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All Suspense Coverage

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Author Hallie Ephron’s third novel of suspense, There Was an Old Woman, hits all the right notes. As a respected mystery book reviewer for the Boston Globe and one of a talented literary foursome with sisters Amy, Delia and the late Nora Ephron, Hallie Ephron knows just how to tingle the spine or raise the hair on the back of your neck.

After Evie Ferrante’s alcoholic mother is hospitalized after yet another fall, Evie reluctantly travels from Manhattan to clean up her mother’s cottage at Higgs Point, where Evie and her sister grew up. It’s a spit of land at the southern tip of the Bronx between the East River and Long Island Sound, and Ephron atmospherically describes the marshy, semi-wild area in a gripping tale that skillfully connects past and present events.

Hallie Ephron knows just how to tingle the spine or raise the hair on the back of your neck.

Even as Evie notes the impoverished atmosphere and derelict condition of the house, she knows that something else is amiss. She finds an envelope with nearly $2,000 stashed among her mother’s possessions, and what’s with the case of expensive liquor—not the cheap kind her mother always buys? Looking beyond the front yard, she sees a growing number of empty lots where homes used to stand, and learns that some of the owners, though elderly, appear to have met a somewhat unexpected and premature death.

As Evie gets reacquainted with her mother’s elderly neighbor, Mina, the two form an unspoken alliance that will eventually uncover the lies and deception that have held the neighborhood hostage and led to its neglect. The beautifully drawn character of Mina portrays both the vulnerability and wisdom that comes with age, with many memorable portions written from her point of view. Mina’s long-held secrets provide a key to understanding the puzzle at Higgs Point, and she forges an important link with Evie’s life in the present.

Evie runs into Finn, an old childhood flame, and the attraction is rekindled. He adds another twist to the plot, as he is the leader of the Soundview Watershed Preservation neighborhood group that’s working to save the marsh and retain the area’s rural character. An aura of menace pervades, throwing into high relief the ongoing battle between the forces of preservation and those of unfettered development. There Was an Old Woman combines a unique storyline with characters that will stay in your mind long after you’ve put the book down.

Author Hallie Ephron’s third novel of suspense, There Was an Old Woman, hits all the right notes. As a respected mystery book reviewer for the Boston Globe and one of a talented literary foursome with sisters Amy, Delia and the late Nora Ephron, Hallie Ephron…

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Looking at the premise of Andrew Pyper’s sixth novel, The Demonologist, you could be forgiven for thinking you’re about to crack open another Da Vinci Code imitator, a sensationalistic voyage of carefully placed clues, perfectly timed cliffhangers and impossible revelations. Don’t fall for it. In these pages, Pyper has done something more. Though it’s certainly a solid thriller with plenty of page-turning power, The Demonologist is at its heart a painfully human drama about loss, redemption and belief.

A gripping human drama with the pacing of a thriller, Andrew Pyper’s latest novel is a surprisingly weighty page-turner.

David Ullman is a prestigious professor specializing in biblical literature and tales of demons, and one of the world’s foremost experts on John Milton’s epic poem of heaven and hell, Paradise Lost. Though religious literature is his specialty, David doesn’t believe a word of it. His interest is unshakably academic, until a woman visits his office with a strange proposition. Just days later, tragedy strikes, and David finds himself battling dark forces and a ticking clock in a desperate effort to get his daughter Tess back. Along the way everything he thinks he knows about demons will be challenged, and everything he’s sure of in the world will be tested.

With its dark mysteries and race against time, The Demonologist has all the trappings of a supernatural thriller, and has already been optioned for film. The “man forced to save his daughter” plot is nothing new, nor is the “skeptic encounters shattering revelations” plot, but in combining them Pyper finds something special. Though he never loses the taut quality of his tale, he allows his characters to take center stage, giving the book a remarkably intimate feeling that many other thrillers of its kind lack.

Readers of hardcore thrillers with supernatural overtones will find there’s a lot of fun to be had between the covers of The Demonologist, but those in the mood for something a little meatier will be satisfied as well. This is a surprisingly weighty page-turner.

Looking at the premise of Andrew Pyper’s sixth novel, The Demonologist, you could be forgiven for thinking you’re about to crack open another Da Vinci Code imitator, a sensationalistic voyage of carefully placed clues, perfectly timed cliffhangers and impossible revelations. Don’t fall for it.…

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FBI. CIA. LSD. JFK. USSR. If an acronym associated with the 1960s comes to mind, it’s likely to make an appearance in Shift. From acid-induced mind control to covert operations in Cuba, from a missing nuclear weapon to mass hallucinations, Shift runs a gamut that your inner conspiracy theorist will find delightful and provocative. Ever wonder if Timothy Leary was more than just a drug-addled ’60s cliché? Want to know who supplied JFK with his acid? All these, and many more, questions are considered with a wry aplomb that will keep skeptics on their toes and give the “what if” crowd enough ammunition for years to come.

Melchior, one of three “wise men” recruited by a CIA operative known as The Wiz, claws his way out of a newly sanctioned 1963 Cuba and back to his “Company” progenitors, only to find that he has been quietly swept under the rug and forgotten. Meanwhile, a Persian prostitute blackmailed by a CIA operative into giving various government targets covert doses of LSD finds that her latest mark—a career student with family ties in high places—holds the key to vast mental powers unlocked by the mind-altering properties of LSD. Add to this a freshly minted—and recently disenfranchised—FBI agent blindly seeking an answer to a question he doesn’t understand and you have the recipe for a massive, out-of-control conspiracy so unreal it almost sounds credible.

With its disparate but always converging narratives, reading Shift is like fighting a featherweight boxer. Always moving, constantly on its toes, it peppers you with small punches until, eventually, you succumb and it delivers the knockout. But oh, what a fight, and certainly one that is enjoyable and frenetic from start to finish. Written in deceptively simple language, luscious descriptions of everything from hallucinations to childhood memories to the fit of a dress on the Persian temptress spring from the page in a way that is evocative of the ’60s while also managing to stay out of the way of the sheer mania contained within the pages. For an engaging romp through the ’60s that never were, look no further than Shift.

 

FBI. CIA. LSD. JFK. USSR. If an acronym associated with the 1960s comes to mind, it’s likely to make an appearance in Shift. From acid-induced mind control to covert operations in Cuba, from a missing nuclear weapon to mass hallucinations, Shift runs a gamut that…

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Who knows better than “us girls” how cruel young women can be, especially to one another? Perhaps you remember, some years back, the mean and awful dealings amongst the ladies in books such as Margaret Atwood’s Cat’s Eye.

Megan Abbott’s heart-stopping new novel, Dare Me, ups the ante on girl competition and angst, dropping readers into today’s high school milieu, complete with deceit and bullying, dangerously updated in high-tech fashion. Written in insistent, startling prose, the tense narrative excels at dramatic imagery as we step into a world where at times we wish we could avert our eyes. The reckless plot never lets up and will get under your skin.

Dare Me introduces readers to a group of elite, varsity cheerleaders who don’t seem to have anything truly useful to do with their toned, bulemic bodies except continue to abuse them. The hard-driving squad has a new coach, and her arrival unseats Beth, a student, from the top of the control echelon. The other girls fall under the spell of the calm and perfectionist Coach Colette French, who’s poised to challenge the team to a whole new level of gymnastic excellence.

Poised on the edge of beauty and darkness, Dare Me is a book you won’t soon forget.

What happens when this teenage hierarchy is thrown into disarray, and control slips from one person to another? Mix drinking, drugging and dieting with the high-tech communication devices these teens can’t escape, and you get a volatile and claustrophobic mix where chips are indeed going to fall. In a tightly constructed series of ominous scenes, Abbott produces a dark story that culminates in a disaster readers knew would occur, as cell phones vibrate back and forth like cunning, insistent hearts. 

And speaking of falling, what about the high-flying new 2-2-1 pyramid routine that Coach is training the girls for? Who will soar and who will fail? We’re left with the nagging, unanswered question of what exactly drives these young women, and what might give their lives a lighter hue. As it is, they badly want to be an organic part of their small, compact troupe. Coach urges them on: “A pyramid isn’t a stationary object. It’s a living thing. . . . The only moment it’s still is when you make it still, all your bodies one body, until … we blow it all apart.”

Poised on the edge of beauty and darkness, Dare Me is a book you won’t soon forget.

Who knows better than “us girls” how cruel young women can be, especially to one another? Perhaps you remember, some years back, the mean and awful dealings amongst the ladies in books such as Margaret Atwood’s Cat’s Eye.

Megan Abbott’s heart-stopping new novel, Dare Me, ups…

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The final volume of Stieg Larsson’s Millennium trilogy, The Girl Who Kicked the Hornet’s Nest, finds neo-punk and genius hacker Lisbeth Salander recuperating from a bullet to the brain. She’s in no hurry to get better: A multiple-murder trial awaits her recovery. She has wreaked vengeance on her tormentors, who conspired to imprison her for most of her teen years. A few are dead, and the rest are scurrying to cover their tracks and somehow neutralize her before she can incriminate them. So was it murder, or self-defense? Or is there just the slightest possibility that Salander is, if not entirely innocent, at least not guilty in the eyes of the law?

Helping Salander from outside is renegade journalist Mikael Blomkvist, at times the focus of Salander’s affections, and more recently the object of her unbridled loathing. Blomkvist isn’t exactly sure how he fell from her graces, and she has not been forthcoming with the answer; indeed, she rebuffs his every advance. And so this uneasy pair labors, sometimes at odds, sometimes in parallel, in pursuit of Salander’s freedom.

The Girl Who Kicked the Hornet’s Nest neatly ties together all the loose ends from the previous two cliffhangers, yet it still leaves the reader yearning for more. At the time of his death, Larsson left behind an unfinished manuscript of what would have been the fourth book in the series, and synopses of the fifth and sixth. Sadly, we will probably never see them, at least not as the author intended.

The final volume of Stieg Larsson’s Millennium trilogy, The Girl Who Kicked the Hornet’s Nest, finds neo-punk and genius hacker Lisbeth Salander recuperating from a bullet to the brain. She’s in no hurry to get better: A multiple-murder trial awaits her recovery. She has wreaked…

Every woman has an ex-lover she would rather forget. Catherine Bailey knows the feeling all too well: Prior to Lee Brightman, Catherine was carefree, with a tight circle of friends, and enjoyed frequent nights out on the town filled with dancing, drinking and the occasional tryst. When she attracts the attentions of sexy and captivating Lee, she cannot believe her luck. But as their relationship deepens, Lee’s dark side begins to emerge, leaving Catherine unbalanced, alone and fearing for her life.

Years after their relationship has violently ended, Lee has made indelible marks on Catherine’s body and her mind. Suffering from obsessive-compulsive disorder wrapped in a layer of post-traumatic stress disorder, she is ruled by constant anxiety and compulsive behaviors that keep her locked away from the rest of the world, chained down better than any torture Lee could have devised. Catherine has long felt that no matter how far she runs, she will always carry Lee with her and that it is only a matter of time before he finds her.

Elizabeth Haynes has made quite an entrance into the world of literary thrillers: Into the Darkest Corner was named Amazon U.K.’s Best Book of 2011 and the film rights have already been purchased. The acclaim is well earned, as Haynes is a master at building tension to unbearable heights, and her thorough and thoughtful exploration of the psychological fallout of abuse adds a unique layer to the story. Having worked as an intelligence analyst for the police, Haynes mines her extensive experience to write with an authority and vividness that makes the story frighteningly real. Readers, take heed: This novel does not pussyfoot around the reality of domestic violence, but instead pays testament to it in exceedingly graphic detail. Dark and twisted, Into the Darkest Corner is a terrifying thriller, and the only breaks you’re likely to take while reading it will be to triple-check the locks on your doors and windows.

RELATED CONTENT
Read an interview with Elizabeth Haynes about Into the Darkest Corner.

Every woman has an ex-lover she would rather forget. Catherine Bailey knows the feeling all too well: Prior to Lee Brightman, Catherine was carefree, with a tight circle of friends, and enjoyed frequent nights out on the town filled with dancing, drinking and the occasional…

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In his latest gripping crime novel—the first in a series—Tom Piccirilli introduces the Rands, a family of small-time thieves and card sharps who frequently run up against the law but are seldom prosecuted . . . and who seldom resort to violence. Until five years before the novel opens, that is, when Collie Rand (family members are named after dog breeds) goes on a bizarre rampage one evening and murders eight people, including a family of five vacationing in a mobile home, a gas station attendant and an elderly woman.

Since then, Collie’s brother Terry (short for Terrier) has gone straight—moving out West, working on a ranch, and trying to deal with the shame, guilt and rage that still haunt him daily. But just days before Collie’s scheduled execution, the family summons Terry home, telling him that the brother with whom he has had no contact since that horrific night wants to see him.

Collie wants Terry to help prove that Collie is innocent of the last of the murders for which he was found guilty—the strangulation of a young woman in a park. Not only does he want to be absolved of that one crime, he also worries that the real murderer may still be at large.

Piccirilli has won two International Thriller Writers Awards and been nominated for the Edgar Award, considered the most prestigious award in the mystery genre. With The Last Kind Words, he deftly blends the mystery element of a possible serial murderer with the relationships within this unique family, where criminal dexterity is passed on from one generation to the next like athletic prowess or a talent for music. Each worries that any one of them could suddenly be overwhelmed by “the underneath,” as Collie was that one unfathomable night. Full of atmosphere and featuring a fascinating cast, this is a true find for lovers of literary mystery.

In his latest gripping crime novel—the first in a series—Tom Piccirilli introduces the Rands, a family of small-time thieves and card sharps who frequently run up against the law but are seldom prosecuted . . . and who seldom resort to violence. Until five years…

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Grace and Mike Covey are living a charmed life in contemporary London—she’s a part-time journalist for a local paper, and he’s a sought-after BBC filmmaker. Their son Adam is enrolled at the posh Sidley House Preparatory School; their daughter Jenny, 17, is working there as a temporary teaching assistant after failing her A-levels, and trying to decide whether to attempt them again.

On Adam’s eighth birthday—also Sports Day for the elementary students—a fire breaks out on the school’s second floor, quickly engulfing the old building. Grace, a volunteer mom that day, realizes Jenny is still inside on the upper floor, and rushes into the building to try and save her. When the ambulance arrives, they are both whisked off to the ICU—Jenny badly burned, with serious damage to her heart, and Grace in a coma.

Using a unique literary device, author Rosamund Lupton allows these two main characters to escape their unconscious bodies—to move around and communicate with each other, though no loved ones or medical staff see anything but their severely damaged physical selves, bedridden and mute.

When Grace hears Sarah, Mike’s sister and a police detective, tell him that the fire was arson, she begins to connect that horrific act to the hate mail Jenny had received over the last few months—some of which she had neglected to reveal to Mike. In her out-of-body state, Grace follows Sarah as she interviews potential suspects, and soon realizes that Jenny is still the arsonist’s target.

In Lupton’s debut, Sister, she wrote of the bond between sisters: one whose death was called a suicide, the other struggling to disprove that charge. In her second family-centered thriller, she explores the fierce love of a mother for her children, while at the same time unraveling a case of attempted murder fueled by jealousy and a history of abuse. With its hint of a Jodi Picoult family saga blended with an eerie Ruth Rendell mystery, Afterwards should appeal to readers of both genres.

Grace and Mike Covey are living a charmed life in contemporary London—she’s a part-time journalist for a local paper, and he’s a sought-after BBC filmmaker. Their son Adam is enrolled at the posh Sidley House Preparatory School; their daughter Jenny, 17, is working there as…

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Christian novelist Frank Peretti, author of This Present Darkness, Piercing the Darkness and many others, writes about the fascinating blend of physics, enduring love, time travel and faith in Illusion, his first book in seven years.

For 40 years, Dane and Mandy Collins shared a deep love as well as a magic act—until Mandy was killed in a car crash. Dane is left floundering as he seeks to come to terms with his wife’s death and rebuild a life in Hayden, Idaho. Meanwhile, Mandy awakens as a 19-year-old in 2010, even though she was born in 1951. New technologies like cell phones and computers are a mystery to her, and really, all she wants to do is find the (long gone) family farm and her father. Instead, Mandy is held at the Behavioral Health ward of the Spokane County Medical Center on suspicion of mental incompetence.

While held at the facility, Mandy discovers some very unusual powers, including one that enables her to walk out of the building undetected. Maintaining a low profile, Mandy makes her way to Hayden, where she also begins the slow process of building a new life. Fascinated by magic and struggling to make a living as a street performer, Mandy—who now calls herself Eloise—receives some helpful advice from Dane, thus beginning their frequently rocky acquaintance. Dane was warned about the possibility of his mind playing tricks on him, but Eloise bears an uncanny resemblance to his beloved wife. Grudgingly, Dane begins mentoring Eloise, who is just learning about her magical capabilities, like the ability to mentally control objects. While powerful forces rally against Eloise, the mentor and protégé plan a spectacular magic act, the likes of which has never been seen before. But will Eloise be strong enough to survive it?

Illusion is both a mystery/sci-fi story and a sweet tale of timeless love between 60-year-old Dane and the now-teenaged Mandy, although nonbelievers may have difficulty with the obvious Christian message at the novel’s heart. The science behind the plot is sketchy at best, yet that does not take away from the reader’s enjoyment of the story. Excellent character development, a smooth pace and an unusual twist to the time travel theme make for a strong cross-genre story with a satisfying conclusion.

Christian novelist Frank Peretti, author of This Present Darkness, Piercing the Darkness and many others, writes about the fascinating blend of physics, enduring love, time travel and faith in Illusion, his first book in seven years.

For 40 years, Dane and Mandy Collins shared a deep…

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Available Dark is dark, all right. It almost seems as if author Elizabeth Hand is not so much penning a novel as sending a series of cries into the night.

Hand’s main character, Cass Neary, first appeared in the cult hit Generation Loss, and here she has returned in a blistering story that will sear the pages from your fingers. Cass is now a weary middle-aged alcoholic and speed freak who lives on the very edge, her promise as a photographer faded after her one brilliant book, Dead Girls, spiraled briefly into the limelight.

Rewards for the reader are found in the author’s prose, brilliant and acute.

From her bleak corner of Manhattan, Cass responds to an e-mail from a mysterious client in Finland, a collector of the macabre and murderous—a genre Cass is immersed in and drawn to. The collector wants Cass to assess the value and provenance of a small cache of black market photographs taken by an iconic photographer with an “eye for the beauty in extinction.” Cass views the group of five photos depicting violent death scenes, and verifies their authenticity by phone with her client. Later that day she leaves Helsinki on a flight to Iceland, following up on another obsession: the search for a long-ago lover. Iceland overwhelms Cass; she thinks: “The whole … country was like The Birds, if the birds had won.” Once in Reykjavik, she finds herself in escape mode after she learns that both the collector and the iconic photographer have been brutally murdered, and the photo studio destroyed.

There’s no respite on any page in this dark story, as Cass works to save herself and unravel the deadly skein that binds together a handful of people involved in the creation of the photo death scenes. The desolate, perpetual twilight of Iceland’s terrain lends itself to the telling of this tale, which is peopled with a stunning cast of characters—from Quinn, the hollow-eyed lover of Cass’s youth; to an albino dealer in cult recordings; to a reclusive former black metal guitarist who inhabits a Quonset hut in remotest Iceland with his collection of artifacts and Icelandic folklore, and who speaks in a voice “so deep it was as though the stones spoke.”

There are no happy endings in Available Dark. However, rewards for the reader are found in the author’s prose, brilliant and acute, shot through with glimpses of humanity that may come to inhabit your dreams.

Available Dark is dark, all right. It almost seems as if author Elizabeth Hand is not so much penning a novel as sending a series of cries into the night.

Hand’s main character, Cass Neary, first appeared in the cult hit Generation Loss, and here she…

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The author of such critically acclaimed books as Aquamarine and Lucky in the Corner, Carol Anshaw returns with a sure-to-be breakout novel, Carry the One. Between the opening, at a country wedding, and the ending, at an unfortunate funeral, Anshaw tells the story of three siblings who are bonded together not only by blood, but also by the tragedy of having accidentally run over an unknown girl.

Carry the One begins with Carmen and her spur-of-the-moment hippie wedding. She is unexpectedly pregnant, yet eager to begin her life with Matt. However, Carmen’s sister Alice and their stoned brother Nick (along with his postal-worker girlfriend Olivia) manage to take the night in a different direction on their ride home, when Olivia (the driver) accidentally strikes and kills a young girl. The ensuing, interlocking stories follow each of them in the aftermath of this catastrophic event.

Readers will become invested in Alice, the soon-to-be-famous painter who not only struggles with emerging from the shadow of her misogynist, famous father, but also carries an endless torch for Maude, Matt’s sister. Their battle of a love affair rises and falls over the years, as their careers—Maude’s as an actress and Alice’s as an artist—take turns eclipsing the other person’s role in their lives. While Olivia—after taking the rap and being sent off to jail—becomes straight edge, it is Nick who is most haunted by the death they inadvertently caused. He squanders his genius in astronomy with endless cycles of alcoholism and addiction. And the eldest, Carmen, struggles to remain true to herself as a political women’s activist in her faltering marriage.

These stories perfectly capture the changes within the characters as they grow older, shedding their more light-hearted attitudes toward sex, drugs and work. Tied together by that roadside tragedy, this makeshift family struggles to protect and support one another through heartbreak, addiction and even violence.

Anshaw’s prose in Carry the One is delicate and effortless, flowing from one beautifully believable scene to another. Its quiet power lies in her observation of how easy it is to destroy something and how much effort it takes to focus on keeping everything—and everyone—together.

The author of such critically acclaimed books as Aquamarine and Lucky in the Corner, Carol Anshaw returns with a sure-to-be breakout novel, Carry the One. Between the opening, at a country wedding, and the ending, at an unfortunate funeral, Anshaw tells the story of three…

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Surprise may be the last thing readers expect from the third book in a trilogy. Then again, when a trilogy is as unpredictable and riveting as Tom Rob Smith's Child 44 series, set as it is both in the harsh Russian landscape and the dense thicket of the human soul, expectations quickly evaporate in a page-turning frenzy.

Agent 6 sends former Soviet secret police agent Leo Demidov forward in time to 1965. It's been 13 years since he stalked a serial killer in Child 44 and a decade since he saved one of his two adopted daughters from a vicious female gang leader in The Secret Speech. Having reached an uneasy truce with his horrific past, Leo and wife Raisa strive to be good Moscow parents and model citizens as they walk a narrow political line in post-Stalinist Russia.

Their new normal comes suddenly unglued, however, when Leo's wife and daughters depart for New York on a youth "Peace Tour" designed to foster relations with their Cold War enemies. Since Leo is not allowed to leave the country, he can only wait and worry—for good reason, it turns out. Something does go terribly wrong on the tour, so wrong that it will take Leo the rest of his life to come to terms with it.

Driven to find out what happened in New York, trying every trick in his extensive arsenal to escape to the West and hunt down the answers, Leo eventually accepts a suicide mission to train a new Soviet-style secret service in Afghanistan in the 1980s. When this opium-fueled self-exile ultimately presents him with a once-in-a-lifetime opportunity, Leo fights his way to New York, only to find that the answers he seeks pose a moral dilemma unlike any he's ever encountered.

Smith, a young British screenwriter turned best-selling novelist, has created in Leo Demidov a Kafkaesque modern hero for our times, a good man trapped in a corrupt, manipulative system, forced to choose between loyalties to family, country and conscience. With a cinematographer's eye for settings and historical detail, Smith uses Leo's journey to examine larger issues, especially the political, social and religious systems that both unite and divide us.

Like the previous novels, there are moments in Agent 6 that seem to burn on the page with Leo's heartbreak and longing. That's a most generous return for our emotional investment into this troubled, fascinating Everyman, and one readers will look forward to in whatever comes next from his gifted young creator.

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Author Tom Rob Smith goes Behind the Book with Agent 6.

Read an interview with Smith about Child 44.

Read a review of The Secret Speech.

Surprise may be the last thing readers expect from the third book in a trilogy. Then again, when a trilogy is as unpredictable and riveting as Tom Rob Smith's Child 44 series, set as it is both in the harsh Russian landscape and the dense…

Like many a literary gumshoe before him, private investigator Ray Lovell has a weakness for women, strong liquor and hard-luck tales. Thus, the tortured hero of Stef Penney’s luminous second novel, The Invisible Ones, finds himself swept up in the mystery and mayhem of a pack of traveling Gypsies when he is hired to find a young Romany woman, Rose Janko, who has disappeared from northern England without a trace.

To those with a penchant for Romany-themed literature—books like Colum McCann’s Zoli, for example—The Invisible Ones is sure to prove enchanting. For this reader, it was absolutely impossible to put down. From the opening chapter, when Ray awakens in a London hospital bed, stricken by hallucinations and paralysis, Penney’s formidable literary gifts will hypnotize readers. The tale is told as a dual narrative, in chapters that alternate between the musings of middle-aged private investigator Ray and the angst-drenched reflections of an adolescent boy, JJ. Torn between his love and loyalties for his Gypsy/Romany family and his fervent desire to assimilate with his gorjio—non-Romany—peers at school, JJ portrays his plight with a young boy’s curiosity, wit and idealism.

Ray, who is half Romany himself, finds himself forced to reckon with ghosts from his past as he investigates the Jankos. Simultaneously smitten by and wary of the inhabitants of this mystical netherland of hardscrabble trailer homes, Ray forges a friendship with JJ, providing the youngster with a much-needed male role model, and himself with a sense of fatherhood.

While the novel’s rich subplots are brimming with romance, family pathos and details of Romany culture, The Invisible Ones remains a mystery at heart. Author Penney, who lives in Scotland, won the Costa Award for Book of the Year with her 2007 debut, The Tenderness of Wolves, set in 1860s Canada. Her very different but equally absorbing second novel is sure to mesmerize readers from page one until its shocking, albeit deeply satisfying, ending.

Like many a literary gumshoe before him, private investigator Ray Lovell has a weakness for women, strong liquor and hard-luck tales. Thus, the tortured hero of Stef Penney’s luminous second novel, The Invisible Ones, finds himself swept up in the mystery and mayhem of a…

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