What began as a way to cope with being snowed in with her two young sons one winter has turned into a multimillion dollar career, though J.D. Robb—a pseudonym for mega-selling author Nora Roberts—couldn’t have known where that creative solution to boredom would lead her. A voracious reader, the Maryland native decided to try her hand at fiction writing during those snowy days in 1979 and she hasn’t stopped since, with more than 100 novels to her credit and countless appearances on the New York Times bestseller list.

The In Death series was born of necessity in 1995, when the prolific Roberts had stacked up a surplus of titles awaiting print. Intentionally moving outside the romantic suspense genre, Roberts created a gritty, urban-set, three-book story arc featuring police Lt. Eve Dallas and the mysterious billionaire Roarke. The two would work jointly—and, at times, at odds—to solve unspeakable crimes in New York City, circa 2060. Her publisher agreed to take a chance on the groundbreaking concept, publishing the books under the J.D. Robb pseudonym at Roberts’ request. (Roberts used the first initials of her sons’ names for “J.D.” and “Robb” is a diminutive of “Roberts”.)

The J.D. Robb titles quickly hit bestseller lists and gained critical acclaim, both from book reviewers and fellow writers. The information that “J.D. Robb” was really Nora Roberts was originally a well-kept secret, but the series found immediate popularity, the publisher eventually revealed the woman behind the pseudonym, and the rest, as they say, is history.

In Robb’s newest futuristic thriller, Promises in Death, New York City police Lt. Eve Dallas has a murder to solve that strikes too close to home. The victim is a fellow cop and the lover of Eve’s good friend Li Morris, the city’s chief medical examiner.

Was Det. Amaryllis Coltraine murdered with her own weapon because of a case she was investigating? Did she have personal enemies who wanted her dead? Or is her death somehow connected to the mysterious man with whom she shared a serious relationship in Atlanta two years earlier?

During the investigation, Eve begins to unravel the tangled threads of Det. Coltraine’s hidden past, and even Roarke is surprised at the revelations. Previously, he and Eve had collaborated on a case that led to the conviction of master criminal Max Riker, who is currently incarcerated in an off-planet penal colony. Neither Roarke nor Eve expected their lives would intersect with Riker or his crime organization again, yet their current investigation seems inextricably linked to the dethroned crime boss. Is it possible Riker has found a way to operate his criminal empire from behind bars—to the extent that he is capable of ordering a hit on a cop in New York City?

And as if answering all these questions to solve the complicated case isn’t difficult enough, it quickly becomes clear that someone doesn’t want her digging deeper. When Eve’s police issue vehicle is boxed in at a traffic stop and deliberately T-boned by a large van, Roarke’s blood runs cold. Has Coltraine’s killer turned his sights on Eve?

The details of the futuristic New York City setting and familiar faces in the supporting cast of characters remind the reader just how minutely Robb has crafted and populated this series. This 28th installment in the wildly popular series is sure to delight dedicated fans and garner new ones for the indomitable duo of Eve and Roarke.

Lois Faye Dyer writes from Port Orchard, Washington.

Novelist Martina Cole, has rarely been off U.K. bestseller lists for some 17 years now. I had the opportunity to talk on the phone with Cole recently, and her quick wit and street smarts were evident in every response. When her first book, Dangerous Lady, was published, she received the requisite large check from her publisher. I asked her what she did for a first-time splurge: "Well, my accountant told me if I wanted to buy a new car, I needed to do it quickly; it had something to do with English tax law and saving buckets of money. I was painting my bedroom, and had paint all over me, and I went to the BMW dealer that way. The salesman couldn't be bothered with me until I told him that I wanted to buy a new BMW and pay cash for it. I think he nearly fainted!" With the royalties from successive books she has bought a country home that dates back to Elizabethan times ("It has a resident ghost") a garage full of lovely automobiles and a motorboat ("No sailboats for me; I'm a power boat girl.").

It was not always the high life for Martina Cole. She grew up in a working-class family; at times she had to hold down three jobs at once just to make ends meet. Nowadays, that's not a problem, of course, as her books have hit the bestseller lists all over the world, and she is poised to do just that stateside as well with her newly released American debut, Close. Like Cole's previous books, Close is a tale of the London underground, gritty and harsh, not for the weak of heart (or stomach). It is a milieu with which Cole is very familiar, the hardscrabble turf of a poor urban neighborhood, where "the Wall of Silence" prevailed, and folks turned a blind eye to the violent crimes happening all around them with startling regularity. This ambitious novel spans a 40-year period in the life of Clan Brodie, a notorious London crime family, starting in the swinging '60s and moving forward to the present. Think "The Sopranos" with a Cockney accent, and you would not be far off. And like "The Sopranos," it is brutally hard-hitting, superbly crafted and deserving of a rabid fan base in America, as well as the rest of the world.

Remember what happened when those Danish cartoonists drew caricatures of the Islamic prophet? Just imagine what could happen when an American novelist, New York Times best-selling author Brad Thor, does roughly the same in The Last Patriot.

Ex-Navy SEAL turned Homeland Security operative Scot Harvath (who Thor fans will recall from The First Commandment), is enjoying a little R&andR in gay Paree with his slightly damaged but healing girlfriend, Tracy Hastings (herself a Naval Explosive Ordinance Disposal tech) when things turn, well, not so gay. After a bungled car bomb blast and a narrow escape with an Islamic scholar in tow, the bodies begin to stack up like cordwood.

Why all the fuss? Seems that an addendum to the Koran, allegedly written by the prophet himself, makes an unexpected – and to a group of jihadists, entirely unwelcome – appearance. If allowed to become public, it could "stop militant Islam dead in its tracks." Tough times demand a tough hero, and they don't come any grittier than Thor's. Facing down a recalcitrant target who stands between him and the French pokey, Harvath employs Jack Bauer-like tactics to persuade his captive that confession is good for the soul. With not just a license to kill, but a license to wound, disrupt, maim and explode, Harvath is, virtually single-handedly, more than a match for any who would seek to overthrow our republic by means of force or violence. The only things he's missing are a cape and vulnerability to Kryptonite.

Fans of "24" and other high-adrenaline escapist fare will find Thor's latest cinematic page-turner a must-pack for this summer's vacation.

A chance encounter on the pier of Magic Beach, California, launches the newest adventure of Dean Koontz’s singular hero, Odd Thomas, who has starred in three previous bestsellers. Wise beyond his 20-something years, Odd evokes the homespun wisdom of Forrest Gump amid the mind-spinning adventures of a Jack Bauer.

The ultimate Everyman, the one-time fry cook is ostensibly just a jack-of-all-trades for an aging actor. Yet a prophetic vision triggers a manhunt for Odd by the Magic Beach police. While on the run, he puts his trust in the mysterious Annamaria and people like Reverend Moran, who betrays him by revealing him to the police. Odd also trusts his own instincts and one of his “oddest” companions: Francis Albert Sinatra, Ol’ Blue Eyes, haunts Odd, and goes ballistic with such descriptive finesse it’s a joy to read.

Canine relationships are a hallmark of Koontz’s writing, and they’re sublimely apparent in this tale. Odd’s companions include a ghost dog and new dog who intertwine in time and memory, much as Odd’s encounters with people and with danger. Throughout Odd Hours, there is the threat of a nuclear terror attack that would affect hundreds of thousands of people. But it’s with his descriptions of the personal terror that circles Odd as he confronts a world that blends life and death . . . and lingering death . . . where Koontz is at his zenith.

In the creation of the character Odd Thomas, with his prophetic dreams and psychic encounters and plain-spoken philosophizing, Koontz may have intended an avatar for himself, a voice to opine on everything from the two-way therapeutic interrelationship of man and dog to the global state of distress, but he’s transcended that to provide an avatar of hope and honor and courage for all of us – the linchpin of a rollicking good tale.

Sandy Huseby writes from Fargo, North Dakota, and lakeside in northern Minnesota.

Given the volcanic sales of Dan Brown’s The Da Vinci Code, it’s understandable that he’s chosen to retread many of that book’s conventions and plot devices for The Lost Symbol. Once again Brown’s protagonist, the Harvard symbologist Robert Langdon, must unlock a series of fiendishly cryptic puzzles to keep world chaos at bay, all the while confronting, within the span of a single day, a self-mutilating but endlessly resourceful villain, a powerful secret society (the Freemasons) and a well-meaning but obstructionist law-enforcement agency (the CIA). And again Langdon is accompanied in his frantic flights from danger by a woman who’s both attractive and academically worthy of him. The action takes place in and around some of Washington, D.C.’s grandest architectural treasures, among them the Capitol, the Smithsonian and the Library of Congress.

When he’s not assuming other identities, the villain Langdon faces calls himself Mal’akh. He is truly a terrifying foe, rich, muscular, merciless and tattooed from head to toe. Having insinuated himself into the highest rank of Masons, his mission is to discover and expose the organization’s deepest and most socially disruptive secrets. To prevent this, Langdon has to rescue a friend who Mal’akh has kidnapped and is torturing for information. Alas, the CIA is also onto Mal’akh and is determined to keep Langdon from messing things up.  All the action proceeds from these entanglements. At times, the book reads like an episode of the TV series "24."

Building psychologically complex characters is not Brown’s strong suit, nor need it be since he’s essentially writing genre fiction. But he does create a memorable one in the diminutive person of Inoue Sato, head of the CIA’s Office of Security. A survivor of the Nisei internment camps of World War II, she is pure chain-smoking, command-snapping venom. She steals every scene she’s in. Langdon also takes a Tom Clancy turn here, equipping the CIA commandos with all manner of high-tech weapons which should make Langdon’s escapes impossible but don’t. When Langdon isn’t running for his life, he’s tossing off tutorials on myth, history and religion. Seldom has unrelieved mayhem been so instructive.

There’s not much tension-relieving humor in The Lost Symbol, but there is one spot in which Brown seems to be poking fun at himself and his delay in finishing the manuscript for this book. Langdon calls his editor to get a phone number and nimbly parries the editor’s questions about when he’s going to meet his deadline. After Langdon hangs up, the editor “stared at the receiver and shook his head. Book publishing would be so much easier without the authors.

Well, it was worth the wait.

Making a move that is guaranteed to delight his fans, John Grisham returns to form with his first legal thriller in three years, The Appeal.

The novel finds Grisham in familiar territory—the courtroom—but it begins in an unconventional way: with the end. When the verdict is announced in the novel's first chapter, readers are immediately thrown into the case and the controversy that surrounds it. The husband-and-wife legal team of Wes and Mary Grace Payton is representing Jeannette Baker in an effort to prove that her son and husband died as a result of contaminated water. On the other side of this battle is the chemical company accused of dumping toxic waste into the water supply. After a protracted trial and agonizing deliberations, the jury finally delivers its verdict. The chemical company appeals to the Mississippi Supreme Court, though lawyers don't anticipate a favorable outcome. Enter Wall Street billionaire and chemical company owner Carl Trudeau, who purchases a court seat with pocket change—a few million dollars. The fate of the case is left up to the nine state Supreme Court justices, one of whom is ensnared in conspiracy. The judicial system may never be viewed in quite the same way again.

Grisham's literary dynasty and avid fan following have been built on his remarkable ability to produce a blockbuster novel every year, nine of which have been turned into feature films. Beginning with 1991's The Firm, his second novel and first big success, Grisham established his place in thriller history by writing suspenseful tales about the judicial system. Fans have come to expect frequent twists and turns that leave them on the edge of their armchairs.

Though Grisham has made successful detours from this formula recently, with the comic novel Playing for Pizza and his first nonfiction work, The Innocent Man, his return to the legal fiction realm is an event long anticipated by both avid readers and Grisham himself. "I still enjoy writing the legal thrillers," Grisham has said of his latest book, "and don't plan to get too far away from them. Obviously, they have been very good to me, and they remain popular. I plan to write one a year for the next several years." Grisham, who turns 53 this month, has more than 225 million books in print worldwide, and his work has been translated into 29 languages. A decade ago, Publishers Weekly estimated that Grisham's earnings had made him a billion-dollar man. Not bad for someone who began writing as a hobby. The Arkansas native and Ole Miss-educated author's pastime evolved into a career—though only 5,000 initial copies were printed of his 1988 debut A Time to Kill, which took him three years to write—after years of practicing law. His detailed mastery of the legal genre, which focuses on lawyers and their associates, is due in part to his personal understanding of the legal system.

Grisham's most recent appearance in a courtroom came in 1996, when he honored a long-standing commitment to represent the family of a railroad brakeman killed in an accident. A jury awarded the family more than $600,000 in the case. Grisham, who served in the Mississippi legislature during the 1980s, retains a keen interest in politics (he hosted an early fundraiser for Hillary Clinton in 2007) but says he has no intention of running for office again. "I enjoy watching and participating in politics from the sidelines, but it's best to keep some distance," he says.

Bookstore patrons and moviegoers may find it difficult to keep their distance from the nonstop writer—and who'd want to?—but there is little risk of a complete Grisham overload: Though his work can be found on the bookshelves and the big screen, don't expect to catch him pitching Gillette razors while you're flipping channels. The intensely private author continues to refuse offers of personal appearances and sponsorship, and he seems to live a tranquil life. He and his family divide their time between a home in Mississippi and a plantation near Charlottesville, Virginia, remaining largely out of the public eye. This eagerly anticipated return to the genre that made Grisham a household name is another page-turning installment from start to finish. A verdict has been reached: The people are craving another Grisham legal thriller.

When fire damages the new Globe Theatre in London and disrupts rehearsals for Hamlet, young American director Kate Shelton finds herself enmeshed in a malignant drama of staggering proportions in Jennifer Lee Carrell's first novel, Interred with Their Bones. Just prior to the fire, Shakespearean scholar Rosalind Howard had given Kate an enigmatic gift in a small box, and she included this cryptic admonition: If you open it, you must follow where it leads. Then Rosalind is brutally murdered precisely in the manner of Hamlet's father. As the police look into Rosalind's bizarre death, Kate realizes that the box's contents a Victorian mourning brooch may be the most important bit of evidence. Following Rosalind's injunction, Kate takes it upon herself to find her friend's killer.

Kate is immediately confronted by a series of ever-increasing dangers, but she soon discovers to her surprise that she is not alone in her quest for the truth. Ben Pearl, Rosalind's strikingly good-looking nephew, turns up in the nick of time and becomes an indispensable friend and ally.

Piecing together an elaborate puzzle, Kate and Ben travel around the world to Harvard and the American southwest in pursuit of a tantalizing series of literary clues hidden in the words of Shakespeare, Cervantes, the Holy Bible and ciphered texts that will lead them to the murderer and unlock one of history's greatest literary secrets. Taking her title from Mark Antony's ironic eulogy in Shakespeare's Julius Caesar, Carrell, the author of the much-praised nonfiction book The Speckled Monster: A Historical Tale of Battling Smallpox, has proven that she knows how to write a fast-paced, highly entertaining novel. Erudite and complex, Interred with Their Bones draws readers into an allusive labyrinth embellished with the words and plots from the plays of the upstart Crow, as one contemporary dubbed the Bard. Here is a novel that will appeal to mystery-thriller fans as well as Shakespeare aficionados.

Tim Davis teaches literature at the University of West Florida.