever trick, that, in a clever book aimed at clever readers. 

Tony Tulathimutte’s facility with verbal stunt-piloting borders on the dazzling in Rejection, a novel in seven stories that chronicles vivid responses to the experience of being turned down, or turned away.
FictionChildren's & YAYA FictionYAShort StoriesLiterary FictionHistorical FictionComing of Age

The Hold List: Born this way

Feature by the editors of BookPage

Chasing Redbird

Sharon Creech’s Chasing Redbird was the first book I ever read by myself, which was a big deal for me; I am dyslexic and struggled to read when I was younger. I was captivated by the main character, Zinnia Taylor, because she was a misfit, just like me. Zinny has six siblings, and in their chaotic home, she often gets lost in the fray. She prefers to spend time with her Aunt Jessie and Uncle Nate who live next door and provide her with a safe haven. When Jessie dies unexpectedly, Zinny withdraws even further from her family. As she wrestles with her grief and guilt, she discovers an abandoned 200-year-old pioneer trail on her family farm and becomes obsessed with restoring it to functionality. Her family thinks she’ll give up, but Zinny has to see this project through. It may be the only way to heal her broken world. Creech treats the topic of grief and family dynamics delicately and beautifully, painting a profound picture that will speak to readers of all ages.

—Meagan Vanderhill Cochran, Production Manager

Earthlings

From childhood, we’re trained to take part in society, learning what behavior is praiseworthy, and what behavior is outrageous. By adulthood, most of us conform automatically, but for some, it comes less easily—like Natsuki, the protagonist of Japanese author Sayaka Murata’s Earthlings. As a child, Natsuki feels like an outsider, and she is relieved when her stuffed hedgehog, Piyyut, reveals to her that she is actually an alien from planet Popinpobopia. Her alien’s perspective lets her see her town for what it is: a “Baby Factory” in which humans serve society by working, getting married and having babies that will grow up to become society’s tools in turn. Natsuki struggles to accept that future, though she longs for the security of being normal. Her isolation increases when a teacher sexually abuses her, and no one believes her when she seeks help. Like Convenience Store Woman, Murata’s other novel that has been translated into English, Earthlings pushes readers—hard—to see the absurdity of what is and isn’t considered acceptable. While the subject matter remains bleak, by the end of the book, Natsuki finds allies, and their acts of defiance take on a kind of euphoric hilarity, despite the severity of the consequences.

—Phoebe Farrell-Sherman, Associate Editor

Kaikeyi

In Vaishnavi Patel’s Kaikeyi, Princess Kaikeyi is the lone daughter in a family with seven sons. After her father banishes her mother, she is left with only the stories of the gods that her mother once shared with her. Now on her own as the sole woman in her family, she is determined for her voice to be heard. However, her world shatters when the king quickly marries her off for the sake of securing an alliance, despite Kaikeyi begging to remain independent. Before she journeys to the kingdom of her betrothed, she discovers a special magic that can influence how she is perceived within relationships. With this newfound spark of confidence, she plows through societal barriers, fighting on the battlefield for her new home and joining her husband’s council, where she resiliently presses the other men in the room to make changes in their kingdom. After years of ruthless judgment and scorn, Kaikeyi and her two sister-wives, Kausalya and Sumitra, start a women’s council for members of the community to seek advice and direction. Kaikeyi is a persistent force throughout the story, never afraid to disrupt the conditions of society. She rubs people the wrong way and inspires others, making her a dynamic character whose persistence and courage will win readers’ hearts.

—Jena Groshek, Sales Coordinator

The Complete Stories

A keen observer of idiosyncratic behavior, the inimitable Flannery O’Connor spun unforgettable, expansive short stories that brim with characters whose feelings of otherness alienate them from society. The most well-known is The Misfit in “A Good Man Is Hard to Find,” a story that is often readers’ entry point to this Southern writer. The Misfit is “aloose from the Federal Pen” and, with unfailing politeness, executes a family on their way to a vacation in Florida. Complex and contemplative, The Misfit finds “no pleasure [but] in meanness” yet tries to square his crimes with a sense of right and wrong. Other misfits in O’Connor’s stories include Olga in “Good Country People,” an unapologetically surly spinster whose leg was shot off in a hunting accident, and who gets hoodwinked by a Bible salesman. Some of her misfits crave redemption and empowerment—O’Connor was, afterall, a Catholic—while others are unwilling or unable to change. Perhaps the greatest misfit in O’Connor’s stories is the midcentury South itself. A region straining to be better? Or one unwilling to shed the yoke of violence? The Complete Stories is a compendium you can spend a lifetime reading and re-reading, feeling freshly enlightened each time.

—Erica Ciccarone, Associate Editor

If you've ever felt like the odd one out—the black sheep in your family, or loner in your community—you'll love these four books with protagonists who can't help but stand out.
FictionAudioShort Stories

The Black Girl Survives in This One

Review by Tami Orendain

The 15 short tales that make up The Black Girl Survives in This One (10.5 hours) have one thing in common: Their Black girl protagonists make it out of the horror story alive. Beyond that, these terrifying vignettes are anything but predictable, stretching the limits of the horror genre towards sci-fi, gothic, comedy and more.

Author and film historian Tananarive Due reads the anthology’s introduction, situating the book in the history of horror writers’ erasure and stereotyping of Black girls. Narrator Shayna Small reads the stories, honoring each unique atmosphere with different accents and inflections, making every story a distinct experience. Across the collection, her narration has a hushed, mesmerizing tone, luring listeners into each chilling tale.

Fans of horror are sure to enjoy The Black Girl Survives in This One’s array of new, creative takes on the genre.

These terrifying short stories starring Black girl protagonists are anything but predictable, stretching the limits of the horror genre towards sci-fi, gothic, comedy and more.
FictionSpeculative FictionShort StoriesLiterary Fiction

3 short story collections as brilliant as summer lightning

List by the editors of BookPage
3 short story collections as brilliant as summer lightning.
STARRED REVIEW

3 short story collections as brilliant as summer lightning

With the swiftness of a summer storm, the short stories in these collections electrify and illuminate.
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Fiction

10 contemporary writers (Ali Smith! Tommy Orange!) apply their considerable talents to the signature style of Franz Kafka in this anthology.

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Book jacket image for Beautiful Days by Zach Williams
Fiction

Zach Williams lets each of these 10 short stories unfold at their own quirky pace—like alien insects inching their way out of cocoons.

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Book jacket image for Ninetails by Sally Wen Mao
Fiction

In Sally Wen Mao’s Ninetails, a fox spirit helps Asian women of diverse backgrounds and ages transcend the violence and turbulence of their lives.

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Book jacket image for The Serviceberry by Robin Wall Kimmerer
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The Serviceberry

Robin Wall Kimmerer

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Written and narrated by Robin Wall Kimmerer, The Serviceberry is a heartfelt guide to cultivating a mindset of reciprocity that is accessible as well as thought-provoking.
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With the swiftness of a summer storm, the short stories in these collections electrify and illuminate.
FictionSpeculative FictionShort Stories

Ninetails

Review by Maya Fleischmann

Myth and folklore intertwine seamlessly with the tumultuous lives of Asian women in this mesmerizing collection of stories.

Each story in Ninetails: Nine Tales reveals the poignant struggles of young Asian women marginalized and scorned, struggling to eke out their identity, follow their heart and break free from political oppression and social expectations. At the heart of these tales of strength and transformation is Ninetails, a fox spirit known by many names—hulijing, huxian, fox demon or fox fairy—who helps women of diverse backgrounds and ages transcend the violence and turbulence of their lives.

The central story, divided into several parts, is called “The Haunting of Angel Island.” Set in the 1900s, against the backdrop of the Angel Island immigration station located in San Francisco Bay, it features Tye, a Chinese interpreter who witnesses the harrowing experiences of women detainees. Other stories include the tale of a silicone love doll who yearns to be human, the plight of a Korean girl bullied in a land foreign to her, and the story of two friends connected by being cheated on by the same man. Unfolding with gripping intensity through author Sally Wen Mao’s vivid depictions of the gritty settings and sobering situations that confront her characters, each premise is made even more powerful by the magical element introduced when a fox spirit manifests to liberate the women from their misery, or inflict retribution for wrongdoings.

Some of the stories in Ninetails end abruptly and can feel a little disjointed; nevertheless, Mao’s compelling depiction of Asian women’s experiences is powerfully unsettling in its authenticity. Through themes of revenge and redemption, these stories illuminate our enduring capacity for resilience.

In Sally Wen Mao’s Ninetails, a fox spirit helps Asian women of diverse backgrounds and ages transcend the violence and turbulence of their lives.
FictionSpeculative FictionShort StoriesLiterary Fiction

Beautiful Days

Review by Matthew Jackson

There’s a quiet intensity to the way Zach Williams crafts short fiction, like a coiled spring ready to snap, or a snake about to strike. You can sense tension lurking like a camouflaged animal in the careful prose and dreamy strangeness of the worlds Williams builds.

In Beautiful Days, his first collection, Williams delivers intensity on page after page, but it’s how he uses the tension he creates that makes the work so remarkable. In stories that take the mundane to wondrous, frightening and deeply affecting places, Williams keeps finding new ways to remind us of the strangeness of being human, and the many ways our lives can transform in an unexpected instant.

There are no real limits to the subject matter of the 10 tales within this volume. The settings shift from skyscrapers to secluded cabins, seductive bedrooms to the quiet house next door. The characters are parents, roommates, neighbors, co-workers, even mice whose lives hang in the balance of another character’s quest for the right trap. In “Trial Run,” a man visits his office amid a snowstorm, only to find a storm of a different kind waiting inside. In “Red Light,” a sexually adventurous fitness buff finds himself in a particularly mysterious bedroom. And in “Wood Sorrel House,” which might be the most unsettling short story you read in all of 2024, new parents find themselves in a house outside of time, watching in horror as their baby refuses to age even as their own bodies fail.

Many of these stories push their subjects into the realm of the unreal, the supernatural and even the horrific, but genre conventions do not concern Williams any more than neat endings do. What’s most striking about Beautiful Days is not the premises of the stories, but the way in which the author lets them unfold at their own quirky pace, like alien insects inching their way out of cocoons. His prose is precise, witty and full of vivid imagery, dropping us into 10 distinct worlds that might all be part of the same dreamy landscape, or might be individual pocket universes. Either way, we can get lost, because Williams has a gift for marrying tension and humanity that calls to mind John Cheever or Shirley Jackson. That makes Beautiful Days a powerful, unsettling, genuinely thrilling collection, one that singles Williams out as a must-read voice in fiction.

Zach Williams lets each of these 10 short stories unfold at their own quirky pace—like alien insects inching their way out of cocoons.
FictionSpeculative FictionShort StoriesLiterary Fiction

A Cage Went in Search of a Bird

Review by Harvey Freedenberg

Conceived as a tribute to Franz Kafka on the 100th anniversary of his death, A Cage Went in Search of a Bird: Ten Kafkaesque Stories features short stories by 10 contemporary writers in the idiosyncratic style of the literary genius, a style Merriam-Webster defines as “having a nightmarishly complex, bizarre, or illogical quality.” Watching writers that include Ali Smith and Tommy Orange apply their considerable talent to this task makes for a mind-bending and consistently enjoyable reading experience.

One of the principal pleasures of this project is the range of subject matter and variety of styles the authors bring to their stories. In “God’s Doorbell,” for example, Naomi Alderman reimagines the biblical account of the Tower of Babel in a fashion that seems especially relevant to our current concerns with the promise and peril of artificial intelligence. Yiyun Li’s “Apostrophe’s Dream” is a whimsical piece presented in the form of a dramatic work featuring squabbling punctuation marks as its characters.

But when one thinks of Kafka’s short stories, what most often surfaces is the image of an individual trapped in a bizarre, inexplicable situation. The volume features several works in that genre, among them Elif Batuman’s “The Board,” where the prospective purchaser of an apartment confronts the baffling commentary of the building’s implacable governing body. In “Headache,” by Leone Ross, the protagonist is drawn against her will into an increasingly problematic health care system.

Screenwriter and director Charlie Kaufman has acknowledged Kafka as an early influence, and so it’s fitting that the collection ends with his story, “This Face Can Even Be Proved by Means of the Sense of Hearing,” whose enigmatic title comes from an entry in Kafka’s The Blue Octavo Notebooks. In Kaufman’s story, a novelist identified only as “I.” descends, after a disastrous launch event for his latest novel, into an ever more complex and seemingly inescapable literary labyrinth as his identity shape-shifts, blurring the boundary between fact and fiction.

A Cage Went in Search of a Bird is a roller coaster ride that will delight the adventuresome reader, even if the twists and turns of some of its most daring stories may challenge those who enjoy more conventional short fiction. Somewhere, though, it’s easy to imagine Kafka paging through these varied and deeply imagined tales and nodding in admiration.

10 contemporary writers (Ali Smith! Tommy Orange!) apply their considerable talents to the signature style of Franz Kafka in this anthology.

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