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The range of comic book storytelling is vast, and this selection of 2021’s best graphic novels, memoirs and histories runs the gamut in terms of artistic style and narrative approach, yet all of them have two things in common: a mastery of the form and a unique sense of expression.

Bubble

The stakes of the gig economy have never been higher than in Bubble, a graphic novel by Jordan Morris and Sarah Morgan with illustrations from Tony Cliff and colors by Natalie Riess. Adapted from the scripted podcast of the same name, Bubble is set in a world where corporate-funded cities have sprung up as domes of safety, walling off humanity from a monster-ridden wilderness known as the Brush. Morgan was born in the Brush, and though she’s grown accustomed to life in the bubble, she’s retained a few of her more useful Brush skills, including the ability to kill pesky mutated imps. Naturally, her employers have just the thing to help her monetize that ability.

Bubble crackles with wit and biting commentary on piecing together a living one app at a time. Cliff’s art enriches the whole wild affair, lending a grounding sense of reality to the reading experience despite the fantastical setting. He’s as adept at depicting action-packed scenes as he is at homing in on a character’s eyes at a key moment of personal discovery. There’s tremendous glee to be found in Bubble, but also tremendous heart.

Ballad for Sophie

A young woman talks her way into the mansion of one of the world’s most reclusive musicians and convinces him to give her an interview. That’s the premise from which Ballad for Sophie springs, and with a sense of adversarial yet whimsical tension, we are propelled into a world of bittersweet wonders, tragedy and music.

Written by jazz composer Filipe Melo, illustrated by Juan Cavia and translated from the original Spanish by Gabriela Soares, Ballad for Sophie unfolds as the aging pianist tells his story. We meet a lifelong rival, a lost love, a tormented mother, a devilish piano teacher and more, their rich narrative tapestry unfolding against backdrops that range from World War II to the luxury of 1960s Paris. 

Through it all, Melo’s characters are either constantly growing or constantly resisting growth, while Cavia’s art sweeps across the page with lithe figures and elegant depictions of bygone eras. When the story dips into the past, his art grows slightly more magical, turning piano teachers into great horned creatures and piano recitals into dramatically lit clashes of titans.

Emotionally dense, texturally rich and humming with humanity, Ballad for Sophie is a moving portrait of the ways in which art can both save and doom us.

Interior image from Ballad for Sophie
From Ballad for Sophie. Used with permission from Top Shelf.

Lore Olympus

Some elements of Greek mythology are simply timeless. In Lore Olympus: Volume One, Rachel Smythe reminds us of this using her acclaimed artistic magic. This is the first volume of her webcomic “Lore Olympus,” and it’s striking to see her work collected in such a lavish tome after its celebrated web release.

As Smythe unveils her retelling of the Hades and Persephone myth, her gorgeous art elevates each scene. She uses precise color and shading to bathe the Greek gods in neon hues of purple and blue, like they’re perpetually in some mythic nightclub. Readers will revel in how seamlessly Smythe has adapted this classic story, and in no time at all, they’ll find themselves utterly lost in her beautifully dark, often startlingly timely world of sex, lies and immortality. 

The Middle Ages

You’ve probably heard that the Middle Ages wasn’t really the period of darkness and ignorance that popular culture has made it out to be, but you’ve never seen that truth demonstrated quite like in The Middle Ages: A Graphic History. Medieval historian Eleanor Janega and illustrator Neil Max Emmanuel set out to reveal how this period took shape and why it became so consequential, and they never miss in that mission. 

Rather than attempting a strictly linear dissection of centuries of human history, The Middle Ages unfolds almost as an illustrated textbook, with sections devoted to everything from the fall of Rome to the rise of Charlemagne to the growth of major European cities. Janega’s prose is precise, informative, digestible and witty. Emmanuel’s simple but effective black-and-white art carries that same wit through to the visuals, alternating between modern compositions and homages to medieval aesthetics, with amusing revisions to the Bayeux Tapestry and clever representations of church schisms.

It all adds up to an utterly essential volume for history buffs, whether they’re diving into the medieval period for the first time or just brushing up on a few things. 

★ Run

The follow-up to Congressman John Lewis’ monumental, award-winning March series, Run: Book One kicks off a new graphic trilogy that further establishes Lewis as a fundamental, undeniable force in the mid-1960s American civil rights movement.

Lewis completed work on the script for Run before his death in 2020, and illustrator L. Fury joins writer Andrew Aydin and illustrator Nate Powell (both of whom collaborated on the March trilogy) in carefully layering Lewis’ recollections with vivid depictions of celebrations and violence, hope and heartbreak, despair and determination. The story picks up after the 1965 passage of the Voting Rights Act, as Lewis encountered new roadblocks and hurdles in the wake of that legislative victory. Through dramatic composition and movement, Powell and Fury’s illustrations capture the same energy as the March trilogy, while also conveying Lewis’ maturation as he grows out of his student organizing era and enters the realm of American statesmanship.

Run is another indispensable chronicle of the life and work of one of 20th-century America’s most exceptional figures, but it’s also a mission statement for the work yet to come.

Interior image from Run: Book One
From Run: Book One. Used with permission from Abrams ComicArts.

★ Seek You

It might sound like a cliche to say that a book delving into America’s loneliness epidemic will make you feel more connected to the world around you, but that’s exactly what writer and illustrator Kristen Radtke achieves in this ambitious book. 

Part memoir, part sociological study and part cultural history, Seek You: A Journey Through American Loneliness digs deep into the many ways that loneliness affects our daily lives. Through incisive, often disarmingly confessional writing, Radtke gets to the core of what loneliness is and what it does to our bodies and minds, exploring everything from its neurological roots to the impact of the sitcom studio audience laugh track. 

Throughout Seek You, we are guided by Radtke’s beautifully muted art. Some pages are powerful in their simplicity, such as a wide view of a massive apartment complex with a single lit window, while others are effective in their complexity, such as a spread showing a lone figure amid a fog of words describing their most alienating experiences. 

Seek You is a captivating combination of raw emotional exploration and thoughtful, sophisticated imagination.

The Waiting

A chance encounter with a dog on a city street pulls a character back through decades of memories and serves as the launching point for a stirring graphic novel by author-illustrator Keum Suk Gendry-Kim.

Translated from the Korean by Janet Hong, The Waiting explores a very particular kind of loss on the Korean peninsula. In bold, fluid black-and-white imagery, Gendry-Kim tells a story inspired by her own mother, who lived under Japanese occupation in Korea before World War II, then was forced to migrate during the Korean War and the permanent division of Korea along the 38th parallel. Many Koreans fled their homes amid the fighting, causing a surge of family separations that led to lifetimes of waiting and hoping. 

Though The Waiting is set amid some of the most consequential events of the 20th century, Gendry-Kim never makes the book’s scope wider than it needs to be. The Waiting is better for it, succeeding as a deeply intimate portrayal of one woman’s struggle to not only survive but also keep some measure of hope and determination alive. It’s also about the broader goal of an entire culture to somehow come back together after war, through individual efforts and massive group reunions. 

In depicting a people’s efforts to find each other, The Waiting is one of the most moving graphic novels of the year.

★ Wake

Writer and activist Rebecca Hall and illustrator Hugo Martínez present a powerful meditation on hidden history that transforms into a haunting, necessary statement on exactly why that history has been hidden, and how much of it still lives with us.

In Wake: The Hidden History of Women-Led Slave Revolts, Hall, whose grandparents were enslaved, recounts her process of researching several 18th-century revolts that were led by enslaved women. Though some of the book’s most affecting sequences re-create these revolts, much of Wake is a memoir of Hall’s search for the brave, rebellious women who led them, the punishments they suffered and what, if anything, they managed to leave behind. In the process of constructing their stories, Hall tells much of her own, laying bare how the echoes of enslavement inform our political world as well as her own daily interactions.

Hall’s prose is stunning, and Martínez’s art takes it to another level, delivering expressive representations of the history Hall carries with her and of the reminders of slavery’s cruelty that are etched into the landscapes we walk now. His artwork bleeds past and present together, depicting the city streets around Hall as shadowy memorials of the slave markets that once stood there. When he projects the images of enslaved men and women onto the facades of skyscrapers, he transforms these feats of architecture into monuments to atrocities.

Wake is as poetic as it is powerful. Readers who adored the March trilogy and the graphic novel adaptation of Octavia E. Butler’s Kindred will find it to be an essential addition to their shelves.

A sampling of the year’s best graphics and comics includes a neon-bright retelling of a Greek myth and the continued memoirs of a civil rights legend.

In The Right to Sex, Amia Srinivasan, a professor of social and political theory at All Souls College at the University of Oxford, engages with some of the most complex hot-button cultural issues to emerge around sex and consent in the 21st century. With intelligence and clarity, Srinivasan unpacks the moral and philosophical underpinnings of such topics as false rape accusations, pornography and teacher-student relationships, making her book an invaluable companion for readers interested in nuanced analysis rather than hasty clickbait. 

The book emerged from Srinivasan’s 2018 essay “The Right to Sex,” which considered the case of Elliot Rodger, the killer whose deadly rampage at the University of California, Santa Barbara, in 2014 was supposedly motivated by his status as an “incel,” or involuntary celibate. Rodger’s assumption that he was somehow “owed” sex from women has proven to be a toxic influence on some social media platforms. In considering this case, Srinivasan moves her argument in unexpected directions to ask ever larger and harder philosophical questions: While there is no “right” to demand sex from other people, how should we think about desirability as a concept? Why are some bodies seen as desirable and others aren’t? How is desirability a political concept, shaped by popular culture?

In other essays, Srinivasan provides a helpful survey of the history of feminist responses to pornography, which range widely from the anti-porn feminism of Andrea Dworkin and Catharine MacKinnon in the 1970s and ’80s to the more pro-sex pleasure activists of the 1990s. Here, as elsewhere in the book, Srinivasan opens up these issues beyond their original contexts to engage with them in a contemporary setting. To this end, Srinivasan’s classroom of undergraduates at Oxford becomes a kind of testing ground for how young people think about pornography and the influence it has had on them as the first fully digital generation.

With articulate precision, Srinivasan’s timely book offers readers a lucid and compelling guide to thinking philosophically about sex and power.

Amia Srinivasan’s book about sex and consent is invaluable for readers interested in intelligent, clear and nuanced analysis rather than hasty clickbait.
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The structure destined to become the Midnight Sun Mosque in Canada’s Northwest Territories had to be transported 2,800 miles from Winnipeg to Inuvik, much of it by barge. It’s now the worship house for some 100 Muslims, mostly men who were displaced from conflict zones and now drive taxis among the Inuit. They spend their spare time operating a much-needed community food bank.

On the other end of the North American continent is the Ahmadiyya mosque in Chiapas, Mexico. It’s run by a Mayan Indian, a former evangelical Christian and Zapatista leftist who got involved in Islam via a Sufi imam from an offbeat mosque in Spain founded by a Scottish hippie.

Neither fits the stereotype of a mosque that so many non-Muslim North Americans have. That’s exactly the point of Omar Mouallem’s absorbing Praying to the West: How Muslims Shaped the Americas, which explores the Muslim population of the Americas in all its staggering diversity.

Mouallem, a Canadian of Lebanese descent who grew up in a Muslim family but whose personal feelings about Islam became complicated as an adult, examines his own inner turmoil as he visits 13 mosques. They’re incredibly varied but fall roughly into two groups: communities founded by Muslim immigrants, like the Islamic Society of Greater Houston, and more idiosyncratic movements begun by non-Muslims, like the Nation of Islam.

The immigrant experience described by Mouallem will sound familiar to many Americans: the desire by the first generation to assimilate, followed by a rediscovery of roots by their children, then a more eclectic approach by grandchildren. The mosques he visits reflect these different relationships to assimilation. One early Muslim community, founded by Lebanese peddlers in North Dakota, for example, is now nearly indistinguishable from its Christian neighbors. Other, newer mosques have experienced more turbulence as they’ve acclimatized to their communities, such as a Quebec mosque that was the scene of a horrific massacre by a white man in 2017 and still has to employ tight security measures to protect itself.

Mouallem seems most attracted to Unity Mosque, which is open to all traditions and welcomes gay people and female faith leaders. He suspects North America will lead the way as Islam evolves, but regardless of whether that happens, his book has made it impossible not to see this faith tradition’s rich complexity.

Praying to the West explores the Muslim population of the Americas in all its staggering diversity and makes it impossible not to see Islam’s rich complexity.
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Before she was the world-famous creator of #MeToo, the movement that sparked a reckoning with the mistreatment of women, especially women of color, Tarana Burke was a community organizer and journalist. Her experience as a reporter will be no surprise to anyone who reads Unbound: My Story of Liberation and the Birth of the Me Too Movement, her unflinching, open-hearted, beautifully told account of becoming one of the most consequential activists in America.

Burke was molested by a neighborhood boy in the Bronx when she was 7. Over the years, despite the presence of several loving adults in her life, Burke was repeatedly sexually assaulted. “I was a grown woman before I truly understood the word rape and was able to relate it to my experience,” she writes. “Language like rape, molestation, and abuse were foreign to me as a child. I had no definitions and no context. Nobody around me talked like that.”

In spite of her trauma, Burke writes with humor and gratitude about her experiences. She delves into the rich history of her family, led by a granddaddy who “believed in celebrating Blackness in as many ways as possible” and a mother who was a devout Catholic. In school, Burke was both academically gifted and an agitator who spent time in the principal’s office. A high school leadership program led Burke to Selma, Alabama, where she laid the groundwork for #MeToo after realizing there was an utter lack of programs to support and protect young women as they spoke their truth about sexual abuse.

Burke also writes honestly about her reaction to #MeToo becoming a viral phenomenon on social media in 2017, initially without her knowledge or participation. After spending more than a decade traveling around the country, conducting workshops and speaking on panels about surviving sexual assault, she worried social media would water down or misuse her work.

Ultimately Burke realized that “all the folks who were using the #metoo hashtag, and all the Hollywood actresses who came forward with their allegations, needed the same thing that the little Black girls in Selma, Alabama, needed—space to be seen and heard. They needed empathy and compassion and a path to healing.”

Unbound is not just a thoroughly engrossing read. It’s also an important book that helps us understand the woman who has been so influential as our country struggles to acknowledge women’s trauma.

In the audio edition of ‘Unbound,’ Tarana Burke’s story is rendered all the more potent by her confident voice.

Unbound is Tarana Burke’s unflinching, beautifully told account of founding the #MeToo movement and becoming one of the most consequential activists in America.
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Green Bank, West Virginia, is known as the quietest town in America. It’s a lushly forested place where a government-owned observatory requires unimaginable levels of quiet, and therefore where locals are asked to eschew cell phones, microwaves and Wi-Fi.

Since the Green Bank Observatory was built in 1957, scientists there have quite literally listened to the universe through equipment that only works when it’s not competing with the electronic noise of modern society. Employees at the observatory have spent decades mitigating radio frequency noise, outfitting the Dollar General’s automated front door with conductive lead paint to block electromagnetic radiation and once even replacing a malfunctioning electric blanket in a local home. 

While some locals sneak in forbidden electric gadgets, Green Bank is a haven for those who seek unusual peace and quiet. When journalist Stephen Kurczy started visiting regularly in 2017, he quickly realized it’s an eclectic group. The Quiet Zone: Unraveling the Mystery of a Town Suspended in Silence is his fascinating, deeply reported and slightly eerie look at an unusual corner of America.

“Had I walked into a dream?” Kurczy wonders. “An elderly man was cohabitating with bears down the road from the world-famous clown doctor Patch Adams and just a few miles from a hippie enclave, all of them sharing a patch of Appalachia with world-renowned astronomers and secretive government operatives. The area seemed tinged with magical realism, with an impossible menagerie of eccentrics congregating in the forest.”

How had so many disparate groups found their way to the same town in West Virginia? The truth is, many of them came there to be left alone. In repeated trips to Green Bank, Kurczy gets to know these various groups, from the white nationalists who attempted to build their headquarters there to a group of electrosensitives who become ill from even the slightest electromagnetic radiation and who moved to Green Bank in a desperate attempt to quell their sickness.

Ultimately, Kurczy realizes Green Bank is not as silent as the media portrays it, but he brings to life other facets of this town that are even more intriguing. Kurczy becomes embedded in the community, and with compassion and a journalist’s eye he delivers a compelling portrait of a town where people struggle with the same issues as the rest of America, just a little more quietly.

The Quiet Zone is Stephen Kurczy’s fascinating, deeply reported and slightly eerie look at a town in West Virginia with no cell phones, microwaves or Wi-Fi.
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It may not seem like CrossFit (a popular high-intensity interval training workout) and Heaven’s Gate (a cult that believed UFOs were headed to Earth on the tail of the Hale-Bopp comet) have any similarities. But as linguist Amanda Montell argues in Cultish: The Language of Fanaticism, these are just two of many groups that bind their members together by employing cultish language.


ALSO IN BOOKPAGE: Amanda Montell answers that age-old unsettling question: How susceptible am I to cults and cultish groups?


“Though ‘cult language’ comes in different varieties, all charismatic leaders—from Jim Jones and Jeff Bezos to SoulCycle instructors—use the same basic tools,” Montell writes. These tools include using insider lingo, relying on thought-terminating cliches that discourage asking questions and love-bombing with excessive flattery.

Cults may seem like a creepy relic of the past, but lots of groups successfully employ cultish language today. Simply put, a cultish group is one that promises to improve your life if you follow its regimen, buy its products or obey its leader. Such groups are common because, as Montell argues, cultish language really does bind a group together. Think of the specialized vocabulary used by Alcoholics Anonymous, for example. You can drop into any AA meeting across the world and immediately understand AA-speak.

The author’s experience as a linguist melds well with her research into the psychological underpinnings of cultish language, including interviews with several cult survivors. Montell also addresses why words like brainwashing don’t accurately describe how people come under a cultish thrall. “Language . . . reshapes a person’s reality only if they are in an ideological place where that reshaping is welcome,” she writes. According to Montell, our loved ones adopt QAnon conspiracy theories or hawk leggings/herbal supplements/skincare on Facebook for multilevel marketing (MLM) schemes not because they’re gullible or weak but because they’re idealistic, tenacious and open to these groups’ messaging.

Few of us may interact with Scientology or NXIVM directly, but that doesn’t mean we’re beyond the purview of cultish influence. Many of us participate in “cult fitness” groups, turn to Instagram influencers for self-improvement tips or sell products for MLMs. Cultish demonstrates that we are all more susceptible to joining the in-group than we may realize.

Amanda Montell demonstrates that we are all more susceptible to joining cultish groups than we may realize.
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A wide-ranging examination of racial inequity in America, written by the former head of a progressive think tank, might not be the most obvious audiobook choice for your next road trip. But to write The Sum of Us (11 hours), Heather McGhee traveled across the country—from coastal Washington and rural Kentucky to an evangelical church in Chicago and a Nissan plant in Mississippi—to understand the roots of white America’s zero-sum attitude toward racial equity and how this mistaken belief system damages everyone.

McGhee, who narrates the audiobook, brings the same thoughtfulness to her reading as to her writing. Listeners can hear the despair in her voice as she describes the atrocities of white plantation owners and the devastation caused by predatory housing lenders, as well as her hopefulness when she introduces listeners to coalitions succeeding in confronting voter suppression. From health care policy and environmental justice to the ongoing legacy of segregation, McGhee places urgent topics in a new framework, supported by research and illustrated by stories of Black and white Americans from across the country.

 

ALSO IN BOOKPAGE: Read our review of the print version of The Sum of Us.

Heather McGhee, who narrates the audiobook for The Sum of Us, brings the same thoughtfulness to her reading as to her writing

Both of Hanif Abdurraqib’s earlier books—They Can’t Kill Us Until They Kill Us and Go Ahead in the Rain: Notes to a Tribe Called Quest—skillfully weave memoir and cultural criticism. He’s known for unraveling our ideas about music, history and culture and then using threads of commentary and insight to stitch a totally original pattern.

With the same ingenuity, Abdurraqib traces the depth and diversity of Black modes of performance in his brilliant A Little Devil in America: Notes in Praise of Black Performance. Opening with an examination of Black dancers who participated in the dance marathons of the early 20th century, Abdurraqib dispenses prose in motions that shuffle forward, step sideways, leap diagonally and waltz gracefully through five sections exploring different facets of Black performance in America.

Performance can be liberating, like when dance marathons give partners “a powerful enough relationship with freedom that you understand its limitations.” It can also provide an opportunity to show off, as in the dance line on “Soul Train.” Performance can demonstrate self-awareness, too—a chance to define yourself by how your body moves when you’re throwing down in a beef, which Abdurraqib vividly illustrates as a kind of performance. He traces the rich history of performance through sketches of Black magicians, dancers and musicians, including Whitney Houston, Michael Jackson, Josephine Baker, Aretha Franklin and Merry Clayton, who’s most famous for her performance on the Rolling Stones’ track “Gimme Shelter.” Clayton’s chapter may be the best in the book, if only because it gives her the recognition she deserves for her ethereal voice.

A vibrant showcase of sharp writing, Abdurraqib’s A Little Devil in America attests that Black performance at its root is not simply an outward show of talent but also a means of survival. Read carefully. Abdurraqib’s book is a challenge not to accept the usual explanations for the performances we witness.

Hanif Abdurraqib unravels our ideas about music, history and culture and then uses threads of commentary and insight to stitch a totally original pattern.
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Why can’t we have nice things? Depending on your lot in life, you may ponder this from time to time. Things like easy access to health care, fair public utilities, unions that provide job security and protect worker rights—these are all societal gains that many other nations have achieved. So why can’t the United States, the wealthiest nation on the planet, provide these and other amenities to every citizen?

This is the question that Heather McGee, former director of the think tank Demos, asks in The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together. She ably moves through some of the largest infrastructural deficiencies in the U.S. and explains how a zero-sum mindset, combined with the constant plague of systemic racism, have led to fewer amenities for all.

McGhee’s anecdotes about the past read like cautionary parables for the future. For instance, throughout the 1920s, the Works Progress Administration built hundreds of public swimming pools across the nation to provide relief from the summer sun. But after federal courts ruled that segregated swimming was unconstitutional, many cities opted to fill their grandest pools with concrete rather than allow Black swimmers to use them. And so no one got relief from the heat.

McGhee unpacks how this kind of thinking shows up in every sector of society. Businesses have stoked racial mistrust to divide unions in their factories, using social capital to turn workers against collective bargaining. Years of accumulated racial resentment have kneecapped attempts to provide universal healthcare coverage, from Harry Truman’s era to Barack Obama’s. State-subsidized college tuition and affordable housing were vilified as handouts for the undeserving poor, which led to absurdly high tuition rates and the housing market crash of 2008.

Supported by remarkable data-driven research and thoughtful interviews with those directly affected by these issues, McGhee paints a powerful picture of the societal shortfalls all around us. There is a greater, more just America available to us, and McGhee brings its potential to light.

 

ALSO IN BOOKPAGE: The Sum of Us is excellent on audiobook, read by the author.

Heather McGee moves through some of the largest infrastructural deficiencies in the U.S. and explains how systemic racism has led to fewer amenities for all.
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Georgina Lawton was born to a white mother and father and had a white brother. She grew up nestled in the love of her white extended family—English on her father’s side, Irish on her mother’s. Growing up in a predominantly white borough of London, she attended majority-white private schools and became close friends with her white classmates. And yet, as we learn in the first pages of Lawton’s eloquent memoir, Raceless: In Search of Family, Identity and the Truth About Where I Belong, Lawton is not white. She is biracial, born nine months after her mother’s one-night stand with a Nigerian man. Clinging to the myth of a “throwback gene” from survivors of the Spanish Armada on the west coast of Ireland, her parents fiercely insisted that their daughter, despite all outward appearances, was white. When Lawton discovered the lie at the heart of her identity, her shock and sense of betrayal were nearly enough to break her.


ALSO IN BOOKPAGE: Georgina Lawton shares her experience of transforming memory and truth, joy and pain, into her compelling memoir, Raceless.


Raceless is the personal narrative of Lawton’s struggle to create a new sense of self. It’s a thoughtful and far-reaching investigation of the importance of racial identity, covering a wide variety of issues including identity theft, the perils and pluses of DNA analysis, how beauty standards are used to repress women of color and the soul-destroying effects of microaggressions. Lawton writes about her journey with passion, erudition and more than a touch of sass. Most of all, she writes with searing honesty—about herself, her family and our society.

Ultimately Lawton’s story is one of reconciliation and redemption, which can only ever be achieved with truthfulness, and of the limitations of love. Her father lavished his love on her from the day she was born until he died from cancer, but his love also allowed her family’s deception to flourish. In this new chapter of her life, Lawton’s fearless quest for the truth enables her to forgive her mother and rebuild their love.

Beautifully and movingly written, Raceless is an important book about the cost of deception and the value of identity.

 

ALSO IN BOOKPAGE: Discover more great memoirs this Memoir March.

Georgina Lawton was born to a white mother and father. And yet, as we learn in the first pages of her eloquent memoir, Raceless, Lawton is not white.

“My anger against machismo started in those childhood years of seeing my mother and the housemaids as victims,” writes Isabel Allende in The Soul of a Woman, her reflection on how feminism has shaped her life. “They were subordinate and had no resources or voice. . . . My feelings of frustration were so powerful that they marked me forever.”

Allende, a fixture of Latin American storytelling since the publication of The House of the Spirits in 1982, is well qualified to deliver a feminist manifesto. Those who have followed her career are familiar with the number of times she has struggled defiantly to overcome roadblocks in her path. The House of the Spirits, which addressed the ghosts of Augusto Pinochet’s dictatorship, was rejected by Chile’s macho publishing culture. (Eventually it was published in Argentina instead, to great acclaim.) While many critics have praised her work, comparing her to Gabriel García Márquez, she’s also had many detractors, mostly male writers who seemed determined to dismiss her. In The Soul of a Woman, Allende describes these experiences and others that imbued her with the grit and tenacity that define her today.

Allende discusses her past matter-of-factly and directly, without losing her piquante humor. Her mother was an unconventional and vivacious woman who grew bitter under the heavy hand of patriarchy and misogyny. Allende decided to adopt a different way of life for herself, despite the misgivings of her mother and stepfather, the Chilean ambassador to Argentina. She details her career from its roots in feminist journalism through the literary pursuits that made her a success in spite of adversity and personal tragedy.

Ultimately Allende tells us of a life lived fully, for better or worse. The passionate choices she has made are boldly laid out without apologies in this slim volume. Allende even reflects on the twilight of her life, though it seems unbelievable that such a vibrant spirit could ever dim. But when it does, the blaze her life leaves behind will illuminate this world for decades to come.

 

In The Soul of a Woman, Isabel Allende describes the experiences that imbued her with the feminist grit and tenacity that define her today.
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In 1961, 16-year-old Margaret Erle fell in love, got pregnant and was sent to a Staten Island maternity home. She gave birth to a boy she named Stephen, but as an unwed mother, she wasn’t allowed to hold her child. She and her boyfriend, George Katz, were saving money to elope (against their parents’ wishes) and wanted to keep their son. Despite their repeated resistance, social workers forced them to sign away their parental rights, and their son was adopted by a loving couple and renamed David Rosenberg.

Fast forward to 2007, when journalist Gabrielle Glaser met Rosenberg in Oregon for an article she was writing about his kidney transplant. Rosenberg revealed that he hoped the article would somehow help him connect with his birth mother. Then in 2014, he called Glaser to say that he had finally located Margaret Erle Katz. George had passed away by then, but his birth parents had indeed married and had three additional children. Rosenberg jubilantly added, “She’s loved me my whole life.”

Glaser realized that Katz’s story represents the experiences of more than 3 million young women who became pregnant in the decades between World War II and 1973, the year that abortion became legal in America. Her resulting chronicle, American Baby: A Mother, a Child, and the Shadow History of Adoption, tells a heart-wrenching tale that will resonate with many.

“Stephen was part of a vast exercise in social engineering unlike any in American history,” Glaser writes. These closed adoptions made tracking down birth parents or adopted babies nearly impossible before DNA testing. To make matters worse, unscrupulous agencies often lied to both birth mothers and prospective parents. Rosenberg’s parents, for instance, were told that his birth mother was a gifted science student who wanted to continue college rather than become a mother. In truth, Katz longed for and worried about her son every day of her life—for a while they unknowingly lived just blocks away from each other in the Bronx—and her anguish rings loud and clear on the page.

The results of Glaser’s extensive research read like a well-crafted, tension-filled novel. Even though its form is vastly different from Dani Shapiro’s personal DNA memoir, Inheritance, both books deal with reconciling the past and uncovering long-buried secrets.

American Baby is a powerful, memorable story of “two journeys, a lifelong separation, and a bittersweet reunion” shedding light on a chapter of history that changed the lives of millions of Americans.

Gabrielle Glaser’s extensive research into adoptions that took place between World War II and 1973 reads like a well-crafted, tension-filled novel.
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Many Western consumers know that the cheap items we buy are made by people who are paid poorly. But fewer consumers know about the worshippers, political dissidents and others in China who are forced to make these items against their will.

In the fall of 2012, an Oregon mom was going through some Halloween decorations when something fell out of her package of styrofoam gravestones. It was a letter. She opened it up to find an anonymous plea asking the reader to report to a human rights organization about the Chinese forced labor camp where the decorations were made. Made in China: A Prisoner, an SOS Letter, and the Hidden Cost of America’s Cheap Goods by Amelia Pang is the story of that forced labor camp and the man who wrote the letter.

His name was Sun Yi. He was once an employed and happily married man, but because he was a Falun Gong practitioner (a meditation practice that the Chinese government considers a cult), he was sent to a forced labor camp called Mashanjia. China calls these camps laogai—“reeducation through labor” or “reform through labor.” In laogai, prisoners are forced to make goods that are sold around the world. Yi was kept at Mashanjia for several years, making decorations for nearly 20 hours every single day.

Readers should be aware that horrific violence occurs throughout the book. Pang's reporting provides an unflinching glimpse into the human costs behind our cheap products, and those costs include sexual assault, torture, maiming and death. There are descriptions of the extensive torture Yi endured in the camp, as well as a chapter that deals with forced organ donation.

Prior knowledge about China is not needed to understand Made in China. The book is an excellent entry-level explanation of Chinese religious and political history, and how human rights abuses intersect with billion-dollar businesses. Pang connects the dots between globalization, Western consumption and sustainability to create a clear, cohesive picture of the problem, as well as of potential solutions.

Made in China is an excellent entry-level explanation of Chinese religious and political history, and how human rights abuses intersect with billion-dollar businesses.

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