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All Suspense Coverage

In the latest novel by accomplished author Jean Hanff Korelitz (Admission, A Jury of Her Peers), which shares the title of its main character’s book, relationship challenges raise questions of how often we really know what’s best, whether living the life we’ve envisioned necessarily means we’re living it right, and how we overlook our instinctive responses to the people we meet.

Grace Reinhart Sachs’ cynicism toward the wedding industry understandably follows from her work as a couples’ therapist. If there were more emphasis on marriage and less on the wedding, she postulates, 50 percent of couples wouldn’t get married at all—likely the ones who shouldn’t have been together to begin with.

That philosophy is reflected in her self-help book, You Should Have Known, in which she argues that many women would have long ago ended their relationships, had they only followed their instincts. Grace is juggling her private practice and her son’s New York City private school demands while amping up for the book’s release. The fielding press inquiries from Vogue, Cosmopolitan, “The Today Show” and “The View.”

Then her life takes an unthinkable turn: Her own picture-perfect marriage is called into question. Although she cautions her patients and readers against love at first sight, that was her experience with her pediatric oncologist husband, whom she met during her senior year of college. Grace goes into a tailspin, questioning the man she’s known for more than a dozen years, as well as the relationship that defines all her interactions and her very worth as a counselor.

You Should Have Known is an insightful, compelling tale sure to provoke reflection.

In the latest novel by accomplished author Jean Hanff Korelitz (Admission, A Jury of Her Peers), which shares the title of its main character’s book, relationship challenges raise questions of how often we really know what’s best, whether living the life we’ve envisioned necessarily means we’re living it right, and how we overlook our instinctive responses to the people we meet.

“Cryptography involves one genius trying to work out what another genius has done—it results in the most appalling carnage,” observes one Decoded character. In this debut novel from Mai Jia, eccentric math prodigy Rong Jinzhen is plucked from his studies at N University and recruited to China’s top-secret Unit 701. There he’s tasked with deciphering PURPLE, a fiendishly difficult code used by China’s enemies. In doing so, he’s involved in an intellectual race against a shadowy opponent who’s bent on deciphering PURPLE before he does. His rival turns out to be his trusted former university mentor—or so it seems.

Despite a plot based on high-stakes political intrigue, Decoded is hardly a straightforward thriller. Instead, it begins as a family saga, narrating the lives of such figures as Jinzhen’s grandmother, a pioneering mathematics professor. Events are told out of order, through a combination of narration and after-the-fact interviews with key characters. The reader must wait to the end to find out who is telling this story, and why. And the tale builds to a final crisis that reveals the fragile nature of genius.

Along the way, it offers a fascinating window into 20th-century Chinese history, including World War II and Mao’s Cultural Revolution (one character is subjected to public humiliation as a supposed traitor to the Party). And it sheds light on a mysterious profession, one that conceals sense within nonsense, “as if a sane person had borrowed the words of a madman to speak.” Evocative metaphors convey the seductiveness of Jinzhen’s calling to even the math-averse. While some of the novel’s factual questions are ultimately answered, its psychological portrait of a brilliant man suggests that the human mind is the deepest enigma of all.

“Cryptography involves one genius trying to work out what another genius has done—it results in the most appalling carnage,” observes one Decoded character. In this debut novel from Mai Jia, eccentric math prodigy Rong Jinzhen is plucked from his studies at N University and recruited to China’s top-secret Unit 701.

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There’s nothing more peaceful than a 3 A.M. jog on an ocean boardwalk with waves lapping in the distance and no one around—or is there? In Runner, the debut novel in Patrick Lee’s new thriller series, retired special forces op Sam Dryden finds he’s not jogging alone but running for his life, along with a young stranger—an 11-year-old girl who’s fleeing from some smart, devious pursuers equipped with heavy-duty hardware including thermal imaging equipment, hovering helicopters and satellite access. Who are these guys? And what’s with the extensive dragnet? And why are they after an innocent child?

These are the question that readers find answers to, page by page, as Dryden employs all his former tactical knowledge to elude the forces arrayed against him and his small charge. How coincidental that he has all that special training—or is it?

It turns out that young Rachel poses a lot more danger than most 11-year-olds, and Dryden has to scramble to keep up with all the revelations about her special past and her amazing, wide-reaching capabilities. Right now Rachel can’t remember much more than her own name, but her memory is slowly returning, and with it her potential to affect others’ lives. Not only can Rachel read minds, but she has the ability to influence them. There are big players, corporate and governmental, involved in the race to get their hands on the power she possesses.

Runner is packed with scary, fast-moving action scenes, and it moves at breakneck pace as Dryden and Rachel parachute from high-rise buildings, hole up under a seaside boardwalk, play dodge-’em on a freeway and race across Utah’s high country to a deserted lake bed—deserted, that is, except for an odd, steel-framed cell tower rising from the emptiness.

All the repetitive action shots, shoot-outs, treachery, about-faces and devious characters threaten to turn Runner into just another run-of-the-mill thriller. It has “screenplay” written all over it, and as action shot turns into action shot, the story loses some of its punch as we wait for the next predictable take.

The good news, however, lies in the author’s skill in weaving this high-tech thriller. Runner pushes at the edges of science fiction and makes an outlandish and frightening scenario seem plausible—even probable—given the advancements in genetic knowledge and manipulation that are right on our human horizon.

There’s nothing more peaceful than a 3 A.M. jog on an ocean boardwalk with waves lapping in the distance and no one around—or is there? In Runner, the debut novel in Patrick Lee’s new thriller series, retired special forces op Sam Dryden finds he’s not jogging alone but running for his life, along with a young stranger—an 11-year-old girl who’s fleeing from some smart, devious pursuers . . .

Let’s get one thing straight: With The Weight of Blood, it’s clear that Laura McHugh is more than a pretender to the throne of the “rural noir” genre. If her dazzling and disturbing debut novel is anything to go by, she’s got her eye on the crown and has more than the necessary talent and skills to nab it for herself. Daniel Woodrell had better watch his back.

Lucy Dane has lived in Henbane all 17 years of her life, but she is ostracized by many of the town’s locals because of malicious rumors surrounding her mother, an exotic and bewitching outsider who disappeared without a trace when Lucy was just a baby. So when Lucy’s friend, Cheri, is found murdered, Lucy finds that the loss dredges up many of the long-buried questions about the day her mother wandered into Old Scratch Cavern with a pistol in hand and was never seen again. As Lucy digs deeper into what happened to Cheri, she begins uprooting the tenuous foundation of her own life—and discovers that some things may be better left lost.

The Weight of Blood is a tense, taut novel and a truly remarkable debut. McHugh, who moved to the Ozarks with her family as a preteen, elegantly interweaves the stories of Lucy and her mother, Lila, shifting between narratives to delicately ratchet up the tension and ensnare her audience, like a sly spider crafting a beautiful but deadly web. The pacing is swift, the writing redolent, and McHugh is not afraid to burrow into some very dark territory—readers will gasp in a mixture of surprise, horror and delight as pieces of her gruesome puzzle begin to slide into place. The Weight of Blood rewards its readers with a suspenseful thrill ride that satisfies in all the right ways.

 

ALSO IN BOOKPAGE: Read our Q&A with Laura McHugh for The Weight of Blood.

Let’s get one thing straight: With The Weight of Blood, it’s clear that Laura McHugh is more than a pretender to the throne of the “rural noir” genre. If her dazzling and disturbing debut novel is anything to go by, she’s got her eye on the crown and has more than the necessary talent and skills to nab it for herself. Daniel Woodrell had better watch his back.

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If you’re very observant and know a little something about the wilder shores of human genetics, then you may be able to figure out the big mystery of Carol Cassella’s new novel by, oh, page 260 or so. Oh yes, the title also gives one a hint as to what’s going on with one of the book’s well-drawn characters. But we should start at the beginning.

Gemini concerns a dedicated and humane doctor, Charlotte Reese, who comes to be the physician for an anonymous woman who is medevaced in from an impoverished Washington town to Dr. Reese’s Seattle hospital in the middle of the night. The Jane Doe is apparently a hit-and-run victim. Conscious when she was first found lying in a ditch by a road, she slips into a coma on the operating table after a fat embolism breaks loose from one of her broken bones and lodges in her brain. Part of the story concerns Charlotte’s struggle over whether to keep Jane Doe alive, or to let her pass on with some kind of dignity.

The other part of the story has to do with Charlotte’s boyfriend of three years, a writer who’s working on a book about genetics. He’s one of the folks in this book whose DNA doesn’t work the way it should. Having inherited neurofibromatosis, as a child he was subject to seizures and later developed benign brain tumors—yes, more than one. Charlotte, who’s desperate to have a child, doesn’t know if Eric’s a good prospect for fatherhood, as the risk of him passing down his affliction is almost a certainty.

But there’s still the problem of Jane Doe. Surely, with the whole world interconnected, she must have family; she must have someone who misses her. Cleverly but incrementally, Cassella—a practicing physician as well as an author—puts together the pieces of Jane Doe’s mystery even as she ponders, through Charlotte, the Big Questions. What is life, anyway? Is it simply one’s genetics? Does it have a purpose? What’s the best way to find love, happiness, peace? Is Jane Doe still in there somewhere, in her ruined, swollen, already decaying body?

As for the mystery’s solution: It explains much, but that’s all you’ll learn from this review!

If you’re very observant and know a little something about the wilder shores of human genetics, then you may be able to figure out the big mystery of Carol Cassella’s new novel by, oh, page 260 or so. Oh yes, the title also gives one a hint as to what’s going on with one of the book’s well-drawn characters. But we should start at the beginning.

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In 1894, Paris was rocked by the infamous Dreyfus Affair, which reverberated in France for decades after Captain Alfred Dreyfus was convicted of treason in “a monstrous miscarriage of justice.” Robert Harris’ new novel, An Officer and a Spy, builds on the riveting trial and its aftermath, perfectly demonstrating its anti-Semitic core and the sense of justice gone awry in a rigid military hierarchy.

Unjustly tried for allegedly passing defense secrets to the German embassy, Capt. Dreyfus was convicted of treason and imprisoned on notorious Devil’s Island, and it took several long years for him to be exonerated. Crucial to his eventual release was testimony from Colonel Georges Picquart, an officer in the French Ministry of War and later the head of the army’s secret intelligence service. Harris imagines the events in An Officer and a Spy from Picquart’s point of view, as he publicizes evidence that was long suppressed in the case.

The famous story highlights the timely—and timeless—dilemma faced by whistle-blowers of any era: Which should be honored, allegiance to one’s conscience or to one’s masters? The term whistle-blower is all too familiar in today’s headlines, and this meticulously researched historical novel magnifies the issues, receiving fresh, edge-of-the-seat treatment from Harris’ sure hand, whose previous historical novels have included the mega-bestsellers Fatherland, Enigma and Pompeii.

Originally strongly convinced of Dreyfus’ guilt, Col. Picquart begins to uncover evidence that calls into question the very basis of his military conviction, as he gains access to so-called “secret” evidence that at the trial was deemed “too sensitive” to reveal. In a plot worthy of the most intricate spy thrillers, Picquart discovers an enormous military cover-up and pays for that knowledge when he is silenced by a hurried transfer to a post in outlying Africa, far from the hub of Paris. In a series of thrilling events, his evidence finally reaches higher-ups known for their integrity, and Picquart eventually returns to Paris to offer testimony that helps free Dreyfus from incarceration.

Even with this information made public, Picquart pays for his stand. He is discharged from the army, denied a pension and even serves a prison sentence on trumped-up charges. But, as they say, truth will out. And this is the story of a man whose conscience won’t let him abdicate his responsibility to the truth—in short, a man who can’t let go, no matter the personal cost.

In 1894, Paris was rocked by the infamous Dreyfus affair, which reverberated in France for decades after Captain Alfred Dreyfus was convicted of treason in “a monstrous miscarriage of justice.” Robert Harris’ new novel, An Officer and a Spy, builds on the riveting trial and its aftermath, perfectly demonstrating its anti-Semitic core and the sense of justice gone awry in a rigid military hierarchy.

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Gritty downtown Boston and the awe-inspiring but unforgiving North Atlantic coast come to life in Elisabeth Elo’s debut suspense novel, North of Boston. Elo shows us the Eastern seaboard through the fiercely loyal, ceaselessly skeptical and fundamentally fearless eyes of Pirio Kasparov. When the lobster boat Pirio is working on is struck and sunk in Boston Harbor, killing her friend Ned and nearly killing Pirio, she doesn’t believe it was an accident. For her own sake, and for Ned’s 10-year-old son Noah, Pirio starts asking questions and doesn’t stop until she has looked everywhere for answers.

Elo maintains suspense throughout by making it unclear whom Pirio should trust with her inquiries. Can she depend on her moody Russian father, Milosa, head of a perfume empire? Old flame John Oster? The mysterious journalist who turns up at Ned’s funeral? Her best friend, Thomasina, Noah’s mother and a struggling alcoholic? Elo creates likable but flawed characters all around, which keeps us guessing right along with Pirio.

It’s hard to say which is the bigger star of the novel: Pirio or the places she goes. Elo evokes city bars, harbor politics and ocean voyages with equal ease. As much as Pirio belongs to the streets of her city, she’s also magnetically drawn to the sea. When Pirio boards a ship headed for the Canadian Arctic, we see the rocky coast and feel the sea spray right along with her. The later scenes in the whaling grounds of Cumberland Sound will both shock and inspire readers with their blend of realism and majesty.

While the tangled story behind Ned’s murder leads Pirio down so many paths that the ultimate connections between them all can feel a bit forced, readers will nonetheless be rooting for the doggedly determined Pirio right to the end.

Gritty downtown Boston and the awe-inspiring but unforgiving North Atlantic coast come to life in Elisabeth Elo’s debut suspense novel, North of Boston. Elo shows us the Eastern seaboard through the fiercely loyal, ceaselessly skeptical and fundamentally fearless eyes of Pirio Kasparov. When the lobster boat Pirio is working on is struck and sunk in Boston Harbor, killing her friend Ned and nearly killing Pirio, she doesn’t believe it was an accident.

BookPage Fiction Top Pick, February 2014

“The first time I saw a sleeper, I was nine years old.” Best-selling author Jennifer McMahon (Promise Not to Tell) opens her new novel, The Winter People, with a sentence that offers a tantalizing glimpse of the horrors to come in this marvelously creepy page-turner. 

Set in on a rural farm in West Hall, Vermont, this multigenerational paranormal tale alternates between the early 19th century and the present. In 1908, Sara Harrison Shea and her husband, Martin, are blessed with a little girl, Gertie, after many years of failed pregnancies and loss. Sadly, Gertie perishes in a terrible accident, and Sara seems to be out of her mind with grief. She believes that Gertie is still with her, appearing in strange places, whispering to her, even holding her hand—that is, up until her own untimely death.

More than 100 years later, Ruthie and her sister, Fawn, are living in Sara’s farmhouse with their mother, Alice. One morning, Alice is gone without a trace, and Ruthie and Fawn stumble upon Sara’s diary while searching for clues about their mother’s disappearance. It gradually becomes clear that Alice’s disappearance is related to Sara’s sad life and tragic death—and to her belief that Gertie had returned from the grave. Using Sara’s diaries, they embark on a journey to find their mother and, in turn, discover shocking truths. 

In The Winter People, McMahon gives readers just what they want from a good thriller: can’t-put-it-down, stay-up-until-dawn reading. In addition to being downright creepy, this novel is also a poignant reminder of what grief can drive humans to do. Lock your doors, check under your bed and soak up The Winter People, a legitimately chilling supernatural thriller. 

BookPage Fiction Top Pick, February 2014

“The first time I saw a sleeper, I was nine years old.” Best-selling author Jennifer McMahon (Promise Not to Tell) opens her new novel, The Winter People, with a sentence that offers a tantalizing glimpse of the horrors to come in this marvelously creepy page-turner. 

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Emma Burke wakes up in a hospital bed with no recollection of how she got there. Her husband, Declan, tells her that she is recovering from an accident that nearly killed her. Disoriented and confused, Emma can’t recall any firm details about what happened to her or who she is. Physically, Emma slowly regains her strength, but her memory is not as quick to recover. Declan stays by her side, helping to fill in the blanks. He tells her how in love they once were, and Emma begins to fall head over heels all over again. That is, until she begins experiencing frequent nightmares and hears a woman’s voice in her head—both warning her that Declan is not who she thinks he is. 

The voice advises her to keep her dreams a secret, and soon enough, Emma learns why. When Emma ventures outside of the hospital, the mystery of her accident and her old life begins to unfold.

Maryland author M.D. Waters has made a memorable debut with Archetype. The story is carefully paced, slowly doling out clues about Emma’s situation, until, like Emma, the reader is smacked with a bombshell of a twist (or two!). Futuristic and suspenseful, it ends with a big question mark that is sure to be addressed in the sequel, Prototype, to be published in July. Combining elements of science fiction, romance and mystery, Archetype is a novel that will appeal to almost everyone.

Emma Burke wakes up in a hospital bed with no recollection of how she got there. Her husband, Declan, tells her that she is recovering from an accident that nearly killed her. Disoriented and confused, Emma can’t recall any firm details about what happened to her or who she is. Physically, Emma slowly regains her strength, but her memory is not as quick to recover.

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When you are a rational human being, with free will and agency, is there any such thing as a point of no return? That’s the question Yvonne Carmichael finds herself asking after she’s charged with murder in this dark, intense, wholly engrossing British import, Apple Tree Yard.

A well-known London scientist, Yvonne has spent her life on the straight-and-narrow: successful career, two grown children, happy if ho-hum marriage. (“The reason he ambles into the kitchen and asks for his car keys is not that he is incapable of locating them himself; it is to remind me that after many years of marriage, he still loves me,” she muses during their morning routine.)

Then Yvonne meets a mysterious man while walking back to her office after a routine meeting, and begins an affair. She starts making dicey choices, including a public tryst in an alleyway called Apple Tree Yard with thousands of commuters walking by just a few feet away.

Later that night, Yvonne is the victim of a savage sexual assault, and soon suspects her attacker is stalking her. Going to the authorities would risk uncovering her affair, so she enlists her lover to help scare off the attacker. But things go horribly wrong, and suddenly this woman who has played by the rules all her life finds herself judged by a wholly different standard.

Novelist and journalist Louise Doughty is a masterful writer, improbably making Yvonne a sympathetic, insightful character even as she is cheating, lying and generally making the worst possible life choices. Doughty also perfectly captures the quiet details of domestic life, the erotic charge of a high-stakes affair, the crackling drama of a courtroom. She dispatches the notion that we are masters of our own fate, chillingly illustrating how quickly we can derail our own lives.

When you are a rational human being, with free will and agency, is there any such thing as a point of no return? That’s the question Yvonne Carmichael finds herself asking after she’s charged with murder in this dark, intense, wholly engrossing British import, Apple…

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When Gabrielle Fox, a 36-year-old therapist, takes a new position at the Oxsmith Adolescent Secure Psychiatric Hospital, she encounters Bethany Krall, a psychotic teen who murdered her own mother and now claims to foresee natural disasters. The relationship that develops between therapist and patient—in the midst of what appears to be the coming of the end of the modern world—is complex, intriguing and fascinating.

Gabrielle, a paraplegic confined to a wheelchair since a horrific accident involving her married lover (who died as a result of the car crash), has her own demons to exorcise. When she takes on the psychological care of the young woman who appears to be a weather psychic, the interactions between the two form the basis for more than just an eco-thriller. The Rapture is a psychological profile of a deeply disturbed and mournful woman, fighting to find a reason to go on living. Her encounter with a teen who has tried to take her own life helps Gabrielle focus her own survival instincts and move past her personal disappointments and losses.

When Gabrielle partners with physicist Frazer Melville to interpret Bethany’s electroconvulsive therapy-induced visions, she is surprised to find herself romantically involved with Melville. While Gabrielle discovers through their relationship that she is still a complete woman, they discover together that Bethany is correct in her predictions, and they must find a way to warn the world of an impending natural disaster—one larger than anything in the history of mankind.

This is Liz Jensen’s seventh novel. In past work she has tackled such subjects as embryology (Egg Dancing, 1995), using primates as substitute babies (Ark Baby, 1999), and—in what is widely considered her breakout novel (her fifth)—scientists confounded by the miraculous (The Ninth Life of Louis Drax, 2006). Jensen uses extraordinary premises to introduce readers to complex and interesting characters, and she uses the medium of fiction to illuminate fascinating moral dilemmas.

That the major twist at the end of The Rapture has more to do with Gabrielle and Frazer personally than with the doom of the modern world is fitting, since throughout the novel Jensen somehow manages to draw her readers into the idea that love and romance can exist in the midst of total devastation and destruction.

The Rapture is a must-read for environmentalists, spiritualists, romantics, eco-scientists and everyone in between.

Emily Booth Masters reviews from Nashville.

 

When Gabrielle Fox, a 36-year-old therapist, takes a new position at the Oxsmith Adolescent Secure Psychiatric Hospital, she encounters Bethany Krall, a psychotic teen who murdered her own mother and now claims to foresee natural disasters. The relationship that develops between therapist and patient—in the…

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In Death of a Nightingale, the melancholy and triumphant third installment in the Nina Borg series by Danish duo Lene Kaaberbøl and Agnete Friis, desperation, extortion and murder push emotionally raw characters to their limits.

Nina Borg, a Red Cross nurse, has a compulsive sense of social justice that has left her haggard and estranged from her husband and children. She simply can’t say no, and she finds herself involved in an especially dangerous case concerning Natasha, an illegal Ukrainian immigrant, and her daughter Rina. Sent to jail for the attempted homicide of her fiancé, Natasha escapes custody and is concerned only with one thing: getting her little girl back. But Natasha isn’t the only one after Rina.

Natasha is the perfect example of an innocent pushed beyond her limits. After years of lies, abuse and time spent in jail, the once-naïve and compliant Natasha turns primal and ravenous in the hunt for her daughter. This time, nothing will get in her way.

As Nina becomes more invested in the case, she finds herself tangled in something much larger than she could have imagined. A bloody tale, beginning back in 1934 Stalinist Ukraine, has fatal consequences for those who unearth the secrets that were long put to rest.

Death of a Nightingale is a masterfully written mystery that seamlessly blends several stories from different time periods into one jaw-dropping standstill, giving the reader just enough time for a gasping breath before the story charges on.

In Death of a Nightingale, the melancholy and triumphant third installment in the Nina Borg series by Danish duo Lene Kaaberbøl and Agnete Friis, desperation, extortion and murder push emotionally raw characters to their limits.

Nina Borg, a Red Cross nurse, has a compulsive sense of…

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Skulls, feathers, claws and winged flight—all are part of an ongoing scientific controversy about the evolution of birds that winds through the pages of Danish author S.J. Gazan’s absorbing debut thriller, The Dinosaur Feather. When the bones of this contentious argument get mixed up with the time-honored academic battles for tenure and research grants, it all leads to murder.

Postgraduate biology student Anna Bella Nor is ready to defend her Ph.D. thesis, one she hopes will add significantly to the argument in the science community about whether contemporary birds evolved from dinosaurs. But her thesis supervisor is found dead with a copy of Anna’s dissertation in his lap, while her second advisor, a brilliant but eccentric specialist at a Copenhagen museum, has taken to hiding from the world in his dark office full of fossils and avian bones.

The murder, committed by means of an ugly parasitic infection that took months to develop, introduces a lengthy timeline of premeditation and sends in police superintendent Søren Marhauge, who sets out to penetrate this academic world full of jealousies and murderous intent. Dubbed by Anna as the “World’s Most Irritating Detective,” he haunts the sacrosanct halls of academe, widening his search to include experts in parasitology. Another death, this time one of Anna’s young colleagues, throws her into a tailspin—and it seems she may be in danger as well, after neighbors report a strange man lurking near her apartment.

The Dinosaur Feather contains lengthy excursions into the characters’ backstories. In some books these flashbacks might make an unwelcome break in the action, but here the earlier frames provide substance and connections to bring this compelling story to life. Each character’s intriguing history rounds out the whole, and they combine for a spirited and satisfying conclusion.

Occasional odd cadences of language and mood are a reminder to readers that the book is translated from the Danish by Charlotte Barslund. Far from being a distraction, however, the sometimes-singular turns of phrase provide a distinctive slant that enhances readers' appreciation of the story—and make the reader refreshingly aware that the author created all this in a different language. The Dinosaur Feather was named the Danish Crime Novel of the Decade, and it seems sure to attract rave notices here.

Skulls, feathers, claws and winged flight—all are part of an ongoing scientific controversy about the evolution of birds that winds through the pages of Danish author S.J. Gazan’s absorbing debut thriller, The Dinosaur Feather. When the bones of this contentious argument get mixed up with…

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