Sign Up

Get the latest ipsum dolor sit amet, consectetur adipiscing elit.

All , , Coverage

All True Crime Coverage

Review by

Some retirees quilt; others fish. And then there’s Northern California resident Barbara Rae-Venter, who, with “both feet planted firmly in retirement,” sparked a forensic revolution. How in the world did a retiree sitting alone at her computer looking at family trees manage to crack a horrific criminal case that had been eluding investigators for 40 years? 

Sixty-three days after loading a crime scene DNA profile to a service called GEDmatch, Rae-Venter and others in a group who call themselves Team Justice were able to identify a suspect: a police officer-turned-truck mechanic named Joseph James DeAngelo who eventually admitted responsibility for at least 13 murders and 50 rapes in the 1970s and ’80s in California. She tells the story the world has been waiting to hear in her mesmerizing memoir, I Know Who You Are: How an Amateur DNA Sleuth Unmasked the Golden State Killer and Changed Crime Fighting Forever

“All my life, mysteries have called out to me to be solved,” Rae-Venter writes. As a child growing up in New Zealand, she had what her mother called a “grasshopper mind,” meaning that Rae-Venter tended to circle a topic, coming at it from odd angles before zeroing in on an insight. She came to the United States at age 20, eventually earning a Ph.D. in biology and becoming a patent lawyer specializing in biotechnology innovations. In retirement, she started researching her own family history, then became a volunteer genealogist at a not-for-profit organization called DNAAdoption that teaches adoptees how to identify biological relatives using autosomal DNA. In 2015, Rae-Venter became involved in a cold case pertaining to an adoptee named Lisa Jensen, who at age 5 was abandoned by a man who claimed to be her father but wasn’t. The now-grown Jensen had no idea who her birth parents were until Rae-Venter solved this family mystery, and what turned out to be a mind-blowing criminal case, using investigative genetic genealogy (IGG). 

In addition to Jensen and the Golden State Killer, Rae-Venter describes a number of additional intriguing cases she’s worked on, along with the chilling details of actually being present at DeAngelo’s sentencing. She also discusses the ethical issues that IGG poses to the privacy of individuals’ DNA profiles, explains the complicated process of IGG in layman’s terms and includes a helpful glossary.

After unmasking the Golden State Killer, Rae-Venter planned to be identified only as an anonymous geneticist, but her son finally convinced her to go public. “If my story can inspire a budding young scientist somewhere to pursue her dreams, then my story is a story worth telling,” she writes. Indeed it is, and true crime lovers everywhere will agree.

Some retirees quilt; others fish. And then there’s Barbara Rae-Venter, who identified the Golden State Killer using investigative genetic genealogy and sparked a forensic revolution.
Review by

Shaker Heights, east of Cleveland, Ohio, is an idyllic American town, a “planned utopia . . . plotted out, parcel by parcel.” With its mansions full of doctors and lawyers and paved streets lined with high-end department stores, it’s an unexpected place for a murder. Little, Crazy Children reveals what happens when teenagers take “justice” into their own hands, spreading misinformation and blurring the line between the accused and the guilty. 

Sixteen-year-old Lisa Pruett was known and loved by all as a romantic, a poet, a member of her church youth group—and someone who was madly in love with her boyfriend, Dan Dreifort. But in September 1990, Pruett was found dead in a back yard near Dreifort’s house, brutally stabbed. 

Dreifort admitted to having contaminated the crime scene—putting his fingerprints on Pruett’s bike while straightening it up. Dreifort’s bedroom, less than 100 yards from the crime scene, was full of empty bottles of Robitussin and contained the suspected murder weapon. In journal upon journal, investigators found that Dreifort had written of his blistering hatred for Lisa, of sacrificing a virgin and poking her eyes out with his pocket knife. 

But Dreifort was not the one the state chose to prosecute. Instead, they fixed their attention on another teenager, 18-year-old Kevin Young. An outcast in the community who vehemently denied any involvement, Young soon became the main suspect without ever being placed at the scene of the crime. 

Journalist, novelist and renowned true crime reporter James Renner (The Great Forgetting) forages for the truth among mixed-up rumors and lies. Renner writes in short chapters with propulsive pacing and cliffhanger endings, turning this disturbing journey into quite a page turner. With a casual narration style, Renner imbues his story with plenty of personal anecdotes, making it feel like readers are on the case alongside him. 

The tragedy recounted in Little, Crazy Children includes an undercurrent of romantic, religious and racial tumult. There’s a mysterious phone call predicting the murder, a series of troubling love letters and a highly loaded trial—details that are as engrossing for readers as they were for the townspeople of Shaker Heights. Much of the mystery is still unanswered, and Renner fills his final chapter with theoretical questions. You’ll have plenty to deliberate over even after you finish reading, making this the perfect pick for your book club of amateur sleuths.

In his latest true crime investigation, James Renner refuses to let the murder of Shaker Heights, Ohio, teenager Lisa Pruett be washed away by the tide of time.

Most art thefts are simply for financial gain. The thieves, often opportunistic crooks and rarely art connoisseurs themselves, view their stolen masterworks as loot to be fenced. Stéphane Breitwieser is different. Growing up in the Alsace region of France, he fell in love with art and artifacts under his grandfather’s tutelage, and by the time he was in his 20s, he had begun to steal compulsively from museums, auction houses and even churches. In eight years, often aided by his girlfriend, Anne-Catherine, he filched more than 300 irreplaceable works—including small oil paintings, silver chalices, ivory sculptures, tapestries and a historic bugle—estimated to be worth billions. When he was ultimately caught, Breitwieser said his sole motivation for stealing was to surround himself with beauty. He never sold anything he procured but instead displayed it all in a cramped attic room he and Anne-Catherine occupied in his mother’s house.

The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession by journalist Michael Finkel is a fascinating account of Breitwieser’s crime spree that attempts to understand the mind of this criminal aesthete. This proves a herculean task, since Breitwieser’s singular condition has defied clear-cut diagnosis by a passel of mental health experts, but Finkel’s re-creation of the thief’s nefarious activities is nonetheless a riveting ride. As the only American journalist who was granted interviews with Breitwieser, Finkel spent some 40 hours with him, even accompanying the now ex-con on visits to some of the museums and churches from which he once stole. From this personally reported material, as well as other interviews and documentation, Finkel has fashioned an engrossing true crime narrative—mostly told in present-tense prose to heighten the drama—that takes readers along on Breitwieser and Anne-Catherine’s daring robberies, quite often carried out in plain sight. 

The Breitwieser whom Finkel deftly portrays is a social misfit, a virtuoso of stealth, an inveterate moocher and, most of all, a self-deluded hero. (He claims he is protecting and preserving the art by stealing it.) Anne-Catherine seems a complicit accomplice—a lovestruck Bonnie to her cultured Clyde—until Breitwieser is caught and the tables turn. Breitwieser’s enabling, much-in-denial mother, meanwhile, alters the course of events in a way that will shock and disturb art and history lovers. Obsessive crime, dangerous beauty, ill-fated love: The Art Thief is the stuff of noir fiction, made all the more compelling and audacious for its authenticity.

Stéphane Breitwieser stole more than 300 irreplaceable artworks. Journalist Michael Finkel now attempts to understand why this criminal aesthete hoarded those treasures in his attic.
Review by

Early on in her job, Barbara Butcher got an invaluable piece of advice from a colleague: “When you leave here each day, surround yourself with things of beauty. Enjoy nature and art and food and music and love. Just do it, and don’t skip a day.” Those words turned out to be crucial, lifesaving wisdom for Butcher, who spent 22 years working at the New York City Office of the Chief Medical Examiner. It was her job to investigate the circumstances surrounding unexpected deaths, carefully examining the bodies and their surroundings for clues to determine if it was an accident, a suicide, a death by natural causes—or a murder. Although she calls it “the best career I could ever imagine,” the emotional toll was painful—often excruciating—as she explains in her colorful, compelling memoir, What the Dead Know: Learning About Life as a New York City Death Investigator.

Barbara Butcher shares fond and chilling memories from the career that both saved and ruined her life.

Butcher’s life was almost upended by depression and alcohol addiction. Despite rising in the ranks as a physician assistant and a hospital administrator, she was on an extreme crash course to destruction when she landed in Alcoholics Anonymous. By chance, after she got sober, she was hired as a medicolegal death investigator. Butcher was only the second woman to hold the job; the first had quit after only a month.

Writing in a fast-paced, no-nonsense, sometimes funny and always precise style, Butcher shares a treasure trove of life and death stories that touch on racism, wealth, poverty, prejudice, misogyny, justice and injustice. In many ways, it’s the ultimate behind-the-scenes tour of the Big Apple from the 1990s through 2015, including the 9/11 attacks. Butcher guides readers through mansions, flophouses, back alleys, squatters’ buildings, train tunnels and more while taking note of the immense breadth of humanity, both living and dead.

Visceral, impassioned and hard to put down, What the Dead Know is a lively account of an unimaginable career.

Writing in a fast-paced and precise style, Barbara Butcher shares a treasure trove of stories from her 22 years as a death investigator in New York City.
STARRED REVIEW
July 17, 2023

The 15 most thrilling books of summer 2023

Private Eye July, our annual celebration of all things mystery, suspense and true crime, is here! Here are the books that will have us frantically flipping through pages all season long.
Share this Article:
Book jacket image for The Housekeepers by Alex Hay

The Housekeepers

Alex Hay’s debut, The Housekeepers, is mischievous, suspenseful and just plain fun as it follows a gang of female thieves in Edwardian England.
Read more
Book jacket image for Dead Man's Wake by Paul Doiron

Dead Man’s Wake

Paul Doiron packs in lots of twists and turns, and enough suspense to keep you reading well past bedtime, in his 14th Mike Bowditch mystery.
Read more
Book jacket image for A Stolen Child by Sarah Stewart Taylor

A Stolen Child

A Stolen Child is a nicely done police procedural, but it also offers an insightful look at a rapidly gentrifying part of Dublin.
Read more
Book jacket image for Charlotte Illes Is Not a Detective by Katie Siegel

Charlotte Illes Is Not a Detective

Katie Siegel’s Charlotte Illes Is Not a Detective has a wonderful, engaging premise: What happens when a precocious child detective grows up?
Read more
Book jacket image for The Grimoire of Grave Fates by Margaret Owen

The Grimoire of Grave Fates

This YA anthology set at a magical academy offers a resonant message of hope for a better future.
Read more

BookPage enewsletter

Sign up to receive reading recommendations in your favorite genres every Tuesday.

Recent Features

Private Eye July, our annual celebration of all things mystery, suspense and true crime, is here! Here are the books that will have us frantically flipping through pages all season long.

How to Say Babylon by Safiya Sinclair

Simon & Schuster | October 3

Throughout poet Safiya Sinclair’s childhood in Jamaica, her father was a strict Rastafarian who imposed harsh constraints on his daughters’ lives and appearances. As Sinclair read the books her mother gave her and began to find her voice as a poet, she likewise found her voice as a daughter struggling to get out from underneath her father’s thumb. In her debut memoir, Sinclair reckons with colonialism, patriarchy and obedience in expressive, melodic prose.

A Man of Two Faces by Viet Thanh Nguyen

Riverhead | September 12

The celebrated novelist and author of the Pulitzer Prize-winning novel The Sympathizer turns to memoir for the first time in A Man of Two Faces. Viet Thanh Nguyen left Vietnam at age 4 and came to the U.S. as a refugee, but even after escaping danger in their home country, his family was separated, targeted and harmed in America. This book recounts the events of Nguyen’s life, of course, but it becomes much more than a straightforward memoir as Nguyen conjures stirring insights into memory, migration and identity.

The Sisterhood by Liza Mundy

Crown | October 17

The author of the 2017 bestseller Code Girls returns with The Sisterhood, a history of the women who have played key roles in the CIA since World War II. As spies, archivists, analysts and operatives, women have been underestimated and overlooked through the years. Liza Mundy now spins a gripping tale of how those women used those slights to their advantage as they captured state secrets and spotted threats that the men working alongside them had missed.

Being Henry by Henry Winkler

Celadon | October 31

Famously kindhearted actor Henry Winkler opens up about his life and work in Being Henry. From overcoming a difficult childhood and getting typecast as the Fonz early in his career to finding his second wind decades later in shows such as “Arrested Development” and “Barry,” Winkler peers beneath the sparkling veneer of Hollywood to tell the tender personal story behind his lifelong fame.

My Name Is Barbra by Barbra Streisand

Viking | November 7

If there is one book that truly captures the spirit of “most anticipated,” it has to be screen and stage legend Barbra Streisand’s memoir. Fans have been looking forward to reading the full saga of Streisand’s life and unparalleled career for years—and this fall, they will finally get the chance. At 1,024 pages long, this book is unlikely to skip over any of the juicy details.

To Free the Captives: A Plea for the American Soul by Tracy K. Smith

Knopf | November 7

Tracy K. Smith digs into historical archives to craft a new terminology for American life in this centuries-spanning portrait. Using the personal, documentary and spiritual, Smith considers the memory and possibilities of race, family and intimacy throughout history and into the future. By the end of this meditation, readers will have a new vocabulary and insight into the powers of their own soul.

Gator Country by Rebecca Renner

Flatiron | November 14

Gonzo journalism meets nature documentary in this fast-paced Floridian crime story. Officer Jeff Babauta goes undercover into the world of gator poaching in an attempt to bring down the intricate crime ring. As he becomes embedded in the network, meeting a zany, desperate cast of characters, Babauta’s sense of justice is challenged and he soon has to choose between sacrificing his new community and the safety of the natural world. 

The Lost Tomb by Douglas Preston

Grand Central | December 5

True crime meets a crash course in archaeological history in this extravaganza of a book. When he isn’t co-writing bestselling thrillers featuring FBI Agent Pendergast, Douglas Preston has been traveling the world, visiting some of history’s most storied and remote locations. From the largest tomb in Egypt’s Valley of the Kings to a mass grave left by an asteroid impact, Preston will take readers on a fun, insightful journey into history.

Discover all of BookPage’s most anticipated books of fall 2023.


From CIA spies to Barbra Streisand, alligator tales and more, there’s something for everyone in fall’s most anticipated nonfiction releases.
Review by

The Polly Klaas case captured America’s attention in the fall of 1993. It was uniquely horrifying: A lovely 12-year-old girl kidnapped at knifepoint from her own bedroom while her two friends watched helplessly. Polly was missing for two months before her body was recovered near an abandoned sawmill outside of Petaluma, California. The media couldn’t get enough: A child disappeared without a trace from the safety of her home. The story was on the cover of People and featured on “America’s Most Wanted.” Petaluma native Winona Ryder offered a reward for Polly’s return. Polly’s father, Marc Klaas, a bereft man desperate to find his only daughter, made supporting families of missing children his life’s work and appeared in scores of interviews.

In this deeply compelling and carefully reported book, journalist Kim Cross examines why the Polly Klaas case struck such a chord and the lasting impact it has had on investigative techniques. Through dozens of interviews, Cross dives into the nascent use of DNA as a means of identifying and ruling out suspects, and how the Klaas case informed behavioral science used to profile unknown subjects. The case also changed how child witnesses were treated. . The two friends—who were at Polly’s house that night for a sleepover—were subjected to repeated harsh interrogations and lie detector tests in the weeks after the kidnapping. This sparked a national conversation among law enforcement officials, leading to trained child interviewers and a new set of protocols to protect children who witness crimes.

In Light of All Darkness is a fascinating and heartbreaking read as Cross captures the terror and sadness the Polly Klaas case evoked 30 years ago. In the aftermath, parents feared letting their children play outside or even leaving their windows ajar. Polly’s mother, Eve Nichol, was a follower of spiritual leader Ram Dass, and held out hope until her daughter was found, lighting a candle in the window each evening. “You can’t grow a new heart,” she said. “But when you have a big piece torn away, you can either fill it with anger and rage, or you can fill it with love. I just have to try and choose love.”

Journalist Kim Cross examines why the 1993 kidnapping of Polly Klaas struck such a chord and the lasting impact it has had on investigative techniques
Review by

“What an amazing world we live in today,” Laura Baanstra said. She was speaking at a 2018 press conference to announce the scientific process that had been used to solve the 1987 murders of her brother and his girlfriend. The Forever Witness: How DNA and Genealogy Solved a Cold Case Double Murder details this brutal crime, the failed efforts to solve it and how its eventual unraveling led to the first genetic genealogy murder trial. Fans of Michelle McNamara’s acclaimed I’ll Be Gone in the Dark should clear their schedules, because Edward Humes’ riveting account is nearly impossible to put down.

Pulitzer Prize winner Humes is no stranger to true crime writing. His 16 books include Mississippi Mud: Southern Justice and the Dixie Mafia and Burned: A Story of Murder and the Crime That Wasn’t. In The Forever Witness, he takes on the murders of 20-year-old Jay Cook and 18-year-old Tanya Van Cuylenborg, who set out by van from Victoria Island, Canada, to Seattle, Washington, to pick up a furnace for Jay’s father. Baanstra vividly remembers waving goodbye to her brother as he drove away in the family van for what was meant to be a quick overnight trip. Instead, Tanya’s body was dumped alongside a lonely road in Washington, Jay’s body was tossed over a bridge, and the van was abandoned. There were no eyewitnesses, no way of knowing what happened and little physical evidence, except for semen and a palm print on one of the van’s rear doors.

Hume’s account brings the young victims alive: Tanya, a photography buff planning to head to Europe as an au pair, and Jay, a kindhearted soul toying with becoming a marine biologist. Their families’ ongoing anguish is palpable, and details of the police investigation offer sharp reminders of how difficult such cases were to solve before the advent of technology such as cell phones and surveillance cameras, not to mention widespread DNA processing. 

Deputy Sheriff James Scharf had been working the graveyard shift in Snohomish County, Washington, when he got an alert to be on the lookout for the missing Canadian couple. Decades later, after becoming a cold case investigator, he would take the case to CeCe Moore, a self-taught genetic genealogist featured on the PBS show “Finding Your Roots With Henry Louis Gates, Jr.” Her amazing detective work—done in just two hours from her couch—led the authorities to William Earl Talbott II, a truck driver with no criminal convictions or known connection to the victims. Along the way, Hume explains the advent of DNA technology and databases in highly readable terms and examines the continuing debate about their use.

With over 30 years separating the crime from the arrest and trial, Hume does an exceptional job of navigating the vast time frame and re-creating the victims’ last journey. The results are heartbreaking as well as heart pounding. The Forever Witness has earned a well-deserved place among top-notch true crime reads.

Fans of Michelle McNamara’s acclaimed I’ll Be Gone in the Dark should clear their schedules, because Edward Humes’ The Forever Witness is nearly impossible to put down.
Feature by

True-crime books are frequently framed as guilty pleasures. Often sensational or even lurid, they feed our inner rubberneckers. But in the hands of a tenacious reporter, true crime can also expose devastating truths about human nature.

 We Carry Their Bones

Book jacket for We Carry Their Bones by Erin Kimmerle

We Carry Their Bones is Erin Kimmerle’s firsthand account of the discovery, exhumation and identification of 51 bodies buried in unmarked graves on the grounds of the Dozier School for Boys in Marianna, Florida. Truthfully, it is obscene to call Dozier a school. The inspiration for Colson Whitehead’s The Nickel Boys, Dozier was a prison where boys and young men were exploited, abused and often left to die from their injuries, beginning in 1900 and lasting until its closure in 2011. Kimmerle, a professor of forensic anthropology, led the team of volunteers and students who combed through layers of obstinate Florida clay to find and reclaim these lost boys, despite fierce opposition from townspeople and politicians.

Kimmerle’s commitment to finding the truth was grounded in her identity as a scientist. She didn’t fit facts to a predetermined answer but allowed the facts to lead her. Her dedication to clarity is reflected in her writing style as well. Without ever losing the thread of her story, Kimmerle outlines precisely, patiently and clearly each step of her task—including dealing with court appearances, bureaucratic battles and hostile town officials, as well as the myriad engineering and scientific difficulties she faced.

But We Carry Their Bones is not just a procedural: Kimmerle’s account of how her investigation unfolded also illuminates why it was so important. Unearthing these boys’ bodies likewise unearthed Dozier’s history, forcing onlookers everywhere to confront the racism and classism that sanctioned the crimes Dozier employees committed against so many young people. And most of all, restoring the boys’ names and returning their remains to their families brought both healing to the survivors and a measure of justice to the dead, demonstrating that something like peace is possible if amends are sincerely made.

 Trailed

Book jacket for Trailed by Kathryn Miles

In 1996, Julianne Williams and Laura Winans, two young women deeply in love, were murdered while backpacking in Shenandoah National Park. Kathryn Miles, a journalist and science writer, learned about their murder several years later while teaching at Unity College, where Laura had been a popular student. An enthusiastic backpacker herself, Miles was fascinated by the case and set out to write an article about the double murder. Instead, she ended up writing her fifth book, Trailed: One Woman’s Quest to Solve the Shenandoah Murders.

Reading Trailed is like taking an interesting and often treacherous hike with a friend who is not afraid to explore the side trails. The main trail in the book is, of course, the story of Julianne and Laura, their deaths and the investigation that followed. But as Miles became more immersed in their story, she discovered other trails that looped back to Julianne and Laura: similar murders in and around the National Park System, especially of young women, members of LGBTQ communities and people of color; the lack of law enforcement resources allocated to park rangers; the many flaws in the initial investigation of Julianne’s and Laura’s murders that eventually led to the prosecution and persecution of a man who was probably innocent; and the community of cold case investigators and exoneration attorneys who helped Miles hunt for the real killer.

Like Kimmerle, Miles uses a true-crime story to shed light on society’s ills. Miles believes that Laura and Julianne weren’t murder victims who happened to be lesbians; they were murder victims because they were lesbians. Similarly, the flawed investigation shows the disastrous impact that confirmation bias can have on an innocent man—while letting the guilty man remain free. Meticulously honest and lyrically written, Trailed is an elegy to two young women and an indictment of the system that failed them.

 Rogues

Book jacket for Rogues by Patrick Radden Keefe

In Rogues: True Stories of Grifters, Killers, Rebels and Crooks, a collection of 12 articles previously published in The New Yorker, author and journalist Patrick Radden Keefe undertakes a different kind of sleuthing. There is no single crime that unites these pieces; for that matter, not every piece concerns a crime. The article on Anthony Bourdain, for example, is remarkably crime-free, if you discount his use of illegal drugs. Instead, Keefe focuses on “rogues”—not the jolly scallywags that the word often evokes but rebels, outliers, rule-breakers and operators who recognize no boundaries between themselves and the objects of their obsessions.

Keefe introduces readers to a notable rogues’ gallery, including a woman who must spend her life in hiding after informing on her mobster brother, an assistant professor who went on a shooting spree after being denied tenure, an IT guy in a Swiss bank who spilled the beans on hundreds of tax evaders and a lawyer who defends only death penalty cases. “Buried Secrets,” which details the struggle between an honest Guinean president and an unscrupulous Israeli diamond merchant over the world’s richest iron ore deposit, could easily have come straight out of a John le Carré novel. “The Avenger,” on the other hand, is a heartbreaking account of a man’s search for his brother’s murderer, the Lockerbie bomber.

Keefe has written several lengthy investigative books, including Empire of Pain, the comprehensive story of the Sackler family’s complicity in the opioid crisis. By contrast, he is working within the confines of 10,000-word articles in Rogues, so there is little room for self-reflection or digression. Instead, he makes full use of journalistic tools for fact-finding: keen observation, meticulous research and insightful interviews with the rogues, their associates and their victims. As a result, each essay is a taut, highly honed yet powerful reflection on the creative and corrosive effects of obsession.

Read more: Patrick Radden Keefe narrates the audiobook for ‘Rogues.’

Scientists and journalists are on the case in three noteworthy books about unsolved murders and other long-buried secrets.
Feature by

A scream in the night. A tangle of clues. Befuddled police being led by the nose as a sharp-eyed and unlikely detective examines the evidence. The drawing room denouement. All these are, of course, well-known tropes of the classic murder mystery—a genre made famous in part by the queen of the sleuthing story herself, Agatha Christie.

Christie’s works are so engrossing, and enduring, because they manage to tread that thin line where the cozy mystery and the high-stakes whodunit meet. While readers are wrapped up in the fantasy of an English country home or hamlet, the imminent danger is truly spine-tingling. Somewhat less examined, however, are Christie’s reputation as a meticulous researcher of forensics, a field that was newly developing in the early 20th century, and her medical and pharmacological background. A perfectionist who volunteered as a nurse and pharmacist during World War I, Christie was businesslike about blood and gore, more than aware of the effects of certain chemicals on the body and keenly curious about the new scientific methods being used to investigate real-life murders. Her appetite for the crossroads of science and crime was so great, in fact, that she co-founded the Detection Club, a social club of crime writers who gathered for supper and lively discussions on murder.

In The Science of Murder: The Forensics of Agatha Christie, Carla Valentine, a longtime mortician, curator of a museum of Victorian pathology and voracious Christie reader, expertly moves through the study of fingerprints, toxicology, ballistics, blood spatter and wounds. (A memorable example: The practice of “gloving” involves the autopsist wearing the skin of the deceased’s hand like a glove in order to collect fingerprints.) Christie ignited Valentine’s own curiosity about the forensic sciences, and with the enthusiasm of the true fan, Valentine illuminates Christie’s meticulous genius by dissecting some of her most famous fictional murders and illustrating how both the crime and the solution are supported by science. It’s an engrossing read for any Christie lover, or simply any true-crime obsessive. However, a strong stomach is recommended; Valentine, like Christie, has no qualms about gore.

The best murder is the well-researched murder. Happy reading.

Of all the ways there are to kill a person, poison is the one most inextricably associated with Christie. Dispatching over 30 of her victims in this way, Christie was well versed in toxins from her wartime days in a pharmacy. In fact, she wielded her toxic substances with such descriptive accuracy that her novels have been used to detect symptoms of poisoning in real murder attempts. Author and toxicologist Neil Bradbury pays homage to this fact in his book A Taste for Poison: Eleven Deadly Molecules and the Killers Who Used Them by opening three of his chapters with excerpts from Christie’s novels. All together, this is a book that Christie herself would have found excellent fireside reading material, as Bradbury devotes a chapter each to 11 major poisons used throughout history, including real-life murder cases in which they were used and, sometimes gruesomely, how they work on a molecular level to kill their victims.

Bradbury’s poisons run the gamut from the unexpected (insulin) to the gothically romantic (belladonna and wolfsbane). There’s even a section on polonium, the radioactive poison carrying a very famous victim count of one. Far from being dry molecular science, A Taste for Poison makes the reader horrifyingly aware of the devastating effects these substances have on the body’from corroding their organs to interrupting their essential electrical impulses to death. Yet it is with an excitement and love for his subject matter that Bradbury discusses these baneful materials, frequently reminding us that they are themselves blameless and often used in smaller doses to heal.

Christie’s murder mysteries were so steeped in science and so brilliantly complex that some think her novels were used as manuals to carry out attempts at the perfect murder. (Note: The would-be criminal masterminds failed in every known case.) Both Bradbury and Valentine seem to nod at this with their own warnings to readers who might use the knowledge their books impart to nefarious purposes. Forensic science will catch you, warns Valentine. Bradbury absolves himself in the appendix with a note informing us that his book is educational in nature and strictly not for the encouragement of murder. However, as Christie knew, the best murder is the well-researched murder. Happy reading.

Poison, fingerprints and toxicology—oh my! Carla Valentine and Neil Bradbury reveal how murderers have wielded chemistry and biology.
Review by

Why are some people drawn to darkness? It’s understandable why some people seek it out as entertainment; to some, grisly murder is no more real than a sweet romance or an exciting adventure. But what about the people who choose to interact with darkness as part of their livelihoods? What makes someone say, “Serial killers—I want to hunt them down for a living”?

The best explanation readers might get is in Unmasked: My Life Solving America’s Cold Cases by Paul Holes, a retired detective from Contra Costa County in California. The region is where Laci Peterson was murdered, where Jaycee Dugard was held in captivity and where the Golden State Killer terrorized communities for decades. Holes spent his entire career in the county, with a particular focus on cold cases, and he devoted 24 years to investigating and ultimately finding the Golden State Killer.

Paul Holes, the cold case investigator who found the Golden State Killer, reveals the personal toll of his onerous career.

Holes’ memoir, co-written with journalist Robin Gaby Fisher, unpacks one man’s bruised brain. Unmasked is more about Holes’ mental health journey than other “how I caught the killer” tales in the true crime genre (although, of course, there is some of that, too). Holes’ blessing and curse was being gifted at a career that required him to think like a murderer, torturer, kidnapper or rapist. His book looks at what staring into that darkness does to a husband and father.

Unmasked is not for squeamish readers; investigations into many, many murders and rapes are described in detail. Additionally, Holes’ honesty about how police use macabre jokes and gallows humor to cope with their difficult jobs may disturb some readers.

But for readers who would like to see a different side of the true crime genre—the lifelong impact that catching twisted individuals has on one man—Unmasked is a must-read.

Retired cold case investigator Paul Holes’ memoir looks at what catching murderers, kidnappers and rapists does to a husband and father.
Interview by

At this moment in our collective obsession with true crime, we have a pretty good idea of what compels audiences to look into the darkest parts of human nature. Some people like to feel as though they’re contributing to a real-life whodunit. Some people want to feel the victory of seeing the bad guys punished. And some people, frankly, might just enjoy the morbidity.

Less certain, however, is what compels a key character of every true-crime tale: the investigator. What motivates someone who can’t just turn off the podcast or change the channel? What drives someone to make their entire career about investigating children’s deaths, women’s rapes or the crimes of people who are severely mentally ill? Paul Holes, a former cold case investigator for Contra Costa County in California, tries to explain in his memoir, Unmasked: My Life Solving America’s Cold Cases.

Holes is best known for devoting years of his life to catching the serial killer and rapist known as the Golden State Killer, but he hadn’t planned on writing a memoir about that experience. ‘My initial intention was to write a book like [an] encyclopedia of the Golden State Killer investigation,’ he explains by phone. But his agent, as well as his co-author, the Pulitzer Prize-winning journalist Robin Gaby Fisher, saw potential in adding more of Holes’ life story to the book. When Fisher interviewed Holes about his experiences, she found the other cases he’d worked on—such as Laci Peterson’s murder and Jaycee Dugard’s kidnapping—just as impactful.

Read our review of ‘Unmasked’ by Paul Holes.

Most importantly, though, Fisher picked up on “this undercurrent that I have—that most people in this field have—in terms of the trauma of having to work these cases,” Holes explains. “So she was trying to draw that out of me. And then when we finally got a publisher involved, the publisher said, ‘We need more Paul.'”

But providing “more Paul”—especially opening up about his traumatic experiences hunting rapists and murderers for 27 years—didn’t come easily to Holes. He had spent decades compartmentalizing painful memories about the worst things humans are capable of and, somewhat understandably, developed a mistrust of people.

However, Holes now realizes that he may not have been as good at compartmentalizing as he originally thought. His obsessive nature made him a dogged investigator of cold cases, but he wouldn’t have won any awards for being an attentive husband or present parent, both because of the urgent demands of his work and because of how its lingering effects spilled over into his personal life. In this regard, Unmasked depicts an aspect of working in law enforcement that surpasses the reductive binaries that have calcified around discussions of police in recent years. Addressing mental health issues in law enforcement is a murky area and is often handled within the profession with machismo and gallows humor. Because of this, Holes didn’t exactly leap at the chance to address his own mental health for most of his career.

And yet he became an author who writes on the very first page of his memoir, “I’ve looked at a woman, and rather than seeing the beauty of the female body, I dissected it, layer by layer, as if she were on the autopsy table. I have visualized dead women during intimate moments and I shut down.” Readers will know straight away the unsettling mental glue traps that lie ahead in Unmasked.

“Law enforcement has one of the highest divorce rates, and you can see why.”

But Holes’ candor about his work, and his eventual diagnosis of and treatment for post-traumatic stress disorder, provide helpful context for some of the personal casualties of his former profession. “Law enforcement has one of the highest divorce rates, and you can see why,” Holes says. “A lot of it is just the cynicism that develops in officers as they interact with the public in usually bad situations. . . . They bring that home. You know, I brought that home. And that does impact relationships.”

Unmasked book jacket by Paul Holes

Fisher interviewed Holes’ ex-wife and his current wife to incorporate their perspectives into Unmasked as well, and a legal review was conducted about cases covered in the memoir. “But nothing in the book was passed by anybody for preapproval,” Holes says. “What I put in there, the intention was to be as authentic as possible.”

In addition to Holes’ mental and emotional evolution, the memoir’s other throughline is tracking down the Golden State Killer—at first known as the East Area Rapist and the Original Nightstalker, until those two criminals were discovered to be the same person. Holes sought the Golden State Killer for 24 years with many twists, turns and false starts along the way. Law enforcement agencies from several California counties eventually tied the crimes to a former police officer named Joseph DeAngelo, thanks to the work of Holes and the late crime journalist Michelle McNamara (whose posthumous book I’ll Be Gone in the Dark details her experience trying to solve the Golden State Killer case). When DeAngelo was finally caught in 2018, he turned out to be living a fairly mundane life in a suburban neighborhood.

“There are real people whose lives have been lost, whose families have been impacted. And the professionals that are working these cases are also impacted.”

The details of Holes’ investigative work will fascinate any “Dateline” viewer or “Serial” listener; the book is practically a love letter to forensic DNA technology. But it’s the psychological component of Unmasked that is most compelling. Holes writes both chillingly and movingly about how tracking the Golden State Killer for so many years forced him to become very familiar with the killer’s mindset. Why did he rape some victims with a certain pattern of behavior? Why did he kill certain victims but not others? Why did he sometimes cry after committing his crimes or whimper for his “Mommy”?

These are unnerving questions to explore, even for a professional. “I felt as if I’d come to know him well enough to get in his head when I needed to,” Holes writes. “Sometimes it worried me how easy it was for me to feel what I thought he was feeling. . . . As even-keeled as I was, there were times when I was shaken by the darkness I’d invited myself into.”

Many readers will be eager to venture into that darkness with Holes, but he cautions them to tread lightly. “I want the true-crime fans to make sure that people understand that true crime is real crime,” he says. “There are real people whose lives have been lost, whose families have been impacted. And the professionals that are working these cases are also impacted.”

Headshot photo of Paul Holes © Steve Babuljak

The cold case investigator who found the Golden State Killer reveals the personal toll of his onerous career.
Review by

n the trail of A Cold Case As decent and democratic and objective as you think yourself to be and probably are, when you watched the movie A Few Good Men and heard Jack Nicholson as the tough Marine colonel shout, “You can’t handle the truth!” you may have felt a small, silent, shameful twinge of agreement. We often want someone to make our problems go away without being told the truth about the messy, not-necessarily-legal ways they were dealt with.

An unspoken understanding of this nature forms part of the background of A Cold Case by Philip Gourevitch, whose previous book We Wish to Inform You that Tomorrow We Will Be Killed with Our Families: Stories from Rwanda won the 1998 National Book Critics Circle Award. Gourevitch has produced another potential award-winner in this slim account of the solving of a 27-year-old double murder in New York City.

In relating his part of the story to the author, Andy Rosenzweig, chief investigator for the Manhattan district attorney, acknowledges without noticeable bitterness this flexible standard toward truth on the part of the public. However, people who know Rosenzweig tell the author that it was a message from another movie High Noon, in which an upright lawman is abandoned by a spineless citizenry that has most influenced the investigator: This is a twilight world in which the two sides of the law are not always distinct and for which Rosenzweig, though an honorable cop, always felt an affinity.

To call the murder in question here an unsolved crime is not totally accurate: Everyone knew who shot and killed Richie Glennon and Pete McGinn on February 18, 1970, at McGinn’s apartment after having tangled with the pair earlier in the evening at the restaurant McGinn owned. The murderer was Frankie Koehler, a man with an extensive criminal past, including an earlier homicide in 1945 when he was only 15 years old. After the slayings, Koehler simply disappeared.

Rosenzweig knew both victims and liked Glennon especially. He had not been in on the original investigation and was reminded of the case by a chance incident in January 1997. He began to look into it and discovered that somewhere along the line the case had been closed because Koehler had been presumed for no good reason, as it turns out dead.

Rosenzweig got permission to reopen the “cold case.” Gourevitch recounts some neat deduction and legwork until Koehler was tracked down in California, living under another name. The story has about it more than a whiff of Dashiell Hammett (a quotation from one of whose stories serves as an epigraph), the Hammett of the grim, relentless harshness of life.

It is not revealing too much to say that Koehler was captured on a return trip to New York, because half of the book is about Koehler’s confession and defense. In some respects this is the most fascinating part of the story. In the videotaped confession, which Gourevitch says “has come to be regarded at the D.

A.’s office as one of the classic portraits of a criminal personality,” Koehler “is not confessing so much as taking credit for his crimes.” More than once Koehler speaks of his “desire to be understood not only as a murderer but also a sparer of life.” Koehler’s attorney, Murray Richman, a mob lawyer who revels in his lowlife connections, is a piece of work himself. Richman likes criminals for their “simplicity” and believes that “murderers are the straightest guys in the world.” In a way, he makes the reader think of John Mortimer’s British barrister, Horace Rumpole, who also has a fondness for his clients, except that Richman’s criminal contacts are considerably more dangerous and less charming than Rumpole’s “villains.” Koehler’s defense consisted primarily of a war of nerves between Richman and the prosecutors, who were worried about the problems an old case presented. Richman held out for the lowest sentence he could get. As for Koehler, in the letters he wrote while being held on Rikers Island he “seemed to believe the lashes of his own conscience were all the punishment he needed.” When Gourevitch went to California to see where Koehler had lived, he found that the murderer was remembered fondly by those who had known him. When he went to visit Rosenzweig, who had retired to run a bookstore in Rhode Island 12 days before Koehler’s sentencing, he found him working, unofficially, on another case.

The only thing wrong with this book is that it is over too quickly. We hunger to know even more about these intriguing characters.

Roger K. Miller is a freelance writer in Wisconsin.

n the trail of A Cold Case As decent and democratic and objective as you think yourself to be and probably are, when you watched the movie A Few Good Men and heard Jack Nicholson as the tough Marine colonel shout, "You can't handle the…

Sign Up

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Recent Reviews

Author Interviews

Recent Features