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Behind the Book by

In some respects, the germ for Darkness, My Old Friend took hold a long time ago. Its prequel, Fragile, was loosely based on an event from my own past. In high school, a girl I knew was abducted and murdered. The event—a shocking, horrifying thing—reverberated through the small town where I grew up. And I felt its impact for many years. I wouldn’t say the incident haunted me, but my thoughts returned to that time quite often. Finally, the story, or at least a heavily fictionalized version of it, found its way onto the page when I sat down to write Fragile.

During that process, I met Jones Cooper. When he first showed up in Fragile, he was the husband of my main character Maggie and I didn’t think he had an especially big role to play. As it turned out, he was a critical character. The entire book hinged on his past deeds, and how he’d sought to escape them.

When Fragile was done, I was still thinking about Jones. He and I don’t have that much in common. He is an older guy, in his late 40s. He has retired from his career as a detective, and he isn’t totally sure what he’s going to do next. His marriage is under a tremendous strain as he deals with how his past actions have affected his present, and what they mean for his future. He’s in therapy (very reluctantly). I kept wondering: How is he going to move forward? He has this tremendous darkness within him; how is he going to conquer that? What is he going to do with his life? He can’t just putter around the house! He’s too smart, too interesting.

Usually when I have that many questions and worries about a character, I have no choice but to explore him further on the page. And so began Darkness, My Old Friend, the next chapter of the story.

In a safe, picture-perfect town, the very worst possible thing occurred on a bright and sunny day when all was exactly as it should be.

We had to remain in The Hollows, of course, because Jones is part of that place, and it is part of him. This fictional town from Fragile was at first just a place I came up with because it was similar, if not identical, to the area where I grew up—some hybrid of that spot and an ideal town I had in my head. Near to the city but removed enough to be peaceful and close to nature, The Hollows had a hip, picturesque downtown center, safe streets, a coffee shop, a yoga studio. Again, I didn’t think very much of it at first. But it too evolved and became something more than I expected.

As I did with Jones, I came to sense a great darkness within The Hollows. It has a history, a spirit and a personality. It has wants and needs; it has an agenda. It’s not malicious precisely. Not exactly. I’m not quite sure what The Hollows is up to, to be honest. But I delved a little deeper in Darkness, My Old Friend. And I’m not done with it yet. Or, rather, it’s not done with me.

Shortly after I started writing, a girl by the name of Willow Graves appeared in the narrative. All I knew about her was her misery at living in The Hollows; she hated it. "THE HOLLOWS SUCKS," was what she was writing in her notebook when I first saw her, sitting in her English class, bored to tears. Her mother Bethany, a best-selling novelist, had moved them from New York City after a bitter divorce from Willow’s stepfather. Willow was getting into trouble. So Bethany thought that The Hollows, far from Manhattan and all its temptations, was a safer place for her wild child. Little did she know that trouble finds a girl like Willow anywhere, maybe especially in The Hollows.

I had a lot more in common with Willow than with Jones. In many ways, with her quasi-gothic look, and her rebel’s heart, her penchant for—ahem—storytelling, she reminds me of the girl I was a million years ago. She was out of place, the misfit in a small town, filled with lots of self-imposed angst. She was sure that anyplace was better than The Hollows. I felt for Willow, wished I could tell her to just hang in there. And to try, try, to stay away from that dark place inside. If you follow, I wanted her to know, you can’t always find your way home. But most of us have to learn that lesson that hard way, and Willow was no exception.

It’s the juxtaposition of disparate things that fascinates me: Dark and light, death and life, bad and good. The thin, blurry line between those things keeps me up at night, churning out the pages. And when that line exists within a character, as it does with most of the people who populate Darkness, My Old Friend, I am obsessed with it.

I suspect that my obsession with this idea began more than 25 years ago, when I was a girl, not unlike Willow, living in a place not unlike The Hollows. In a safe, picture-perfect town, the very worst possible thing occurred on a bright and sunny day when all was exactly as it should be. I know Fragile came from there, and Darkness, My Old Friend is certainly an evolution of that story. In a way, maybe all my books began there. Maybe I’m still the girl trying to understand all the many different ways something so horrible could happen to someone so innocent on an ordinary day.

 

Best-selling writer Lisa Unger takes on the dark side of small-town life in Darkness, My Old Friend, her sixth novel. She divides her time between New York City and Florida. Visit her website for more information.

In some respects, the germ for Darkness, My Old Friend took hold a long time ago. Its prequel, Fragile, was loosely based on an event from my own past. In high school, a girl I knew was abducted and murdered. The event—a shocking, horrifying thing—reverberated through the small town where I grew up. And I […]
Behind the Book by

One of the most exciting challenges in writing a trilogy of novels is trying to create connections that go beyond having a set of characters return. Of course, there are no rules to writing, but it strikes me that if you’re going to stipulate that there are three books rather than an undefined number, you need to make creative use of that decision.

As someone who enjoys wandering around old churches, whether in England or on my research trips to Russia, I’ve seen lots of triptych paintings. The form offers a way of presenting three images that can be viewed in any order, images which exist in their own right but which are at their most powerful when considered together.

The number three has powerful signals for any writer—suggesting a three-act structure, implying that the books are telling an over-arching story that will come to a satisfying conclusion. But a trilogy is not one enormous novel being split into three parts. The reader must be taken on a journey during each individual novel. Furthermore, since many readers will come to the novels in a different order, readers should be allowed to build the experience in their own way. It must be as fascinating for a reader to construct their relationship to the novels by starting at the end as it is for a reader who has followed them from the beginning.

In the broadest sense, my three novels not only tell the history of the main character Leo Demidov, they tell the story of the Soviet regime, beginning with the Stalinist paranoia and fear, followed by the moral confusion that followed the dictator’s death, which is at the center of my second book, The Secret Speech, and ultimately ending with Agent 6 and the depiction of an empire in decay, expressed through the occupation and invasion of Afghanistan.

Yet beyond historical and biographical chronology, the books within a fiction trilogy must reflect upon each other in some way. With Child 44, I wanted to use the criminal investigation to explore the society in which the crimes took place—not to concentrate on the forensic, or procedural, but to look at the way in which Communist Russia tried to claim there was no crime in its Utopian society at a time when a series of terrible murders were taking place. In a sense, it was about a reaction to the crimes, rather than crimes. It was about one man fighting against a political system that refused to allow him access to the truth. 

With Agent 6 I mirrored this approach, fascinated by the emotional impact of a brilliant and determined detective trying to solve the murder of someone he loves, in a time when geopolitics make it entirely impossible to reach the crime scene. How do you live with knowing that the investigation has been nothing more than a cover-up—and being unable to petition those responsible, unable even to set foot in the country where the crime took place? Once again detective Leo Demidov comes up against political obstacles in his attempt to solve the most important case in his life.

Going further, I used the structural device of echoes and parallels across the three books to take very different angles on similar ideas. In Child 44 Leo Demidov is an officer of the MGB, part of the secret police apparatus. Leo witnesses the brutality of the secret police, he is part of its brutality and he turns his back on it. In Agent 6, he is sent as a Soviet advisor to Afghanistan, where he is ordered to help create an Afghan secret police. He watches with dismay and despair as a young idealistic Afghan woman makes the same mistakes he did, becoming a State Security officer in order, she believes, to build a better country. It was fascinating to reverse the relationship that I created in Child 44.

In similar fashion, the combination of characteristics that Leo embodies as a young man seen in Child 44 are found in the American Communist Jesse Austin, a character based on the singer and athlete Paul Robeson, in Agent 6. The two are a curious pair, similar on many levels, both passionate believers, yet whereas Leo’s idealism cracks, Austin’s remains unbreakable even when his career and wealth are taken from him, even when confronted with the awful truth of the Soviet regime.

So, with the trilogy at a close, I hope I’ve created three books that not only stand on their own but also dance with each other.

After graduating from Cambridge, Tom Rob Smith spent time as a TV screenwriter before publishing his best-selling debut novel, Child 44, in 2008. In Agent 6, Smith’s Russian hero Leo Demidov takes on his most personal case yet—one that takes nearly 20 years to solve.

RELATED CONTENT
Read a review of Agent 6.

Read an interview with Tom Rob Smith for Child 44.

Read a review of The Secret Speech.

One of the most exciting challenges in writing a trilogy of novels is trying to create connections that go beyond having a set of characters return. Of course, there are no rules to writing, but it strikes me that if you’re going to stipulate that there are three books rather than an undefined number, you […]
Review by

Pilot Airie may be losing his mind. Twenty years ago, Pilot’s sister, Fiona, disappeared without a trace. Nothing has been the same since. The disappearance caused his family to unravel; his father left, his brother grew distant, and his mother now sees ghosts. Pilot has now taken it upon himself to pull it all together again, assuming that he doesn’t unravel first.

Raveling is a genuinely gripping and eloquent debut novel by Peter Moore Smith. This novel has the basic structure of a mystery an unsolved disappearance, puzzled and puzzling characters, suspicions on all sides but it is more a psychological exploration than a straight mystery. Smith doesn’t focus on the details of the disappearance. This is not a book with detailed passages on forensics or lab reports. His focus is on the characters and their interactions.

The story begins as Pilot returns home from California, where his brother found him living on a beach. Because his mother’s vision is failing, Pilot has agreed to live at home to help her. All is going well until he begins to hear voices: the electricity in light bulbs talks to him, the woods behind the house beckon to him.

Eventually Pilot is hospitalized. There, his counselor Katherine takes an interest in his case. As she probes deeper into his past, trying to find a trigger for his psychotic episode, she becomes fascinated with the stories of his lost sister. What could have caused her disappearance? Who could have taken her without leaving a single trace? As she digs deeper into Pilot’s memories, things really start to get interesting.

Raveling is an unusual mystery. It starts slowly, as if the reader has stepped into a story already in progress. But the deeper into the book readers get, the deeper the mystery becomes, and the greater the urge to read on. Unlike many mysteries, in which the unfolding of the story provides a greater understanding, Raveling offers little in the way of clues. This is primarily due to the fact that the protagonist, Pilot, may not be entirely sane.

Yet Pilot’s struggle with his sanity is one of the most intriguing and appealing aspects of the book. The entire story is told from his point of view, that of a medicated schizophrenic. If he himself cannot be certain of the facts, cannot be sure of his own perceptions, how can the reader? There are times when the reader must ponder the question, Is this a clue or a delusion? This uncertainty adds immensely to the pleasure of reading this book. Smith’s descriptions of Pilot’s deluded worldview are beautifully written and captivating, providing insight into his state of mind.

If you enjoy a literary mystery, or enjoy discovering a talented new writer, Raveling is the book for you.

Wes Breazeale is a writer in the Pacific Northwest.

Pilot Airie may be losing his mind. Twenty years ago, Pilot’s sister, Fiona, disappeared without a trace. Nothing has been the same since. The disappearance caused his family to unravel; his father left, his brother grew distant, and his mother now sees ghosts. Pilot has now taken it upon himself to pull it all together […]
Review by

To police investigators, the significance of a criminal’s first victim is clear: The first victim is generally the one that is handled carelessly. It’s only later the criminal mind thinks to start making better preparations, thinks to plan more carefully. When the crime being investigated involves the death and possible murder of illegal immigrants, that sloppy criminal mentality may be the only thing working in Lou Boldt’s favor.

Readers of Ridley Pearson’s previous thrillers will be familiar with the adventures of Boldt, John LaMoia, Daphne Matthews, and others associated with the Seattle Police Department. Pearson, the winner of the first Raymond Chandler Fulbright fellowship at Oxford University, does not let down the pace in this intricately plotted suspense thriller that teams up Boldt with an uncomfortable mix of television news reporters and Immigration and Naturalization Service officers all with different agendas.

Pearson’s trademark cameo characters add spice and verisimilitude to the story line: Chinese matriarch Mama Lu who, in the world of jazz, is a ballad, not bebop ; Dr. Virginia Ammond, the Seattle Aquarium’s expert on the scales of the Snake River Coho; Doc Dixon, the medical examiner who, digging in a grave for evidence, complains, It’s not in the job description! Once again, Pearson combines violent action with careful attention to detail and fascinating glimpses of cutting-edge forensic science to craft a story that moves from the dark territory of dockside gangs and casual violence to the domain of corruption in high places and the murderous significance of the first victim. Robert C. Jones is a reviewer in Warrensburg, Missouri.

To police investigators, the significance of a criminal’s first victim is clear: The first victim is generally the one that is handled carelessly. It’s only later the criminal mind thinks to start making better preparations, thinks to plan more carefully. When the crime being investigated involves the death and possible murder of illegal immigrants, that […]
Review by

Pilot Airie may be losing his mind. Twenty years ago, Pilot’s sister, Fiona, disappeared without a trace. Nothing has been the same since. The disappearance caused his family to unravel; his father left, his brother grew distant, and his mother now sees ghosts. Pilot has now taken it upon himself to pull it all together again, assuming that he doesn’t unravel first.

Raveling is a genuinely gripping and eloquent debut novel by Peter Moore Smith. This novel has the basic structure of a mystery an unsolved disappearance, puzzled and puzzling characters, suspicions on all sides but it is more a psychological exploration than a straight mystery. Smith doesn’t focus on the details of the disappearance. This is not a book with detailed passages on forensics or lab reports. His focus is on the characters and their interactions.

The story begins as Pilot returns home from California, where his brother found him living on a beach. Because his mother’s vision is failing, Pilot has agreed to live at home to help her. All is going well until he begins to hear voices: the electricity in light bulbs talks to him, the woods behind the house beckon to him.

Eventually Pilot is hospitalized. There, his counselor Katherine takes an interest in his case. As she probes deeper into his past, trying to find a trigger for his psychotic episode, she becomes fascinated with the stories of his lost sister. What could have caused her disappearance? Who could have taken her without leaving a single trace? As she digs deeper into Pilot’s memories, things really start to get interesting.

Raveling is an unusual mystery. It starts slowly, as if the reader has stepped into a story already in progress. But the deeper into the book readers get, the deeper the mystery becomes, and the greater the urge to read on. Unlike many mysteries, in which the unfolding of the story provides a greater understanding, Raveling offers little in the way of clues. This is primarily due to the fact that the protagonist, Pilot, may not be entirely sane.

Yet Pilot’s struggle with his sanity is one of the most intriguing and appealing aspects of the book. The entire story is told from his point of view, that of a medicated schizophrenic. If he himself cannot be certain of the facts, cannot be sure of his own perceptions, how can the reader? There are times when the reader must ponder the question, Is this a clue or a delusion? This uncertainty adds immensely to the pleasure of reading this book. Smith’s descriptions of Pilot’s deluded worldview are beautifully written and captivating, providing insight into his state of mind.

If you enjoy a literary mystery, or enjoy discovering a talented new writer, Raveling is the book for you.

Wes Breazeale is a writer in the Pacific Northwest.

Pilot Airie may be losing his mind. Twenty years ago, Pilot’s sister, Fiona, disappeared without a trace. Nothing has been the same since. The disappearance caused his family to unravel; his father left, his brother grew distant, and his mother now sees ghosts. Pilot has now taken it upon himself to pull it all together […]
Review by

After a wedding day fiasco, Seattle FBI agent Andie Henning is ready for an assignment any assignment. The one she’s given is a doozy, and could prove to be a real career-maker or career-killer.

A possible serial murderer appears to have claimed three lives. The first two are males so similar as to be twins. The third is a woman, strangled and displayed with the same MO. Andie is not an experienced profiler, but she’ll be working with one, the nearly burned-out Victoria Santos. The agents notice the killer seems to target victims in pairs. The next victim may well be a woman, which leads the investigators to power attorney Gus Wheatley.

Gus’s wife is missing. After years of a loveless marriage, the distracted head of a huge and powerful law firm is shocked to learn that his wife did not pick up their young daughter from tumbling class. In fact, Beth Wheatley has disappeared, and it doesn’t take long for everyone involved to realize the third victim fits Beth’s description but it isn’t her, only a lookalike. Is Beth Wheatley to be the next victim? A phone call, which could only have come from Beth, forces Gus to admit the possibility that she may not be an innocent captive. Victim or accomplice? This becomes the central question of James Grippando’s new novel. The author also explores the definition of spouse abuse, for although there are suspicions of physical abuse, it turns out that Gus has only ignored his wife. Suddenly thrust into the uncomfortable role of both father and mother, Gus’s life and routine are altered forever. The emotions swirling around him are as realistically heart-wrenching as those of his grieving daughter.

After solid reviews for his previous thrillers, The Abduction and Found Money, ex-trial lawyer Grippando enters John Sandford territory with this tale in which an FBI agent faces her first undercover mission, a father faces his first true experience with fatherhood, and Seattle faces yet another serial killer. Under Cover of Darkness packs a punch as it examines themes recognizable from the evening news, especially with its references to Waco and similar situations. It’s a gripping tale that crests with a surprise twist and a satisfying climax.

Bill Gagliani is the author of Shadowplays, an e-book collection of dark fiction from Ebooksonthe.net.

After a wedding day fiasco, Seattle FBI agent Andie Henning is ready for an assignment any assignment. The one she’s given is a doozy, and could prove to be a real career-maker or career-killer. A possible serial murderer appears to have claimed three lives. The first two are males so similar as to be twins. […]
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In Don Winslow’s second mystery, California Fire and Life, police officer Jack Wade takes the stand to testify at the trial of a man accused of arson and murder. But dramatic surprise testimony by his nemesis a fellow cop reveals that Wade has perjured himself and in fact beat a confession out of the accused.

This gripping scene would play out at the climax of many a murder mystery, but instead serves as the backstory of Winslow’s novel with a twist. Wade, now an insurance investigator after being drummed out of the force for his perjury, is the hero of the book. He wrung the confession from the obviously guilty mob-connected arsonist to protect an eyewitness. Wade’s post-trial career as an insurance adjuster has him scratching the ashes of fires that consume property, memories, and sometimes lives. The remnants left by years of fires, coupled with the embers of his disgrace, have burned out most of Wade’s idealism, leaving smoldering disillusion quenched only by early-morning sessions with his vintage surfboard. One morning he finds himself at the charred ruins of a posh coastal mansion in which a beautiful woman lies dead. Wade believes from the start that the owner, wealthy Nicky Vale, set the fire that claimed the life of his estranged wife. However, Wade’s nemesis from his trial declares the fire accidental.

Wade’s instincts, and the encouragement of his boss (whose motto is " We don’t pay people to burn their homes down"), compel him to try to assemble evidence of Vale’s guilt, incidentally saving his company the hefty insurance claim. The path of Wade’s investigation takes him to a chief suspect who hides a tangle of deception even from those who believe they know his secrets. The reader soon learns whether Vale set the fire, but further surprises are yet in store. A veteran arson investigator himself, Winslow lets his 15 years of experience speak through Wade, from the detective’s joyful discovery of his vocation at fire school, to his years of bitterness as he inspects fires deliberately set. The insatiable hunger of fire as well as that of criminals, developers, insurance executives, lawyers, cops, old flames, and other vivid supporting characters is matched by the reader’s hunger to consume the story of California Fire and Life.

Gregory Harris is a writer and editor living in Indianapolis.

In Don Winslow’s second mystery, California Fire and Life, police officer Jack Wade takes the stand to testify at the trial of a man accused of arson and murder. But dramatic surprise testimony by his nemesis a fellow cop reveals that Wade has perjured himself and in fact beat a confession out of the accused. […]
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In the last novel written before his death, the preeminent chronicler of the mafia concludes his mob trilogy with the depiction of yet another memorable, aging chieftain. Don Raymonde Aprile, the Mafia leader in Omerta, is the latest in a long line of Mario Puzo’s characters who have tried to put centuries of vendetta behind them and become upright pillars of the American community. Unlike Vito Corleone, from Puzo’s The Godfather, or Domenico Clericuzio, from The Last Don, Don Raymonde meets with some success by keeping his three children away from the family business at the expense of his adopted nephew, Astorre Viola.

As he did in the two earlier novels, Puzo manages to imbue his less-than-savory characters with a sense of nobility by highlighting their redeeming qualities and downplaying their amorality. The crimes Viola commits during the course of the novel are portrayed as acts of justified vigilantism rather than misdeeds motivated by money. Although Puzo once again focuses on the complex relationship of loyalty and betrayal, the actual violence and bloodshed are more restrained in this novel, which was completed shortly before the author died in July, 1999.

Another new feature in Omerta is the character Kurt Cilke, an FBI agent who was responsible for bringing down many of the leaders of the Mafia in the years immediately prior to the novel’s action. The novel follows the quasi-legal dealings of Don Raymonde’s family and an attempt by a corrupt South American syndicate to take over the family banks for their own illicit purposes.

Puzo’s plot moves quickly as Cilke, Viola, and the syndicate work to gain the advantage on their opponents. Viola’s faction seems outnumbered, yet his sense of honor forbids him to break omerta, a code of conduct which forbids informing about crimes. The fact that Viola is willing and able to live by this ethical code, no matter how strange it might seem, is what distinguishes him from his antagonists.

By championing character whose ways of life are both traditional and reprehensible to modern civilization, Puzo forces the reader to consider the underpinnings of the larger society.

In the last novel written before his death, the preeminent chronicler of the mafia concludes his mob trilogy with the depiction of yet another memorable, aging chieftain. Don Raymonde Aprile, the Mafia leader in Omerta, is the latest in a long line of Mario Puzo’s characters who have tried to put centuries of vendetta behind […]
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At what point in a relationship does love become obsession? Or are all relationships degrees of obsession? Alice Loudon finds out in Nicci French’s new book Killing Me Softly. A research scientist for a major British pharmaceutical corporation, Alice leads a quiet life with a considerate, loving boyfriend, Jake. She has an interesting and entertaining circle of friends and a challenging, satisfying job.

Then one day her eyes meet those of a handsome stranger on the street, and when he is still there waiting for her later that day, she goes with him back to his place, where they make love first and exchange names later. She discovers that she has fallen (an apt expression) for Adam Tallis, a famous mountain climber and guide, and she finds herself giving up her lover, her friends, and the life that she knew in exchange for this tall, handsome stranger.

Yet when she marries him, doubt begins to creep in: just who is it that she has married? Adam Tallis has gained fame for saving several lives in the course of an expedition, but perhaps things aren’t as they seem. There are mysterious notes, and questions about dead women in Adam’s past. For her own sanity, Alice must learn the shattering truth about the man she married. If you’re a fan of romantic suspense, you’ll love this book.

At what point in a relationship does love become obsession? Or are all relationships degrees of obsession? Alice Loudon finds out in Nicci French’s new book Killing Me Softly. A research scientist for a major British pharmaceutical corporation, Alice leads a quiet life with a considerate, loving boyfriend, Jake. She has an interesting and entertaining […]
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In Donor, the latest paperback from wizard plotter Charles Wilson, the author delivers another voyage inside the world of medicine that reads more like today’s headlines than fiction.

Wilson returns again to Biloxi on the Mississippi Gulf Coast in this spine-tingling book. Donor is a mixture of thriller, action-adventure, and mystery, which is only one of the many reasons why Wilson’s readership is growing rapidly across genre lines.

Too many patients are dying inside the huge public hospital where the idealistic young doctor Michael Sims works as an emergency room doctor. When Sims watches a little girl’s life ebb away despite the best that modern medicine can deliver, he becomes depressed about his choice of careers.

Across town, a popular and prominent Congressman dies, his skull shattered, but police investigators determine the death to be a suicide. Despite what they say, the Congressman’s beautiful young daughter, Shannon Donnelly, stubbornly refuses to believe that her father took his own life.

With the stage set, Wilson skillfully plots to bring Donnelly and Dr. Sims together to uncover the truth about a medical experiment that utilizes nerve regeneration and organ transplants.

Along the way, Dr. Sims becomes the top contender for the dead Congressman’s seat, thanks to a computer billionaire who wants to organize a group of national politicians to back his dream of a nationwide chain of medical research centers. And Shannon Donnelly finds herself on a path not only to find her father’s killer but to save Dr. Sims as well. That path takes them into the deepest and darkest secrets of government and medicine where there are no volunteers, no donors, and where the pair discovers that death isn’t the worst thing they have to fear. Being chosen is.

Wilson’s next hardback book, Game Plan, will be released in January. ¦ Alice Jackson Baughn is a freelance writer in Ocean Springs, Mississippi.

In Donor, the latest paperback from wizard plotter Charles Wilson, the author delivers another voyage inside the world of medicine that reads more like today’s headlines than fiction. Wilson returns again to Biloxi on the Mississippi Gulf Coast in this spine-tingling book. Donor is a mixture of thriller, action-adventure, and mystery, which is only one […]
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One hallmark of a good writer is the ability to follow a very successful first work with one that surpasses it. April Smith has done just that with her latest suspense thriller, Be The One. This new book reflects the same originality and thorough research as her North of Montana, which was widely praised by critics and readers. This time, Smith reveals her life-long fascination with baseball when she takes the reader behind the front office of the Los Angeles Dodgers to meet the club’s fiercely competitive scouts, who are charged with finding and signing the league’s future all-stars.

Cassidy Sanderson is the daughter of legendary pitcher Smokey Sanderson and the only female scout in major league baseball. Like her male counterparts, Cassidy is a hard-living, hard-drinking, passionate follower of the game; her life revolves around the young men who struggle to make it to the minors in the hope of a shot at the big time. She is constantly on the lookout for that rarest of diamonds, The One, a player who will carry the day and lead his team to victory.

A well tended network of friends and coaches alerts Cassidy to promising prospects. Although nominally assigned an area in the United States, she is drawn to a call from Pedro Padrillo, her father’s teammate and a close family friend, who reports observing Alberto Cruz, a young player in the Dominican Republic. While in Santo Domingo observing Cruz’s play, Cassidy begins a torrid affair with Joe Galinis, a flamboyant Greek developer from Los Angeles, who owns one of the city’s plushest casinos.

Cassidy confirms Pedro’s instinct that Cruz has the talent to reach the majors and convinces her bosses to fly him to L.

A. for a closer look. Soon after he arrives at the Dodgers’s training camp, Alberto begins receiving blackmail letters, voodoo warnings, and a gruesome video all threatening to reveal the details of a fatal hit and run accident in Santo Domingo that might have involved him, Cassidy, and Joe Galinis. The blackmail threats evolve into violence when Cassidy advises Alberto not to pay; she is attacked in a nightclub parking lot and survives only because of the timely arrival of other customers.

Cassidy turns to Joe Galinis in an effort to sort out the pressures that seem to be crashing in on her usually hectic life pressures that jeopardize Alberto’s chances. The police suspect an underlying drug connection behind the violent intimidation.

Cassidy herself becomes a suspect and feels her declining influence with the club as she pushes to elevate Alberto in the upcoming player draft.

Only a true insider could include the details that flesh out Smith’s absorbing yarn as she brings all these strands to a stunning ending certain not only to make readers ask for more, but also help them appreciate the rocky climb from barrio sandlots to the majors.

John Messer is a writer in Michigan.

One hallmark of a good writer is the ability to follow a very successful first work with one that surpasses it. April Smith has done just that with her latest suspense thriller, Be The One. This new book reflects the same originality and thorough research as her North of Montana, which was widely praised by […]
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Battle Born may be fiction, but it is not beyond the realm of fact which makes it all the more chilling to read. The story involves the two Koreas, China, and the United States in a political scenario that will leave readers on the edge of their seats.

Dale Brown’s favorite hero is Patrick McLanahan, a Brigadier-General in the Air Force who is now facing a formidable challenge. McLanahan is back in the air again, with a squadron of B-1 bombers belonging to Nevada’s National Guard. From this motley crew he must put together a team of combat pilots who are aggressive, young, and thoroughly skilled at pushing airplanes through the skies at supersonic speeds.

Nevada’s squadron of the B-1B Lancers is commanded by Lt. Col. Nancy Cheshire. Her major problem is keeping the pilots from battling each other. She is relatively content with her job until General McLanahan enters her life.

Meanwhile, there is a joint U.

S.-Japanese-South Korean mock bombing exercise underway. To the astonishment of the other participants, the South Korean pilots fly across the border into the North to support a revolt of the starving people of North Korea. Much to the dismay of U.

S. President Kevin Martindale, South Korean leaders declare that a United Korea exists. With that declaration the world’s newest nuclear power emerges. (The South has captured Chinese nukes which China wants back to the extent that it invades the now-unified Korea.) At this point, General McLanahan enters the conflict to try to avert World War III, bringing with him top-secret technology and his band of brazen fly-boys.

If there is a drawback to this techno-thriller, it is that Brown is so concerned with realism that he writes almost too many detailed descriptions of flying, from bomber avionics to targeting by radar. Even so, Battle Born is a gripping and entertaining novel that is hard to put down. ¦ Lloyd Armour is a retired newspaper editor in Nashville, Tennessee.

Battle Born may be fiction, but it is not beyond the realm of fact which makes it all the more chilling to read. The story involves the two Koreas, China, and the United States in a political scenario that will leave readers on the edge of their seats. Dale Brown’s favorite hero is Patrick McLanahan, […]
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It is not unusual for a political thriller to possess a far-fetched plot, with America’s military and diplomatic power laid low through some foreign threat against the President or the Congress. What is different with Vince Flynn’s latest effort, Transfer of Power, emerges in its sense of authenticity, depth of research, and almost seamless dramatic scenario. In this post-Cold War environment, every nation with an intelligence operation poses a menace to the more powerful military nations. A group of Middle Eastern terrorists put together a sinister plan to seize the White House and the President, and demand the return of the vast amounts of money confiscated from Iran during the Shah’s overthrow.

While President Robert Hayes, a former U.

S. Senator and political bridgebuilder between the warring parties, is alerted to the possibility of an armed terrorist act against the Executive Mansion, there is almost nothing that can be done to stop it. At the same time that this plan is underway, a covert mission by an elite counter-terrorist team pushes ahead to snare a major Iranian figure involved in terrorism throughout the region. The snatch of the terrorist is accomplished without a hitch but the clock is ticking at the White House as the siege is about to commence.

One of Flynn’s finest skills as an up-and-coming young master in the genre of political thrillers is his ability to create a cast of compelling characters, from President Hayes to super operative Mitch Rapp to the resourceful Rafique Aziz. Each one is drawn in a few eloquent strokes, giving readers just enough substance to make them full-bodied.

The battle to capture the White House gets a top rating for its intensity and realism. The combat, like the plan to infiltrate the White House, reveals the wealth of research used in constructing the novel. None of the events leading to the entrapment of the President rings false. As the President waits nervously for the resolution of the crisis, the true nature of Beltway politics rears its ugly head, with both his allies and enemies suddenly jockeying for positions of power and advantage. Alternating views of the action from both captors and captives raise the heat. And through its unforgiving depiction of lawmakers, cabinet personnel, and government agencies, Transfer of Power says much about the take-no-prisoners attitude of American politics.

It is not unusual for a political thriller to possess a far-fetched plot, with America’s military and diplomatic power laid low through some foreign threat against the President or the Congress. What is different with Vince Flynn’s latest effort, Transfer of Power, emerges in its sense of authenticity, depth of research, and almost seamless dramatic […]

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