Sign Up

Get the latest ipsum dolor sit amet, consectetur adipiscing elit.

All Thriller Coverage

Linwood Barclay knows how to tease his readers. His new book, Parting Shot, offers plenty of thrilling teases for the mystery and suspense lover.

From the opening pages, Barclay lays out the hook: Brian Gaffney, a naive and innocent looking young man, arrives at the Promise Falls police station babbling about having been abducted, possibly by aliens, and having lost two days of his memories. Detective Barry Duckworth begrudgingly takes the case and soon discovers there’s much more to Gaffney than he initially thought: specifically, a fresh tattoo on his back that seems to be a cryptic confession to murder.

Duckworth has plenty to sort out here, and readers will be eager to go along for the ride. Did Gaffney really kill someone? If so, who? Where’s the body? Why can’t Gaffney remember the past two days? Was he really abducted? As if that weren’t enough, Barclay weaves in another tantalizing plotline as private investigator Cal Weaver is hired to look after spoiled, rich Jeremy Pilford—Promise Falls’ teen celebrity drunkard who killed a young woman while driving his Porsche under the influence. Jeremy may have gotten off easy with the courts, but the court of public opinion has resulted in numerous death threats and a barrage of harassment via social media. 

Barclay, who has written 16 novels since bursting onto the scene in 2007, sprinkles in an assortment of hugely entertaining characters in this standalone thriller, grounding the stories in a realistic portrayal of small-town life. But it’s the blend of past mistakes and the persistence of present-day social justice that gives this story a vibrant life of its own.

Linwood Barclay knows how to tease his readers. His new book, Parting Shot, offers plenty of thrilling teases for the mystery and suspense lover.

Life is nearly perfect for Cassandra Connor. She’s been through heartache—her first husband died, leaving her the single mother of two children—but she has found love again with Ryan Connor. After the birth of a third child, life seems too good to be true—and it is.

The Connors’ marriage begins to dissolve, slowly at first, with hints of an extramarital affair. As Cass’ suspicions grow, Ryan becomes increasingly defensive. In a moment of drunken madness—or perhaps clarity—Ryan declares his desire to see Cass gone. He no longer seems to be the man she fell in love with, but instead a homicidal monster.

Galt Niederhoffer’s Poison is a resounding condemnation of modern society’s treatment of women. As Cass’ suspicions about her husband grow, she feels increasingly isolated, as the justice system seems designed to distrust women. In a world where women’s rights are increasingly at the fore of national conversation, Poison aims to raise awareness of everyday injustice.

 

This article was originally published in the December 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Life is nearly perfect for Cassandra Connor. She’s been through heartache—her first husband died, leaving her the single mother of two children—but she has found love again with Ryan Connor. After the birth of a third child, life seems too good to be true—and it is.

California dreaming turns into a living nightmare in Liska Jacobs’ dark and electrifying debut novel, Catalina.

When Elsa Fisher is fired from her job as an assistant at MoMA (where she also just happened to be having an affair with her very married boss), she pushes the eject button on her crumbling life in New York and flees to her sunny Southern California home. There, she soon learns that the old adage “wherever you go, there you are” proves to be infuriatingly true: Despite the change in location and the self-medication via a constant stream of benzodiazepines (stolen from her mother) and copious amounts of alcohol (paid for with her rapidly dwindling severance package), Elsa can’t seem to fully escape her demons or permanently dull the pain of her present predicament. Instead, she decides to fully commit to her downward spiral, consequences be damned. Wondering just how far she can fall, Elsa embarks with a group of old friends on a hedonistic trip to Catalina island, where she discovers just how dark rock bottom can be and her self-destructive spree risks ruining more lives than just her own.

Rich with a prickling sense of menace, Catalina is an intoxicating psychological thriller that will set readers on edge from page one. As we follow our pill-popping antiheroine on her bad-behavior bender, Jacobs adeptly infuses the narrative with a mounting sense of unease and apprehension as Elsa’s barely contained rage and resentment becomes ever more apparent and her actions become increasingly erratic. It’s clear from the start that Catalina isn’t a fairy tale and there will be no happy ending, yet Elsa’s ultimate unraveling—as she is taken from breaking point to broken—still manages to feel astonishing and devastating. Although Elsa’s ultimate goal seems to be to numb her feelings, Jacobs has produced a book that achieves exactly the opposite: It provokes and perturbs, and will leave its readers incredibly unsettled.

California dreaming turns into a living nightmare in Liska Jacobs’ dark and electrifying debut novel, Catalina.

Review by

The first thing that fans of Sophie Hannah may want to ask is whether Keep Her Safe follows in the author’s tradition of intelligent, often witty, page-turning psychological thrillers. The answer is, of course, yes—the author has perfected a formula for success that continues unabated with her newest book.

Hannah is a big Agatha Christie enthusiast who has extensively researched that author’s works and even penned two novels of homage to the famed Hercule Poirot. She has said that she tends to follow in Christie’s psychological footsteps: "She always started with, 'How can this thing be happening, isn't it strange?'” This is Hannah’s M.O. as well,  and the puzzle in her latest story starts from something off-kilter.

Cara, an Englishwoman, books a stay in a five-star American spa as a way to temporarily escape her family and come to terms with issues that are driving her apart from her husband—her unborn child, for one thing.

While in the exotic, albeit weird, luxury of her surroundings, she sees something that surely is impossible that harkens back to a notorious 2010 crime that was the focus of the American media: when youngster Melody Chapa was abducted and murdered, and her body was never found.

If Cara’s right, then she's just seen Melody, now seven years older and living under a new identity, alive and well at the very spa where Cara’s staying. Cara tries to discover the truth, but as she researches the history of the famous crime and finds herself at the center of a very American phenomenon—a trial by media involving the FBI, local law enforcement and an aggressive, hotshot TV reporter named Bonnie Juno.

Along with a glut of off-beat characters, spa denizens and hangers-on, Cara delves into the much-publicized crime while unwittingly putting herself in danger. Keep Her Safe may stretch some readers’ credulity factor to the limit, but there’s no doubt of the author’s ability to weave a fascinating, complex plot that stacks up the building blocks of tension and dares readers to question the reliability of several narrators.

Hannah’s penchant for describing every towel, pool dimension and luxury amenity at the Swallowtail Spa may test some readers’ patience and endurance, but the story picks up as the book continues, and once you’ve read all the flashbacks, journals and court documents, there’s the pleasure of a final denouement that’s clever and well worth waiting for.

The first thing that fans of Sophie Hannah may want to ask is whether Keep Her Safe follows in the author’s tradition of intelligent, often witty, page-turning psychological thrillers. The answer is, of course, yes—the author has perfected a formula for success that continues unabated with her newest book.

Review by

At a time when it seems like there’s a new psychological thriller released every other week—either in book or video format—it is increasingly difficult to find one that stands out in a refreshing way. Anna Snoekstra accomplishes that in her sophomore novel, Little Secrets. This is a must-read for fans of Lisa Gardner and Gilly Macmillan, and is sure to be enjoyed by most mystery lovers.

Best friends Rose and Mia know they are destined for bigger things than what the small Australian town of Colmstock has to offer. Once Rose’s journalism career takes off, they can say goodbye to their humdrum shifts serving beer at Eamon’s, the local police hangout, and move into the city. Until then, the two young women have front-row seats to the town’s most compelling happenings, as rehashed by Colmstock’s finest. When a series of fires ends in the death of a 13-year-old boy and suspicious dolls turn up on too many little girls’ doorsteps, the community is thrown into a tailspin. Rose seizes the opportunity to launch her journalism career by publishing an article about the supposed menace threatening the children of Colmstock. As suspicions grow and tempers rise, it becomes apparent that an ugly truth about the people of Colmstock will be revealed.

Like Snoekstra’s debut, Only Daughter, Little Secrets explores the desperation that can live inside of us—and what happens when individuals have opposing but equally desperate desires. Readers will grow to care about the fates of ambitious Rose and nurturing Mia, as well as the policemen working the case. In addition, readers will thirst to uncover who’s responsible for stirring up the community and heinously stealing the life of a child.

Despair makes for shocking choices, and no one makes it to the other side of this mystery unchanged.

 

This article was originally published in the November 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

At a time when it seems like there’s a new psychological thriller released every other week—either in book or video format—it is increasingly difficult to find one that stands out in a refreshing way. Anna Snoekstra accomplishes that in her sophomore novel, Little Secrets. This is a must-read for fans of Lisa Gardner and Gilly Macmillan, and is sure to be enjoyed by most mystery lovers.

Review by

The childless weekend getaway after nearly a decade of marriage and two kids is a scenario that brings up either wishful thinking or pleasant memories. Kaira Rouda’s Best Day Ever traces 24 hours of what promises to be the perfect romantic weekend, but instead goes wildly awry.

The husband, Paul Strom, narrates Rouda's story, which is unusual in women-focused thrillers. After few pages, readers will realize that Paul is the ultimate unreliable narrator. We soon learn that he's both narcissistic and delusional, and Mia, Paul’s wife, readily gains our sympathy.

Paul and Mia's idyllic ride to the lake house quickly disintegrates as Mia asserts independence over little things (calling the babysitter) or larger ones (taking a part time job). As Mia’s actions tax Paul’s patience, he struggles to appear pleasant, nonthreatening and maintain his thin veneer of control, which greatly increases the novel's creepy factor.

Not to mention, Paul keeps alluding to a special surprise he has for Mia that weekend. His repeated thoughts about the surprise have readers wondering about his plan and fearing for Mia’s safety.

When Paul meets Mia’s male friend, one she’s managed to make despite Paul’s nearly incessant oversight, he assumes the two are having an affair. Mia and her friend have something even more intricate than an affair, as revealed in the intense ending. Rouda's thrill-ride of a novel highlights the fact that can you never know what goes on behind the facade of a seemingly flawless marriage.

The childless weekend getaway after nearly a decade of marriage and two kids is a scenario that brings up either wishful thinking or pleasant memories. Kaira Rouda’s Best Day Ever traces 24 hours of what promises to be the perfect romantic weekend, but instead goes wildly awry.

Review by

Cate Holahan’s latest thriller, Lies She Told, masterfully weaves together the parallel tales of two troubled young wives, sweeping readers along as each story echoes and advances the narrative. Both protagonists and readers must attempt to distinguish between truth and lies.

In one story, writer Liza Cole is desperate to write another bestselling novel after lackluster recent sales. She also wants to conceive a child and is in a medical trial using new drugs that may help her achieve that goal. Her husband’s law partner/best friend is missing and presumed dead, creating family tension by distracting him from Liza’s goal of starting a family.

The other storyline follows Beth, who is the protagonist of the new book Liza is writing. In the story, Beth has just had a baby, and she suspects her husband of having an affair. Once she gets proof, she actively pursues her husband and his lover, planning revenge on the guilty parties.

Chapters alternate between Beth’s story and Liza’s life and make for compelling reading. Two superbly written stories in one book are a tension-filled treat for readers. Even more fascinating, there are mysterious parallels between the stories that spin and undulate with ever-growing similarities.

Holahan’s previous novel, The Widower’s Wife, catapulted to success last year, drawing critical acclaim and a spot on at least one best books of the year list. Lies She Told is another thriller where nothing is as it seems. This is a fast-paced read that will keep readers riveted as the surprise endings of both story lines blossom into a crescendo of compassion and conflict resolution.

Cate Holahan’s latest thriller, Lies She Told, masterfully weaves together the parallel tales of two troubled young wives, sweeping readers along as each story echoes and advances the narrative. Both protagonists and readers must attempt to distinguish between truth and lies.

E. Lockhart’s latest novel opens in Cabo San Lucas, Mexico, where 18-year-old Jule West Williams is spending a month at a luxury resort. She speaks with a London accent and makes friends with the bartender. She swims laps and studies Spanish. She’s friendly and outgoing, but always holds something back, and she always looks over her shoulder. She is also entirely alone. On the outside, it would appear that Jule is a wealthy heiress with time to kill and money to burn, but on the inside, Jule is a self-trained fighter with a shady past. Then, there’s Imogen Sokoloff, Jule’s charismatic friend who loves Victorian novels and global jaunts. Both Jule and Imogen are orphans, but one was adopted into money, and the other most definitely was not. And yet, somehow, their lives become impossibly intertwined.

To reveal anything else would spoil this deftly plotted and fast-paced narrative told in reverse-chronological order. However, readers familiar with Patricia Highsmith’s The Talented Mr. Ripley—which Lockhart, bestselling author of We Were Liars, cites as an influence—will sense the story’s chilling trajectory. This isn’t a typical teen novel with clear-cut heroines and antagonists, and yet young readers will identify bits of themselves in these complicated characters. Because, as Jule discovers, the biggest hurdle of adolescence is simply finding out who you are.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

This isn’t a typical teen novel with clear-cut heroines and antagonists, and yet young readers will identify bits of themselves in these complicated characters.

Review by

“What do you do when the one true thing in your life turns out to be a lie?” Lee Cuddy, the main character in Augustus Rose’s debut novel, spends the book deciding whom to trust. At 17, she steals for friends, but when the friends who’ve been benefiting from her thievery betray her, she’s sent to a juvenile detention center for a crime she ironically didn’t commit. She escapes—into the hands of a nefarious Philadelphia network of Marcel Duchamp fans, The Société Anonyme. She trusts them until she links the glassy-eyed, obliging kids from the mental ward of her detention center to Société Anoyme’s raves. To escape the Société requires all her thieving skills, navigating the Subnet (Rose’s conception of a network akin to Silk Road or 4Chan), urban exploration and her own instinct. Lee becomes an artist herself, as defined by Duchamp: “a mediumistic being who, from the labyrinth beyond time and space, seeks his own way out to a clearing.” A true heroine, Lee forges her own path and finds her own truth.

The story is structured like the Duchamp piece at its center, the elusive “Large Glass.” Like the nine bachelors in the artwork, The Readymade Thief is composed of nine books, with multiple chapters each. Steadily linear in chronology, it manages to digress into quantum and philosophical exploration without losing pace. (Keep up with the discussion using the resources cited at the end.) While much of the action takes place in dark, dirty subterranean spaces, the tone is expansive; Lee’s voice soars, a testament to her male creator.

The Readymade Thief features ingenious, culture-altering teens resembling another recent debut novel, Rules for Werewolves by Kirk Lynn. Rose’s work entertains as well as invites us to think and imagine, as though we’re part of the conceit.

The Readymade Thief features ingenious, culture-altering teens resembling another recent debut novel, Rules for Werewolves by Kirk Lynn. Rose’s work entertains as well as invites us to think and imagine, as though we’re part of the conceit.

Best friends Izzie, Graham, Viv and Harry know their idyllic California town harbors secrets—specifically the cover-up of a teen girl’s murder five years ago—so they start a secret society intent on carrying out revenge and justice. Dubbing themselves the Order of the IV, the group tests the waters with small pranks until their antics bring the unwanted attention of the popular clique. But as the Order grows and the pranks dangerously intensify, the friends must navigate their love for one another amid the deep hatred they feel for their targets of revenge.

Alexandra Sirowy uses creepy imagery to peel back the layers of a quaint, coastal town to reveal its seedy core and to bring this twisty ride to its inevitable yet shocking conclusion. Narrated through Izzie’s haunting first-person point of view, the original Order struggles to remain true to themselves and the tight bonds they’ve formed, even as their plan to topple corrupt adults goes horribly wrong.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Best friends Izzie, Graham, Viv and Harry know their idyllic California town harbors secrets—specifically the cover-up of a teen girl’s murder five years ago—so they start a secret society intent on carrying out revenge and justice.

Scott Turow takes a bold step with his latest novel, Testimony, by moving the typical legal suspense his fans have become accustomed to out of the courtroom, as well as out of the country altogether. As the book opens, attorney Bill ten Boom’s midlife crisis is already fully underway: he’s left his job, his marriage and his home. He wants nothing more than to take a year off to “follow the sun around the world,” and “spend the evening reading everything I’ve always meant to.”

But despite his disillusionment with his former life, letting go of his quest for justice isn’t so easy. He is quickly talked into a new job as a prosecutor for the International Criminal Court in The Hague, a war crimes tribunal. His first case involves the disappearance of some 400 refugees during the Bosnian war, who are presumed to have been buried alive. The only surviving witness, Ferko Rincic, claims an armed force was behind the atrocity, and it’s up to ten Boom to bring the culprits to justice. In a classic fish-out-of-water scenario, ten Boom must negotiate the political and judicial legalities in a global arena while also contending with a lack of cooperation from all fronts. His investigation takes him from the streets of Bosnia to the secret halls of the U.S. government itself. No one is forthcoming, the lies are palpable, and his own safety is ultimately placed into jeopardy.

While it’s not necessary to have read any of Turow’s previous novels, Testimony is a natural progression in Bill ten Boom’s story and one that adds a deep complexity to his character. Rather than present just another case in the same old setting, Turow reinvents his protagonist by taking him out of his element. At the same time, Turow reinvents himself and reasserts his own mastery of the genre.

Scott Turow takes a bold step with his latest novel, Testimony, by moving the typical legal suspense his fans have become accustomed to out of the courtroom, as well as out of the country altogether. As the book opens, attorney Bill ten Boom’s midlife crisis is already fully underway: he’s left his job, his marriage and his home. He wants nothing more than to take a year off to “follow the sun around the world,” and “spend the evening reading everything I’ve always meant to.”

Arriving just in time for summer, Rosecrans Baldwin’s new novel, The Last Kid Left, is set in a New England beach town, where the bucolic, sea-swept terrain is smote by a double murder allegedly committed by a teenager, whose girlfriend’s foray into digital, private pornography ends up going viral. Indeed, readers best beware that Baldwin’s dark and brooding narrative is by no means a light and breezy “beach read,” and on the contrary, requires an appreciation for a murder mystery/love story in which the plot is inhabited solely by a cast of antiheroes, both male and female, who are not always easy to love.

Inspired by a true 1930s crime in New England and imbued with vestiges of Nathaniel Hawthorne’s The Scarlet Letter—one of Baldwin’s favorite works—The Last Kid Left begins when a car, driven by 19-year-old Nick Toussaint Jr., crashes into a kitschy sculpture of a cowgirl, prompting police to discover the teen has two bodies in the trunk: a prominent town doctor and his wife. Nick is charged with the murders, thrusting his already fragile 16-year-old girlfriend, Emily Portis, into a media maelstrom fueled by a hungry pack of journalists, one of whom realizes her reluctant return to her hometown of Claymore is entirely serendipitous. Meanwhile, a recently retired veteran police officer, the beleaguered recovering alcoholic Martin, finds himself drawn to the case at precisely the moment his toxic second marriage implodes. As Baldwin writes: “The clock reads four. In less than twenty-four hours the department will throw him a retirement party. Going by previous nights out, everyone will get drunk, sing his praises, wake up the next morning, and hop in a radio car and resume routine. Everyone except him.”

When Martin meets Nick’s mother, Suzanne, a fellow alcoholic who has not yet hopped aboard the recovery wagon, their shared obsession with proving the troubled teen’s innocence sparks a relationship that proves redemptive for both of them.

Without spoiling the ending of this finely wrought thriller, Baldwin’s novel steers clear of tidy endings, remaining faithful to delivering a story that ebbs and flows with the messiness of real life.

Arriving just in time for summer, Rosecrans Baldwin’s new novel, The Last Kid Left, is set in a New England beach town, where the bucolic, sea-swept terrain is smote by a double murder allegedly committed by a teenager, whose girlfriend’s foray into digital, private pornography ends up going viral. Indeed, readers best beware that Baldwin’s dark and brooding narrative is by no means a light and breezy “beach read,” and on the contrary, requires an appreciation for a murder mystery/love story in which the plot is inhabited solely by a cast of antiheroes, both male and female, who are not always easy to love.

Review by

“All this has happened before and will happen again,” President Roslyn said in “Battlestar Galactica,” and this sentiment informs Gian Sardar’s strange, beautifully written thriller. Abby Walters, a Los Angeles estate jeweler, is being tormented by nightmares—one nightmare in particular—that have returned after 14 years. They are so vivid and terrifying that she feels the need to get to the bottom of them, once and for all.

Abby believes her dreams have something to do with her grandmother’s ring, and something to do with what happened to her grandmother’s best friend, a woman named Claire Ballantine. Claire disappeared a few years after World War II, and her husband, William, killed himself shortly thereafter. Abby’s high school reunion is in the offing anyway, so she leaves her recalcitrant scriptwriter boyfriend behind and returns to her childhood home in Minnesota. She arrives just in time to learn there’s a serial rapist on the loose, and her former high school crush is one of the detectives trying to hunt him down.

Sardar titles Abby’s chapters “Now” and alternates them with “Then” chapters, which center on the unhappy Ballantines and Eva, the girl whom the wealthy and guilty William has turned to for solace. Eva is poor, from a Minnesota nowheresville that she longs to put behind her for several reasons. William may be her ticket out, but she truly loves him. Cleverly, subtly, even insidiously, Sardar shows how Abby’s life parallels the lives of the Ballantines and the hapless Eva. What happened “then” has much to do with the nightmares Abby’s having “now”; the author seems to suggest that some catastrophes can be impressed upon the genes as indelibly as they can on the mind and the memory of them passed on. No, Abby is not a secret descendant of Eva or the Ballantines, but she is a descendant of her grandmother. Readers won’t be surprised to learn that Sardar co-wrote a memoir called Psychic Junkie.

You Were Here will make you wonder about the nature of reality even as it gives you goosebumps.

“All this has happened before and will happen again,” President Roslyn said in “Battlestar Galactica,” and this sentiment informs Gian Sardar’s strange, beautifully written thriller. Abby Walters, a Los Angeles estate jeweler, is being tormented by nightmares—one nightmare in particular—that have returned after 14 years. They are so vivid and terrifying that she feels the need to get to the bottom of them, once and for all.

Sign Up

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Recent Reviews

Author Interviews

Recent Features