Sam Keller, a corporate auditor for pharmaceutical giant Pfluger Klaxon, is used to business travel, but his next trip will be far from routine. In Dan Fesperman’s new thriller, Layover in Dubai, Sam’s trip turns nightmarish when Nanette Weaver, vice president of corporate security and investigations, enlists him to rein in colleague Charlie Hatcher while between flights in Dubai. Charlie’s overindulgences in booze and women have embarrassed the company and placed newly acquired assets in Dubai at risk.

When Sam and Charlie arrive in Dubai, Sam acts as chaperone during a night out, only to discover Charlie’s adventures seem less seedy than Weaver had conveyed . . . until their last night in town, that is, when Charlie drags Sam to the York Club, a bar and brothel. At the club, Charlie disappears with a prostitute into the building’s bowels, only to turn up murdered in one of the club’s offices within the hour.

When Sam falls under suspicion, detective Anwar Sharaf comes to his aid. Sharaf is assigned to investigate fellow officers purported to be working with Russian mobsters, including the one investigating Charlie’s murder, Lt. Hamad Assad. When Sharaf sees Sam is innocent and suspects Assad is connected to the crime, he follows Sam into a rabbit hole of murder, mobsters and madams of ill repute.

After the first body drops, Fesperman delivers standard thriller fare: crooked cops, double-crosses, chases, evasions and narrow escapes. However, he enhances and elevates the story with his exotic setting; clearly Fesperman’s travels in the Persian Gulf—he was a reporter during the first Gulf War—have played a huge role in shaping this novel. Dubai, seen through Sam’s eyes, is as alien as a sci-fi spaceport: a city set in an exotic desert landscape, where tourists visit its bustling malls and bundle up to ski on artificial snow. Layover in Dubai primarily succeeds because of its setting, an alien culture expertly presented; but Sam, an average Joe rather than spy or detective, whose only resources are his wits and Sharaf’s considerable help, also adds to its charm. This is a fast-paced thriller that’s perfect for adrenaline junkies looking for a satisfying read to keep them on their toes.

Much to the delight of his fans, the brilliant, fabulously wealthy, king of cool FBI Agent Aloysius Pendergast is back in action and out for revenge. Pendergast, the brainchild of best-selling coauthors Douglas Preston and Lincoln Child, has been the driving force behind 13 previous novels, including Relic, Dance of Death and The Book of the Dead (the only books in the series that the authors recommend reading in sequence).

Their latest book, Fever Dream, is a stand-alone read that exemplifies the authors’ mastery of the suspense genre. The story unfolds as Pendergast and Helen—his much-beloved wife of two years—are relaxing at the end of an African safari. Their peaceful moment is interrupted when Pendergast is summoned to kill a rogue, man-eating lion and Helen—who is a crack shot—goes with him. She is killed during a vicious attack, but an emotionally scarred Pendergast survives the tragedy. Some 12 years later, he discovers that her weapon had deliberately been loaded with blanks. Obviously, his wife had been murdered.

He sets out to find her killer and commandeers his closest ally, NYPD Lt. Vincent D’Agosta, in a search that takes them from Africa to the swamps of Louisiana. Meanwhile Vincent’s love, NYPD Homicide Captain Laura Hayward, is not happy. This isn’t the first time that Pendergast has taken her Vinnie along on a chillingly dangerous ride.

Clues drop and bullets fly as they get ever closer to the elusive truth when Pendergast uncovers Helen’s obsession with artist John James Audubon—and a quest for a missing Audubon painting that proves to be the motive for her death. He can’t help but wonder if he ever really knew his wife.

When deeper, darker secrets are revealed, a disgruntled Captain Hayward is forced into the fray as the killers close in and the action heats up even more as the tale races to its violent conclusion. At the end, though, some questions remain unanswered. Sequel, anyone?

Although the authors live 500 miles apart, their writing is seamless and totally absorbing, the byproduct of a friendship that began around 1985 when the two first met. At the time, Preston worked for the American Museum of Natural History, and Child was an editor, a rising young star in the book-publishing world. They soon became close friends and the rest is history—mixed with heady doses of science and mayhem. Preston & Child fans won’t want to miss Fever Dream.

The Good Son contains all the elements of a bestseller: well-developed characters, a devilish plot and hairpin turns that keep you guessing and surprised until the very end of the book. Author Michael Gruber (The Book of Air and Shadows, The Witch’s Boy) weaves three stories together, bringing the reader deep into the surroundings and mind of each character as the story plays out.

Writer Sonia Laghari plans a peace-keeping symposium in Pakistan—only to be captured by terrorists. Her many secrets and unusual past make her both feared and hated among her captors and fellow prisoners. Laghari’s son, Theo, is a soldier who exploits his military connections to wage a war of his own and devise a plot to rescue his mother. Back in the United States, Agent Cynthia Lam stumbles on intelligence that the Pakistanis are making nuclear weapons. When she discovers a scam, her aspirations of moving up the ranks at work are compromised.

In The Good Son, Gruber delves into the hot topics of the day—religion, terrorism and big government. Readers will tear through the pages, entranced by the depth of the plots and entertained by the fast pace of the storyline. Gruber’s impeccable research skills are on display here as he captures cultural nuances in descriptions and conversations.

Anyone who enjoys suspense, action, adventure and political thrillers will not be disappointed with The Good Son, which keeps the reader hooked through the end. Consider yourself warned: the story is not resolved until the last few pages.  

Not all lawyers are capable of translating legal speak into compelling fiction. One of the remarkable exceptions is Scott Turow, the Harvard-educated attorney and prolific author. In 1987, Turow scored big with his first novel, Presumed Innocent, the suspenseful story of Rusty Sabich, a Midwestern prosecutor who finds himself on trial for the vicious murder of Carolyn Polhemus, a young colleague with whom he had had an affair.

The book was on the New York Times bestseller list for 45 weeks. In 1990, it was translated to film with Harrison Ford starring as Sabich, whose brilliant defense attorney, Sandy Stern, goes head to head with the unglamorous but canny Tommy Molto.

Now, 23 years later, Turow has written Innocent, a long-awaited sequel. Sabich, now 60, chief judge of an appellate court and candidate for the state supreme court, is accused of killing his wife, Barbara, a mathematics scholar. Many of the same characters are back, including Stern, Molto and Sabich’s son, Nat, who was a little boy during the first case. Sabich has engaged in a second affair, this time with a beautiful and witty law clerk 25 years his junior. Anna is not quite “drop dead gorgeous,” but she’s close enough. Sabich can’t believe that such an attractive young woman is on the make for him, and initially he is determined to resist. Not for long. But after several exciting liaisons, Sabich dumps Anna, even though he has fallen deeply in love. Ironically, the broken-hearted Anna later meets Nat, now 28, quite by accident. He is instantly smitten with her, but she is convinced the relationship would be unseemly.

If all of this sounds a little tawdry, be assured that Turow carries it off with skill and flair. The big question is: How will all of this play in the murder trial? The court scenes are riveting, subject to legal twists that keep the reader in constant doubt as to the verdict. Forget the no-sequels rule: Turow is better than ever, especially in the development of his complex characters. And if this one also makes its way to the screen, Harrison Ford is still available.

In Erin Hart’s much-welcome third mystery, False Mermaid, pathologist Nora Gavin feels compelled to return to the States to investigate the five-year-old murder of her younger sister, Triona. It was Nora’s despair over that death, and her inability to pin it on Triona’s husband, Peter Hallett, that drove Nora to return to Ireland, her childhood home. Now Peter is remarrying, and Nora is determined—driven—to prove his guilt, even though it means temporarily leaving Irish archaeologist Cormac Maguire and their deepening relationship.

In Minnesota, Nora reconnects with Detective Frank Cordova, the original investigator still plagued by both the cold case and his interest—unrequited—in Nora. Cordova is as willing as she to focus on Peter, and as frustrated by their failure to link him to the murder. Wanting to prove her theory, and protect her niece Elizabeth, now 11, Nora pleads with Peter’s new wife to see what she is getting into. She is met with icy refusal and the same accusations Peter levels: that crazy Nora is still after him. Worse, the pair insist that Nora did not really know her younger sister, and that Triona’s own risky behavior led to her death.

But when another woman’s body is found, in the riverside park where Triona often ran and where evidence suggests she was killed, Nora believes Peter has struck again. Through her expertise in bog bodies—the remains are preserved in Ireland’s ancient bogs—and her contacts in the forensic community, Nora discovers the reverse: whoever the killer was, Triona was not the first victim. Working with Frank to review evidence old and new, Nora gets closer than ever to the proof she craves—and is led back to Ireland, where the old legend of the selkie might cast light on her sister’s death.

Erin Hart’s Haunted Ground (2003) was nominated for an Agatha and an Anthony for Best First Novel. Once again, Irish music, myth and history are integral to setting, character and even plot. The reader will find herself almost believing, along with Elizabeth and Triona, in the ancient stories of the selkies, humans on land and seals in the sea.

Leslie Budewitz sometimes sings Irish folk songs in her car while driving around western Montana.

With True Blue, best-selling author David Baldacci says he knew “from the beginning” that his memorable duo, Mace and Beth Perry, would be taking center stage again in future thrillers. No wonder: this pair of sisters, who both started out as cops but ended up on different roads, make for compelling reading.

Beth is the chief of police in Washington, D.C., while Mace is just out after doing two years in prison for a crime she didn’t commit. Now she wants to clear her name and win back her badge. The sisters, whose close and supportive friendship held strong all through Mace’s imprisonment, are still watching each other’s backs, and now they’re zeroing in on a web of murder and deception that is spiraling outward, taking in D.C.’s darkest criminal neighborhoods as well as the upper echelons of Washington’s political hierarchy.

Baldacci is at the top of his game here, exercising his talent for creating both winsome and darker-than-dark characters that keep readers turning the pages. Mace grinds her mental gears and operates on a short fuse, but she keeps the book going at a breakneck pace as she steams through D.C.’s mean streets on her cherry red Ducati. Chief Perry has worked hard to get where she is, but her stubborn honesty and inner stability keep the book from bursting apart at the seams. Together these two complement each other as they stand alongside a cast of intriguing characters, including Roy, the hoop-shooting lawyer who found the first body (we know he’ll be back!); Captain, a disheveled homeless vet with a penchant for Twinkies; Abe, the richer-than-rich research scientist who hires Mace; and Mona, a vengeful U.S. attorney with friends in high places. Central to the action are Psycho, Razor, Alisha and other streetwise residents of the “Seven D” neighborhood on one side of town, and the high-flying politicos and shadowy intelligence agents who populate the other side—leaving us not at all clear about which is really the wrong side of the tracks.

In researching True Blue, Baldacci accompanied police patrols on their rounds of D.C. neighborhoods, and wrote a nationally published profile of the capital city’s real-life police chief, Cathy Lanier, the first top-ranked female law enforcement officer in that city’s history. The author’s in-depth research into Lanier’s up-through-the-ranks career helped inspire many of the absorbing details that elevate this book to a notch above most crime thrillers.

In 1991, Douglas Coupland burst onto the literary scene with the groundbreaking Generation X, a novel that brilliantly captured the minds and imaginations of those who stepped tentatively across the threshold of adulthood in the late 1980s. Now, nearly 20 years later, Coupland revisits the generational divide, this time focusing on the pressures and insecurities looming on the horizon of the 21st century.

Generation A uses the same framed narrative style as its predecessor; five disenfranchised 20-somethings—all trying to find their place in the world—unfold their individual stories through alternating chapters. They are scattered across the globe, unaware of each other’s existence until the unthinkable occurs, irrevocably linking them to one another: they are each stung by a bee. In Coupland’s vision of the future, bees have long been extinct, so getting stung by one is not just something to blog about, it’s worthy of attention from the National Guard! All five Wonka kids (as they call themselves) are rushed into isolation where they are scrutinized and studied for several weeks before finally being released back into the wild without any explanation. Soon an undeniable pull causes them to seek one another out, eventually uniting on a small island where their narratives slowly begin to merge as they piece together not just what has happened to them, but more importantly, why.

Within the first pages of Generation A, readers will realize that they are in the hands of a master, that they have been gifted with something more lofty and ambitious than the average work of fiction. Coupland playfully exposes the contemporary contradictions that plague us: in the era of Twitter and mass communication, as we play exhibitionist and voyeur on a global stage, how is it that we feel more isolated than ever? Where can genuine human connections be found, or are they a thing of the past?

A piercing analysis of our modern society, Generation A is exhilarating and insightful, bubbling with wit and verve. Readers who are willing to brave Coupland’s literary pyrotechnics and unconventional exercises in style will be richly rewarded with a thoughtful and mind-bending analysis of what makes us tick. Coupland is better than ever, and Generation A is certain to thrill readers of every generation.

Stephenie Harrison writes from Nashville and now considers herself part of Generation A.